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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For Mónica
Non classifié
46
Piano & claviers
Piano seul
67
Piano Facile
10
Instruments en Do
9
Piano, Voix et Guitare
4
Piano, Voix
2
1 Piano, 4 mains
2
+ 1 instrumentations
Retracter
Guitares
Guitare
11
Ligne De Mélodie, (Paroles) et Accords
9
Guitare notes et tablatures
2
4 Guitares (Quatuor)
1
Voix
Chorale SATB
7
Chorale 3 parties
7
Voix duo, Piano
1
Vents
Harmonica
11
2 Flûtes traversières (duo)
8
Quatuor de Clarinettes: 4 clarinettes
8
Clarinette
5
2 Clarinettes (duo)
5
Flûte traversière
4
Quatuor de Saxophones: 4 saxophones
4
Saxophone Tenor
3
Saxophone Alto
2
Flûte traversière et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
2 Saxophones (duo)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Quatuor de Flûtes à bec
1
Ensemble de Clarinettes
1
2 Hautbois (duo)
1
Harmonica, Piano
1
+ 12 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
2 Trombones (duo)
2
Trombone
2
2 Trompettes (duo)
2
Cor, Violoncelle (duo)
1
Trompette
1
Tuba
1
Euphonium, Tuba (duo)
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
20
Trio à Cordes: violon, alto, violoncelle
8
Violon, Violoncelle (duo)
5
Violon
4
Violon et Piano
3
Violoncelle, Piano
3
2 Violons (duo)
3
Violoncelle
2
Alto, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
39
Orchestre à Cordes
7
Orchestre
5
Ensemble Jazz
4
Ensemble de cuivres
2
Quintette de Cuivres: autres combinaisons
1
Jazz combo
1
Piano et Orchestre
1
+ 3 instrumentations
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DOBRO - GUI…
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EUPHONIUM
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FLUTE A DIX…
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FORMATION M…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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ORCHESTRE
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PARTITIONS …
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PERCU. ORCH…
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VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
For Mónica
Partitions à imprimer
362 partitions trouvées
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351
For Mónica (Classical Guitar)
Guitare
Solo Guitar - Digital Download SKU: A0.1011892 Composed by David Yáñez Sanahu…
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Solo Guitar - Digital Download SKU: A0.1011892 Composed by David Yáñez Sanahuja. 20th Century,Classical,Romantic Period,World. Individual part. 3 pages. David Yáñez #4730821. Published by David Yáñez (A0.1011892). Para Mónica es una obra original de David Yáñez Sanahuja, compuesta para guitarra clásica solista en la tonalidad de DO mayor, de nivel intermedio.
$4.00
3.69 €
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Guitare
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David Yáñez Sanahuja
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For Mónica
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David Yáñez
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SheetMusicPlus
Adage for Mônica - An original piano duet composed by Graham Dickson-Place
1 Piano, 4 mains
Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.986191
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Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.986191 Composed by Graham Dickson-Place. Concert,Holiday,Standards,Wedding. Score and parts. 4 pages. Gramonimusica 2021 #6381261. Published by Gramonimusica 2021 (A0.986191). This is a charming piano duet made up of two very melodic adagios. The standard is early intermediate and would be ideal for your student concerts and recitals. I have provided the score with both parts on the same page and also both piano parts separated.
$8.99
8.29 €
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1 Piano, 4 mains
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Graham Dickson-Place
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Adage for Mônica - An original piano duet composed by Graham Dickson-Place
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Gramonimusica 2021
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SheetMusicPlus
Primeras Lecciones Armonica
Harmonica (diatonic) - Beginning - Digital Download SKU: M0.20118BCDSPEB Composed b…
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Harmonica (diatonic) - Beginning - Digital Download SKU: M0.20118BCDSPEB Composed by David Barrett. Children and Young Beginner. First Lessons - Spanish. All styles. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20118BCDSPEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20118BCDSPEB). ISBN 9781619112803. 8.75x11.75 inches.First Lessons Harmonica es un emocionante curso de instrucción paso por paso para la armónica diatónica de diez agujeros. Los temas cubiertos son: lectura de notación musical; entrenamiento del ritmo; patrones de trenes; melodÃas populares blues; doblado vibrato Lengua bloqueando notas sueltas y octavas; e instrucciones sobre las tres posiciones comunes de armónica (1ª, 2ª y 3ª). El libro se acompaña de una grabación de audio de todos los ejemplos interpretados por el autor David Barrett junto con música de fondo. Incluye acceso a audio en lÃnea.First Lessons Harmonica is an exciting set-by-step instruction course for the ten-hole diatonic harmonica. Subjects covered are: reading music notation; rhythm training; train patterns; folk tunes; blues; bending; vibrato; tongue blocking single notes and octaves; and instruction on all three common harmonica positions (1st, 2nd and 3rd). Book is accompanied by an audio recording of all examples played by author David Barrett along with background music. Includes access to online audio. Written in Spanish only.
$9.99
9.21 €
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David Barrett
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entrenamiento del ritmo
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Primeras Lecciones Armonica
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Bach: Partita No. 2 BWV 826 for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1435859 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 75 pages. Jmsgu3 #1015958. Published by jmsgu3 (A0.1435859). BACH: Partita No. 2 BWV 826 Contents: Sinfonia, Allemande, Courante, Sarabande, Rondeau, Capriccio. Bach's Partita No. 2 in C minor, BWV 826, is an essential work for several reasons: Significance in Bach's Oeuvre It is part of Bach's monumental collection of six partitas (suites) for the keyboard, considered among music history's most famous and challenging suites. The partitas were published as Bach's Opus 1 in 1731, showcasing the diversity of forms and ingenious counterpoint in his keyboard writing. Partita No. 2 was one of the earliest partitas to be published individually in 1727, highlighting its significance. Musical Characteristics It opens with a grand Sinfonia movement akin to a French overture, followed by an expressive Andante aria-like movement. The fugue movement has an intense subject spanning a minor 9th interval. It includes a double (ornamented variation) of the traditional Sarabande dance movement. The final Capriccio movement is a virtuosic and contrapuntal concerto-like piece testing the performer's technical prowess. Overall, the partita exhibits a weighty, substantial, and momentous character compared to the first. Influence and Legacy It expanded keyboard suites' technical and musical boundaries and other partitas. Due to its artistic merit and challenges, it has remained a pinnacle of the keyboard repertoire, studied and performed by generations of musicians. In summary, Bach's Partita No. 2 is a significant work that exemplifies the composer's mastery of counterpoint, variation forms, and virtuosic keyboard writing, solidifying the partitas' enduring importance in the canon of Western classical music.
$42.95
39.6 €
#
Quatuor de Clarinettes: 4 clarinettes
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Johann Sebastian Bach
#
James M
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Bach: Partita No. 2 BWV 826 for Clarinet Quartet
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jmsgu3
#
SheetMusicPlus
Professor M & M's Jive Detector (Bb leadsheet, with tenor sax & piano melody)
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Down…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948696 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038041. Published by Geofonica Artistworks (A0.948696). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in Bb lead-sheet format here, for tenor sax or other Bb instruments.) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track featured Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the.
$3.99
3.68 €
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Mark S
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Professor M & M's Jive Detector
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Geofonica Artistworks
#
SheetMusicPlus
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.948697 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029. Published by Geofonica Artistworks (A0.948697). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in lead sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. (NOTE: A Bb leadsheet is also available.) The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track features Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been released. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, bop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and .
$3.99
3.68 €
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Ensemble Jazz
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Mark S
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Professor M & M's Jive Detector
#
Geofonica Artistworks
#
SheetMusicPlus
Bull: Salvator mundi for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1291367 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 26 pages. Jmsgu3 #882018. Published by jmsgu3 (A0.1291367). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.The significance of John Bull's Salvator Mundi lies in its historical and cultural importance as a musical composition. John Bull was a prominent English composer, and his work Salvator Mundi is part of the Fitzwilliam Virginal Book, a collection of keyboard music from the late Elizabethan and early Jacobean periods. Bull's music is highly regarded, placing him among the foremost composers of his time, along with Byrd, Gibbons, and Tomkins. The term Salvator Mundi also appears in a papal bull issued by Boniface VIII in the 14th century, which was a definitive statement of the late medieval theory of hierocracy, emphasizing the pope's supremacy. Salvator Mundi is also known as the title of a famous painting attributed to Leonardo da Vinci, which has been the subject of extensive investigation regarding its materials and techniques. Therefore, Salvator Mundi holds significance in music, history, and art.
$28.95
26.69 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Dr
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James M
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Bull: Salvator mundi for String Quartet
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jmsgu3
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SheetMusicPlus
Fantasia para Trombone Baixo e Banda Sinfônica
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1208630 Composed by Eliab Júni…
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Concert Band - Level 4 - Digital Download SKU: A0.1208630 Composed by Eliab Júnior. Contemporary,Contest,Country,Festival,Folk,Singer/Songwriter. Score and Parts. 83 pages. Eliab Júnior #806733. Published by Eliab Júnior (A0.1208630). Obra escrita origianalmente para Orquestra de Cordas mas posteriormente adaptada para Banda Sinfônica, A Fantasia Para Trombone Baixo e Banda Sinfônica De Eliab Júnior, contém trechos desafiadores, melodiosos e marcantes para o Solista e o grupo que o acompanha. Com mudanças de andamentos, compassos e tonalidades, A Fantasia se torna marcante por uma introdução forte acompanhada de uma melodia que se torna presente e é modificada ao longo da peça.
$13.99
12.9 €
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Orchestre d'harmonie
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Eliab Júnior
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Fantasia para Trombone Baixo e Banda Sinfônica
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Eliab Júnior
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SheetMusicPlus
King Of The Road for Classical Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged …
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Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet. "King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song. The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song." "King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony. The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs". Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground. A send-up version by English entertainer Billy Howard was a British chart hit in 1976. A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet.
"King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records.
The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song.
The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song."
"King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony.
The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs".
Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground.
A send-up version by English entertainer Billy Howard was a British chart hit in 1976.
A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99
13.82 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Randy Travis, Roger Miller
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Keith Terrett
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King Of The Road for Classical Brass Quintet
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Music for all Occasions
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SheetMusicPlus
Sinfonietta for Percussion Trio
Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - …
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Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo. The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion. Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
9.21 €
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measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement
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Dan Heslink
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Sinfonietta for Percussion Trio
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Pharaoh Publications
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SheetMusicPlus
Squeak Big: Practical Fundamentals for the Successful Clarinetist
Clarinette
Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. …
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Clarinet - Digital Download SKU: IZ.9780976508106 Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106). 9 x 12 in inches.Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra) Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra) Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist) I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony) Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony) Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony) Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).
$32.00
29.5 €
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Clarinette
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Phillip Paglialonga
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Squeak Big: Practical Fundamentals for the Successful Clarinetist
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Imagine Music - Digital
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SheetMusicPlus
Bull: Galliard for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282833 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 11 pages. Jmsgu3 #874076. Published by jmsgu3 (A0.1282833). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: Galliard for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Fantasia upon a Plainsong for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283308 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874502. Published by jmsgu3 (A0.1283308). Fitzwilliam Virginal Book, XXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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John Bull
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James M
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Bull: Fantasia upon a Plainsong for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Christe Redemptor for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1283457 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Religious,Renaissance. 12 pages. Jmsgu3 #874639. Published by jmsgu3 (A0.1283457). Fitzwilliam Virginal Book CXXV.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: Christe Redemptor for String Trio
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jmsgu3
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SheetMusicPlus
Bull: In Nomine for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1282881 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 9 pages. Jmsgu3 #874131. Published by jmsgu3 (A0.1282881). XXXVII from the Fitzwilliam Virginal Book.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: In Nomine for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Fantasia CXIII for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Compose…
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String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1284518 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 16 pages. Jmsgu3 #875691. Published by jmsgu3 (A0.1284518). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
#
James M
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Bull: Fantasia CXIII for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.12654…
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Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.1265431 Composed by Dr. John Bull, 1562-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 6 pages. Jmsgu3 #858250. Published by jmsgu3 (A0.1265431). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces, published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the wedding in 1613 of the Princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasies. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and made significant contributions to the repertoire of keyboard and choral music during that era.
$32.95
30.38 €
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Dr
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James M
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Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
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jmsgu3
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SheetMusicPlus
Bull: Gloria tibi trinitas for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1284572 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Religious,Renaissance,Wedding. 12 pages. Jmsgu3 #875746. Published by jmsgu3 (A0.1284572). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
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Trio à Cordes: violon, alto, violoncelle
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Dr
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James M
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Bull: Gloria tibi trinitas for String Trio
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jmsgu3
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SheetMusicPlus
Bull: Dr. Bull's Juell for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1283915 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Wedding. 10 pages. Jmsgu3 #875096. Published by jmsgu3 (A0.1283915). Fitzwilliam Virginal Book CXXXVIII.John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
#
Trio à Cordes: violon, alto, violoncelle
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Dr
#
James M
#
Bull: Dr. Bull's Juell for String Trio
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jmsgu3
#
SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1292744 Composed…
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1292744 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 3 pages. Jmsgu3 #883308. Published by jmsgu3 (A0.1292744). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$21.95
20.24 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Dr
#
James M
#
Bull: A Gigge - Doctor Bull's my selfe for String Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Bull: In Nomine CXIX for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1292197 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1292197 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 13 pages. Jmsgu3 #882787. Published by jmsgu3 (A0.1292197). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
John Bull
#
James M
#
Bull: In Nomine CXIX for String Quartet - Score Only
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jmsgu3
#
SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1292748 Composed by Dr. John Bull. Arranged by James M.. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 7 pages. Jmsgu3 #883310. Published by jmsgu3 (A0.1292748). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Dr
#
James M
#
Bull: A Gigge - Doctor Bull's my selfe for String Quartet
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jmsgu3
#
SheetMusicPlus
Bull: Salvator mundi for String Quartet - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1291365 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1291365 Composed by Dr. John Bull. Arranged by James M. Guthrie. Chamber,Christian,Historic,Religious,Renaissance. 15 pages. Jmsgu3 #882016. Published by jmsgu3 (A0.1291365). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$24.95
23 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Dr
#
James M
#
Bull: Salvator mundi for String Quartet - Score Only
#
jmsgu3
#
SheetMusicPlus
Bull: In Nomine CXIX for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1292203 Composed by John Bull. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 28 pages. Jmsgu3 #882794. Published by jmsgu3 (A0.1292203). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoints characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$28.95
26.69 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
John Bull
#
James M
#
Bull: In Nomine CXIX for String Quartet
#
jmsgu3
#
SheetMusicPlus
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