English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
2 378
Partitions
Numériques
4 982
Librairie
Musicale
4 997
Matériel
de Musique
1 650
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
924
PIANO & CLAVIERS
Piano seul
229
1 Piano, 4 mains
136
2 Pianos, 4 mains
71
Piano Facile
66
Orgue
35
Piano, Voix et Guitare
33
Piano, Voix
25
Instruments en Do
15
Accordéon
6
Piano (partie séparée)
5
Piano Trio: piano, violon, violoncelle
5
Orgue, Piano (duo)
2
Accompagnement Piano
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavecin
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
35
Ukulele
26
Guitare notes et tablatures
23
Guitare (partie séparée)
14
Mandoline
7
2 Guitares (duo)
5
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
3
Dulcimer
3
Basse electrique
2
2 Dulcimers (duo)
1
Guitare Pedal Steel
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
173
Chorale 2 parties
35
Chorale 3 parties
34
Chorale SSAA
24
Chorale Unison
21
Chorale TTBB
20
Voix duo
3
Voix Soprano, Piano
2
Voix haute
2
Voix Tenor
1
Voix duo, Piano
1
Chorale SSAATTBB
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
95
Flûte traversière et Piano
52
2 Clarinettes (duo)
51
2 Flûtes traversières (duo)
51
Quatuor de Saxophones: 4 saxophones
42
Saxophone (partie séparée)
41
Quatuor de Clarinettes: 4 clarinettes
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Ensemble de saxophones
32
Flûte, Hautbois, Clarinette, Basson
27
Quatuor de Flûtes : 4 flûtes
26
Quintette de Saxophone: 5 saxophones
24
2 Hautbois (duo)
22
Clarinette et Piano
21
Flûte traversière
19
Saxophone Alto et Piano
17
Saxophone Tenor et Piano
16
Saxophone, Clarinette (duo)
16
Saxophone Alto
13
Hautbois, Piano (duo)
13
Ensemble de Flûtes
12
Clarinette, Violon (duo)
12
2 Flûte à bec (duo)
11
Saxophone Tenor
11
3 Saxophones (trio)
10
Saxophone Soprano et Piano
9
Ensemble de Clarinettes
8
Flûte, Clarinette (duo)
8
Saxophone Soprano
7
Trio de Flûtes: 3 flûtes
7
Clarinette
7
Quatuor de Flûtes à bec
7
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Basson (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Quintette de Flûte : 5 flûtes
6
Clarinette et Alto
6
Hautbois, Flûte
6
Flûte, Violon
5
Clarinette, Trompette (duo)
5
3 Clarinettes (trio)
5
Hautbois, Clarinette (duo)
5
Hautbois (partie séparée)
4
Flûte, Alto (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Trompette (duo)
4
Flûte, Saxophone (duo)
4
3 Flûtes à bec (trio)
3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
3
Cor anglais, Piano
3
Harmonica
2
Clarinette (partie séparée)
2
Clarinette, Basson (duo)
2
Flûte, Hautbois, Basson
2
Flûte et Guitare
2
Ensemble à vent
1
Ensemble De Flûte à bec
1
2 Flûtes traversières, Piano
1
Flûte à Bec
1
Flûte et Trio à cordes
1
Flûte, Hautbois (duo)
1
Ensemble de Hautbois
1
Clarinette Basse
1
2 Clarinettes, Piano
1
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Hautbois, Guitare (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Violon, Piano
1
5 Flûtes à bec
1
Piccolo, Piano
1
Hautbois, Basson et Piano
1
Piccolo
1
Flûte à bec Soprano, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano
1
Flûte, Violon et Violoncelle
1
Flûte à bec Tenor
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
108
Trombone (partie séparée)
40
Quatuor de Cuivres
32
2 Trompettes (duo)
28
Trompette (partie séparée)
26
2 Trombones (duo)
25
Trombone et Piano
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
22
Trompette
20
Trompette, Trombone (duo)
13
Ensemble de Trombones
13
Ensemble de Trompettes
13
Quatuor de cuivres: 4 trombones
12
Euphonium, Piano (duo)
10
Trompette, Piano
10
Trompette, Saxophone (duo)
10
Cor et Piano
9
2 Cors (duo)
8
Quatuor de cuivres: 4 cors
7
Trombone
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
2 Euphoniums et 2 Tubas
5
Trio de Cuivres
4
Tuba et Piano
4
Ensemble de Cors
4
3 Trombones (trio)
4
Tuba
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone basse
3
Cor anglais, Piano
3
Euphonium
2
Trompette, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Tuba et Orgue
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums (duo)
2
2 Tubas (duo)
2
3 Cors (trio)
1
Trombone, Tuba (duo)
1
3 Trompettes (trio)
1
Cor
1
2 Trombones, Piano
1
Trompette, Tuba (duo)
1
3 Tubas (trio)
1
3 Euphoniums
1
Bass Clef Instruments
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
252
Violon, Violoncelle (duo)
154
Violon
140
Trio à Cordes: violon, alto, violoncelle
131
Harpe
49
Violon et Piano
39
2 Altos (duo)
38
2 Violons (duo)
36
2 Violoncelles (duo)
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Violoncelle, Piano
17
Alto, Piano
16
Violon, Alto (duo)
15
Trio à Cordes: 2 violons, violoncelle
14
Violoncelle
13
4 Violoncelles
12
Alto seul
9
Contrebasse (partie séparée)
8
Quatuor à cordes: 4 violons
7
Contrebasse, Piano (duo)
6
Ensemble de Violoncelles
4
2 Harpes (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Contrebasse (duo)
4
Contre Basse
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, alto
3
Ensemble d'Altos
2
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
Trio à cordes
2
Quatuor à cordes : 4 altos
2
Ensemble de Violons
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Autoharp
1
2 Violons, Piano
1
Violon (partie séparée)
1
4 Contrebasses
1
Violoncelle, Basse continue
1
Alto, Violoncelle (duo)
1
Alto (partie séparée)
1
Violoncelle, Orgue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
132
Cloches
99
Orchestre d'harmonie
85
Orchestre
46
Ensemble de cuivres
44
Ensemble Jazz
29
Ensemble de Percussions
20
Jazz combo
15
Orchestre de chambre
13
Batterie (partie séparée)
7
Batterie
5
Marimba
3
Fanfare
2
Orchestre, Violon
1
Ensemble d'École
1
Xylophone, Piano
1
Piano et Orchestre
1
2 Caisses Claires (duo)
1
Percussion (partie séparée)
1
Instrumentations suivantes
Retracter
AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
Four for Two
Partitions à imprimer
4 982 partitions trouvées
<
1
26
51
....
4976
Four Forces (First movement) I. Strong Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvado…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00
269.76 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Four Forces (Second movement) II. Weak Forces
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvado…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00
134.88 €
#
Ensemble de Percussions
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Three Pieces for Two Violins and Piano
Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Sc…
(+)
Two Violins, Piano - Digital Download SKU: IZ.PDP300 Composed by Rebecca Clarke. Score and Parts. 52 pages. Imagine Music - Digital #PDP300. Published by Imagine Music - Digital (IZ.PDP300). 9 x 12 inches.Clarke worked on the Pieces for Two Violins and Piano during 1909, her last year at the Royal College, when Danse Bizarre gained her a scholarship. Clarke mentioned Danse Bizarre in her typescript memoir composed in the 1970s, and also discussed it with me in 1977 while helping me catalogue her compositions, but she said then that it was long lost, and made no mention of any related material. In the year 2000, however, Clarke's great-nephew Daniel Braden found.a box that Clarke had put in the back of a closet decades before and evidently forgotten, which turned out to contain a chaotic assortment of letters, papers, medical records, and music-manuscript sheets. When put in order, the latter yielded the missing inner leaf of an important viola piece and a number of previously unknown or presumed-lost arrangements and compositions, including ''Danse Bizarre and a Prelude, a Nocturne, and the beginning of a Finale for the same instruments, on the same paper, and bearing similar markings in Clarke's hand and in at least one other hand, which may well be Stanford's. The four movements were plainly developed as a suite, although there is nothing to suggest a sequence for the inner movements, and no compelling reason to believe that the Finale ever got beyond the extant eight pages. The manuscript of the Finale is noticeably rougher than those of the other movements, and several pencil-markings, apparently in another hand, suggest that some of its motivic material had not yet jelled. It seems entirely possible that Clarke had only begun this movement when a family crisis forced her to leave the College, and that she never returned to it. In any case, there is not enough of the Finale to make performance feasible, but the other movements stand quite magnificently on their own. They were recorded by Lorraine McAslan, David Juritz, and Ian Jones on Dutton CDLX 7132, released in 2003. The first public performance, by students at the Royal College under Jones's supervision, took place in May 2005 in the College's Concert Hall, where Clarke had last performed nearly a century before.
$32.00
28.77 €
#
Rebecca Clarke
#
Three Pieces for Two Violins and Piano
#
Imagine Music - Digital
#
SheetMusicPlus
Audacious Binary Forms for Pianist (one or two pianos)
Piano seul
Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Centur…
(+)
Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv.
$20.00
17.98 €
#
Piano seul
#
Paul Copeland
#
Audacious Binary Forms for Pianist
#
Paul Copeland
#
SheetMusicPlus
Scarborough Fair arr. for two violins, cello and piano
Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Col…
(+)
Level 2 - Digital Download SKU: A0.1473773 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Traditional. 20 pages. Colin Kirkpatrick Publications #1051492. Published by Colin Kirkpatrick Publications (A0.1473773). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. This arrangement would make a splendid encore piece for a recital.
$11.99
10.78 €
#
Traditional
#
Colin Kirkpatrick
#
Scarborough Fair arr. for two violins, cello and piano
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Two Dreams for solo Trombone and 8-part Percussion Ensemble
Ensemble de Percussions
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio…
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.811252 Composed by Antonio J. Garcia. Contemporary,Jazz,Latin,World. Score and parts. 119 pages. Gordon Cherry #6549777. Published by Gordon Cherry (A0.811252). Two Dreams for Trombone and Percussion EnsembleDr. Justin Alexander (Director, VCU Percussion Ensemble) invited me to create a piece for trombone and percussion ensemble that had roles for more- and less-experienced players so that they could mix within the performance. I so enjoyed composing and performing this work. He estimates the overall difficulty grade of Movement I to be a three on a five-point scale and Movement II to be a four, with a grade four for the overall piece; but some players’ parts (within the eight total in the percussion ensemble) are indeed easier.The two Movements are approximately five minutes each.The first Movement Bilita Mpash (An Amazing Dream) calls for (1) shekeré/guiro; (2) 5-octave marimba (shared with...); (3) 5-octave marimba (shared with previous); (4) claves/drum set with mounted cowbell; (5) bell/mounted cowbell/congas; (6) hi-hat/suspended cymbal; (7) bass drum; and (8) four toms/maracas.The Second Movement (Running with the Tigers) calls for (1) xylophone; (2) vibraphone/glockenspiel; (3) 5-octave marimba; (4) drum set; (5) shaker/samba whistle/congas (opt. voice); (6) triangle/bell tree/hanging bells/agogo bells (opt. voice); (7) bass drum (opt. voice); and (8) Timpani (opt. voice). Pending difficulty levels, the conga and drum set parts can optionally be split among additional percussionists. The score notes offer a stage plot and many rehearsal tips.Bilita Mpash (An Amazing Dream)The 3-2 Rumba Clave anchors this movement, launched by the shekeré. Rhythmic vamps of multiple bars form the landscape over which the trombone’s melody emerges, followed by a move to double-time 2-3 Rumba Clave (with montuno) and back. The trombone soloist improvises without chordal accompaniment for a while so could reflect on the preceding harmonies or instead freely improvise with no concern as to chord changes, while a later section requires improv over chord changes. After the recap, a surprise tag of the ending phrase in Cha Cha sets up the rubato finish. Bilita Mpash (BILL-it-uh m-POSH) is a Bantu term for an amazing dream, a dream so good that it is the polar opposite of a nightmare-a dream in a blissful state where all is forgiven and forgotten2. Running with the TigersThe opening, written-out marimba solo is somewhat of a nod to vibist Gary Burton’s influence in bringing mallets towards the expression of modern jazz. A 9/8 samba-groove (5+4) transforms to 4/4. None of the percussionists have to have a jazz background, though the drum set player would be more challenged if not already exposed to Latin drumming. The improvised solo section could be all solo trombone or could be divided among various performers, including trading. The recap of the tune begins over 5/8 samba (3+2, later 2+3). The closing arrhythmic drum-set solo crescendos as the optional surprise of percussionists’ (or additional) voices sing at the end. The title of this movement refers to a recurring dream my dad would have, as well as to the active movements of my grandson when sleeping in his earliest years.-Antonio J. GarcÃaInstrumentation is for:Solo Trombone and 8-part Percussion Ensemble:shekeré/guiro, 2 5-octave marimbas, claves/drumset with cowbell, bell, congas, hi-hat, suspended cymbal, bass drum, toms, maracas, xylophone, vibraphone, glockenspiel, shaker, samba whistle, congas, triangle, bell tree, hanging bells, agogo bells, bass drum and timpani.This rhythmic and dramatic work includes improvisation by the Trombonist. Listen to the brilliant live performance featuring Mr. Garcia and the Virginia Commonwealth University Percussion Ensemble directed by Dr. Justin Alexander.
$50.00
44.96 €
#
Ensemble de Percussions
#
Antonio J
#
Two Dreams for solo Trombone and 8-part Percussion Ensemble
#
Gordon Cherry
#
SheetMusicPlus
Jacques Leguerney: String Quartet in D for two violins, viola and cello
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.5…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95
35.02 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Jacques Leguerney
#
II. Intermezzo
#
Jacques Leguerney: String Quartet in D for two violins, viola and cello
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Four Arms, Two Necks, One Wreathing
Chorale 3 parties
SAB chorus - Digital Download SKU: BJ.1172 Composed by Thomas Weelkes. Michaeli Ear…
(+)
SAB chorus - Digital Download SKU: BJ.1172 Composed by Thomas Weelkes. Michaeli Early Music Series. Octavo. 4 pages. Bo Ejeby Forlag - Digital #1172. Published by Bo Ejeby Forlag - Digital (BJ.1172). 8.27 x 11.7 inches.Thomas Weelkes (ca. 1576-1623) published, during his lifetime, five collections of madrigals, but also composed a considerable amount of sacred music in his position as organist and choirmaster at Chichester Cathedral. This madrigal is notated for treble voices, but was probably performed by males an octave lower. Here, the piece is transposed to suit a mixed choral ensemble. Michaeli Early Music Series is edited by Mikael Paulsson, luteplayer and choral conductor, specialized in early music.
$2.00
1.8 €
#
Chorale 3 parties
#
Thomas Weelkes
#
Four Arms, Two Necks, One Wreathing
#
Bo Ejeby Forlag - Digital
#
SheetMusicPlus
Sonata for Two Flutes and Piano in Four Movements
2 Flûtes traversières, Piano
2Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM612 Composed by Eman…
(+)
2Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM612 Composed by Emanuel Vahl. A sonata for 2 flutes and piano. Score and parts. 64 pages. Forton Music - Digital #FM612. Published by Forton Music - Digital (F2.FM612). ISBN 9790570485116.This is a bold new work for two flutes and piano, in a modern Russian style. The composer characterises the movements as follows: 1st movement - Dramatic, expresses the 'Russian fate', 2nd movement - A dance. Light, and a bit 'peppery', 3rd movement - A rustic Russian view, 4th movement - Belief in the great power of the Russian nation.
$14.95
13.44 €
#
2 Flûtes traversières, Piano
#
Emanuel Vahl
#
Sonata for Two Flutes and Piano in Four Movements
#
Forton Music - Digital
#
SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
(+)
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.07 €
#
Orchestre
#
Manuel de Espinosa de los Monteros (1730-1810)
#
Keith Terrett
#
Spanish National Anthem for Symphony Orchestra
#
Music for all Occasions
#
SheetMusicPlus
16 Favourite Easter Hymns for Brass Quartet, two Trumpets, Trombone and Tuba.
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.587860 Co…
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.587860 Composed by Various. Arranged by David McKeown. Christian,Easter,Praise & Worship,Sacred. Score and parts. 64 pages. David McKeown #5031035. Published by David McKeown (A0.587860). 16 Favourite Easter Hymns for Brass Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for two Trumpets, Trombone and Tuba. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above. 16 Favourite Easter Hymns for Brass Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Brass Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
8.98 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Various
#
David McKeown
#
#
16 Favourite Easter Hymns for Brass Quartet, two Trumpets, Trombone and Tuba.
#
David McKeown
#
SheetMusicPlus
16 Favourite Easter Hymns for Double Reed Quartet, two Oboes, Cor Anglais and Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - Digital Download …
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.587861 Composed by Various. Arranged by David McKeown. Christian,Easter,Sacred. 64 pages. David McKeown #5031037. Published by David McKeown (A0.587861). 16 Favourite Easter Hymns for Double Reed Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for two Oboes, one Cor Anglais/English Horn and one Bassoon. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above. 16 Favourite Easter Hymns for Double Reed Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Double Reed Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
8.98 €
#
Various
#
David McKeown
#
#
16 Favourite Easter Hymns for Double Reed Quartet, two Oboes, Cor Anglais and Bassoon
#
David McKeown
#
SheetMusicPlus
For Amusement Only
2 Clarinettes (duo)
2cl. - Easy - Digital Download SKU: F2.FM413 Composed by Terry Kenny. Clarinet Duet…
(+)
2cl. - Easy - Digital Download SKU: F2.FM413 Composed by Terry Kenny. Clarinet Duet. Score. 9 pages. Forton Music - Digital #FM413. Published by Forton Music - Digital (F2.FM413). ISBN 9790570483129.A series of character pieces for two intermediate clarinets. Swing, blues and tango styles are all covered in these four pieces. Both players share the melodies between themselves. Great to play and to listen to.
$9.95
8.95 €
#
2 Clarinettes (duo)
#
Terry Kenny
#
For Amusement Only
#
Forton Music - Digital
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Trumpet Duet
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.594166 Composed by Tradit…
(+)
Trumpet Duet Trumpet - Level 4 - Digital Download SKU: A0.594166 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score. 3 pages. David McKeown #6551483. Published by David McKeown (A0.594166). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Trumpets. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Trompettes (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Trumpet Duet
#
David McKeown
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Trombone Duet
2 Trombones (duo)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.594160 Composed by Trad…
(+)
Trombone Duet Trombone - Level 4 - Digital Download SKU: A0.594160 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score. 3 pages. David McKeown #6551469. Published by David McKeown (A0.594160). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Trombones. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Trombones (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Trombone Duet
#
David McKeown
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Viola Duet
2 Altos (duo)
Viola Duet Viola - Level 4 - Digital Download SKU: A0.594167 Composed by Traditiona…
(+)
Viola Duet Viola - Level 4 - Digital Download SKU: A0.594167 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score. 3 pages. David McKeown #6551485. Published by David McKeown (A0.594167). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Violas. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Altos (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Viola Duet
#
David McKeown
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 4 - Digital Download SKU: A0.594171 Composed by Traditio…
(+)
Violin Duet Violin - Level 4 - Digital Download SKU: A0.594171 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. 3 pages. David McKeown #6551493. Published by David McKeown (A0.594171). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Violins. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Violons (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Violin Duet
#
David McKeown
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Flute Duet
2 Flûtes traversières (duo)
Flute Duet Flute - Level 4 - Digital Download SKU: A0.594148 Composed by Traditiona…
(+)
Flute Duet Flute - Level 4 - Digital Download SKU: A0.594148 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score. 3 pages. David McKeown #6551445. Published by David McKeown (A0.594148). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Flutes. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Flûtes traversières (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Flute Duet
#
David McKeown
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Soprano Saxophone Duet
2 Saxophones (duo)
Soprano Saxophone Duet Soprano Saxophone - Level 4 - Digital Download SKU: A0.594158
(+)
Soprano Saxophone Duet Soprano Saxophone - Level 4 - Digital Download SKU: A0.594158 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score. 3 pages. David McKeown #6551465. Published by David McKeown (A0.594158). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Soprano Saxophones. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Saxophones (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Soprano Saxophone Duet
#
David McKeown
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Tenor Saxophone Duet
2 Saxophones (duo)
Tenor Saxophone Duet Tenor Saxophone - Level 4 - Digital Download SKU: A0.594159 Co…
(+)
Tenor Saxophone Duet Tenor Saxophone - Level 4 - Digital Download SKU: A0.594159 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score. 3 pages. David McKeown #6551467. Published by David McKeown (A0.594159). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Tenor Saxophones. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Saxophones (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Tenor Saxophone Duet
#
David McKeown
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Alto Saxophone Duet
2 Saxophones (duo)
Alto Saxophone Duet Alto Saxophone - Level 4 - Digital Download SKU: A0.594155 Comp…
(+)
Alto Saxophone Duet Alto Saxophone - Level 4 - Digital Download SKU: A0.594155 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. 2 scores. 3 pages. David McKeown #6551459. Published by David McKeown (A0.594155). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Alto Saxophones. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Saxophones (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Alto Saxophone Duet
#
David McKeown
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Cello Duet
2 Violoncelles (duo)
Cello Duet Cello - Level 4 - Digital Download SKU: A0.594172 Composed by Traditiona…
(+)
Cello Duet Cello - Level 4 - Digital Download SKU: A0.594172 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score. 3 pages. David McKeown #6551495. Published by David McKeown (A0.594172). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Cellos. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Violoncelles (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Cello Duet
#
David McKeown
#
SheetMusicPlus
We Wish You a Merry Christmas, Jazz Style, for Oboe Duet
2 Hautbois (duo)
Oboe Duet Oboe - Level 4 - Digital Download SKU: A0.594153 Composed by Traditional.…
(+)
Oboe Duet Oboe - Level 4 - Digital Download SKU: A0.594153 Composed by Traditional. Arranged by David McKeown. Christmas,Jazz,Praise & Worship,Sacred. Score. 3 pages. David McKeown #6551455. Published by David McKeown (A0.594153). We Wish You a Merry Christmas is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Waltz style for two Oboes. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.Little is known about the origins of We Wish You a Merry Christmas. It was known to be sung in the West of England in the 1800s but only reached a wider audience in the early twentieth century. With a performance time around two and a half minutes, this version of We Wish You a Merry Christmas is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz waltz style is a fun and fresh take on this familiar traditional tune.We Wish You a Merry Christmas is arranged in a key and range best suited to the instruments. Rhythms are syncopated, as one would expect in a jazz waltz, and there is plenty of articulation detail to help deliver an authentic swing style. The verse and chorus are played four times in various forms, with a short intro and outro. This arrangement is suitable for players at an intermediate or early advanced level. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Hautbois (duo)
#
Traditional
#
David McKeown
#
We Wish You a Merry Christmas, Jazz Style, for Oboe Duet
#
David McKeown
#
SheetMusicPlus
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
Piano Quintette: piano, 2 violons, alto, violoncelle
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666…
(+)
Piano Quintet Cello,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1312666 By Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton. By Geraldine (Denny) Green. 21st Century,Chamber,Classical,Contemporary. 222 pages. Geraldine (Denny) Green at Oakmountmusic #901515. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1312666). ALL PURCHASES COME WITH SCORE AND PARTSIn 4 movements – total duration 35 minutes.Quincie was written between July 2018 and January 2019. I had just begun receiving the main ideas for it when a pianist I know locally, Robert Aston, happened to ask me if I had written anything for piano and string quartet. I believe that Quincie “heard†this and that was the trigger and the door unlocking. Because the next thing I knew I was absolutely engulfed in the writing of this work for the next six months.Like all my works, this one is an emotional journey, and my own nickname for it is Quincie, The Comic Healer. Each movement tells a progressive story of the different stages of a journey through a long period of grief, illness, depression and chronic anxiety. The overall mood of the whole piece is extremely energetic, loving, warm, compassionate and audience friendly, and while there is some heart ache in the middle of the first movement, the work is also extremely comical and hilarious in its third and fourth movements. It has a great sense of slapstick humour alongside the deep ache of grief and unfathomable sadness. It is completely tonal and in a highly Romantic style.It has enjoyed the following performances:April 27th 2019 at the Triangle Church, Bolton BL1 5QP 7.30pm by the Pennine QuintetJune 1st 2019 at the Victoria Hall, Knowsley St. Bolton BL1 2AS at 1pm Lunchtime concert, by the Pennine QuintetJuly 7th 2019 at the Horwich Community Centre, Beaumont Rd, BL6 7BG at 2.45pm as part of the Horwich Music Festival.A great start for a brand new work! My gratitude to the Pennine Quintet and concert organizers is immense and not something I will ever forget. Thank you. The following performance was recorded and filmed at the Horwich Music Festival on July 7th 2019 and added to YouTube with permission of the Pennine Ensemble. Many many thanks.Very sadly, in June 2020, the pianist, Robert Aston, passed away from cancer. Without his wonderful support and encouragement this work never would have had even one performance let alone FOUR! Therefore, I have now fully dedicated this piece to Robert as the least I could do to thank him for all the wonderful music he gave so freely to Bolton, UK, over his lifetime. Thank you, Robert. You were FAB!!!
$75.00
67.44 €
#
Piano Quintette: piano, 2 violons, alto, violoncelle
#
Cello - Will Mace, Robert Aston - Piano, Viola - Zoe Greenhalgh, and Violins - Matthew Chadbond and James Warburton
#
"Quincie", Quintet For Two Violins, Viola, Cello And Piano
#
Geraldine
#
SheetMusicPlus
Mimi the Multicoloured Mummy, Halloween Duet for Flute
2 Flûtes traversières (duo)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.592182 Composed by David McKe…
(+)
Flute Duet Flute - Level 3 - Digital Download SKU: A0.592182 Composed by David McKeown. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6354359. Published by David McKeown (A0.592182). Mimi the Multicoloured Mummy is a fun and original duet written by David McKeown for two Flutes.Mimi the Multicoloured Mummy is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Flute.Back in Ancient Egypt, Mimi always turned heads with her blonde hair and fashion sense. She made her fortune in a pyramid selling scheme and acquired Joseph’s Amazing Technicolour Dreamcoat at a charity auction. When she choked on a locust her friends tore up the coat and used it in the mummification process instead of the usual white bandages. So three thousand years later Mimi still dresses in style. Mimi the Multicoloured Mummy is suitable for players at an intermediate level and above, with the accessible keys and range balanced by some fast passages. With a playing-time of around four minutes, Mimi the Multicoloured Mummy is a perfect upbeat addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.59 €
#
2 Flûtes traversières (duo)
#
David McKeown
#
Mimi the Multicoloured Mummy, Halloween Duet for Flute
#
David McKeown
#
SheetMusicPlus
<
1
26
51
....
4976
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
