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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Found Out
Non classifié
705
Piano & claviers
Piano seul
499
Piano Facile
124
Piano, Voix
107
Orgue
73
Piano, Voix et Guitare
71
Accompagnement Piano
51
Instruments en Do
45
Piano Trio: piano, violon, violoncelle
9
Piano grosses notes
7
1 Piano, 4 mains
6
2 Pianos, 4 mains
5
Accordéon
2
Clavecin
1
Orgue, Trompette (duo)
1
Clavier
1
Piano (partie séparée)
1
Orgue, Piano (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
66
Guitare notes et tablatures
49
Ukulele
13
Ligne De Mélodie, (Paroles) et Accords
10
Dulcimer
8
Basse electrique
5
4 Guitares (Quatuor)
3
Banjo
2
Guitare (partie séparée)
2
Mandoline
1
Ensemble de guitares
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
237
Voix Alto, Piano
56
Chorale 3 parties
46
Voix Baryton, Piano
46
Voix Tenor, Piano
45
Voix Soprano, Piano
37
Chorale TTBB
34
Voix Tenor
32
Voix Soprano
24
Chorale 2 parties
24
Chorale SSAA
22
Chorale Unison
17
Voix duo
13
Voix haute
10
Voix duo, Piano
8
Voix moyenne, Piano
1
Voix seule
1
Voix basse, Piano
1
Chorale SSATTB
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
99
Flûte traversière et Piano
73
Hautbois, Piano (duo)
57
2 Flûtes traversières (duo)
52
2 Clarinettes (duo)
52
Saxophone, Clarinette (duo)
50
Quatuor de Saxophones: 4 saxophones
45
2 Flûte à bec (duo)
41
Clarinette, Violon (duo)
34
Clarinette, Trompette (duo)
32
Clarinette
29
Flûte traversière
28
Clarinette et Piano
27
Hautbois (partie séparée)
25
Saxophone Alto et Piano
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Clarinette (duo)
20
Saxophone Alto
18
Clarinette et Alto
17
Flûte, Violon
17
Flûte, Saxophone (duo)
17
2 Hautbois (duo)
17
Hautbois, Flûte
16
Hautbois, Clarinette (duo)
16
Hautbois, Basson (duo)
16
Flûte, Alto (duo)
15
Flûte, Hautbois, Clarinette, Basson
15
Flûte, Trompette (duo)
15
Quintette de Saxophone: 5 saxophones
10
Clarinette, Trombone (duo)
9
3 Clarinettes (trio)
9
Saxophone Tenor et Piano
9
Ensemble de Flûtes
8
Ensemble de Clarinettes
8
Saxophone Baryton, Piano
7
Flûte et Guitare
7
Saxophone (partie séparée)
7
Clarinette, Guitare (duo)
6
Clarinette Basse, Piano
5
Saxophone Soprano et Piano
4
Saxophone Tenor
4
Quatuor de Flûtes : 4 flûtes
4
Hautbois
3
Quintette de Clarinettes: 5 clarinettes
2
Piccolo
2
Harmonica
2
Quatuor de Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Trio de Flûtes: 3 flûtes
2
3 Saxophones (trio)
2
Flûte à bec Soprano
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais, Piano
1
Hautbois, Guitare (duo)
1
Cor anglais, Guitare (duo)
1
Saxophone Soprano
1
Flute (partie séparée)
1
Flûte, Violon et Violoncelle
1
+ 55 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Trombone et Piano
36
Trompette, Saxophone (duo)
34
2 Trombones (duo)
32
2 Trompettes (duo)
30
Trompette
26
Trombone
25
Trompette, Piano
21
Cor
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Cor et Piano
18
Trompette, Trombone (duo)
18
Tuba
14
Quatuor de Cuivres
13
Tuba et Piano
11
2 Euphoniums (duo)
10
Trombone (partie séparée)
10
Trompette (partie séparée)
9
Quatuor de cuivres: 4 trombones
8
Euphonium, Piano (duo)
7
Ensemble de Trombones
4
Ensemble de Trompettes
3
Quatuor de cuivres: 4 cors
3
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
Bass Clef Instruments
1
Ensemble de Tubas
1
Cor (partie séparée)
1
Cor anglais, Piano
1
2 Cors (duo)
1
Trombone basse et Piano
1
Cor anglais, Guitare (duo)
1
Trio de Cuivres
1
3 Trombones (trio)
1
Tuba (partie séparée)
1
+ 31 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
117
Violon et Piano
110
Violoncelle, Piano
44
Violoncelle
40
Violon
39
Alto, Piano
35
Violon, Violoncelle (duo)
32
2 Violons (duo)
29
2 Violoncelles (duo)
22
Violon, Alto (duo)
21
Harpe
21
Alto seul
18
2 Altos (duo)
17
Trio à Cordes: 2 violons, violoncelle
9
Contre Basse
9
Trio à Cordes: violon, alto, violoncelle
9
Contrebasse, Piano (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto (partie séparée)
3
2 Violons, Piano
2
Ensemble de Violons
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Violoncelle , Guitare (duo)
2
Harpe, Voix
2
2 Violoncelles, Piano
1
Harpe et Piano
1
2 Harpes (duo)
1
Contrebasse (partie séparée)
1
Ensemble de Violoncelles
1
4 Violoncelles
1
Alto et Harpe
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
167
Ensemble Jazz
90
Orchestre à Cordes
72
Orchestre
65
Orchestre de chambre
23
Ensemble de cuivres
19
Jazz combo
11
Cloches
11
Batterie
6
Ensemble de Percussions
5
Ensemble d'École
5
Fanfare
3
Marimba
3
Xylophone
1
Xylophone, Piano
1
Piano et Orchestre
1
Vibraphone
1
Batterie (partie séparée)
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
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Vous avez sélectionné:
Found Out
Partitions à imprimer
5 159 partitions trouvées
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5151
I Just Found Out
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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I Just Found Out
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842052 Composed by Andrew Mc Donald. Christian,Gospel,Jazz. Score. 6 pages. Andrew Mc Donald (Macka Records) #3602...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842052 Composed by Andrew Mc Donald. Christian,Gospel,Jazz. Score. 6 pages. Andrew Mc Donald (Macka Records) #3602261. Published by Andrew Mc Donald (Macka Records) (A0.842052). I Just Found Out is a song about how sometimes our church family is effected by sickness or ailments. When this occurs and we find out about such things we can do something about it and pray to the Lord that they will get better. The Lord does and can heal and so we can pray knowing that they will recover. .
$4.99
Found In Fifteen (Trio for Organ), Opus 16
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Rien Schalkwijk
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Found In Fifteen
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Rien Schalkwijk
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1252012 By Rien Schalkwijk. By Rien Schalkwijk. 21st Century,Contemporary,Praise & Worship,Sacred. Score. 2 pages. Rien Schalk...
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Organ - Level 3 - SKU: A0.1252012 By Rien Schalkwijk. By Rien Schalkwijk. 21st Century,Contemporary,Praise & Worship,Sacred. Score. 2 pages. Rien Schalkwijk #846193. Published by Rien Schalkwijk (A0.1252012). A Week Ago I released my 15th composition, Trumpet Tune no. 2. You can find it here: https://youtu.be/Rr8pCO8FNE8. Today I found out there was a Trio for Organ hidden in dat piece. And here it is. Hence the name “Found in Fifteen.†It’s written in F major, with a “harmonic oddity†half way, just like the Trumpet Tune!. Suitable for any occasion!
$4.99
Southern Man
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Neil Young
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Jason Sullivann
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Southern Man
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Green Bicycle Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1408410 By Neil Young. By Neil Young. Arranged by Jason Sullivan...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1408410 By Neil Young. By Neil Young. Arranged by Jason Sullivann. Chamber,Folk,Historic,Multicultural,Rock,World. 22 pages. Green Bicycle Music #990996. Published by Green Bicycle Music (A0.1408410). Https://en.wikipedia.org/wiki/Southern_Man_(song)https://en.wikipedia.org/wiki/Slavery_in_the_United_StatesThis is a setting of Neil Young's SOUTHERN MAN (from the album AFTER THE GOLD RUSH) for woodwind quintet and optional percussion.The song is chosen by the arranger as a reponse to recent confisions surrounding the poisonouslegacy of Slavery, and various questionable debates regarding its history in America.Ironically, the arranger was originally ready to mention the song written as a response to thissong by the band Lynyrd Skynyrd, but found interesting information on Wikipedia (the links areprovided). Apparently the song by Young that spurred Lynyrd Skynyrd to write SWEET HOME ALABAMAwas the one titled simply ALABAMA, which is on the album HARVEST. Also interesting was the information that the bands and composers did get along, even showing this by wearing each other'st-shirts when performing.This arrangement is advanced grade 3 or grade 4, with no extreme playing in the outer registers,or meter changes, etc.. The optional percussion can be added to create a more solemn-march feel.The socio-political element is not varied or diffused in any way. If possible, the complete lyricsshould be contained in program notes. This piece offers a serious contemplation of the history andhorror of Slavery in America.
$14.99
Outete
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Orchestre d'harmonie
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FACILE
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Keen'V
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Kirk Kiernander
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Outete
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Kirk Kiernander
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1492841 By Keen'V. By Curtis Inseque, Jordan Houyez, Julio Masidi, and Kevin Bonnet. Arranged by Kirk Kiernander. Conte...
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Concert Band - Level 2 - SKU: A0.1492841 By Keen'V. By Curtis Inseque, Jordan Houyez, Julio Masidi, and Kevin Bonnet. Arranged by Kirk Kiernander. Contemporary,Multicultural,Pop,World. 34 pages. Kirk Kiernander #1069527. Published by Kirk Kiernander (A0.1492841). Outété, performed by Keen'V, was the runner-up song for the 2023 Manie Musicale song competition. This high energy piece has been arranged for concert band where each Part 1 is levelled near grade 1.5, Part 2 near grade .75. When Part 2 has a more complicated part, support is given with Part 1. For levelled percussion, the Drums part has been extracted to Snare Drum and Bass Drum parts.Ensembles can play Part 1 by itself, or just Part 2, but there are impressive rhythmic complications when both parts are played together. This piece can be played as a side-by-side for 2 different levelled bands (e.x., Junior/Senior Bands) or in class to allow students to work within their own abilities. Lastly, this piece can be played as the backing track for a vocalist to sing along with.It is encouraged to play Outété alongside the song to help with student engagement, rhythmic accuracy, and tuning as it is in the same key of Bb Concert.Audio for Outété found here: https://www.youtube.com/watch?v=U8CTuHNh3zUMeasure 36 in the Drums part, the cymbal should be rolled into the repeat and measure 37.
$55.00
You Found Me
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Instruments en Do
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FACILE
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Rock
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The Fray
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Ben Clapton
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You Found Me
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Ben Clapton
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben...
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C Instrument - Level 2 - SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.
$4.99
I Still Haven't Found What I'm Looking For
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Chorale SSAA
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INTERMÉDIAIRE
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David Cook
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Julie Gaulke
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I Still Haven't Found What I'm
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Julie Gaulke
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.720348 By David Cook. By U2. Arranged by Julie Gaulke. A Cappella,Contemporary,Pop. Octavo. 10 pages. Julie Gaul...
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Choral Choir (SSAA) - Level 3 - SKU: A0.720348 By David Cook. By U2. Arranged by Julie Gaulke. A Cappella,Contemporary,Pop. Octavo. 10 pages. Julie Gaulke #6633439. Published by Julie Gaulke (A0.720348). This is Julie Gaulke's original arrangement of I Still Haven't Found What I'm Looking For (by U2) for SSAA plus Solo a cappella (5 parts total). See full performance demo here: https://youtu.be/Vz0VbAtpoPo LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: https://www.juliegaulketracks.com/store/p242/istillhaventfound.html Please visit Julie's website Pianomom's Sheet Music for more great arrangements! https://www.pianomomsheetmusic.com/
$2.99
We Found Love
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Pop musique
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Rihanna Featuring Calvin Harri
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Paul Ghica
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We Found Love
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pop4strings.com
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.887646 By Rihanna Featuring Calvin Harris. By Calvin Harris. Arranged by Paul Ghica. Pop. Score and pa...
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String Quartet String Quartet - Level 5 - SKU: A0.887646 By Rihanna Featuring Calvin Harris. By Calvin Harris. Arranged by Paul Ghica. Pop. Score and parts. 4 pages. Pop4strings.com #3489621. Published by pop4strings.com (A0.887646). Optional viola part.**Note: this does not necessarily mean the viola part is boring or simply filler. The arrangement is intended to be played by a full quartet; however, if the viola part is omitted, I have made sure there are no melodic or harmonic gaping holes.I always smile whenever someone pulls out a Ghica chart at a gig... they are the best arrangements around.- Matthew Agnew, principal cellist, Elgin Symphony OrchestraBy the way, your arrangements are beyond famous among musicians who play them... truly, they're beyond anything anyone will ever write... I think the listeners sense it, and I’m very honored to have them in my collection.- Emanuel Ban, founder, Wellington StringsThanks Paul! Your arrangements are some of the best I've ever played.- Melissa Bach, cello, Quartet Parapluie.
$19.99
All Is Found
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Piano Facile
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DÉBUTANT
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Kristen Anderson-Lopez and Rob
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Catherine Wilson
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All Is Found
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Catherine Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1349173 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Catherine Wilson. 21st Century,Broadway,Children...
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Easy Piano - Level 1 - SKU: A0.1349173 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Catherine Wilson. 21st Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933913. Published by Catherine Wilson (A0.1349173). All Is Found from Frozen 2 is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
Ring Out, Solstice Bells
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jethro Tull
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Cheryl Camm
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Ring Out, Solstice Bells
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seapieparcel
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1400597 By Jethro Tull. By Ian Anderson. Arranged by Cheryl Camm. 20th Century,Christmas,Folk,Rock. 15 pa...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1400597 By Jethro Tull. By Ian Anderson. Arranged by Cheryl Camm. 20th Century,Christmas,Folk,Rock. 15 pages. Seapieparcel #983794. Published by seapieparcel (A0.1400597). This lively song for either the winter or summer solstice seasons is arranged here for SATB choir with piano accompaniment and percussion. We have found that it sounds perfectly well without the piano and most of the percussion, but the hand-claps are essential! Hand claps in the audience work well (although they tend to need visual guidance!), and once we sang it with sleigh bells distributed around the audience to help with the middle eight! The Youtube video of this song here is a live performance with no percussion or piano, but the audience join in happily with the clapping...with increasing accuracy!
$1.99
Six Songs Without Words for Tuba or Bass Trombone & Piano, Volume II
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Tuba et Piano
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Ralph Sauer
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Six Songs Without Words for Tu
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.811176 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 32 pa...
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Piano,Tuba - Level 5 - SKU: A0.811176 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #5866109. Published by Gordon Cherry (A0.811176). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Tuba (Bass Trombone) and Piano, Volume Two. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously un-mined resource and added immeasurably to the Tuba and Bass Trombone repertoire. For advanced performers with about 14 minutes of exquisite music. Volume III is in preparation. Keep an eye out for it.
$22.50
Six Songs Without Words for Trombone & Piano, Volume II
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Trombone et Piano
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AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Ralph Sauer
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Six Songs Without Words for Tr
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811174 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 3...
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Piano,Trombone - Level 5 - SKU: A0.811174 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 32 pages. Gordon Cherry #5828629. Published by Gordon Cherry (A0.811174). Ralph Sauer has transcribed six of Mendelssohn’s many Songs Without Words for Tenor Trombone, Volume Two. Mendelssohn wrote eight volumes of songs for the Piano throughout his life. These pieces became popular immediately because of their beauty and accessibility. The Songs are mostly lyrical and of utmost beauty. Mr. Sauer has found a previously un-mined resource and added immeasurably to the Trombone repertoire. For advanced performers with about 14 minutes of exquisite music. Volume III is in preparation. Keep an eye out for it.
$22.50
Scenic Route
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JP Wogaman II
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Scenic Route
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JP Wogaman II
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SheetMusicPlus
Piano Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1475101 Composed by JP Wogaman II. 21st Century,Chamber,Contemporary. 42 pages. J...
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Piano Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1475101 Composed by JP Wogaman II. 21st Century,Chamber,Contemporary. 42 pages. JP Wogaman II #1052685. Published by JP Wogaman II (A0.1475101). When was the last time you got in your car and went for a drive? I mean, a really long drive? Just for the fun of it; counting power lines as they pass by, or mile markers, and allowing your mind to roam free. Actually, the long road doesn’t even have to apply to a literal road. How about going up and down every aisle at the grocery store, just to see what’s new? This piece is my take on the feeling of freedom from yourself. Freedom to take all the time you want, to do whatever you want and just let go of all the pain, tension, and trepidation you may be holding inside. Enjoy the Scenic Route! More arrangements and originals by JP Wogaman II can be found at www.wogamusic.com
$50.00
Lost & Found
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Piano seul
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INTERMÉDIAIRE
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Lianne La Havas
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M
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Lost & Found
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Magdalena Galka
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1465425 By Lianne La Havas. By Lianne M. Barnes and Matthew Hales. Arranged by M. Galka. Pop,Singer/Songwriter,Wedding. S...
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Piano Solo - Level 3 - SKU: A0.1465425 By Lianne La Havas. By Lianne M. Barnes and Matthew Hales. Arranged by M. Galka. Pop,Singer/Songwriter,Wedding. Score. 4 pages. Magdalena Galka #1044127. Published by Magdalena Galka (A0.1465425). Lost & Found by Lianne La Havas | Piano Solo Cover Sheet Music, 4 pages.Check out my social media for more!♬ YouTube♬ Spotify ♬ Apple Music♬ Amazon Music♬ Instagram ♬ TikTok
$4.99
Until I Found You
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Piano seul
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INTERMÉDIAIRE
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Stephen Sanchez
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M
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Until I Found You
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Magdalena Galka
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1115663 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by M. Galka. Pop,Wedding. Score. 4 pages. Magd...
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Piano Solo - Level 3 - SKU: A0.1115663 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by M. Galka. Pop,Wedding. Score. 4 pages. Magdalena Galka #717432. Published by Magdalena Galka (A0.1115663). Until I Found You by Stephen Sanchez | Piano Sheet Music, arranged for Piano Solo, 4 pages.Check out my social media for more!♬ YouTube♬ Spotify ♬ Apple Music♬ Amazon Music♬ Instagram ♬ TikTok
$5.99
Until I Found You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Stephen Sanchez
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Sarah Cellobat Chaffee
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Until I Found You
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1312909 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Sarah...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1312909 By Stephen Sanchez. By Emily Beihold and Stephen Sanchez. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 16 pages. Sarah Cellobat Chaffee #901747. Published by Sarah Cellobat Chaffee (A0.1312909). While the world was shut down in 2020, American singer-songwriter Stephen Sanchez made the most out of his time by posting videos of his singing on TikTok. Although he recorded many cover songs, he also started posting originals, and eventually attracted the attention of record companies and producers. This quickly led to the start of an amazing career -- Sanchez has since released two EPs and a full album, appeared on the Tonight Show, and even collaborated with Elton John! His song Until I Found You is a dreamy, lovestruck ballad reminiscent of vintage 50's pop music, and it's captured the hearts of millions of people around the globe...so it's no wonder it's now a popular request for weddings and events! This Cellobat arrangement for your string quartet maintains the catchy melodies, soaring harmonies, and soulful chords of the original for a chart your audience is sure to love. Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
Early Lost and Early Found
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Piano, Voix
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I
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Early Lost and Early Found
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.3094 Composed by I.B. Woodbury. Infants, Children, Youth, Death, Angels, Heaven. Lester S. Levy Collection. 3 pages. Published...
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Piano and voice - SKU: LV.3094 Composed by I.B. Woodbury. Infants, Children, Youth, Death, Angels, Heaven. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3094). Early Lost and Early Found. Words by the Rev. Geo. W. Bethune. Music Composed by I.B. Woodbury. Published 1846 by C. Bradlee & Co., 184 Washington St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Infants, Children, Youth, Death, Angels, Heaven. First line reads Within that downy cradle there lay a little child.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. In...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549498 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501033. Published by jmsgu3 (A0.549498). BASS CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Euphonium & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romanti...
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Euphonium,Piano - Level 3 - SKU: A0.549503 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501871. Published by jmsgu3 (A0.549503). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinette
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INTERMÉDIAIRE
#
Classique
#
Felix Bartholdy Mendelssohn
#
James M
#
Mendelssohn: Song Without Word
#
jmsgu3
#
SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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E-Flat Clarinet,Piano - Level 3 - SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Baritone Horn & Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,S...
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Euphonium,Piano - Level 3 - SKU: A0.549501 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501851. Published by jmsgu3 (A0.549501). BARITONE HORN (Treble Clef) and PIano - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic...
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Piano,Trombone - Level 3 - SKU: A0.549502 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501861. Published by jmsgu3 (A0.549502). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Trumpet & Piano
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Trompette
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Ro...
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B-Flat Trumpet,Piano - Level 3 - SKU: A0.549500 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501845. Published by jmsgu3 (A0.549500). TRUMPET in Bb and PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
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