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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For Poulenc
Non classifié
11
Piano & claviers
Piano seul
79
Piano, Voix
13
Orgue
1
2 Pianos, 4 mains
1
Guitares
Guitare
2
Voix
Voix haute
21
Voix basse, Piano
20
Chorale SATB
2
Chorale TTBB
2
Voix Soprano, Piano
2
Voix duo, Piano
1
Voix Tenor, Piano
1
Voix moyenne, Piano
1
+ 3 instrumentations
Retracter
Vents
Clarinette
15
Flûte traversière
14
Hautbois
7
3 Saxophones (trio)
2
3 Clarinettes (trio)
2
Saxophone Alto et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette, Guitare (duo)
1
Saxophone
1
Hautbois, Piano (duo)
1
Ensemble de Clarinettes
1
2 Flûtes traversières (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois, Violon, Piano
1
Ensemble de saxophones
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte traversière et Piano
1
+ 14 instrumentations
Retracter
Cuivres
Cor et Piano
1
Euphonium, Piano (duo)
1
Trombone basse et Piano
1
Trombone et Piano
1
Cordes
Alto, Piano
9
Violon et Piano
9
Violoncelle, Piano
9
Violon
4
Alto seul
2
Violoncelle
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
+ 2 instrumentations
Retracter
Orchestre & Percussions
Orchestre
2
Orchestre d'harmonie
1
2 Marimbas
1
Orchestre à Cordes
1
Ensemble de cuivres
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
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BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
For Poulenc
Partitions à imprimer
260 partitions trouvées
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Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
Gregory Sullivan Isaacs: Henry Faust for tenor and piano
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Voix Tenor, Piano
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AVANCÉ
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Contemporain
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Henry
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fa...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.534399 Composed by Gregory Sullivan Isaacs. 20th Century,Opera,Romantic Period,Standards. 126 pages. Musik Fabrik Music Publishing #3424583. Published by Musik Fabrik Music Publishing (A0.534399). Described as a « tour de force« during the operaâ??s initial run of performances â??Henry Faustâ? by Gregory Sullivan Isaacs is a three-act, one character opera based on Goëtheâ??s play as translated by Anna Swanwich (1859) with a libretto by the composer. It was premièred at the Circle Theatre in Chicago on April 11, 1993 with the Composer as Faust and Kevin Hinton, pianistâ??Henry Faustâ? started out as a thought about the â??essenceâ? of opera. Isaacs thought that one singer, one piano, and a black box theater were all that was really needed to achieve â??opera-nessâ?. Goetheâ??s play, â??Faust,â? immediately came to mind. The tale of the professor who makes a deal with the devil for infinite knowledge and the restoration of youth, only to betray himself by lust, seemed perfect. The three-act opera is for tenor and piano and in a Goethe-era English translation by Anna Swanwick. She was the leading translator of Goethe of her day and one of the first advocates for womenâ??s rights. Every word Faust sings is a line from the play.The opera is set in a miserable single-occupancy hotel room furnished with an iron cot, a beat-up dresser and a tattered arm chair. Faust, disheveled and in his pajamas, lives out the drama. The ensuing events, the feverish creations of an addled brain, are all real to Faust. He sees and interacts with the other two characters â?? the devil and Gretchen â?? and flies to hell to dance at the Witches Sabbath. Both the tenor and piano parts are equally demanding and require artists of the first order. The tenor part covers a great range â?? both vocally and dramatically. The piano part requires a virtuoso and musically expresses all of the imaginary characters.SOME SELECTED HENRY FAUST REVIEWS â??You can add Henry Faust to that short list of successful single-singer operas (Schoenbergâ??s Ewartung and Poulencâ??s La Voix Humaine) ... it proved to be a moving experience. Isaacsâ?? music, cast in traditional forms, such as fugue, passacaglia, rondo and variation, is always accessible... often strikingly beautiful, as in the Ländler that closes act two.â? THE DETROIT FREE PRESS (John Guinn) - Detroitâ??Written in what Isaacs calls â??refreshed tonality,â?? this lush, supplely intense music serves the drama well ... from the despairing agitato of Faust's opening agonies to the lyrical frenzy of his first glimpse of Gretchen to a hushed declaration of love as tender as we could wish... Isaacs' tour de force certainly has a future.â? THE CHICAGO READER (Larry Bommer) - Chicagoâ??...the first (full evening) operatic monodrama ever promises to give Goethe's thrice-told tale a fresh contemporary slantâ?¦ a theater piece that uses opera as its language... a prototype of a new kind of small theater piece, eminently practical at a time of reduced opera company budgets... (Isaacs) brings solid professional credits ... an experienced conductor as well as composer/performer.â? THE CHICAGO TRIBUNE (John von Rhein) â?? Chicago
$65.95
Jacques Leguerney: Fantaisie in g minor for piano
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Piano seul
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AVANCÉ
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Classique
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Jacques Leguerney
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Jacques Leguerney: Fantaisie i
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533316 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 37 pages. Musik Fabrik Music Publishing #234...
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Piano Solo - Level 5 - SKU: A0.533316 Composed by Jacques Leguerney. 20th Century,Concert,Standards. Score. 37 pages. Musik Fabrik Music Publishing #2343073. Published by Musik Fabrik Music Publishing (A0.533316). Fantaisie en sol mineur pour pianoI. GraveII. ScherzandoIII. Bien allantDate de composition : 17 septembre 1945In 1945 Leguerney finished composition of the Fantaisie en sol mineur pour piano, written in three movements. He felt an â??extraordinary enthusiasmâ? for this piece, which he felt represented a departure from the current writing style for piano. He said in an interview with Patrick Choukroun in 1994 that â??I wanted to show that one could write lyrically for the piano. The piano music of Francis Poulenc lacked strength.â? The work was immediately performed in a private concert at the home of the Countess Jean de Polignac by the French pianist Monique Haas (1909-1987) in December 1945. The fact that she waschosen to perform Leguerneyâ??s Fantaisie is a key to the style of this work which Leguerney felt emulated the expressive force of Cesar Franckâ??s works. Haas was a distinguished concert artist, especially known for her performances of 20th century music, with which she toured worldwide. French pianists of her generation tried to avoid the excess of the â??romanticâ? school and strove for cleanness and precision with a warm tone color reflecting the influence of Alfred Cortot.Leguerney remembers that both Poulenc and Henri Sauguet were present at this private concert, but he noted that they did not comment about his piece. He felt it was obvious that his Fantaisie was â??far from the habitual level of piano musicâ? being composed at that time. These post-war years were Leguerneyâ??s most productive period. In addition to the Fantaisie, hecomposed the Sonatine pour violin et piano, the Quatuor à cordes, and many fine songs including the cycle Sept Poèmes de François Maynard. The 1940s finished with the composition of his first ballet, Endymion. The first public performance of the Fantaisie was given by Stéphane Petit-Jean in the Cloître Saint-Sauveur at the Festival of Aix-en-Provence on July 28, 1988 during a recital for Radio France that included songs of Leguerney interpreted by Nathalie Stutzmann. The concert was laterbroadcast as Une heure avec . . . Jacques Leguerney and also included the song cycles Sept Poèmes de François Maynard, La Nuit and Le Carnaval.The work is dedicated to Jean Fonda, the stage name of Jean-Pierre Fournier. He was the son of the famed French cellist Pierre Fournier. Before the performance at Aix-en-Provence, Leguerney showed the score of the Fantaisie to Fonda, who encouraged him to have it performed. It is possible that the dedication was made at this time.
$23.95
Francis Poulenc : Poulenc - 8 Nocturnes
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Francis Poulenc
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Poulenc
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Tomplay
Telechargez la partition Piano Poulenc - 8 Nocturnes. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano Poulenc - 8 Nocturnes. Partition pour Piano seul -- Classique
13.99€
Francis Poulenc : Poulenc - 6 Improvisations, FP 63 - 176
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Francis Poulenc
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Poulenc
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Tomplay
Telechargez la partition Piano Poulenc - 6 Improvisations, FP 63 - 176. Partition pour Piano seul -- Classique...
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Telechargez la partition Piano Poulenc - 6 Improvisations, FP 63 - 176. Partition pour Piano seul -- Classique
12.99€
The Bestiary for Tuba or Bass Trombone & Piano
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Trombone basse et Piano
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INTERMÉDIAIRE
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Contemporain
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Poulenc, Francis
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Sauer, Ralph
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The Bestiary for Tuba or Bass
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Cherry Classics Music
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SheetMusicPlus
Tuba or Bass Trombone & Piano - Intermediate - Digital Download Composed by Poulenc, Francis. Arranged by Sauer, Ralph. 20th Century. Score, Solo ...
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Tuba or Bass Trombone & Piano - Intermediate - Digital Download Composed by Poulenc, Francis. Arranged by Sauer, Ralph. 20th Century. Score, Solo Part. 10 pages. Published by Cherry Classics Music
? The Bestiary or "The Procession of Orpheus" was written by Poulenc in 1919.
? Originally for voice and piano, with poems by Guillaume Apollinaire, the six short movements (about 5 minutes in length) are about the follow animals:
Dromedary Goat Grasshopper Dolphin Crayfish Carp
? This music is very suitable for young performers at the intermediate level and is a great way to introduce them to a major 20th century composer whose only other music for brass is the famous Trio for Trumpet, Horn and Trombone.
$15.00
The Bestiary for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Poulenc, Francis
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Sauer, Ralph
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The Bestiary for Euphonium & P
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Euphonium - Intermediate - Composed by Poulenc, Francis. Arranged by Sauer, Ralph. 20th Century. Score, Solo Part. 10 pages. Pu...
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Piano Accompaniment, Euphonium - Intermediate - Composed by Poulenc, Francis. Arranged by Sauer, Ralph. 20th Century. Score, Solo Part. 10 pages. Published by Cherry Classics Music
? The Bestiary or "The Procession of Orpheus" was written by Poulenc in 1919.
? Originally for voice and piano, with poems by Guillaume Apollinaire, the six short movements (about 5 minutes in length) are about the follow animals:
Dromedary Goat Grasshopper Dolphin Crayfish Carp
? This music is very suitable for young performers at the intermediate level and is a great way to introduce them to a major 20th century composer whose only other music for brass is the famous Trio for Trumpet, Horn and Trombone.
$15.00
The Bestiary for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Contemporain
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Poulenc, Francis
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Sauer, Ralph
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The Bestiary for Trombone & Pi
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Intermediate - Digital Download Composed by Poulenc, Francis. Arranged by Sauer, Ralph. 20th Century. Score, Solo Par...
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Piano Accompaniment, Trombone - Intermediate - Digital Download Composed by Poulenc, Francis. Arranged by Sauer, Ralph. 20th Century. Score, Solo Part. 10 pages. Published by Cherry Classics Music
? The Bestiary or "The Procession of Orpheus" was written by Poulenc in 1919.
? Originally for voice and piano, with poems by Guillaume Apollinaire, the six short movements (about 5 minutes in length) are about the follow animals:
Dromedary Goat Grasshopper Dolphin Crayfish Carp
? This music is very suitable for young performers at the intermediate level and is a great way to introduce them to a major 20th century composer whose only other music for brass is the famous Trio for Trumpet, Horn and Trombone.
$15.00
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Valse - for Woodwind Trio
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Flûte, Clarinette et Basson
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AVANCÉ
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Contemporain
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Francis Poulenc
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Valse - for Woodwind Trio
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SheetMusicPlus
Flute, Clarinet, Bassoon, Woodwind Trio - Advanced - By Francis Poulenc. Arranged by Scott Grimaldi. Score, Set of Parts. 21 pages. Published by Sco...
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Flute, Clarinet, Bassoon, Woodwind Trio - Advanced - By Francis Poulenc. Arranged by Scott Grimaldi. Score, Set of Parts. 21 pages. Published by Scott Grimaldi
Valse - for Woodwind Trio (Flute, Bb Clarinet & Bassoon). By Francis Poulenc. Arranged by Scott Grimaldi. Includes a title page, score & set of parts. 21 pages. Duration: 2:00 min. Penned in 1919 by French composer, Francis Poulenc, a member of the group Les Six. This composition was part of a published album of piano pieces from 1920, known as L'Album des Six. This elegant Waltz is perfect for classical Chamber Recitals, Cocktail parties and French celebrations.
$12.99
Francis Poulenc : Sonate pour flûte et piano, FP 164 - II. Cantilena
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Francis Poulenc
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Sonate pour flûte et piano, F
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Tomplay
Telechargez la partition Flûte Sonate pour flûte et piano, FP 164 - II. Cantilena de Poulenc. Partition pour Duo (Flûte-Piano) -- Classique...
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Telechargez la partition Flûte Sonate pour flûte et piano, FP 164 - II. Cantilena de Poulenc. Partition pour Duo (Flûte-Piano) -- Classique
6.99€
Francis Poulenc : Sonate pour flûte et piano, FP 164 - I. Allegretto malincolico
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Flûte traversière
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AVANCÉ
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Classique
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Francis Poulenc
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Sonate pour flûte et piano, F
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Tomplay
Telechargez la partition Flûte Sonate pour flûte et piano, FP 164 - I. Allegretto malincolico de Poulenc. Partition pour Duo (Flûte-Piano) -- ...
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Telechargez la partition Flûte Sonate pour flûte et piano, FP 164 - I. Allegretto malincolico de Poulenc. Partition pour Duo (Flûte-Piano) -- Classique
6.99€
Francis Poulenc : Sonate pour flûte et piano, FP 164 - III. Presto giocoso
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Flûte traversière
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AVANCÉ
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Classique
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Francis Poulenc
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Sonate pour flûte et piano, F
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Tomplay
Telechargez la partition Flûte Sonate pour flûte et piano, FP 164 - III. Presto giocoso de Poulenc. Partition pour Duo (Flûte-Piano) -- Classi...
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Telechargez la partition Flûte Sonate pour flûte et piano, FP 164 - III. Presto giocoso de Poulenc. Partition pour Duo (Flûte-Piano) -- Classique
6.99€
Francis Poulenc : Sonate pour clarinette, FP 184 - II. Romanza
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Clarinette
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AVANCÉ
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Classique
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Francis Poulenc
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Sonate pour clarinette, FP 184
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Tomplay
Telechargez la partition Clarinette Sonate pour clarinette, FP 184 - II. Romanza de Poulenc. Partition pour Duo (Clarinette-Piano) -- Classique...
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Telechargez la partition Clarinette Sonate pour clarinette, FP 184 - II. Romanza de Poulenc. Partition pour Duo (Clarinette-Piano) -- Classique
6.99€
Francis Poulenc : Sonate pour clarinette, FP 184 - III. Allegro con fuoco
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Clarinette
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AVANCÉ
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Classique
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Francis Poulenc
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Sonate pour clarinette, FP 184
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Tomplay
Telechargez la partition Clarinette Sonate pour clarinette, FP 184 - III. Allegro con fuoco de Poulenc. Partition pour Duo (Clarinette-Piano) -- Classique...
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Telechargez la partition Clarinette Sonate pour clarinette, FP 184 - III. Allegro con fuoco de Poulenc. Partition pour Duo (Clarinette-Piano) -- Classique
6.99€
Francis Poulenc : Sonate pour clarinette, FP 184 - I. Allegro tristamente
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Clarinette
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AVANCÉ
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Classique
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Francis Poulenc
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Sonate pour clarinette, FP 184
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Tomplay
Telechargez la partition Clarinette Sonate pour clarinette, FP 184 - I. Allegro tristamente de Poulenc. Partition pour Duo (Clarinette-Piano) -- Classique...
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Telechargez la partition Clarinette Sonate pour clarinette, FP 184 - I. Allegro tristamente de Poulenc. Partition pour Duo (Clarinette-Piano) -- Classique
7.99€
Francis Poulenc : Sonate pour flûte et piano, FP 164 - II. Cantilena
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Piano seul
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INTERMÉDIAIRE
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Classique
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Francis Poulenc
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Sonate pour flûte et piano, F
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Tomplay
Telechargez la partition Piano Sonate pour flûte et piano, FP 164 - II. Cantilena de Poulenc. Partition pour Duo -- Classique...
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Telechargez la partition Piano Sonate pour flûte et piano, FP 164 - II. Cantilena de Poulenc. Partition pour Duo -- Classique
6.99€
Francis Poulenc : Sonate pour flûte et piano, FP 164 - I. Allegretto malincolico
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Piano seul
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INTERMÉDIAIRE
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Classique
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Francis Poulenc
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Sonate pour flûte et piano, F
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Tomplay
Telechargez la partition Piano Sonate pour flûte et piano, FP 164 - I. Allegretto malincolico de Poulenc. Partition pour Duo -- Classique...
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Telechargez la partition Piano Sonate pour flûte et piano, FP 164 - I. Allegretto malincolico de Poulenc. Partition pour Duo -- Classique
6.99€
Francis Poulenc : Sonate pour flûte et piano, FP 164 - III. Presto giocoso
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Francis Poulenc
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Sonate pour flûte et piano, F
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Tomplay
Telechargez la partition Piano Sonate pour flûte et piano, FP 164 - III. Presto giocoso de Poulenc. Partition pour Duo -- Classique...
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Telechargez la partition Piano Sonate pour flûte et piano, FP 164 - III. Presto giocoso de Poulenc. Partition pour Duo -- Classique
6.99€
Hommage à Édith Piaf / F. Poulenc
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Francis Poulenc
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Kan Saito / Japan Duo Notes
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Hommage à Édith
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Japan Duo Notes
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.1490318 Composed by Francis Poulenc. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Classical,Film/TV. Score...
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Flute Duet Flute - Level 3 - SKU: A0.1490318 Composed by Francis Poulenc. Arranged by Kan Saito / Japan Duo Notes. 20th Century,Classical,Film/TV. Score. 7 pages. Japan Duo Notes #1067158. Published by Japan Duo Notes (A0.1490318). Title: Hommage à Édith Piaf by Francis Poulenc – Flute Duet ArrangementDescription:Discover the poignant beauty of Francis Poulenc’s Hommage à Édith Piaf in this expressive flute duet arrangement. Originally composed as a tribute to the legendary French singer Édith Piaf, this piece reflects Poulenc’s deep admiration for Piaf’s artistry, blending his characteristic wit and elegance with a touch of melancholy. This arrangement adapts Poulenc’s heartfelt homage for two flutes, capturing the essence of the original while offering a fresh, lyrical interpretation.Key Features:Composer: Francis PoulencArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 3 pages, 2 pages for each part This flute duet arrangement of Hommage à Édith Piaf preserves the emotional depth and nuanced expression of Poulenc’s original composition, allowing flutists to explore the rich, melodic lines and subtle harmonies that characterize this work. Ideal for recitals, chamber music performances, and special tributes, this piece offers a moving addition to any flute repertoire.Why Choose This Arrangement?Faithful Interpretation: Retains the emotional integrity and lyrical beauty of Poulenc’s homage, thoughtfully arranged for two flutes.Perfect for Special Performances: Suitable for recitals, concerts, and tribute performances, especially those celebrating French music and culture.Expressive and Engaging: Designed for intermediate to advanced flutists, offering a rewarding challenge that emphasizes musicality and emotional expression.Add a touch of French elegance and emotional depth to your repertoire with this beautiful flute duet arrangement of Francis Poulenc’s Hommage à Édith Piaf. It’s an ideal choice for flutists who appreciate the fusion of classical music and heartfelt tribute.Keywords: Francis Poulenc, Hommage à Édith Piaf, flute duet, flute sheet music, Poulenc arrangements, Édith Piaf tribute, French music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music.
$9.99
F. Poulenc - Les soirées de Nazelles, FP 84, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Francis Poulenc
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A
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F. Poulenc - Les soirées de N
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Publish...
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Full Orchestra - Level 4 - SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Published by Arkady Leytush (A0.1367543). Francis Poulenc - Les soirées de Nazelles, FP 84, Preamble, Cadenza #1, Variations: Le comble de la distinction, Le cÅ?ur sur la main, La désinvolture et la discrétion, La suite dans les idées, Le charme enjôleur, Le contentement de soi, Le goût du malheur, Lâ??alerte vieillesse, Cadenza #2, Finale.During the evenings, the composer used to sit at the piano and improvise portraits of his friends, all based on a given theme. The work was begun in 1930, and completed at Noizay on October 1, 1936. At the beginning of the score, it reads: The variations that form the center of this work were improvised at Nazelles during long country evenings wherein the composer played portraits for friends gathered around his piano. The composition is dedicated to the memory of my aunt LIÃ?NARD, in memory of Nazelles. My orchestral transcription of this piece is for a full orchestra. In such a new quality, this music can live well on the symphonic stage, adorning many programs with its originality. But first of all, I would like to draw the attention of the choreographers to this basically danceable, diverse and brightly characteristic music. I can say with great confidence that this work can become a ballet performance.
$100.00
Trois Stances de Jean Moréas for voice and piano
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Jean-Thierry Boisseau
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Trois Stances de Jean Mor&eacu
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Musik Fabrik Music Publishing
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SheetMusicPlus
Medium Voice,Vocal Solo - Level 4 - SKU: A0.1449700 Composed by Jean-Thierry Boisseau. 21st Century,Chamber,Classical,Contemporary. 20 pages. Musik Fabr...
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Medium Voice,Vocal Solo - Level 4 - SKU: A0.1449700 Composed by Jean-Thierry Boisseau. 21st Century,Chamber,Classical,Contemporary. 20 pages. Musik Fabrik Music Publishing #1029458. Published by Musik Fabrik Music Publishing (A0.1449700). I really discovered Moréas through Poulenc and Leguerney. This poetry, symbolist, is known to blend very well with music. However, one must avoid falling, as the temptation is great, into excessive melodism or any of its possible opposites, even the most arid ones...So, as often, if not always, and since Debussy or even earlier, it is the piano that sets the tone.These three Stances, each imbued in its own way with sunshine and sweet Mediterranean nostalgia, nevertheless present, once set to music, a common emphasis on the performative style dear to Moréas.The third Stance reconnects for a moment, in its first half, with melody in the most humbly traditional sense (as it is modal...), that of the song, because after all, there is no need to deprive oneself...They are published in the order of their composition. They should be performed in this order.
$16.95
Fanfare for Large Brass Ensemble
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Ensemble de cuivres
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AVANCÉ
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Contemporain
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Ravel, Maurice
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Sauer, Ralph
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Fanfare for Large Brass Ensemb
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792394 Composed by Ravel, Maurice. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and parts. 23 pages....
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Brass Ensemble - Level 5 - SKU: A0.792394 Composed by Ravel, Maurice. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and parts. 23 pages. Gordon Cherry #4820369. Published by Gordon Cherry (A0.792394). The Ravel Fanfare L'eÌventail de Jeanne, a children's ballet in one act, is a collaborative effort consisting of ten movements by ten different composers including: Ibert, Roussel, Milhaud and Poulenc. The Fanfare of about 90 seconds in length is brilliant in nature and arranged by Ralph Sauer for a 14-part large brass ensemble requiring advanced performers.
$27.50
Stabat Mater (2002) for SATB chorus and organ
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Stabat Mater
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Thomas Oboe Lee
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.869218 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Romantic Period,Sacred. Octavo. 69 pages. Tho...
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Choral Choir (SATB) - Level 4 - SKU: A0.869218 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Romantic Period,Sacred. Octavo. 69 pages. Thomas Oboe Lee #31009. Published by Thomas Oboe Lee (A0.869218). Program note.The greatest challenge of the Stabat Mater text is to figure out how to set twenty stanzas of pain and suffering without making it all sound too depressing. So, before I began composing, I looked at a number of scores and recordings of Stabat Mater by various composers: DesPrez, Palestrina, Pergolesi, Boccherini, Vivaldi, Haydn, Dvorak, Rossini, Poulenc, Szymanowski, Penderecki, et al. It was fascinating to see what each composer did with regard to text setting: the variety of musical textures from movement to movement, different approaches to the use of fast or allegro music to offset the mood of the text, solo versus choral sections, etc. Each composer took a very personal and creative approach to the task. It was a fascinating study! After weeks of listening and scrutinizing, I decided to divide the twenty-stanza text into six sections. It is my hope that the end result is formally coherent and emotionally affecting.I. Lento Stabat Mater dolorosa â?¦II. Allegro Cuius animam gementem â?¦ O quam tristis et afflicta â?¦ Quae moerebat et dolebat â?¦III. Recitativo Quis est homo qui non fleret â?¦ Quis non posset contristari â?¦ Pro peccatis suae gentis â?¦ Vidit suum dulcem natum â?¦IV. ModeratoEia Mater, fons amoris â?¦ Fac, ut ardeat cor meum â?¦ Sancta Mater, istud agas â?¦ Tui nati vulnerati â?¦ Fac me vere tecum flere â?¦ Iuxta cruce tecum stare â?¦ Virgo virginum praeclara â?¦ Fac, ut portem Christi mortem â?¦V. Prestissimo Fac me plagis vulnerari â?¦ Inflammatus et accensus â?¦ Fac me cruce custodiri â?¦VI. Moderato Quando corpus morietur â?¦ Amen.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/stabat-mater-2002Video link: https://youtu.be/_ApUlmSb4Ho
$9.99
F. Poulenc - Napoli Suite, Orchestrated by A. Leytush - Score Only
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Orchestre
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Contemporain
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Francis Poulenc
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A
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F. Poulenc - Napoli Suite, Orc
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1364910 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 108 pages. Arkady Leytush #949205. Published by Arka...
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Full Orchestra - SKU: A0.1364910 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 108 pages. Arkady Leytush #949205. Published by Arkady Leytush (A0.1364910). Napoli Suite for piano was written in 1922-25. The aesthetic attribute most praised by the French is that utterly indefinable quality known as â??charmâ??. Among its leading proponents among 20th-century composers is Francis Poulenc, whose picture-postcard piano suite Napoli whimsically evokes the seaside pleasures, the serene beauty and urban bustle of Italian life as seen through the lens of an urbane French tourist in Naples. All of the above-mentioned colorful virtues of this music moved me to orchestrate this suite for a symphony orchestra, combining it with chamber and solo episodes, where, along with a full symphony orchestra, complete freedom is given to the soloists of the orchestra and its groups. For example, the 1st part â?? Barcarolle - starts with Violin, Flute, Oboe, and Clarinet solo. The 2 part - Nocturne - is almost chamber ensemble consisting of Flute, Oboe, Clarinet, Bassoon, Harp, Tambourine, Cello and D. Bass. The Tutti orchestra wedges in contrast only in in the last 6 bars. The 3rd part - Caprice Italien â?? string septet is soloing in 2 episodes without a conductor amidst powerful and colorful full orchestra sound. I hope to arouse interest of conductors and soloists of the orchestra to perform this brilliant music.
$60.00
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