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Free - Piano Celebratory
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Vous avez sélectionné:
Free - Piano Celebratory
Partitions à imprimer
16 partitions trouvées
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1
Battle Cry of Freedom
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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George Frederick Root
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Bob Affonso
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Battle Cry of Freedom
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Celebratory Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1349834 By George Frederick Root. By George Frederick Root. Arranged by Bob Affonso. Histo...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1349834 By George Frederick Root. By George Frederick Root. Arranged by Bob Affonso. Historic,Holiday,March,Patriotic,Traditional. 26 pages. Celebratory Music #934607. Published by Celebratory Music (A0.1349834). This popular selection by George Frederick Root has been arranged and scored for an 8-piece brass ensemble. It also includes optional percussion parts. The original spirit and energy of the march is retained in this well-arranged version. It sounds great with or without the percussion!
$29.99
Battle Cry of Freedom
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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George Frederick Root
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Bob Affonso
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Battle Cry of Freedom
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Celebratory Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1349839 By George Frederick Root. By George Frederick Root. Arranged by Bob Affonso. Histor...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1349839 By George Frederick Root. By George Frederick Root. Arranged by Bob Affonso. Historic,Holiday,March,Patriotic,Traditional. 16 pages. Celebratory Music #934613. Published by Celebratory Music (A0.1349839). This popular selection by George Frederick Root has been scored for a traditional brass quintet. The original spirit and energy of the work is retained in this well-arranged version. It sounds great and lively for any occasion!
$14.99
Fanfare for Freedom (Full Orchestra)
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Orchestre
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INTERMÉDIAIRE
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Paul Barker Music
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Fanfare for Freedom
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Paul Barker Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.725208 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contest,Festival,Holiday,Patriotic. Score and ...
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Full Orchestra - Level 3 - SKU: A0.725208 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Contest,Festival,Holiday,Patriotic. Score and Parts. 58 pages. Paul Barker Music #6010533. Published by Paul Barker Music (A0.725208). Freedom, Liberty and Voice - This specially extended version of Fanfare for Freedom is a spectacular contemporary work for Full Orchestra which is both rousing and memorable. Strong, stoic themes together with heart-warming harmonies make this ideal for large celebratory occasions and all your main concerts. Also available for String Orchestra. Level: Intermediate (UK Grade 5+ and USA 2+)
$29.95
Les Indes Galantes - Le Turc Generaux (Premiere Entree)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Le Turc G
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Arte Nova Music Lab
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,Wo...
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String Quartet String Quartet - Level 4 - SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 8 pages. Arte Nova Music Lab #4600763. Published by Arte Nova Music Lab (A0.742473). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Le Turc Generaux. Osman Pasha is in love with his slave, the young Émilie, but she rejects him, telling him she was about to be married when a group of brigands abducted her. Osman urges her to give up hope that her fiancé is still alive (Air: Il faut que l'amour s'evole) but Émilie refuses to believe this is true. The sky turns dark as a storm brews; Émilie sees the violent weather as an image of her despair (Air: Vaste empire des mers). A chorus of shipwrecked sailors is heard (Chorus: Ciel! de plus d'une mort). Émilie laments that they too will be taken captive. She recognises one of the sailors as her fiancé Valère. Their joy at their reunion is tempered by sadness at the thought they are both slaves now. Osman enters and is furious to see the couple embracing. However, unexpectedly, he announces he will free them. He too has recognised Valère, who was once his master but magnanimously freed him. Osman loads Valère's surviving ships with gifts and the couple praise his generosity. They call on the winds to blow them back to France (Duet and chorus: Volez, Zéphyrs). The act ends with celebratory dances as Valère and Émilie prepare to set sail.
$20.00
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Chorale SATB
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AVANCÉ
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #...
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Choral Choir (SATB) - Level 5 - SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
Americana Fanfares, Vol. 2, Op. 137
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Americana Fanfares, Vol. 2, Op
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.co...
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Brass Quintet - Level 4 - SKU: A0.1489490 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Historic,Patriotic. 38 pages. Https://gildedmusicpress.com/ #1066354. Published by https://gildedmusicpress.com/ (A0.1489490). Three of these seven short pieces are worthy to open any brass quintet concert or recital. Two fanfares are too short for a concert feature but work extremely well in a ceremony or celebratory setting. The last two short pieces aptly serve contrasting special purposes, as explained below.“Fort Pierre Fanfare” is about 40 seconds in duration, and was composed to open the feature concert at the South Dakota Bandmasters Association convention in 2022. Offutt Brass, from the US Air Force Heartland of America Band, was invited to perform that concert. Before the final piece of the concert, when gifts were exchanged between the sponsor and performers, beautiful presentation copies of the sheet music were presented to the sponsor. In performance, staging directions on the music can be extremely effective or cringy, depending on how they are conveyed. If there is any inkling that there may be a cringe factor, ignore them, and play the fanfare already on stage.“Enduring Freedom Fanfare” is nearly a minute of music. It was composed as a gift for the outgoing Commander of the US Air Force Heritage of America Band, Major Rafael Toro-Quiñones. His leadership was strong and inspiring, and he held a place of high esteem among many of the fine military musicians that he led. The Change of Command ceremony was toward the end of the Covid-19 shut-downs, so the work was not performed at the ceremony. Chief Remley, from the command’s satellite location in Nebraska, hand-delivered some finely printed presentation copies to Major Toro-Quiñones.“Noble Eagle Fanfare” is slightly over a minute in length, and, like “Enduring Freedom Fanfare,” was composed as a gift for another outgoing Commander of the US Air Force Heritage of America Band, Captain David Neil Regner.“Pilgrims’ Fanfare” was composed on what many Americans acknowledge as “Pioneer Day,” 24 July 2023. Not only honoring the thousands of pioneers that settled the western United States, but also the pilgrims that voyaged across the ocean to settle in the new continent. It is about 15 seconds in duration and is effective for any occasion in need of a magnificent fanfare.“Flightline Fanfare,” as its title implies, was composed for the ribbon cutting ceremony of the dedication of the newly renovated flightline at Offutt Air Force Base in Nebraska. Unfortunately, the ceremony itself was altered last-minute, and the 15-second fanfare was not used. However, like “Pilgrims’ Fanfare,” it is very handy for any event demanding a splash of pomp.“American Interlude” is a soft 75-second underscore for an MC’s moving speech or dedication. It was originally composed as a smooth segue between two moving patriotic pieces of different keys in a concert setting, but can be used in any similar appropriate situation.“Troop 184” is dedicated to my childhood BSA Scoutmaster, Gerry Nielson, who molded me in significant ways into the man I am decades later. It is functional music, akin to a fight song, and can be easily marched to. Words may be crafted as a customized hiking ditty, or it can be featured before or after ceremonies as prelude or processional music. The duration can also be customized, as there is a written optional repeat, lengthening the tune from 45 seconds to a minute and a half.
$24.95
Legacy of Valor, Op. 138 (Double Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Legacy of Valor, Op. 138
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicp...
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Brass Quintet - Level 4 - SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicpress.com/ #1066374. Published by https://gildedmusicpress.com/ (A0.1489511). In 2022 the United States Air Force celebrated 75 years of air and space dominance since its creation in 1947. The festivities and ceremonies surfaced throughout the nation all year. This composition was crafted as one of those celebratory creations. “Legacy of Valor” was originally composed for brass quintet and rock band, with two vocalists singing a stirring account of legacy handed down from one generation to another. The lyrics are here:In my youth, I knew a manWho loved to talk about his history;Unfolded his mystery!He made me laugh about some things,And we cried about some others,And we prayed as we talked about his fallen brothers.As I grew, I though a lotAbout that man who told me stories—His woes and his glories.Something firm about his voiceInspired my skill to make a choice,To recall our defenders’ valiant sacrifice.As I wanted to be like this man,As I pondered and dreamedOf becoming what I can,I hoped to see the day, without delay,To defend, like my friend!When I took the oath,I remembered that man!How proud he would beOf his brand new Airman!I answered the call.I’ll give it my all!I will not falter! I will not fail!I’m a guardian of the tradition of honor!Fly, fight, and win!When I hold my little boy,And think of freedoms he’ll enjoy,I ponder his destiny.Yes, it’s hard when I deploy!But distance cannot destroyWhat I love; what I fight so very hard to save!Generations come and go.I wish they all could knowHow it feels to serve America.The piece was difficult for the singers, but they practiced hard, and the USAF Heartland of America Band premiered it during an Independence Day concert tour in June and July 2022, including the grand patriotic concert at Mount Rushmore.A casual comment from one of the singers lingered: “You write for singers like they’re horns!” It is true that most of my compositional experience is with brass instruments. This double brass quintet instrumental rendition of “Legacy of Valor” is indeed a much more musically gratifying composition. It is the way it was supposed to be all along!Released in 2023 for the 76th birthday of the Air Force, this work and its message are appropriate for any patriotic event, including joint performances between any two brass quintets, civilian or military, American or global. Many stirring meanings can be communicated and celebrated through “Legacy of Valor”!
$29.95
Communion Canticles (Digital Download)
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Orgue
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INTERMÉDIAIRE
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Franklin Ashdown
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Communion Canticles
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Sacred Music Press
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SheetMusicPlus
Organ 3-staff - Intermediate - SKU: LX.70-2115S Eight Pieces for Organ. Composed by Franklin Ashdown. General, Communion. 48 pages. Sacred Music ...
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Organ 3-staff - Intermediate - SKU: LX.70-2115S Eight Pieces for Organ. Composed by Franklin Ashdown. General, Communion. 48 pages. Sacred Music Press #e70/2115S. Published by Sacred Music Press (LX.70-2115S). ISBN 9780787761226.Franklin D. Ashdown based this collection around the sacrament of the Lord's Supper. Two of the pieces are freely composed and are intended to evoke the spirit of remembrance, renewal, and devotion to the Savior and His atoning sacrifice. The additional six pieces are settings of well-known Communion hymns. Most are quiet, introspective pieces that are useful as preludes, offertories, and voluntaries, while the more energetic and celebratory compositions work well as recessionals and postludes.
$28.00
Communion Canticles
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Orgue
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INTERMÉDIAIRE
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Franklin Ashdown
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Communion Canticles
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-2115S Composed by Franklin Ashdown. Sacred, General, Holy Communion. Sacred Music Press #70/2115S. Published by ...
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Organ: 3-staff - Intermediate SKU: LO.70-2115S Composed by Franklin Ashdown. Sacred, General, Holy Communion. Sacred Music Press #70/2115S. Published by Sacred Music Press (LO.70-2115S). ISBN 9780787761226.Franklin D. Ashdown based this collection around the sacrament of the Lord's Supper. Two of the pieces are freely composed and are intended to evoke the spirit of remembrance, renewal, and devotion to the Savior and His atoning sacrifice. The additional six pieces are settings of well-known Communion hymns. Most are quiet, introspective pieces that are useful as preludes, offertories, and voluntaries, while the more energetic and celebratory compositions work well as recessionals and postludes.
$33.00
Consolation, Celebration
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Chicago Chamber Orchestra, Die
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Consolation, Celebration
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Julian Harvey
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1462974 By Chicago Chamber Orchestra, Dieter Kober conducting. By Julian Harvey. 20th Century,21st Century,Classic...
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Chamber Orchestra - Level 4 - SKU: A0.1462974 By Chicago Chamber Orchestra, Dieter Kober conducting. By Julian Harvey. 20th Century,21st Century,Classical,Contemporary. 70 pages. Julian Harvey #1041701. Published by Julian Harvey (A0.1462974). I was asked to compose music for four clarinets and strings by the conductor of the Chicago Chamber Orchestra Dieter Kober, who with his free concerts did so much for music in Chicago. This work is the result. As its title suggests, the piece is divided into two sections: the first elegiac yet calming, the second a celebratory waltz. Consolation, Celebration can be heard on my Centaur label CD Sweet was the Song: Music by Julian Harvey..
$15.00
Bought With A Price
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Thomas J
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Matt Smith
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Bought With A Price
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Bible Truth Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.770808 Composed by Thomas J. Simpson. Arranged by Matt Smith. Christian,Gospel,Sacred. Octavo. 7 pages. Bible Tr...
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Choral Choir (SATB) - Level 3 - SKU: A0.770808 Composed by Thomas J. Simpson. Arranged by Matt Smith. Christian,Gospel,Sacred. Octavo. 7 pages. Bible Truth Music #3428705. Published by Bible Truth Music (A0.770808). A celebratory anthem highlighting Christ's great price paid with His life to free us from the slavery of sin.
$2.15
Adoring Praise: Two Hymn Settings
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Orgue
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Emma Lou Diemer
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Adoring Praise: Two Hymn Setti
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium to Moderately Difficult - SKU: MQ.10-569-E Composed by Emma Lou Diemer. Ascension, Feast of Corpus Christi. 24 pages. MorningStar Music P...
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Organ - Medium to Moderately Difficult - SKU: MQ.10-569-E Composed by Emma Lou Diemer. Ascension, Feast of Corpus Christi. 24 pages. MorningStar Music Publishers - Digital Sheet Music #10-569-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-569-E). Emma Lou Diemer is widely recognized as one of the leading women composers of the late 20th century. In this publication she applies her unique compositional style to two well-known hymns. LASST UNS ERFREUEN is a celebratory setting with a wide variety of harmonic colors. The work is a free setting of the hymn, with motives from it being used rather than complete statements.Her set of Variations on ADORO TE DEVOTE (ADORO TE/ADORO DEVOTE) is a meditative, expressive setting of the Benedictine plainsong. The variations vary from quiet to more intense, with the central variation a moving canon between the pedal and upper voice subsiding to a prayerful ending.
$15.00
High Flight
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Chorale SATB
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Bob Chilcott
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High Flight
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Oxford University Press Digital
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SheetMusicPlus
SATB choir and male-voice (AATBarBarB) choir, unaccompanied - SKU: OX.9780193536425 Composed by Bob Chilcott. Sheet music. Octavo. 18 pages. Oxford Univ...
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SATB choir and male-voice (AATBarBarB) choir, unaccompanied - SKU: OX.9780193536425 Composed by Bob Chilcott. Sheet music. Octavo. 18 pages. Oxford University Press Digital #9780193536425. Published by Oxford University Press Digital (OX.9780193536425). ISBN 9780193536425.For SATB and male-voice (AATBarBarB) choir, unaccompanied. Using two texts by Henry Vaughan and John Gillespie Magee, the unusual forces and more complex nature of this work charts a journey from a free tempo reflective beginning to a rousing ending, celebratory in tone.
$4.50
Short Christmas Fantasy (on Joy to the World) for Brass Quintet 2017 Holiday Contest Entry
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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George Frideric Handel
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Pete Cavenagh
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Short Christmas Fantasy
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Blaartart Productions
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.983185 Composed by George Frideric Handel. Arranged by Pete Cavenagh. Christian,Christmas,Contemporary,Praise & Worsh...
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Brass Ensemble - Level 4 - SKU: A0.983185 Composed by George Frideric Handel. Arranged by Pete Cavenagh. Christian,Christmas,Contemporary,Praise & Worship,Sacred. Score and parts. 15 pages. Blaartart Productions #3244153. Published by Blaartart Productions (A0.983185). A bright and celebratory reworking of Joy to the World for Brass Quintet. this little Fantasy would make an ideal opening or encore for a concert or Christmas service. Please feel free to conta contact me directly with questions, comments and/or performance details - cavenaghfulton@yahoo.com.au.
$20.00
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