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Four Dimensions for Piano
SheetMusicPlus
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Four Dimensions for Piano
Piano seul
Piano Solo - Digital Download SKU: A0.1033214 Composed by Mark Wilson. Contemporary…
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Piano Solo - Digital Download SKU: A0.1033214 Composed by Mark Wilson. Contemporary. Score. 27 pages. Mark Wilson #6268685. Published by Mark Wilson (A0.1033214). When my friend, the composer and pianist Neil Crossland, asked me to write a work for him to perform, he requested that I give the piece a distinctly Scottish flavour. Perhaps as a consequence, hailing from Scotland as I do, the resulting work is distinctly autobiographical in nature. This is a challenging piece, aimed at advanced players. The four movements reflect the preoccupations of four stages of (my) life as seen in hindsight. The word dimensions in the piece's title refers to facets of my own character. The first movement, Complications, represents the self-image of the young. The music is adventurous and academic, full of the potential of a life yet to be lived and the earnest self obsession of youth. The second movement, Romance, is the search for love, though seen through the lens of memory and therefore touched with sadness. The third, Transience, shows the uncertainties of middle age, so full of frustration and of nostalgia. This movement contains my setting of the Jacobian poem Will Ye No Come Back Again?. The last movement, Revelry, blows away the uncertainties of the third movement with the driving energy of a Scottish reel. Perhaps increasing age brings a certain perspective; what does it matter if you have more past than future? Just get up and dance and let Dr. Music sweep your cares away. The piece features a musical fragment (first heard in bar 26 of the first movement) which has been the cause of much amusement between Neil Crossland and myself over the years. Neil has been composing music since his teens but the art has only much more recently become a big part of my life. However, musical ideas have always had a tendency to come into my head and, several years ago, I decided to play these two bars to Neil. Every so often, in the years that followed, he would teasingly ask me how my new piece was coming on, knowing full well that I'd have to admit that my magnum opus was still only two bars long! By setting the melodic fragment at the heart of this composition I have finally ensured that he can tease me about it no longer. More importantly, I hope that Neil enjoys our little in-joke.The audio file for this work is beautifully performed by the work's dedicatee, Neil Crossland.
$9.99
9.24 €
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Piano seul
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setting the melodic fragment at the heart of this composition I have finally ensured that he can tease me about it no longer
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Mark Wilson
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Four Dimensions for Piano
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Mark Wilson
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SheetMusicPlus
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digi…
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Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled “processional doubles for mixed sextet.†(The word “doubles†is used in the old sense of“variations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form – instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
$24.95
23.07 €
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Carson Cooman
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Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet
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Musik Fabrik Music Publishing
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SheetMusicPlus
Echoes from a Fractured Dimension
Piano seul
Piano Solo - Digital Download SKU: A0.1012135 Composed by Michael Staff. Contempora…
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Piano Solo - Digital Download SKU: A0.1012135 Composed by Michael Staff. Contemporary. Score. 13 pages. Michael Staff #3587495. Published by Michael Staff (A0.1012135). This larger work is a one-movement sonata, while at the same time encompassing 4 movements within its structure. As a double-function form, 'Echoes' also employs contrapuntal techniques, bridging the development and recapitulation with a four-voice fugue. The compositional techniques used depict several abstract mathematical concepts. Tonal stability is increased and decreased throughout, particularly in the recitative sections. This changing of tonal stability depicts the intersecting of dimensions. A being existing in a 2-dimensional world, such as an insect on a flat surface, may occasionally get a glimse of 3 dimensions when a 3-dimensional being or object passes through the second dimension. This glimpse, however, on the part of the 2-dimensional being, is incomplete and does not accurately represent a world of a higher dimension. Similarly, at the intersection of our world with an even higher spatial dimension, we would only catch incomplete glimpses of this higher dimension. These polytonal and structural elements depict another concept. While a square is 2-dimensional, and a cube is 3-dimensional, it is possible for an object to exist in between 2 and 3 dimensions (by dividing logarithms). This idea of a fractional dimension is explored as thematic material is pulled between tonal centers, but never truly settling.
$9.95
9.2 €
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Piano seul
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Michael Staff
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Echoes from a Fractured Dimension
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Michael Staff
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SheetMusicPlus
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