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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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difficulté (tous)
débutant
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expert
avec audio
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avec play-along
Non classifié
40733
PIANO & CLAVIERS
Piano seul
13595
Piano, Voix et Guitare
8262
Piano, Voix
6348
Piano Facile
4517
Accompagnement Piano
1775
Instruments en Do
1178
Orgue
922
1 Piano, 4 mains
618
Piano grosses notes
323
Piano (partie séparée)
205
Piano Trio: piano, violon, violoncelle
190
Accordéon
184
2 Pianos, 4 mains
119
Piano Quatuor: piano, 2 violons, violoncelle
68
Orgue, Trompette (duo)
65
Piano Quatuor: piano, violon, alto, violoncelle
54
1 Piano, 6 mains
32
Piano Quintette: piano, 2 violons, alto, violoncelle
29
Orgue, Piano (duo)
27
Clavecin
19
Ligne De Mélodie, Piano
17
Clavier
11
2 Pianos, 8 mains
11
Accordéon, Voix
5
Instrument seul et Orgue
3
3 Pianos
2
Accordéon et Orchestre
2
2 Accordéons
2
Concertina
2
Ensemble d'Accordéons
2
2 Orgues (duo)
1
Accordéon, Piano
1
Orgue et Orchestre
1
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GUITARES
Guitare notes et tablatures
4010
Ligne De Mélodie, (Paroles) et Accords
2074
Guitare
1577
Paroles et Accords
952
Basse electrique
944
Ukulele
723
Guitare (partie séparée)
429
Ukulele Baryton
181
2 Guitares (duo)
145
4 Guitares (Quatuor)
62
Mandoline
62
Dulcimer
61
Piano, Guitare (duo)
53
Banjo
49
3 Guitares (trio)
33
Ensemble de guitares
32
Basse électrique (partie séparée)
16
Mandoline, Piano (duo)
11
2 Dulcimers (duo)
11
Partitions De Groupes
9
Guitare Pedal Steel
7
Mandoline, Guitare (duo)
7
Guitare, Violon, Violoncelle (trio)
7
2 Ukuleles
6
Ensemble de Ukulélés
6
2 Mandolines (duo)
3
Guitare, Orchestre
1
Orchestre à Plectres
1
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VOIX
Chorale SATB
6382
Chorale 3 parties
2199
Chorale 2 parties
1706
Chorale TTBB
1419
Chorale SSAA
771
Voix seule
740
Chorale Unison
720
Voix duo, Piano
531
Voix Baryton, Piano
427
Voix duo
306
Chorale
256
Voix Soprano, Piano
167
Voix haute
102
Voix Tenor, Piano
95
Voix Alto, Piano
94
Voix moyenne, Piano
45
Voix basse, Piano
40
Voix, Guitare
20
Chorale SSAATTBB
19
Voix Tenor
18
Soli, choeur mixte et accompagnement
17
Voix Baryton
17
Voix basse
14
Voix Mezzo-Soprano, Piano
14
Voix Soprano
12
Chorale SSATB
11
Chorale SSAB a cappella
9
Chorale SSATTB
8
Chorale SSAB, Piano
6
Voix d'Enfants
4
Male Voice
2
Chorale, Orgue
1
Chorale SATBB
1
Voix Moyenne
1
Chorale SSATBB
1
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
Chorale SATTBB, Clavier
1
Instrumentations suivantes
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VENTS
Saxophone
16498
Saxophone (partie séparée)
14955
Saxophone Alto
8810
Saxophone Tenor
7557
Quatuor de Saxophones: 4 saxophones
7459
Saxophone Alto et Piano
5476
2 Saxophones (duo)
5305
Saxophone Tenor et Piano
4187
Saxophone Soprano et Piano
2489
Quintette de Saxophone: 5 saxophones
2206
3 Saxophones (trio)
1962
Flûte traversière et Piano
1851
Flûte, Hautbois, Clarinette, Basson
1505
Flûte traversière
1302
Clarinette
1217
Clarinette et Piano
1202
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1156
Saxophone Soprano
1106
Saxophone Baryton, Piano
1078
Ensemble de saxophones
1001
Hautbois, Piano (duo)
968
Quatuor de Clarinettes: 4 clarinettes
922
2 Flûtes traversières (duo)
830
2 Clarinettes (duo)
741
Saxophone, Clarinette (duo)
634
Clarinette (partie séparée)
403
Hautbois (partie séparée)
395
Flûte, Clarinette (duo)
387
Clarinette, Violon (duo)
347
Quatuor de Flûtes : 4 flûtes
347
Instruments en Mib
342
Ensemble de Clarinettes
302
Flûte à bec Soprano
292
Ocarina
289
Clarinette, Trompette (duo)
276
Flute (partie séparée)
274
Flûte, Saxophone (duo)
259
2 Hautbois (duo)
238
Hautbois, Basson (duo)
233
Hautbois
230
Flûte à bec Alto
218
Ensemble de Flûtes
217
Saxophone Baryton
215
3 Clarinettes (trio)
215
Hautbois, Clarinette (duo)
210
Flûte et Guitare
203
2 Saxophones, Piano
189
Quintette de Clarinettes: 5 clarinettes
183
Flûte, Violon
181
Clarinette et Alto
178
2 Flûte à bec (duo)
162
Hautbois, Flûte
154
Trio de Flûtes: 3 flûtes
149
Saxophone et Piano
145
Flûte, Alto (duo)
143
Cor anglais, Piano
142
Flûte, Trompette (duo)
128
Flûte, Trombone (duo)
126
Saxophone et Guitare
117
Flûte à Bec
116
Quatuor de Flûtes à bec
99
Clarinette Basse, Piano
97
Clarinette, Trombone (duo)
86
Saxophone, Violon (duo)
85
Clarinette, Guitare (duo)
76
Quintette de Flûte : 5 flûtes
73
Saxophone et Orgue
61
Clarinette, Basson (duo)
60
Flûte, Hautbois, Clarinette (trio)
53
3 Flûtes à bec (trio)
52
Flûte, Violoncelle
49
Flûte, Hautbois (duo)
47
Hautbois, Clarinette, Basson (trio d'anches)
47
Clarinette, Violoncelle (duo)
46
Saxophone et Harpe
44
Cor Anglais
44
Flûte à bec Alto, Piano
42
Saxophone, Basson (duo)
41
Ensemble De Flûte à bec
41
Flûte, Clarinette et Basson
41
Harmonica
40
2 Flûtes traversières, Piano
36
Hautbois, trombone (duo)
36
5 Flûtes à bec
34
Hautbois, Violoncelle
34
Flûte, Violon, Piano
32
Hautbois, Guitare (duo)
26
Cor anglais, Guitare (duo)
25
Flûte, Hautbois, Basson
23
Flûte, Violoncelle, Piano (trio)
22
Ensemble à vent
22
Hautbois, violon (duo)
21
Flûte à bec Soprano, Piano
19
Piccolo, Piano
19
Saxophone et violoncelle
19
Piccolo
19
4 Hautbois
17
Flûte à bec Tenor
16
Flûte, Clarinette, Cor, Basson (Quartet)
16
Flûte, Clarinette, Piano (trio)
16
Flûte, Violon et Violoncelle
14
2 Clarinettes, Piano
13
3 Hautbois
13
Flûte, Basson et Piano
12
Clarinette, Violoncelle, Piano (trio)
10
Saxophone, Tuba (duo)
9
Flute, harpe et violon
9
Clarinette, Harpe (duo)
9
Hautbois et alto (duo)
8
Clarinette Basse
8
2 Clarinettes, Basson
8
Clarinette, Orgue
7
Flûte à Bec, Piano
7
Clarinette, Basson, Piano (trio)
6
Flûte et Trio à cordes
6
Hautbois, Harpe
5
Flûte traversière, Orgue (duo)
5
Flûte, Alto et Piano
5
Flûte à bec, Guitare (duo)
4
Flûte irlandaise
4
Flûte, Violon, Violoncelle et Piano
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
2 Cors Anglais Et Pianoforte
4
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
4
Flûte, Clarinette, Violon (trio)
3
Harmonica, Piano
3
Flûte, trombone et piano
3
Flûte, Harpe et Violoncelle
3
Flûte traversière, Basse continue
2
Hautbois, Violon, Piano
2
Flûte, Hautbois, Piano (trio)
2
Flûte de Pan
2
Clarinette, Tuba
2
Clarinette, Alto et Piano (trio)
2
Flûte, alto et harpe
2
Flûte, Hautbois, Violon
2
Hautbois, Violin, Alto et Violoncelle (Quatuor)
2
Clarinette, trompette et piano
2
Cornemuse
2
Clarinette, Saxophone, Piano
1
Ensemble de Hautbois
1
Clarinette, Contrebasse (duo)
1
Flûte, Tuba (duo)
1
Flûte, Violoncelle, Guitare
1
Flute, Cor (duo)
1
2 Flûtes à bec, Guitare
1
Hautbois, Violoncelle et Piano
1
2 Hautbois et Cor anglais
1
2 Flûtes, Basse continue
1
Hautbois, Basson et Piano
1
Clarinette, Orchestre
1
Melodica
1
Flûte à bec Alto, Basse continue
1
Instrumentations suivantes
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CUIVRES
Trombone
11498
Trombone (partie séparée)
11223
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7363
Trombone et Piano
4457
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3125
2 Trombones (duo)
2112
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1534
Trompette
1374
Trompette, Trombone (duo)
1212
Quatuor de Cuivres
1141
Quatuor de cuivres: 4 trombones
1036
Trompette (partie séparée)
990
Trompette, Piano
840
Cor et Piano
653
Trompette, Saxophone (duo)
597
Cor
491
Trio de Cuivres
462
Ensemble de Trombones
416
Bass Clef Instruments
395
Instruments en Sib
389
2 Trompettes (duo)
355
3 Trombones (trio)
353
Tuba et Piano
317
Tuba
311
Cor (partie séparée)
292
Euphonium, Piano (duo)
263
Tuba (partie séparée)
240
Tuba ou Euphonium ou Saxhorn
203
2 Cors (duo)
156
Ensemble de Trompettes
147
Cor anglais, Piano
142
Trompette, Cor (duo)
123
Euphonium
116
Quatuor de cuivres: 4 cors
109
Trombone basse
101
Quatuor de cuivres: 2 trompettes, 2 trombones
99
Trombone, violoncelle (duo)
97
Trombone, Tuba (duo)
80
Trombone basse et Piano
76
Trombone, Violon (duo)
75
Trombone, Cor (duo)
75
2 Tubas (duo)
68
Trompette, Basson (duo)
58
Trombone, Orgue
57
2 Euphoniums et 2 Tubas
56
Ensemble de Cors
50
Cor Anglais
44
4 Tubas
43
Quatuor de cuivres: 4 trompettes
39
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
37
Trompette, Trombone, Piano
35
3 Trompettes (trio)
30
Euphonium, Tuba (duo)
30
2 Euphoniums (duo)
30
Cor anglais, Guitare (duo)
25
Cor, Violoncelle (duo)
22
Cor, Trompette, Trombone (trio)
19
Tuba et Orgue
15
Trompette, Violoncelle (duo)
14
Trombone, Alto (duo)
13
Cor et Basson (duo)
13
2 Trombones, Piano
13
3 Cors (trio)
12
3 Tubas (trio)
12
2 Trompettes, Clavier (piano ou orgue)
12
Trompette, Tuba (duo)
11
Instruments en Fa
10
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
9
Cornet A Pistons
7
Cor, Tuba (duo)
6
Trombone et orchestre
6
Cor et Orgue
6
Trompette, Violoncelle et Piano
6
Trompette, Euphonium (duo)
5
Trompette et Guitare
5
3 Euphoniums
5
Trompette, Harpe
4
2 Cors Anglais Et Pianoforte
4
Clarinette, Cor (duo)
3
Cor et Harpe
3
Trompette, violon (duo)
2
Ensemble de Tubas
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Euphonium Ou Saxhorn Et Piano
2
Trompette, Orchestre
1
2 Cors, Piano
1
Cornet et Piano
1
Cornet et orchestre
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
3470
Violon et Piano
1730
Violon
1697
Violoncelle, Piano
1202
Alto, Piano
1007
Violoncelle
1003
Violon, Violoncelle (duo)
904
Harpe
868
Alto seul
631
Trio à Cordes: violon, alto, violoncelle
621
2 Violons (duo)
536
2 Violoncelles (duo)
421
Violon, Alto (duo)
419
Contrebasse (partie séparée)
381
Quintette à cordes: 2 violons, alto, violoncelle, basse
345
2 Altos (duo)
300
Violon (partie séparée)
284
Contre Basse
233
Contrebasse, Piano (duo)
226
Alto (partie séparée)
199
Trio à Cordes: 2 violons, violoncelle
186
Piano Trio: Violon, Alto, Piano
125
Alto, Violoncelle (duo)
116
4 Violoncelles
112
Violon, Guitare (duo)
106
Violoncelle (partie séparée)
76
Trio à cordes: 3 violins
74
2 Harpes (duo)
61
2 Contrebasses (duo)
57
Harpe, Flûte (duo)
57
Violoncelle , Guitare (duo)
55
Trio à Cordes: 3 violoncelles
49
Violoncelle, Contrebasse (duo)
43
Quatuor à cordes: 4 violons
40
Quatuor à cordes : 4 altos
37
Alto, Guitare (duo)
36
Harpe, Violon (duo)
34
Harpe, Voix
31
Trio à cordes: 3 altos
26
Ensemble de Violons
24
Trio à Cordes: 2 violons, alto
23
Violon, Basson (duo)
23
Alto et Harpe
21
Ensemble d'Altos
21
Trio à cordes
20
Quintette à cordes: 2 violons, 2 altos, violoncelle
20
Harpe, Violoncelle (duo)
19
Alto et Basson
19
Harpe, Trombone (duo)
14
Flûte, Contrebasse (duo)
10
Violoncelle, Orgue
10
Harpe et mandoline
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Violon, Orgue
7
Ensemble de Violoncelles
7
Violon, Clarinette, Piano (trio)
6
Violoncelle, Orchestre
6
2 Violons, Piano
6
4 Contrebasses
6
Harpe, Violon, Violoncelle
6
Harpe (partie séparée)
4
3 Harpes
4
Autoharp
3
Harpe et Piano
3
3 Contrebasses
2
2 Violoncelles, Piano
2
Violon, Basse continue
2
Alto et orchestre
2
5 Harpes
2
Violon, Trompette et Piano
1
Violon, Tuba (duo)
1
Harpe, Orchestre
1
4 Harpes
1
Harpe, Quatuor à cordes
1
Violoncelle, Basse continue
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
11074
Ensemble Jazz
2697
Orchestre
2355
Ensemble de cuivres
2052
Orchestre à Cordes
1562
Cloches
684
Orchestre de chambre
654
Jazz combo
622
Fanfare
595
Batterie
525
Xylophone
366
Batterie (partie séparée)
307
Ensemble de Percussions
286
Percussion (partie séparée)
240
Percussion
162
Xylophone, Piano
113
Marimba
70
2 Xylophones
56
Vibraphone
35
Timbales (partie séparée)
32
Quintette de Cuivres: autres combinaisons
15
Piano et Orchestre
12
Ensemble d'École
11
Big band
11
Xylophone ou Marimba ou Vibraphone
10
Instrumentation Flexible
7
Timbales
6
Caisse Claire
5
Orchestre, Violon
5
Quintette à Vent
4
Quatuor à Vent : 4 instruments à vents
3
Vibraphone et Marimba
3
2 Marimbas
3
Cajon
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
3 Marimbas
2
Marimba, Piano (duo)
2
Bongos
2
Marimba ou Xylophone et Piano
2
Marimba, Saxophone (duo)
1
Bodhran
1
Xylophone (partie séparée)
1
Marimba et Orgue
1
Orchestre Symphonique
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
12
Papeterie
5
Théorie de la musique
2
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9976
Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549534 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505851. Published by jmsgu3 (A0.549534). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation.Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
22.48 €
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Saxophone Baryton, Piano
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549558 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3507681. Published by jmsgu3 (A0.549558). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.48 €
#
Saxophone Baryton, Piano
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549579 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509399. Published by jmsgu3 (A0.549579). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$24.95
22.48 €
#
Saxophone Baryton, Piano
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549512 Composed by Ed…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549512 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502515. Published by jmsgu3 (A0.549512). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
29.69 €
#
Saxophone Baryton, Piano
#
Edvard Grieg
#
James M
#
Grieg: Morning Mood from Peer Gynt Suite for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551499 Composed by Ed…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.551499 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306305. Published by jmsgu3 (A0.551499). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain KingGrieg BackgroundIn the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia.LegacyGrieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.Peer Gynt Suite No. 1 (Op. 46)Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.Holberg Suite and Misc. SummaryIt must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
54.02 €
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Saxophone Baryton, Piano
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complete for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549546 Composed by Edvard Grieg…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549546 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3506339. Published by jmsgu3 (A0.549546). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
22.48 €
#
Trombone et Piano
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Edvard Grieg
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James M
#
Grieg: Ase's Death from Peer Gynt Suite for Trombone & Piano
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jmsgu3
#
SheetMusicPlus
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549588 Composed by Edvard Grieg…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549588 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3511293. Published by jmsgu3 (A0.549588). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.  Â
$24.95
22.48 €
#
Trombone et Piano
#
Edvard Grieg
#
James M
#
Grieg: Hall of the Mountain King from Peer Gynt Suite for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549525 Composed by Edvard Grieg…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549525 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3504701. Published by jmsgu3 (A0.549525). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
29.69 €
#
Trombone et Piano
#
Edvard Grieg
#
James M
#
Grieg: Morning Mood from Peer Gynt Suite for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Peer Gynt Suite Complete for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.551509 Composed by Edvard Grieg…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.551509 Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306349. Published by jmsgu3 (A0.551509). 1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King  Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$59.95
54.02 €
#
Trombone et Piano
#
Edvard Grieg
#
James Guthrie, ASCAP
#
Grieg: Peer Gynt Suite Complete for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Handel: Largo from Xerxes for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by Ge…
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
29.69 €
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Saxophone Baryton, Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J.…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.69 €
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Saxophone Baryton, Piano
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Three And One for Jazz Trombone Quintet and Rhythm Section
Ensemble de Trombones
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Th…
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Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Swing, Big Band. 105 pages. Published by Cherry Classics Music
Jones wrote this work in 1958 for a small group session with his two brothers Hank (piano) and Elvin (drums) and is in the album Keepin' Up With The Joneses. The title refers to the three brothers plus another Jones, Eddie, who was the bass player on the session...therefore Three and One.<br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 7-8 minutes in length and includes improvised jazz solos for Bass Trombone and 2nd Trombone and is appropriate for advanced performers.
$25.00
22.53 €
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Ensemble de Trombones
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Thad Jones
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Fletcher, David
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Three And One for Jazz Trombone Quintet and Rhythm Section
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Cherry Classics Music
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SheetMusicPlus
Handel: Largo from Xerxes for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549391 Composed by George Fride…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549391 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492557. Published by jmsgu3 (A0.549391). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. Overall, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
29.69 €
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Trombone et Piano
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for Trombone & Piano
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jmsgu3
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SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by L…
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.1160400 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #760684. Published by Woods Only, Arrangements (A0.1160400). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$1.99
1.79 €
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Saxophone Baryton, Piano
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Baritone Sax
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Woods Only, Arrangements
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SheetMusicPlus
Turkish March by Beethoven for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet - Level 2 - Digital Download SKU: A0.1261707 Composed by Ludwig va…
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Trombone Quartet - Level 2 - Digital Download SKU: A0.1261707 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,Folk,March,Romantic Period. 9 pages. Woods Only, Arrangements #854782. Published by Woods Only, Arrangements (A0.1261707). This arrangement adapted for trombone quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.2 €
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Quatuor de cuivres: 4 trombones
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Trombone Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Ode to Joy by Beethoven for Baritone Sax Quintet
Quintette de Saxophone: 5 saxophones
Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 3 - Digital Download SKU:…
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Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 3 - Digital Download SKU: A0.1129699 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 15 pages. Woods Only, Arrangements #730110. Published by Woods Only, Arrangements (A0.1129699). This arrangement adapted for baritone sax quintet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$9.99
9 €
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Quintette de Saxophone: 5 saxophones
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Baritone Sax Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Fr…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
29.69 €
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Saxophone Baryton, Piano
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
31.54 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Turkish March by Beethoven for Baritone Sax
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1155648 Composed by L…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1155648 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755952. Published by Woods Only, Arrangements (A0.1155648). This arrangement adapted for baritone saxophone and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$1.99
1.79 €
#
Saxophone Baryton, Piano
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Baritone Sax
#
Woods Only, Arrangements
#
SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Jo…
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.69 €
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Saxophone Baryton, Piano
#
Johann Sebastian Bach
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James M
#
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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jmsgu3
#
SheetMusicPlus
Turkish March by Beethoven for Baritone Sax Quintet
Quintette de Saxophone: 5 saxophones
Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 2 - Digital Download SKU:…
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Woodwind Ensemble,Woodwind Quintet Baritone Saxophone - Level 2 - Digital Download SKU: A0.1128144 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #728759. Published by Woods Only, Arrangements (A0.1128144). This arrangement adapted for baritone sax quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
9 €
#
Quintette de Saxophone: 5 saxophones
#
Ludwig van Beethoven
#
Ander
#
Turkish March by Beethoven for Baritone Sax Quintet
#
Woods Only, Arrangements
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Saxophone (partie séparée)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Jos…
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Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.51 €
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Saxophone (partie séparée)
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Slide Ride
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SheetMusicPlus
Sullivan: The Lost Chord for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Si…
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Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.29 €
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Saxophone Baryton, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Baritone Sax & Piano
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jmsgu3
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SheetMusicPlus
"Us" for Jazz Trombone Quintet & Rhythm Section
Ensemble de Trombones
Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Th…
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Trombone Quintet and Rhythm Section Jazz - Advanced - Digital Download Composed by Thad Jones. Arranged by Fletcher, David. Jazz, Blues, Big Band, Rock. Score, Set of Parts. 45 pages. Published by Cherry Classics Music
Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ‘band’ (for this version, read: “trombones”) and intricate saxophone lines which are challenging but very rewardingly playable.<br> <br> David Fletcher has done a magnificent job of translating the richness of Thad’s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals. <br> <br> David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.
$25.00
22.53 €
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Ensemble de Trombones
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Thad Jones
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Fletcher, David
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"Us" for Jazz Trombone Quintet & Rhythm Section
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Cherry Classics Music
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van B…
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Piano,Trombone - Level 3 - Digital Download SKU: A0.549651 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516933. Published by jmsgu3 (A0.549651). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
22.48 €
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Trombone et Piano
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Trombone & Piano
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jmsgu3
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SheetMusicPlus
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