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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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HAUTBOIS
LIVRES
LUTH
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MARIMBA
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SAXOPHONE
SYNTHETISEUR
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
For the contemporary flutist
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84
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7
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2
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1
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1
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1
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5
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1
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1
Vents
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42
Flûte traversière
30
2 Flûtes traversières (duo)
10
Quatuor de Flûtes : 4 flûtes
6
Ensemble de Flûtes
5
Trio de Flûtes: 3 flûtes
3
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2
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2
Hautbois, Piano (duo)
1
Clarinette, Basson (duo)
1
Clarinette et Piano
1
Quintette de Flûte : 5 flûtes
1
Flûte, Clarinette (duo)
1
Saxophone Soprano et Piano
1
Cor Anglais
1
Flûte, Violon, Violoncelle et Piano
1
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1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette
1
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1
Trombone et Piano
1
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2
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2
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2
Harpe, Flûte (duo)
2
Violon
1
Violoncelle
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Harpe
1
Violoncelle, Piano
1
+ 4 instrumentations
Retracter
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Orchestre de chambre
8
Orchestre à Cordes
8
Orchestre
5
Vibraphone
2
Ensemble de cuivres
2
Orchestre d'harmonie
2
Ensemble de Percussions
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Crtitères actifs :
For the contemporary flutist
Partitions à imprimer
258 partitions trouvées
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251
For the contemporary flutist
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Flûte traversière
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Methodes Etudes
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Wil Offermans
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For the contemporary flutist
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Musikverlag Zimmermann
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SheetMusicPlus
Twelve studies for the flute with explanations in the supplement. Composed by Wil Offermans. This edition: method. Flote, Flute, Etuden. Downloadable. Dura...
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Twelve studies for the flute with explanations in the supplement. Composed by Wil Offermans. This edition: method. Flote, Flute, Etuden. Downloadable. Duration 61 minutes 40 seconds. Musikverlag Zimmermann #Q49639. Published by Musikverlag Zimmermann
Offermans' famous etude book concerning comtemporary flute techniques, which has been awarded by the Newly Published Music Committee of the National Flute Association, USA in 1993. These studies can help flutists not only to deepen their knowledge about contemporary flute playing, but also to develop breathing, use-of-body and flute-sound in general.
$23.99
Shelter in Place for SSAATB chorus and nature soundtrack
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Shelter in Place for SSAATB ch
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Piano seul
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INTERMÉDIAIRE
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL F
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Pu...
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Piano Solo - Level 3 - SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and pa...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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Orchestre à Cordes
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419...
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String Orchestra - SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95
Sonatina of Time for early intermediate flute
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Rebecca Maughan Cook
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Sonatina of Time for early int
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Rebecca Maughan Cook
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maughan Cook #6873209...
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Flute,Piano - Level 3 - SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maughan Cook #6873209. Published by Rebecca Maughan Cook (A0.908188). This wonderful Sonatina is in 3 movements for the intermediate flutist. It is a finalist for the 2022 New Voices for Young Flutists competition. Set in the band friendly Key of B-flat major, Movement 1 is a Classical Sonata Allegro Form with an accessible flute part and a piano part that makes it BIG!  It's called 'Clockworks' because of the type of clock sounds used, especially in the piano part. The range for the flutist is Low A to High D.   Movement 2 is called 'Time for Caring.' I wrote the melody I wanted to play. It's lovely and makes you want to develop an even more beautiful sound. It's range is Low F to High D with a fast scale going from Low F up to mid B-flat.  This is also in the Key of B-flat.  The 3rd Movement is also in the Key of B-flat. I called it 'Time to Grow.' It's rhythm is in 8/8, usually divided into 3+3+2, although there are a few measures where it is easier for the flutist to think of it in 2+2+2+2.  It has a lot of drive in the rhythm and I think has a Broadway kind of sound, as if people were moving and walking across a busy stage while singing. I'm uploading a recording of this which I hope you enjoy! The piano part is much more challenging. Each of these movements is accessible, musical, interesting and when paired with the accompaniment a full ensemble kind of sound.  Enjoy!
$5.99
Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choir
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Maurice Ravel
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Dorothea Dot Lippart
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Vocalise-Étude
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as do Ray meflute studio production
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SheetMusicPlus
Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - SKU: A0.874260 Composed by Maurice Ravel. Arranged by a do Ray me flute s...
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Large Ensemble Alto Flute,Bass Flute,Choir,Orff Instrument,Voice - Level 4 - SKU: A0.874260 Composed by Maurice Ravel. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. 20th Century,Concert,Contemporary,Instructional,Standards. Score and parts. 25 pages. As do Ray meflute studio production #5203415. Published by as do Ray meflute studio production (A0.874260). Vocalise-Étude ( en forme d'Habanera ) by Ravel for Flute Solo and flute ensemble / choirThe famous Vocalise Etude by M Ravel, arranged scored smartly for Flute Solo and flute ensemble/ choir. This piece will give you advanced adult student, college /high student, professional a real solo with flute choir to let them shine . This piece is beautiful in texture , color, and expression. Playing this solo flute part would be any flutists dream to show case their talents.Looking for a great piece, a challenging technique in the solo part, but easier and adaptable for the ensemble?? This is it!!This will surely be a great part of your flute choir /ensemble collection, or even a treasured classic of you own private collection.This piece is scored where as can be played with a small (one per part backign) or even larger ensemble.You be just as excited about this arrangement as I am and all my flutist friends are.And I did want to dedicate this arrangement to my really good friend, who's like fmaily to me, and an incredible music and flutist ; Dorothea Dot Lippart.-- also, check my website out @ doRaymeflute.comhttps://youtu.be/Y-r8Hsfep6E
$15.99
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Carson Cooman: Ancient Airs (2004) for solo flute
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Flûte traversière
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ancient Airs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.533595 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publi...
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Flute Solo - Level 5 - SKU: A0.533595 Composed by Carson Cooman. Concert,Contemporary,Folk,Standards. Individual part. 7 pages. Musik Fabrik Music Publishing #3030249. Published by Musik Fabrik Music Publishing (A0.533595). Ancient Airs (2004) for solo flute was written for and is dedicated to flutist Sandra Ragusa.It is in two movements, each with a spirit of ancient airs re-imagined in a modern context.The ancestry of the modern flute as a folk instrument is the inspiration for the work's concept.They should always be played with a lyrical, singing approach.Beyond the Mountain uses as its basic musical material a simple transformation of a modalmelody in D minor. Gradually tones are added borrowed from other modalities. The openingsection is slow and lyrical. The middle section is more active -- contrasting the D minorchord tones with the added diminished tones of the first section. The final section recalls thematerial of the opening with a wider transformation.Forgotten Incantation uses a wider modal language than the first movement. Although stillgenerally slow and song-like, it is more energetic. Energetic gestures interrupt and drive thesong narrative forwards.
$11.95
Six Forays for Flute & Clarinet
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Flûte, Clarinette (duo)
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Contemporain
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Judith Cloud
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Six Forays for Flute & Cla
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - SKU: A0.981221 Composed by Judith Cloud. Contemporary. Score and parts. 1 pages. Judith Cloud #6690...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - SKU: A0.981221 Composed by Judith Cloud. Contemporary. Score and parts. 1 pages. Judith Cloud #6690315. Published by Judith Cloud (A0.981221). Six Forays for Flute and Clarinet1. Questioning with hesitation2. Slowly and freely with rubato3. Snappy and perky!4. Tenderly, with much sensitivity5. Nagging relentlessly6. Aggressively insistentThe genesis of this diminutive composition, and its subsequent title Six Forays for Flute and Clarinet had its inception at a dinner party held by flutist, Emily McKay. Jeremy and Emily were planning a collaboration including a CD recording featuring flute and clarinet music, and wanted me to compose a piece for them. I decided against a formal plan, and began in a sense, to unravel sound organization from the inside out. Imagining myself an audience participant, I wanted to hear clarity through brevity. I definitely did not want to impose gimmickry, but did choose to play with slight pitch bending-something to arouse the listener, but not to bore her with 20th century musical clichés. The result is a six-movement piece, around six minutes long. Organizing the music through titles allows for imagination for both the listener and the performers.Beauty of tone, magnificent musicianship, and virtuosity-these qualities in instrumentalists inspire all who create music. I am very grateful to Emily McKay and Jeremy Reynolds for commissioning me to write this music for them.
$6.99
Dementia in F-sharp for solo flute
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Flûte traversière
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AVANCÉ
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Jing Liu
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Dementia in F-sharp for solo f
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Jing Liu
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1010609 Composed by Jing Liu. 20th Century,Contemporary. Individual part. 5 pages. Jing Liu #550747. Published by Jing Li...
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Flute Solo - Level 5 - SKU: A0.1010609 Composed by Jing Liu. 20th Century,Contemporary. Individual part. 5 pages. Jing Liu #550747. Published by Jing Liu (A0.1010609). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition Dementia in F-sharp is ultimately about forgetting, and the anger that comes with the inability to remember. For reasons unknown, the note F-sharp is the center of the universe for the flutist. In increasingly agitated attempts, the flutist tries to remember, and the lines go higher and higher until the memory appears clearly, in its original form, in the middle section. But that dissolves back into agony and chaos, until the flutist repeats the opening figure for the final time--but the F-sharp is ultimately lost. JL, Jan 2015.
$9.99
Carson Cooman: Partita for solo baroque flute or recorder
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Carson Cooman
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Carson Cooman: Partita for sol
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Recorder - Level 4 - SKU: A0.533209 Composed by Carson Cooman. Baroque,Concert,Contemporary,Standards. Score and parts. 3 pages. Mu...
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Small Ensemble Flute,Recorder - Level 4 - SKU: A0.533209 Composed by Carson Cooman. Baroque,Concert,Contemporary,Standards. Score and parts. 3 pages. Musik Fabrik Music Publishing #1986199. Published by Musik Fabrik Music Publishing (A0.533209). Partita (2003) for solo baroque flute was written for and is dedicated to flutist Dolores Zdancewicz, who commissioned a piece specifically to take advantage of the baroque flute's unique sonic properties. This work may also be performed on the recorder. The first movement, Cantus (Song), is a simple lyrical piece exploring continuous transformation of the principal melodic ideas. The second movement, Ludus (Game), is in an ABA form. The movement explores the tone color contrast between different note combinations on the baroque flute -- the property that some notes have a more veiled sound color than other notes. It is a movement of humor and zest. Recorded by Stephen Schultz, baroque flute on Naxos American Classics CD Cooman: Symphonines II and III.
$8.00
Fanfare for the Hollywood Flutist
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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J
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Fanfare for the Hollywood Flut
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J. A. Kramlofsky
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1025686 Composed by J.A. Kramlofsky. Contemporary. Score and parts. 55 pages. J. A. Kramlofsky #6453573. Published by J. A. ...
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Chamber Orchestra - SKU: A0.1025686 Composed by J.A. Kramlofsky. Contemporary. Score and parts. 55 pages. J. A. Kramlofsky #6453573. Published by J. A. Kramlofsky (A0.1025686). Chamber Orchestra - Intermediate - - Score plus Parts
$39.50
Carson Cooman: Sonata in memoriam Daniel Pinkham (2007) for flute solo
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Flûte traversière
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AVANCÉ
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Carson Cooman
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Carson Cooman: Sonata in memor
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishin...
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Flute Solo - Level 5 - SKU: A0.533567 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 18 pages. Musik Fabrik Music Publishing #3022373. Published by Musik Fabrik Music Publishing (A0.533567). I. CapriceII. Folk ArabesquesIII. MarchIV. Aria and InterludesV. Hootenanny at the Gates of HeavenSonata in memoriam Daniel Pinkham (2007) for flute was written for and is dedicated to flutist FenwickSmith. The work was written in memory of American composer Daniel Pinkham (1923-2006) – a composerwhose music, advocacy, and personal support meant a great deal to me over the years I knew him.Throughout his distinguished career as a composer, keyboard performer (on harpsichord and organ),teacher, and conductor, Dan Pinkham served as an inspiration for countless American composers andmusicians.I had planned to write a solo flute sonata for a few years and made many sketches towards such a work. Inearly 2007, reflecting on Dan’s passing in December 2006, I threw out everything I already had and begananew, conceiving the work both as a tribute to Dan and a piece for his close friend and frequentcollaborator Fenwick Smith.The five movements of the work each explore ongoing transformation of their opening materials. Thoughthere are elegiac moments in the work, the tone throughout is zestfully celebratory, with touches of humor,representing Pinkham’s irrepressible and memorable wit.The first movement, Caprice, flies through a series of arpeggio figurations in changing modes (often adifferent mode “going up†from “coming downâ€).The second movement, Folk Arabesques, is based on a Kentucky folk ballad, “John Riley.†The unusual leapsin the original melody and its modal shifts are explored in the surrounding commentaries, which takecombine bits of the folk ballad with arabesque figurations.The third movement, March, leaps through the total chromatic spectrum. Though the march is a form oftenignored by American composers, Pinkham often employed such sections and rhythms in his own music.The fourth movement, Aria and Interludes, uses a common Pinkham form—where the basic musicaldialogue (in this case a straightforward ‘aria’ melody in G minor) is interrupted by “interludes†ofcontrasting nature. In the case of this movement, it is gradually revealed that the interludes are alteredversions of the aria material.The fifth and final movement, Hootenanny at the Gates of Heaven, is a joyous romp, combining together boththe chromatic/modal shifts of the earlier movements with pentatonic figurations and melodies in the spiritof American folk fiddling.
$16.95
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3...
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Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
Cloud Images for Flute choir
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Contemporain
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Phyllis Avidan Louke
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Phyllis Avidan Louke, ASCAP
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Cloud Images for Flute choir
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #44052...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.736289 Composed by Phyllis Avidan Louke, ASCAP. 20th Century,Contemporary. 62 pages. Louke Publishing #4405244. Published by Louke Publishing (A0.736289). For Flute Choir Cloud Images By Phyllis Avidan Louke Cloud Images is a programmatic work in five movements for Flute Choir dedicated to Albert Weatherly of Sankyo Flutes, USA. The inspiration for this piece came from the beauty of the cloud formations observed during a long plane flight. Movement 1, Rising Above the Clouds, features a soaring melody played first by the bass and alto flute over an ostinato played by the flutes. The piccolo adds a countermelody which contributes to the feeling of being above the clouds. (1:30)  Movement 2, Billowing Clouds, features a melody in 7/8 time, alternating with another in 6/8 time, to convey the the shape and roundness of clouds.  (2:00) Movement 3, Oh Look! There’s an Alligator!, is a whimsical look at the different shapes that can be found in clouds. A running bass line in the bass flute supports a jaunty melody which seems to be on the prowl to find various shapes in the clouds. Several different animal shapes are seen: a hippo, an elephant, and finally, an alligator. Vocals can also be utilized in this movement to better communicate these animal shapes to the audience. (2:20)  Movement 4, With Your Head in the Clouds, is in a light-hearted soft shoe style. The melodies describe the feeling of skipping through life, not having a care in the world. For a Lawrence Welk ending, one of the players with rests can blow bubbles during the last measure. (1:40)  Movement 5, Through a Sea of Clouds, has a dream-like quality imagining what it would be like to travel through a sea of clouds and touch their whispy softness. The bass flute is prominently featured, and later joined by the alto flute. The piccolo adds the frosting on top. (2:30)  Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit. www.phyllislouke.com  Â
$18.00
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Douglas Knehans
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Tempest-Concerto for Flute and
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Armadillo Edition
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Ar...
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Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
"Litany" for alto flute solo
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PanagiotisTheodossiou
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"Litany" for alto fl
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Panagiotis Theodossiou
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.886692 Composed by PanagiotisTheodossiou. Christian,Concert,Contemporary,Standards. 7 pages. Panagiotis Theodossio...
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Woodwind Ensemble - Level 5 - SKU: A0.886692 Composed by PanagiotisTheodossiou. Christian,Concert,Contemporary,Standards. 7 pages. Panagiotis Theodossiou #3574285. Published by Panagiotis Theodossiou (A0.886692). Litany Seven Variations on a Theme, for alto flute solo (2015) The parts:Theme:God's WordVar. I:The Heart is Questioning Var. II:The Soul is DancingVar. III: The Mind is a PoetVar. IV:The Flesh is Singing and CryingVar. V:The Body keeps Walkin'Var. VI: The Saint is Listening...(and the bird is singing!)Var. VII: God's Fullfiled PresenceThe religion experience of a pilgrim in a Saint's litany (St. Dionysios of Zakynthos, Greece) in the Eastern Orthodox ritual. The work is dedicated to oboist Isidora Kopsida. There are transcriptions available or clarinet solo (dedicated to clarinetist and musicologist Giannis Sabrovalakis) and for english horn solo (dedicated to flutist Nikos Katritzidakis).Flutist Iwona Glincka performed alto flute version work's premier at An Art Artistry Hall at Plaka, Athens, on Febrouary 2016 and at MiMoDa Studio, Los Angeles on August, same year... She also recorded the work for a double cd on Greek Composers Works for flute, under Sarton cd company.
$10.00
Touch The Sky
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Film Walt Disney
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Julie Fowlis
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Kurt Meyer
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2
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Touch The Sky
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Kurt Meyer Self-Publishing
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SheetMusicPlus
Large Ensemble Flute,Handbell - Level 3 - SKU: A0.917211 By Julie Fowlis. By Alexander L. Mandel. Arranged by Kurt Meyer. Celtic,Contemporary,Film/TV,Ir...
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Large Ensemble Flute,Handbell - Level 3 - SKU: A0.917211 By Julie Fowlis. By Alexander L. Mandel. Arranged by Kurt Meyer. Celtic,Contemporary,Film/TV,Irish,New Age,Pop. Score and parts. 16 pages. Kurt Meyer Self-Publishing #6495083. Published by Kurt Meyer Self-Publishing (A0.917211). This catchy and upbeat tune from the Disney movie BRAVE has now been scored for 3 to 6 octaves Handbells with optional Flutes 1 & 2. With a driving malleted bass unison line to start, the musical textures slowly build upon one another, metamorphosing into a joyful legato texture for the main melody, and ending with a soft and transparent musical setting. The addition of the optional Flutes adds a vibrant flare to the Celtic-like feel of the song and intrinsically enhance the overall musical experience for both listeners and performers alike. A most welcome addition for a concert or school music program. Level 3+.(If only one flutist is available, then the Flute 1 part should be played, omitting the Flute 2 part.)Purchase of this arrangement includes both a reproducible Handbell part and individual combined Flute part, allowing for enough copies to be made for one handbell ensemble.Kurt Meyer Self-Publishing (KMSP) Code: KMSP-0016.
$45.00
Paul Wehage: Maïa for flute and harp
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Harpe, Flûte (duo)
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AVANCÉ
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Paul Wehage
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Paul Wehage: Maïa for flu
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 5 - SKU: A0.534371 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 15 p...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 5 - SKU: A0.534371 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3395447. Published by Musik Fabrik Music Publishing (A0.534371). Maïa for flute and harp was written for and is dedicated to the French duo of Anne Ricquebourg, harpist and Christophe Brandon, flutist.In Greek mythology, Maïa was the eldest of the Pleiades and one of Zeus's numerous conquests. She was the mother of Hermes, who is credited with inventing both the lyre and the flute. Considered to be a Spring godess, her name is the inspiration for the month of May. She was worshiped in ceremonies of rebirth during the Spring. The work is written in a moto perpetuoso style with much interplace between the two instruments. A lyrical openning section is followed by a more mysterious minor passage which uses a two note rocking motif. The initial material comes back in ornamented form and a short coda combining the two elements closes the work
$12.95
Nuttin' For Christmas
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Noël
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Roy C
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Rebecca Bogardus
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Nuttin' For Christmas
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Lillwy Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - SKU: A0.877914 Composed by Roy C. Bennett and Sid Tepper. Arranged by Rebecca Bogardus. Contemporary. 18 pages. Lill...
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Woodwind Ensemble Flute - Level 2 - SKU: A0.877914 Composed by Roy C. Bennett and Sid Tepper. Arranged by Rebecca Bogardus. Contemporary. 18 pages. Lillwy Publishing #3685267. Published by Lillwy Publishing (A0.877914). A novelty piece perfect for your youth flute choir or as an encore for your holiday performance! After a traditional upbeat iteration of the tune, bring out a large Naughty sign to get your audience chuckling before launching into a minor section underpinned by nothing less than the Dies irae in the alto and bass line. (Christmas presents are serious!) Just before the final chorus, flip the sign to Nice as the upbeat version returns, this time with a jubilant piccolo descant. Arranged for piccolo, four C flutes, alto flute, and bass flute, with an optional Beginning Flute part. The beginning flute part - a unique feature in the flute choir repertoire - will allow even first-year players to perform with your choir, where they will learn phrasing by mimicking more experienced flutists. It includes fingering and accidental reminders as well as tips to help establish good habits for your beginners. A community flute choir could easily learn this in a couple of rehearsals, and there are so many opportunities for fun dramatic additions! Key of C. Please view the rest of my arrangements at www.studiobogardus.com/arrangements.html and share your performance video with me. 2018 Holiday Contest Entry.
$12.99
The Ghost and the Princess for alto flute and piano
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Halloween
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Dana H
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The Ghost and the Princess for
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Dana H. Joras
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SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.772949 Composed by Dana H. Joras. Concert,Contemporary,Halloween. Score and individual part. 21 p...
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Alto Flute,Instrumental Solo,Piano - Level 4 - SKU: A0.772949 Composed by Dana H. Joras. Concert,Contemporary,Halloween. Score and individual part. 21 pages. Dana H. Joras #2918679. Published by Dana H. Joras (A0.772949). The Ghost and the Princess for alto flute and piano is perfect for a high school or college level flutist who wants to try playing an accessible and melodic alto flute solo. It would also be a great addition to a Halloween themed program for any professional flutist.
$5.99
Toxic Chickens for flute and piano
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Flûte traversière et Piano
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AVANCÉ
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Dana H
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Toxic Chickens for flute and p
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Dana H. Joras
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.772950 Composed by Dana H. Joras. Blues,Contemporary,Halloween,Jazz. Score and part. 32 pages. Dana H. Joras #2919469. P...
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Flute,Piano - Level 5 - SKU: A0.772950 Composed by Dana H. Joras. Blues,Contemporary,Halloween,Jazz. Score and part. 32 pages. Dana H. Joras #2919469. Published by Dana H. Joras (A0.772950). Toxic Chickens by Dana H. Joras for flute and piano is a very melodic theme and variations style piece with a spooky and jazzy mood. It is very technically challenging and is suitable for the college age or professional flutist. It would be great on a Halloween themed recital or concert.
$5.99
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
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For the contemporary flutist