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17
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Alto seul
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4 Violoncelles
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Trio à Cordes: 2 violons, violoncelle
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23
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Violoncelle, Contrebasse (duo)
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
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17
Trio à Cordes: 3 violoncelles
15
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15
Violon (partie séparée)
14
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13
Trio à cordes: 3 violins
12
Alto (partie séparée)
11
Quatuor à cordes: 4 violons
11
2 Harpes (duo)
10
Quatuor à cordes : 4 altos
10
Trio à cordes: 3 altos
8
Contre Basse
7
Violoncelle , Guitare (duo)
7
Alto, Guitare (duo)
7
Piano Trio: Violon, Alto, Piano
6
2 Contrebasses (duo)
6
Flûte, Contrebasse (duo)
5
Harpe, Voix
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Ensemble de Violons
4
Trio à Cordes: 2 violons, alto
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Harpe, Violon (duo)
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4 Contrebasses
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3 Harpes
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5 Harpes
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Ensemble d'Altos
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Violon, Basson (duo)
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Alto et Harpe
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Harpe, Quatuor à cordes
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Violon, Basse continue
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310
Orchestre à Cordes
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Ensemble Jazz
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Orchestre de chambre
82
Batterie
51
Cloches
49
Percussion
36
Jazz combo
33
Batterie (partie séparée)
21
Marimba
19
Fanfare
13
Ensemble de Percussions
11
Percussion (partie séparée)
9
2 Xylophones
7
Xylophone, Piano
5
Xylophone
3
Quintette de Cuivres: autres combinaisons
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Piano et Orchestre
2
Orchestre, Violon
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Marimba et Orgue
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Vibraphone
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9976
The Chocolate Chalypso for Trombone Duet
2 Trombones (duo)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.591277 Composed by Davi…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.591277 Composed by David McKeown. Easter,Latin,Pop,R & B,Rock. Score. 3 pages. David McKeown #6290881. Published by David McKeown (A0.591277). The Chocolate Chalypso is a fun and original duet written by David McKeown for two Trombones. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.8 €
#
2 Trombones (duo)
#
David McKeown
#
The Chocolate Chalypso for Trombone Duet
#
David McKeown
#
SheetMusicPlus
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
Ensemble de Trombones
Trombone Choir Ensemble - Advanced - Digital Download Composed by Charles Ives (1874-…
(+)
Trombone Choir Ensemble - Advanced - Digital Download Composed by Charles Ives (1874-1954). Arranged by Ross Holcombe. 20th Century, Americana. Score, Set of Parts. 44 pages. Published by Cherry Classics Music
Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.<br> <br> Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven’s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process. <br> <br> The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.<br> <br> This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.
$37.50
35.09 €
#
Ensemble de Trombones
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Charles Ives (1874-1954)
#
Ross Holcombe
#
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
#
Cherry Classics Music
#
SheetMusicPlus
The Chocolate Chalypso for Trumpet and Trombone Duet
Trompette, Trombone (duo)
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: …
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.591282 Composed by David McKeown. Easter,Latin,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6290893. Published by David McKeown (A0.591282). The Chocolate Chalypso is a fun and original duet written by David McKeown for one Trumpet and one Trombone. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.8 €
#
Trompette, Trombone (duo)
#
David McKeown
#
The Chocolate Chalypso for Trumpet and Trombone Duet
#
David McKeown
#
SheetMusicPlus
The Chocolate Chalypso for Trumpet and Alto Saxophone Duet
Trompette, Saxophone (duo)
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download
(+)
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.591280 Composed by David McKeown. Easter,Latin,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6290887. Published by David McKeown (A0.591280). The Chocolate Chalypso is a fun and original duet written by David McKeown for one Trumpet and one Alto Saxophone. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.8 €
#
Trompette, Saxophone (duo)
#
David McKeown
#
The Chocolate Chalypso for Trumpet and Alto Saxophone Duet
#
David McKeown
#
SheetMusicPlus
The Chocolate Chalypso for Soprano Saxophone and Clarinet Duet
Saxophone, Clarinette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Downloa…
(+)
Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.591275 Composed by David McKeown. Easter,Latin,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6290875. Published by David McKeown (A0.591275). The Chocolate Chalypso is a fun and original duet written by David McKeown for one Soprano Saxophone and one Clarinet. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.8 €
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Saxophone, Clarinette (duo)
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David McKeown
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The Chocolate Chalypso for Soprano Saxophone and Clarinet Duet
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David McKeown
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SheetMusicPlus
The Chocolate Chalypso for Flute and Alto Saxophone Duet
Flûte, Saxophone (duo)
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download S…
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Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.591261 Composed by David McKeown. Easter,Latin,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6290847. Published by David McKeown (A0.591261). The Chocolate Chalypso is a fun and original duet written by David McKeown for one Flute and one Alto Saxophone. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.8 €
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Flûte, Saxophone (duo)
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David McKeown
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The Chocolate Chalypso for Flute and Alto Saxophone Duet
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David McKeown
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SheetMusicPlus
The Chocolate Chalypso for Trumpet and Tenor Saxophone Duet
Trompette, Saxophone (duo)
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download
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Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.591281 Composed by David McKeown. Easter,Latin,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6290891. Published by David McKeown (A0.591281). The Chocolate Chalypso is a fun and original duet written by David McKeown for one Trumpet and one Tenor Saxophone. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.8 €
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Trompette, Saxophone (duo)
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David McKeown
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The Chocolate Chalypso for Trumpet and Tenor Saxophone Duet
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David McKeown
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SheetMusicPlus
The Chocolate Chalypso for Clarinet and Tenor Saxophone Duet
Saxophone, Clarinette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download …
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Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.591253 Composed by David McKeown. Easter,Hip-Hop,Latin,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6290829. Published by David McKeown (A0.591253). The Chocolate Chalypso is a fun and original duet written by David McKeown for one Clarinet and one Tenor Saxophone. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.8 €
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Saxophone, Clarinette (duo)
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David McKeown
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The Chocolate Chalypso for Clarinet and Tenor Saxophone Duet
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David McKeown
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SheetMusicPlus
The Chocolate Chalypso for Clarinet and Alto Saxophone Duet
Saxophone, Clarinette (duo)
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download
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Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.591252 Composed by David McKeown. Easter,Latin,Pop,R & B,Rock. Score and parts. 3 pages. David McKeown #6290827. Published by David McKeown (A0.591252). The Chocolate Chalypso is a fun and original duet written by David McKeown for one Clarinet and one Alto Saxophone. Chocolate Chalypso is one in a series of ten Easter-themed duets each written in a different American dance style. In the late ‘50s just a handful of national TV shows in the US had a huge influence on the music and dance crazes of the time. Artists and dances came and went with dizzying speed. Chalypso was a short-lived craze in 1958 that combined the music of the new Rock’n’Roll with much-simplified steps borrowed from Cha Cha and Calypso; and no sooner had it caught on than it was itself supplanted by The Twist. Chocolate Chalypso is suitable for players at an intermediate level and above, with the accessible key and range balanced by some syncopated rhythms and accidentals. With a playing-time of around one and a half minutes, Chocolate Chalypso is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$2.99
2.8 €
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Saxophone, Clarinette (duo)
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David McKeown
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The Chocolate Chalypso for Clarinet and Alto Saxophone Duet
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David McKeown
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SheetMusicPlus
Bach: Siciliano from BWV 1031 for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.747403
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.747403 Composed by Johann Sebastian Bach. Arranged by Darrell Goforth. Baroque,Graduation,Instructional,Wedding. Score and parts. 12 pages. Darrell Harrison Goforth #2162765. Published by Darrell Harrison Goforth (A0.747403). One of Bach's most familiar pieces, the Siciliano from the Flute Sonata in E flat (BWV 1031) is here set for Brass Quintet.This arrangement features the lower voices; i.e. Tuba, Horn and Trombone, which makes it a little different from the usual setting for this piece. There is still work for the trumpets, so no one is left out.At only 2 minutes in length, this arrangement can be inserted into almost any performance setting, such as weddings, graduations and just general performances.Comments or questions are always welcome at dgoforth2@comcast.netLike me on Facebook at https://www.facebook.com/goforthmusic/ and visit my YouTube channel at https://www.youtube.com/user/dgoforth2 .
$19.99
18.71 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Johann Sebastian Bach
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Darrell Goforth
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i
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Bach: Siciliano from BWV 1031 for Brass Quintet
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Darrell Harrison Goforth
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SheetMusicPlus
Shlof Mein Kind, Jewish Lullaby for Trombone Duet
2 Trombones (duo)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589707 Composed by Shol…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.589707 Composed by Sholem Aleichem. Arranged by David McKeown. Hanukkah,Jewish,World. Score. 3 pages. David McKeown #6088193. Published by David McKeown (A0.589707). Shlof Mein Kind is a Yiddish lullaby, often performed by Klezmer musicians. This version is arranged as a duet for two Trombones.There are two melodies in use for Shlof Mein Kind. The melody in this arrangement is the lesser known one, as sung by Paul Robeson. There is no record of the tune’s composer, but the words are a setting of a poem by the Jewish Ukrainian writer, Sholem Aleichem. Aleichem is best known as the creator of the Tevye short stories, which later inspired the musical Fiddler on the Roof.Shlof Mein Kind is arranged in a key and range best suited to the instruments. The simple melody is played three times with varying accompaniment. Shlof Mein Kind is suitable for players at an intermediate level and above. Around three minutes long, this version of Shlof Mein Kind invites an expressive performance andis perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.73 €
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2 Trombones (duo)
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Sholem Aleichem
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David McKeown
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Shlof Mein Kind, Jewish Lullaby for Trombone Duet
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David McKeown
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SheetMusicPlus
Für Elise, for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587564 Composed by Ludwig…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.587564 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361579. Published by David McKeown (A0.587564). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Alto Saxophone with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.3 €
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Saxophone Alto et Piano
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Solo Alto Saxophone and Piano
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David McKeown
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SheetMusicPlus
Für Elise, for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587569 Composed by Lud…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587569 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361589. Published by David McKeown (A0.587569). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Soprano Saxophone with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.3 €
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Saxophone Soprano et Piano
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Für Elise, Duet for Flute and Alto Saxophone
Flûte, Saxophone (duo)
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download S…
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Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.587491 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 4 pages. David McKeown #4353953. Published by David McKeown (A0.587491). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Duet for Flute and Alto Saxophone. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.3 €
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Flûte, Saxophone (duo)
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Ludwig van Beethoven
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David McKeown
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Für Elise, Duet for Flute and Alto Saxophone
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David McKeown
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SheetMusicPlus
Für Elise, Clarinet and Alto Saxophone Duet
Saxophone, Clarinette (duo)
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 4 - Digital Download
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Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 4 - Digital Download SKU: A0.587495 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 4 pages. David McKeown #4353963. Published by David McKeown (A0.587495). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Duet for Clarinet and Alto Saxophone. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.3 €
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Saxophone, Clarinette (duo)
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Ludwig van Beethoven
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David McKeown
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Für Elise, Clarinet and Alto Saxophone Duet
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David McKeown
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SheetMusicPlus
Allegro (from "Sonata for Trumpet") (Bb) (Trombone Octet)
Ensemble de Trombones
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.813625 Composed by Hen…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.813625 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 13 pages. Regis Bookshar #6433359. Published by Regis Bookshar (A0.813625). Trombone Octet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (13 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Trombone Octet, consisting of 8 Trombones, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$15.00
14.04 €
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Ensemble de Trombones
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Allegro (from "Sonata for Trumpet") (Bb) (Trombone Quintet)
Ensemble de Trombones
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.813627 Composed by Hen…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.813627 Composed by Henry Purcell. Arranged by Regis Bookshar. Baroque,Concert,Instructional,Standards,World. Score and parts. 8 pages. Regis Bookshar #6433361. Published by Regis Bookshar (A0.813627). Trombone Quintet - Advanced/Intermediate - Digital Download. This arrangement of the Allegro movement from Henry Purcell's Sonata for Trumpet would be a fabulous addition to any music library and could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. This selection is one of the arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library, many of which are being made available for the first time. They have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions. The original composition was written in D Major but Regis Bookshar has transposed it to Bb Major, making it a little easier for many modern musicians. Included are a score and a complete set of parts (8 pages). The 17th century composer, Henry Purcell, is generally considered to be one of the greatest English composers of his generation. His Sonata for Trumpet and Strings in D Major, composed in 1694, was probably written for the London Theatre, where a fine tradition of trumpet playing had developed. Purcell almost certainly had in mind either John Shore or his brother, William, the most renowned trumpet players in England at the time. The trumpets of the time were normally tuned in D and there were no valves on the Baroque trumpets, so they were limited in the number of notes that they could play. The term Sonata here probably means no more than a piece of incidental music and looks forward to the style that would become the solo concerto where soloist and strings are pitted against each other but also looks back to an older type of instrumental music which emphasized equality between members of the ensemble. The music is in three movements and looks forward to the fast-slow-fast plan popularized by Vivaldi's concertos. Regis Bookshar thought that it would be wonderful if other instrumentalists, besides trumpet players, could also have the opportunity to play the Allegro movement from Purcell's Sonata for Trumpet, so he has created other arrangements of this selection. This particular arrangement is for a Trombone Quintet, consisting of 5 Trombones, but there are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this piece. You may find something else that may suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a wide variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are added as often as possible. I'm certain that this exciting arrangement of Purcell's Allegro from his Sonata for Trumpet will continue to entertain both performers and audiences alike for years to come.
$10.00
9.36 €
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Ensemble de Trombones
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Henry Purcell
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.86 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.86 €
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Quatuor de Saxophones: 4 saxophones
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Johann Sebastian Bach
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Paul Wehage
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Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.86 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
15.86 €
#
Quatuor de Saxophones: 4 saxophones
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Musik Fabrik Music Publishing
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SheetMusicPlus
Three Studies for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Advanced - Digital Download Composed by Vladislav Blazhevich (1881…
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Trombone Quartet - Advanced - Digital Download Composed by Vladislav Blazhevich (1881-1942). Arranged by Karl Lyden. 20th Century, Romantic Period, Etudes and Exercises, Technique Training. Score, Set of Parts. 39 pages. Published by Cherry Classics Music
The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.<br> <br> Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.<br> <br> Here is a description of the Three Studies by arranger Karl Lynden:<br> <br> "The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich’s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement “Five Etude”.<br> <br> Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.<br> <br> No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."
$27.50
25.73 €
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Quatuor de cuivres: 4 trombones
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Vladislav Blazhevich
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Karl Lyden
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Three Studies for Trombone Quartet
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Cherry Classics Music
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J.…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.83 €
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Saxophone Baryton, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.83 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
23.35 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
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