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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For These Days
Non classifié
134
Piano & claviers
Piano seul
133
Piano, Voix et Guitare
80
Piano, Voix
77
Orgue
26
Piano Facile
19
Instruments en Do
7
Accompagnement Piano
5
Piano grosses notes
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
Accordéon
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
14
Guitare
11
Basse electrique
8
Ukulele
5
Paroles et Accords
4
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de Ukulélés
1
Piano, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
48
Chorale 3 parties
14
Chorale 2 parties
11
Voix seule
9
Chorale TTBB
6
Chorale Unison
3
Voix duo, Piano
3
Chorale SSAA
2
Voix duo
2
Voix basse, Piano
1
Voix Baryton, Piano
1
Chorale SSATB
1
Voix Soprano, Piano
1
Voix Alto, Piano
1
+ 9 instrumentations
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Vents
Flûte, Violon, Piano
31
Saxophone
24
2 Saxophones (duo)
14
Clarinette
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette et Piano
10
Saxophone Alto et Piano
10
Flûte traversière
9
2 Clarinettes (duo)
8
2 Flûtes traversières (duo)
7
Hautbois, Piano (duo)
6
Saxophone, Clarinette (duo)
6
Flûte traversière et Piano
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone Tenor et Piano
5
Saxophone Soprano et Piano
5
Clarinette, Violon (duo)
4
Flûte, Clarinette (duo)
4
Clarinette, Trompette (duo)
4
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Baryton, Piano
3
Ensemble de Flûtes
3
Hautbois, Basson (duo)
2
Hautbois, Flûte
2
Clarinette et Alto
2
2 Hautbois (duo)
2
Flûte, Violon
2
2 Flûte à bec (duo)
2
Flûte, Saxophone (duo)
2
Quatuor de Saxophones: 4 saxophones
2
Flûte, Alto (duo)
2
Hautbois, Clarinette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Tenor
1
Flûte, Trompette (duo)
1
Hautbois (partie séparée)
1
Flûte à bec Soprano
1
Clarinette, Basson (duo)
1
Quintette de Saxophone: 5 saxophones
1
2 Cors Anglais Et Pianoforte
1
2 Clarinettes, Basson
1
Saxophone Alto
1
Clarinette, Harpe (duo)
1
Quatuor de Flûtes à bec
1
Saxophone (partie séparée)
1
+ 40 instrumentations
Retracter
Cuivres
Trompette
10
Trombone
9
Trombone et Piano
8
Trompette, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trompette, Saxophone (duo)
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
Cor et Piano
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de Cuivres
2
Trompette, Trombone (duo)
2
Tuba
2
Tuba et Piano
1
Euphonium, Piano (duo)
1
Tuba (partie séparée)
1
Cor
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Cors Anglais Et Pianoforte
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Trombones
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon
10
Violon et Piano
9
Harpe
9
Violon, Violoncelle (duo)
9
Violoncelle, Piano
9
2 Violons (duo)
7
Violon, Alto (duo)
7
Alto, Piano
7
2 Violoncelles (duo)
7
Violoncelle, Contrebasse (duo)
6
Harpe, Voix
5
2 Altos (duo)
5
Alto, Violoncelle (duo)
3
2 Contrebasses (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto seul
1
Violoncelle
1
2 Violons, Piano
1
Violoncelle, Orgue
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
19
Batterie
18
Orchestre à Cordes
15
Orchestre
14
Jazz combo
7
Ensemble de cuivres
5
Cloches
4
Ensemble de Percussions
2
Piano et Orchestre
1
Ensemble Jazz
1
Orchestre de chambre
1
+ 6 instrumentations
Retracter
Autres
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ACCORDEON
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AUTRES INST…
BALALAIKA
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BASSE
BASSON
BATTERIE
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CHARANGO
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
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PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
For These Days
Partitions à imprimer
1 149 partitions trouvées
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1126
Schubert: Moment Musicaux for Baritone Horn & Piano
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sac...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Schubert: Moment Musicaux for Alto Sax & Piano
#
Saxophone Alto et Piano
#
FACILE
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for
#
jmsgu3
#
SheetMusicPlus
Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standard...
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Alto Saxophone,Piano - Level 2 - SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Schubert: Moment Musicaux for Baritone Sax & Piano
#
Saxophone Baryton, Piano
#
FACILE
#
Classique
#
Franz Schubert
#
James M
#
Schubert: Moment Musicaux for
#
jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Stan...
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Baritone Saxophone,Piano - Level 2 - SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
One of these Days
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Sarah Quartel
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One of these Days
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Oxford University Press Digital
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SheetMusicPlus
SSATBarB chorus unaccompanied - SKU: OX.9780193554504 Composed by Sarah Quartel. Sheet music. Voice Junction. Octavo. 15 pages. Oxford University Press ...
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SSATBarB chorus unaccompanied - SKU: OX.9780193554504 Composed by Sarah Quartel. Sheet music. Voice Junction. Octavo. 15 pages. Oxford University Press Digital #9780193554504. Published by Oxford University Press Digital (OX.9780193554504). ISBN 9780193554504.For SSATBarB unaccompanied. Setting words by the composer, One of these days is an affirmatory piece with pop-inspired rhythms and harmonies. The scat syllables and repeating patterns of the lower parts provide a rich cushion for the lilting melody of the soprano lines, with lyrics that encourage us to seize the day!
$4.00
Some Of These Days
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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Shelton Brooks
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Some Of These Days
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802658 Composed by Shelton Brooks. Arranged by Dudley E Bayford & Peet du Toit. Contempora...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.802658 Composed by Shelton Brooks. Arranged by Dudley E Bayford & Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6246543. Published by Peet du Toit (A0.802658). Some of These Days is a popular song, written and composed by Shelton Brooks, published in 1910, and associated with the performer Sophie Tucker. Shelton Brooks and Some of These Days was brought to Sophie Tucker's attention in 1910 by her maid, who insisted she meet Brooks and hear the song. Tucker instantly recognized its hit potential, performed and recorded many versions throughout the years, and eventually it became her signature song - including landing movie appearances to perform it.Tucker first recorded the song along with others on wax cylinder format in 1910-11. In 1926, on 78 RPM record format and backed by Ted Lewis and his band, Tucker recorded her classic, million-selling 1926 version, which stayed in the #1 position on the charts for five weeks beginning November 23, 1926, and re-affirmed her lasting association with the song.The song also appeared in a number of filmsThis fast number is sure to bring you excitement and joy.
$14.00
Arirang (For Piano Trio)
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Contemporain
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.511808 Composed by Han-Ki Kim. Classical,Contemporary,Instructional,Multicultural,Standards,World. Score and parts. 18 pages. Han-Ki Kim #6437551. Published by Han-Ki Kim (A0.511808). Arirang for Piano Trio Op.154EThis music is based on a string ensemble composed for Italian ensemble I Musici, they asked me to write a music to commemorate their 60th anniversary (2012). The conclusion of the idea that a music to celebrate their founding should be special was to write a music based on our folk song. Since the folk song “Arirangâ€, which contains the soul of our ancestors, is unique to Korea, it has great meaning in celebrating their anniversary with our own, and especially these days, when the desire to find ours is strong, our melody is performed on the world stage. I wanted to give a second meaning to what I left behind. I want both the performer and the audience to feel “musical sympathy†with this “Arirang,†which is an effort to give value as an artistic document to a folk song that is familiar to everyone. Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached music is played by String ensemble just for a reference.
$6.90
Timeless Solos for Guitar
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Guitare
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INTERMÉDIAIRE
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Contemporain
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William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate-Advanced - SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William...
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Guitar (fingerpicking) - Intermediate-Advanced - SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
My Baby Just Cares For Me
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Accordéon
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INTERMÉDIAIRE
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John Pizzarelli
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Bob van der Poel
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My Baby Just Cares For Me
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Accordion Arrangement by Bob van der Poel
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SheetMusicPlus
Accordion,Instrumental Solo - Level 3 - SKU: A0.1410870 By John Pizzarelli. By Gus Kahn and Walter Donaldson. Arranged by Bob van der Poel. 20th Century...
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Accordion,Instrumental Solo - Level 3 - SKU: A0.1410870 By John Pizzarelli. By Gus Kahn and Walter Donaldson. Arranged by Bob van der Poel. 20th Century,Blues,Broadway,Jazz,Musical/Show. Individual part. 2 pages. Accordion Arrangement by Bob van der Poel #993256. Published by Accordion Arrangement by Bob van der Poel (A0.1410870). In 1930 the musical Whoopee had Eddie Cantor and Ruth Etting perform this delightful, fun piece. The song, like so many others, had a verse, but only the chorus is performed these days. In 1957 the American singer Nina Simone released her version of the song ... and it quickly became her signature piece.
$4.99
These Forty Days
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Chorale SATB
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Musique Sacrée
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Lee Dengler
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These Forty Days
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Celebrating Grace - Digital
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SheetMusicPlus
SATB, opt. Flute, Congregation - Anthem for the Sundays of Lent. Composed by Lee Dengler. Christian. Octavo. 16 pages. Celebrating Grace - Digital #...
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SATB, opt. Flute, Congregation - Anthem for the Sundays of Lent. Composed by Lee Dengler. Christian. Octavo. 16 pages. Celebrating Grace - Digital #811039. Published by Celebrating Grace - Digital
$2.25
Sinatra (Nancy) : These Boots Are Made for Walkin' (niveau facile/intermédiaire, sax alto)
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Saxophone
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FACILE
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Rock
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Folk Rock
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Sinatra (Nancy)
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These Boots Are Made for Walki
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Tomplay
Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau facile/intermediaire, sax alto) de Sinatra (Nancy). Partition pour Saxophone av...
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Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau facile/intermediaire, sax alto) de Sinatra (Nancy). Partition pour Saxophone avec accomp. orchestre -- Pop/rock,Folk et Country
5.99€
Sinatra (Nancy) : These Boots Are Made for Walkin' (niveau facile/intermédiaire, sax ténor)
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Saxophone
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FACILE
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Rock
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Folk Rock
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Sinatra (Nancy)
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These Boots Are Made for Walki
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Tomplay
Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau facile/intermediaire, sax tenor) de Sinatra (Nancy). Partition pour Saxophone a...
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Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau facile/intermediaire, sax tenor) de Sinatra (Nancy). Partition pour Saxophone avec accomp. orchestre -- Pop/rock,Folk et Country
5.99€
Sinatra (Nancy) : These Boots Are Made for Walkin' - Version originale (niveau facile/intermédiaire)
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Basse electrique
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FACILE
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Rock
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Country
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Sinatra (Nancy)
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These Boots Are Made for Walki
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Tomplay
Telechargez la tablature et la partition Basse These Boots Are Made for Walkin' - Version originale (niveau facile/intermediaire) de Sinatra (Nancy). Tab p...
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Telechargez la tablature et la partition Basse These Boots Are Made for Walkin' - Version originale (niveau facile/intermediaire) de Sinatra (Nancy). Tab pour Basse avec band -- Pop/rock,Country
5.99€
Sinatra (Nancy) : These Boots Are Made for Walkin' (niveau difficile, sax ténor)
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Saxophone
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AVANCÉ
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Rock
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Folk Rock
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Sinatra (Nancy)
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These Boots Are Made for Walki
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Tomplay
Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau difficile, sax tenor) de Sinatra (Nancy). Partition pour Saxophone avec accomp....
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Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau difficile, sax tenor) de Sinatra (Nancy). Partition pour Saxophone avec accomp. orchestre -- Pop/rock,Folk et Country
5.99€
Sinatra (Nancy) : These Boots Are Made for Walkin' (niveau difficile, sax alto)
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Saxophone
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AVANCÉ
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Rock
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Folk Rock
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Sinatra (Nancy)
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These Boots Are Made for Walki
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Tomplay
Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau difficile, sax alto) de Sinatra (Nancy). Partition pour Saxophone avec accomp. ...
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Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau difficile, sax alto) de Sinatra (Nancy). Partition pour Saxophone avec accomp. orchestre -- Pop/rock,Folk et Country
5.99€
Sinatra (Nancy) : These Boots Are Made for Walkin' (niveau facile, sax alto)
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Saxophone
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FACILE
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Rock
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Folk Rock
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Sinatra (Nancy)
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These Boots Are Made for Walki
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Tomplay
Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau facile, sax alto) de Sinatra (Nancy). Partition pour Saxophone avec accomp. orc...
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Telechargez la partition Saxophone These Boots Are Made for Walkin' (niveau facile, sax alto) de Sinatra (Nancy). Partition pour Saxophone avec accomp. orchestre -- Pop/rock,Folk et Country
5.99€
Sinatra (Nancy) : These Boots Are Made for Walkin' (niveau facile/intermédiaire)
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Clarinette
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FACILE
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Rock
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Folk Rock
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Sinatra (Nancy)
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These Boots Are Made for Walki
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Tomplay
Telechargez la partition Clarinette These Boots Are Made for Walkin' (niveau facile/intermediaire) de Sinatra (Nancy). Partition pour Clarinette avec accom...
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Telechargez la partition Clarinette These Boots Are Made for Walkin' (niveau facile/intermediaire) de Sinatra (Nancy). Partition pour Clarinette avec accomp. orchestre -- Pop/rock,Folk et Country
5.99€
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For These Days