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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For Two Violins in E minor
Non classifié
16
Piano & claviers
Piano seul
7
Piano Quatuor: piano, violon, alto, violoncelle
1
Guitares
Voix
Voix haute
1
Vents
Flûte, Hautbois, Clarinette (trio)
2
Cor anglais et Harpe (duo)
1
Flûte traversière et Piano
1
Flûte, Violon et Violoncelle
1
Clarinette
1
Clarinette et Piano
1
2 Flûtes traversières (duo)
1
Saxophone Baryton, Piano
1
Saxophone Tenor et Piano
1
+ 4 instrumentations
Retracter
Cuivres
Cor anglais et Harpe (duo)
1
Euphonium, Piano (duo)
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
14
Violon
6
2 Violons (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Trio à Cordes: 2 violons, alto
2
Harpe, Flûte (duo)
2
2 Violons, Piano
2
Violon et Piano
2
Violon (partie séparée)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Violon, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
Quatuor à cordes: 4 violons
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Alto, Piano
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Trio à Cordes: violon, alto, violoncelle
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
5
Orchestre de chambre
1
Piano et Orchestre
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
For Two Violins in E minor
Partitions à imprimer
97 partitions trouvées
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26
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Oh Chanukah, for two violins and piano
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2 Violons, Piano
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INTERMÉDIAIRE
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Klezmer
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Christopher A
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Oh Chanukah, for two violins a
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Christopher A. Sforza
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SheetMusicPlus
Piano Accompaniment, Violin, String Duet - Intermediate - Arranged by Christopher A. Sforza. Jewish, Repertoire, Folk, Klezmer, Hanukkah. Score, Sol...
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Piano Accompaniment, Violin, String Duet - Intermediate - Arranged by Christopher A. Sforza. Jewish, Repertoire, Folk, Klezmer, Hanukkah. Score, Solo Part. 7 pages. Published by Christopher A. Sforza
Oh Chanukah, or Oy Chanukah is a classic Hanukkah song of Yiddish origins. This arrangement includes versions in both g and e minor. The first includes fingerings for shifting from 1st through 3rd position. The second utilizes low and high second fingers in first position. The arrangement can be performed in a number of ways; solo with piano, duo with piano, or unaccompanied duet. Included are the piano and violin duet scores.
$2.25
Albinoni - Trio Sonata No.11 in E minor Op.1 for Two Violins and Cembalo or Piano
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2 Violons, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Albinoni Tomaso
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Santino Cara
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Albinoni - Trio Sonata No.11 i
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Santino Cara
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.517186 Composed by Albinoni Tomaso. Arranged by Santino Cara. Baroque. Score and par...
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Instrumental Duet Harpsichord,Instrumental Duet - Level 4 - SKU: A0.517186 Composed by Albinoni Tomaso. Arranged by Santino Cara. Baroque. Score and parts. 17 pages. Santino Cara #3593881. Published by Santino Cara (A0.517186). Complete score and parts of the Trio Sonata No.11 in E minor for Two Violins and Cembalo. reconstructed and elaborated by Santino Cara from 12 Trio Sonatas Op.1 by Tomaso Albinoni.
$16.40
Bach: Prelude & Fugue in E Minor BWV 555 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Classique
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Johann Sebastian Bach
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James M
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Bach: Prelude & Fugue in E
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1124720 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1124720 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Standards,Traditional. 13 pages. Jmsgu3 #725476. Published by jmsgu3 (A0.1124720). Score: 5 pages. Duration: ca. 3:20Johann Sebastian Bach's Prelude and Fugue in E Minor BWV 555 is a work of great depth and complexity. The Prelude is a fast-paced and virtuosic piece that showcases Bach's mastery of the keyboard. Its sweeping, contrapuntal lines flow seamlessly together, creating a sense of grandeur and majesty. The Fugue, on the other hand, is a much more serious and intense work. Its complex counterpoint and intricate harmonies create an atmosphere of intense contemplation and reflection. Together, these two pieces form a powerful musical statement that has been a favorite of musicians and audiences for centuries. The Prelude and Fugue in E Minor BWV 555 is a timeless masterpiece that remains as relevant today as it was when it was first composed.
$32.95
Burnt Cross Buns, for two violins and piano
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Violon et Piano
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DÉBUTANT
#
Christopher A Sforza
#
Burnt Cross Buns, for two viol
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Christopher A. Sforza
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.909566 Arranged by Christopher A Sforza. Children,Contemporary,Folk,Instructi...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 1 - SKU: A0.909566 Arranged by Christopher A Sforza. Children,Contemporary,Folk,Instructional,Standards. Score and parts. 4 pages. Christopher A. Sforza #3663907. Published by Christopher A. Sforza (A0.909566). This arrangement of Hot Cross Buns is set in the minor mode in order to teach low second finger placement on the violin. Included is four versions of the tune in e, a, d, and g minor corresponding with each of the open strings. The arrangement allows the performers to play three different ways; as a solo with piano, two violins and piano, or as a violin duet without piano.Included are the piano score and duet part as well as fingering suggestions.
$2.25
Christmas Medley (What Child is This / Away in a Manger): String Trio for Two Violins and Cello
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Trio à Cordes: 2 violons, violoncelle
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INTERMÉDIAIRE
#
Noël
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
String Ensemble,String Trio Cello,Violin - Level 3 - SKU: A0.524554 Composed by James R. Murray, Traditional English Folk Song. Arranged by John A. Demp...
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String Ensemble,String Trio Cello,Violin - Level 3 - SKU: A0.524554 Composed by James R. Murray, Traditional English Folk Song. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 19 pages. John A. Dempsey #5996799. Published by John A. Dempsey (A0.524554). This triumphant string trio for two violins and cello - a medley of two Christmas carols - is shaded with quiet, prayerful moments of reflection and brightened by joyful bursts of praise. Â Mood, tempo and time signature changes add to the dramatic impact of the arrangement. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â Key: E minor / G major. Â 15 pages of music (that includes separate two-page parts for violin 2 and cello and a three-page part for violin 1).
$9.99
Prelude in E Minor, Op. 28, No. 4
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
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Tiago Pieretti de Oliveira
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Prelude in E Minor, Op. 28, No
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Tiago Pieretti
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1044118 Composed by Frederic Chopin. Arranged by Tiago Pieretti de Oliveira. Classi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1044118 Composed by Frederic Chopin. Arranged by Tiago Pieretti de Oliveira. Classical,Romantic Period. Score and parts. 2 pages. Tiago Pieretti #648846. Published by Tiago Pieretti (A0.1044118). An arrangement of Chopin's Op. 28, No 4 for a string quartet of two violins, a viola and a cello. The original work is E minor but the arrangement is in G minor.
$2.99
Vivaldi : Concerto pour deux violons n° 8 en la mineur, Opus 3 - II. Larghetto e spiritoso (Violon 1) (Arr. Tivadar Nachez)
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Violon
#
FACILE
#
Classique
#
Vivaldi
#
Concerto pour deux violons n°
#
Tomplay
Telechargez la partition Violon Concerto pour deux violons n° 8 en la mineur, Opus 3 - II. Larghetto e spiritoso (Violon 1) (Arr. Tivadar Nachez) de Vivaldi...
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Telechargez la partition Violon Concerto pour deux violons n° 8 en la mineur, Opus 3 - II. Larghetto e spiritoso (Violon 1) (Arr. Tivadar Nachez) de Vivaldi. Partition pour Duo (Violon-Piano) -- Classique
5.99€
Vivaldi : Concerto pour deux violons n° 8 en la mineur, Opus 3 - II. Larghetto e spiritoso (Violon 2) (Arr. Tivadar Nachez)
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Violon
#
FACILE
#
Classique
#
Vivaldi
#
Concerto pour deux violons n°
#
Tomplay
Telechargez la partition Violon Concerto pour deux violons n° 8 en la mineur, Opus 3 - II. Larghetto e spiritoso (Violon 2) (Arr. Tivadar Nachez) de Vivaldi...
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Telechargez la partition Violon Concerto pour deux violons n° 8 en la mineur, Opus 3 - II. Larghetto e spiritoso (Violon 2) (Arr. Tivadar Nachez) de Vivaldi. Partition pour Duo (Violon-Piano) -- Classique
5.99€
Vivaldi : Concerto pour deux violons n° 8 en la mineur, Opus 3 - II. Larghetto e spiritoso
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Piano seul
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INTERMÉDIAIRE
#
Classique
#
Vivaldi
#
Concerto pour deux violons n°
#
Tomplay
Telechargez la partition Piano Concerto pour deux violons n° 8 en la mineur, Opus 3 - II. Larghetto e spiritoso de Vivaldi. Partition pour Duo -- Classique...
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Telechargez la partition Piano Concerto pour deux violons n° 8 en la mineur, Opus 3 - II. Larghetto e spiritoso de Vivaldi. Partition pour Duo -- Classique
5.99€
Fugue from Le Tombeau de Couperin (for Viola and 2 Violins)
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Trio à Cordes: 2 violons, alto
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INTERMÉDIAIRE
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Classique
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Maurice Ravel
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Kenneth Pasciak
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Fugue from Le Tombeau de Coupe
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Kenneth Pasciak
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SheetMusicPlus
String Trio Viola,Violin - Level 3 - SKU: A0.1459111 Composed by Maurice Ravel. Arranged by Kenneth Pasciak. Classical,Romantic Period. 12 pages. Kennet...
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String Trio Viola,Violin - Level 3 - SKU: A0.1459111 Composed by Maurice Ravel. Arranged by Kenneth Pasciak. Classical,Romantic Period. 12 pages. Kenneth Pasciak #1038081. Published by Kenneth Pasciak (A0.1459111). ....................Fugue from Le Tombeau de Couperin by French composer Maurice Ravel arranged for two violins and viola in E minor. Includes 5-page score plus individual parts for violins and viola.Kenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/....................
$9.99
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
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Classique
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Musique Sacrée
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Cello, 1 Ba
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Classique
#
Musique Sacrée
#
Antonin Dvorak
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Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
(+)
String Ensemble,String Quintet - Level 3 - SKU: A0.813834 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533937. Published by Regis Bookshar (A0.813834). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this selection which a.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 3 Violins, 1 Viola, 1 Ce
#
Classique
#
Musique Sacrée
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Per...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813835 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533939. Published by Regis Bookshar (A0.813835). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - . This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 3 Violins, 1 Viola and 1 Violoncello, he has made quite a few other arrangements of this selection which ar.
$15.00
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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Orchestre à Cordes
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Classique
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Prelude and Fugue in C major f
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Upstream Music
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SheetMusicPlus
String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages...
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String Orchestra - SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
"Valse Sentimentale" Original for Violin Duet and Piano
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2 Violons (duo)
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INTERMÉDIAIRE
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Grant Horsley
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"Valse Sentimentale"
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Grant Horsley
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.785851 Composed by Grant Horsley. Contemporary,Contest,Festival,Romantic Period,Wedding. 23 pages. Grant Horsley ...
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Violin Duet Violin - Level 3 - SKU: A0.785851 Composed by Grant Horsley. Contemporary,Contest,Festival,Romantic Period,Wedding. 23 pages. Grant Horsley #6718917. Published by Grant Horsley (A0.785851). A Piano Accompaniment track is available.Valse Sentimentale is in ternary form, in 3/4 time and romantic in natureThe first section is a gentle waltz in G minor minor and the second section by contrast is in E flat major and takes on a barcarolle like quality but remaining in 3/4 not the traditional 6/8. It returns to section one again and the coda brings back a short reminder of the barcarolle theme in G major to finish.The range of the violins are around two octaves with the top note- top E flat appearing once. Bowing is excluded and left to the performer.Each part is equally divided to avoid the 1st violin and 2nd definition. I have set it to intermediate level but the whole score is on the youtube link for you to assess. It would work well for a variety of occasions.It is around 5 mins 50 in length.Price is for the full score and parts.Flute duet, Clarinet duet, Oboe Duet, Alto Sax Duet and Solo Piano versions are also available
$5.99
Christmas Medley (What Child is This / Away in a Manger): String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Noël
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.524577 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christma...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.524577 Composed by James R. Murray. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 24 pages. John A. Dempsey #6029539. Published by John A. Dempsey (A0.524577). This triumphant string quartet - a medley of two Christmas carols - is graced with both quiet, prayerful moments of reflection and joyful bursts of praise. Â Mood, tempo and time signature changes add to the dramatic impact of the music as a worship experience. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 20 pages of music (that includes the score, two-page parts for violin 2, viola and cello and a three-page part for violin 1). Â Key: E minor / G major.
$12.99
Christmas Medley (What Child is This / Away in a Manger): Violin Quartet
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Quatuor à cordes: 4 violons
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INTERMÉDIAIRE
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Noël
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James R
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John A
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Christmas Medley
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John A. Dempsey
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SheetMusicPlus
String Ensemble Violin - Level 3 - SKU: A0.524582 Composed by James R. Murray, Traditional English Folk Song. Arranged by John A. Dempsey. Christian,Chr...
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String Ensemble Violin - Level 3 - SKU: A0.524582 Composed by James R. Murray, Traditional English Folk Song. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and parts. 24 pages. John A. Dempsey #6038285. Published by John A. Dempsey (A0.524582). This triumphant violin quartet - a medley of two Christmas carols - is graced with both quiet, prayerful moments of reflection and joyful bursts of praise. Â Mood, tempo and time signature changes add to the dramatic impact of the music as a worship experience. Â It's a sweeping musical journey that celebrates the miracle of Jesus' birth. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events, as a prelude, postlude, an offertory, interlude, Christmas play overture and special music. Â 20 pages of music (that includes the score, separate two-page parts for violin 2, violin 3 and violin 4 and a three-page part for violin 1). Â Key: E minor / G major.
$12.99
Two Quartets for 2 violins, viola, and violoncello obbligato - Op. 12
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Justus Johann Friedrich Dotzau
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Michele Galvagno
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Two Quartets for 2 violins, vi
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1197314 Composed by Justus Johann Friedrich Dotzauer. Arranged by Michele Galvagno....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1197314 Composed by Justus Johann Friedrich Dotzauer. Arranged by Michele Galvagno. 19th Century,Chamber,Classical,Instructional,Romantic Period. 164 pages. Artistic Score Engraving di Galvagno Michele #796478. Published by Artistic Score Engraving di Galvagno Michele (A0.1197314). Dotzauer’s first attempt at a major form of chamber music comes in 1810, with his Op. 12. This is a couple of quartets for two violins, viola, and violoncello obbligato. One may think these are ordinary string quartets, where the first violin has all the fun and the other three players share the remaining bits, but one would be gravely mistaken. The clue for this is the dedication by Dotzauer to his teacher, Bernhard Romberg. Then we have the word “obbligato†marking the prominence of the cello part over the others. They are entertaining pieces, about 25-minutes-long each, in four movements, and similar to Haydn in style. These are the first two of Dotzauer’s generous production of string quartets (more than twenty!). The first is in E-flat major, while the second is in G minor, a curious choice for sure. This edition comes in digital and print, both including the same material, a score and a set of four parts.
$49.00
Vivaldi - 12 Double Concertos for Two Violins and Cembalo (or Piano) - Scores and Parts
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Vivaldi - 12 Double Concertos
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - SKU: A0.1232342 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Car...
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Instrumental Duet,Piano Instrumental Duet,Keyboard,Piano,Violin - Level 4 - SKU: A0.1232342 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. 465 pages. Santino Cara #828028. Published by Santino Cara (A0.1232342). Complete scores and parts of 12 Double concertos for Two Violins and Cembalo or Piano. Composed in Venice between 1711 and 1720 by Antonio Vivaldi. Transcribed over the years by Santino Cara.12 Concertos:1.  Concerto No.3 in D major from Op.12   RV 1242.  Concerto in C major   RV 5053.  Concerto in C major   RV 5084.  Concerto in C minor   RV 5095.  Concerto in D major   RV 5116.  Concerto in D minor   RV 5147.  Concerto in G major   RV 5168.  Concerto in G minor   RV 5179.  Concerto in A major   RV 52110.Concerto in A minor   RV 52311. Concerto in B flat major RV 52912. Concerto No.9 in B flat major from “La Cetra†Op.9   RV 530Other Vivaldi's works for violin and harpsichord or piano:Vivaldi - 23 Concertos for Violin and PianoVivaldi - L'Estro Armonico Op.3 - 12 Concertos for 2 Violins and Piano - Scores and PartsVivaldi - La Stravaganza Op.4 - 12 Concertos for Violin and PianoVivaldi - Six Violin Concertos for Violin and Piano Op.6 - Scores and violin partVivaldi - 10 Violin Concertos Op.7 for Violin and Cembalo (or Piano) - Scores and PartVivaldi - Il Cimento dell'Armonia e dell'Invenzione Op.8 - 12 Concertos for Violin and PianoVivaldi - La Cetra Op.9 - 12 Concertos for Violin and Piano - Full scores and Violin partVivaldi - Six Violin Concertos Op.11 for Violin and Cembalo (or Piano) - Full scores and partVivaldi - Six Concertos for Violin and Piano Op.12 - Complete scores and Part
$32.40
Vivaldi - Violin Concerto No.4 in E minor RV 550 Op.3 for Two Violins and Piano
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.4
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Santino Cara
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - SKU: A0.516976 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and par...
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - SKU: A0.516976 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 21 pages. Santino Cara #3089069. Published by Santino Cara (A0.516976). Complete score and parts of the Violin Concerto No.4 in E minor RV 550 for Two Violins and Piano from L'estro armonico Op.3 by Antonio Vivaldi. Transcribed by Santino Cara.
$18.40
Vivaldi - Violin Concerto in A minor RV 357 Op.4 No.4 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto in A
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Santino Cara
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.516902 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 31 pages. Sant...
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String Quartet String Quartet - Level 3 - SKU: A0.516902 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 31 pages. Santino Cara #2961011. Published by Santino Cara (A0.516902). Version for String Quartet of the Concerto in A minor RV 357for violin solo and string orchestra composed in 1714 by Antonio Vivaldi. Dedicated to the Venetian nobleman Mr. Vettor Delfino and published for first time in 1716 in La Stravaganza Op.4 No.4. With the complete score of the concert, they are inserted also the separate instrumental parts. Movements: 1. Allegro, 2. Grave e cantabile, 3. Allegro This concerto is a personal reconstruction of Santino Cara made from the manuscript kept in the National Library of Turin, and is cataloged in the transcriptions of Santino Cara with the code: CS2156. There are two other versions of this concerto, the original version for violin solo and string orchestra, and the version for violin and piano, both published on my Sheet Music Plus page. http://www.sheetmusicplus.com/publishers/Santino-Cara/1492 .
$14.40
Trio Sonata in E minor (no.2, op.1) - Arcangelo Corelli
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Arcangelo Corelli
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Nicholas Palmer, ASCAP
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Trio Sonata in E minor
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Nicholas D Palmer
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Violin - Level 3 - SKU: A0.782814 Composed by Arcangelo Corelli. Arranged by Nicholas Palmer, ASCAP. Baroque,Easter,Wed...
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Small Ensemble Harpsichord,Organ,Violin - Level 3 - SKU: A0.782814 Composed by Arcangelo Corelli. Arranged by Nicholas Palmer, ASCAP. Baroque,Easter,Wedding. Score and parts. 20 pages. Nicholas D Palmer #5792823. Published by Nicholas D Palmer (A0.782814). This is the second of 12 trio sonatas for two violins, cello, and continuo. The continuo part has been realized for ease of performance, and includes the complete v2 and cello parts, ad lib, for use with violin alone. The cello part includes continuo, where there are gaps in the part, for string trio performance without keyboard.
$4.99
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