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--INSTRUMENTS--
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Free - Piano Gregorian
Partitions à imprimer
26 partitions trouvées
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TE DEUM - Score Only
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Orchestre
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Musique Sacrée
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LORENZO ONDARRA QUINTANA
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TE DEUM - Score Only
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OE OFICINA
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SheetMusicPlus
Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published ...
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Full Orchestra - SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99
Variations über den Tonus peregrinus
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Orgue
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INTERMÉDIAIRE
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Hermann Schroeder
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Variations über den Tonus
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - SKU: S9.Q2779 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital...
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Organ - intermediate - SKU: S9.Q2779 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q2779. Published by Schott Music - Digital (S9.Q2779). Hermann Schroeder (1904–1984) ranks among the major German organ composers of the 20th century, being an excellent organist himself. Many of his more than 100 organ works deal with themes of the Gregorian chorale which Schroeder appreciated very much. The chorale's modal diatonicism which is freer and different than the later major-minor tonality establishes a perfect symbiosis with the free tonality of the contemporary composer. Among the church modes, the 'tonus peregrinus' is the most interesting because it has two alternating reciting tones and therefore does not fit into the common pattern of the eight church modes. Since it 'modulates', it is a stranger, a 'peregrinus', among the tones – and therefore of special interest to composers. It forms the basis of the old Gregorian Magnificat, Bach used it in his Magnificat, Mozart in the introit of his requiem. Schroeder used the tonus peregrinus to achieve interesting harmonic and tonal effects, thus creating a virtuoso cycle of ten effective and colourful variations. A rewarding piece for church services and concerts.
$15.99
Ierusalem surge, Op. 53 (2018) for solo organ
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Orgue
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INTERMÉDIAIRE
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Vidas Pinkevicius
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Ierusalem surge, Op. 53
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909299 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 6 pages. Vidas Pinkevicius #3549771. Published ...
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Organ - Level 3 - SKU: A0.909299 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 6 pages. Vidas Pinkevicius #3549771. Published by Vidas Pinkevicius (A0.909299). I hope you'll enjoy this piece which is based on the Gregorian chant Communion for the 2nd Sunday in Advent. It is dedicated to my friend organist and harpsichordist Frank Mento.Although this Communion is written in the 2nd mode, to make it more colorful, I often changed and transposed the mode throughout the piece.It's a free paraphrase of Gregorian chant. I added additional thematic passages freely in different modes as my imagination called. The pedal maintains a dialogue with the hand part.PDF score. 6 pages. Duration - 6 minutes. Intermediate level.When you create, miracles happen!
$6.00
Veni creator Spiritus
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Orgue
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INTERMÉDIAIRE
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Hermann Schroeder
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Veni creator Spiritus
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - SKU: S9.Q2398 Partita for Organ. Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 13 minut...
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Organ - intermediate - SKU: S9.Q2398 Partita for Organ. Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 13 minutes. Schott Music - Digital #Q2398. Published by Schott Music - Digital (S9.Q2398). Hermann Schroeder (1904–1984) ranks among the major German organ composers of the 20th century, being an excellent organist himself. Many of his more than 100 organ works deal with themes of the Gregorian chorale. The chorale's modal diatonicism which is freer and different than the later major-minor tonality establishes a perfect symbiosis with the free tonality of the contemporary composer. In the five-movement chorale partita, the more than 1,000 years old Mixolydian Whitsun Sequence of Hrabanus Maurus (9th century) is used in an imaginative and formally varied way: as a virtuoso toccata, in the second movement 'ostinato' as a strict trio setting over a seven-bar ostinato in the pedal, as a capriciously playful 'bicinium', and as a meditative, harmonically appealing 'arioso'. The fifth movement (fantasia ricercare) displays brilliant full-handed chords and virtuoso passages as well as a fugato in the middle section. A rewarding concert piece for Whitsun, with an excellent possibility of virtuoso interpretation and colourful registration.
$13.99
Ubi caritas
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Enjott Schneider
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Ubi caritas
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSAATB) a cappella - advanced - SKU: S9.Q46312 Composed by Enjott Schneider. This edition: choral score. Schott Choral Music. Downloadable,...
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Mixed choir (SSAATB) a cappella - advanced - SKU: S9.Q46312 Composed by Enjott Schneider. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 4:30. Schott Music - Digital #Q46312. Published by Schott Music - Digital (S9.Q46312). Latin.The extremely compositional versatility of Enjott Schneider is evident even in the small(est) form of choral music. In his about four-and-a-half-minute sacred choral work Ubi caritas for six-part mixed a cappella choir (SSAATB), the award-winning composer combines various musical elements like freely created Gregorian near-quotations, unison passages, sounds of fifths and colourful harmonies, frequent changes of time, as well as meticulously graded dynamic levels into a harmonious whole. Imbued with calmness and sensuality, the church music composition is based on the text of a Latin antiphon from the Maundy Thursday liturgy. According to the composer, these anonymous verses represent for him the central statement of Christian faith: Ubi Caritas – Where there is love, there is God!In his about four-and-a-half-minute sacred choral work Ubi caritas for six-part mixed a cappella choir (SSAATB), Enjott Schneider combines various musical elements like freely created Gregorian near-quotations, unison passages, sounds of fifths and colourful harmonies, frequent changes of time, as well as meticulously graded dynamic levels into a harmonious whole. According to the composer, the text represents for him the central statement of Christian faith: Ubi Caritas – Where there is love, there is God!
$4.99
Missa melismatica
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Chorale SATB
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AVANCÉ
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Hermann Schroeder
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Missa melismatica
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Schott Music - Digital
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SheetMusicPlus
Mixed choir a cappella - advanced - SKU: S9.Q6889 Composed by Hermann Schroeder. This edition: choral score. Schott Choral Music. Downloadable, Choral s...
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Mixed choir a cappella - advanced - SKU: S9.Q6889 Composed by Hermann Schroeder. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 16 minutes. Schott Music - Digital #Q6889. Published by Schott Music - Digital (S9.Q6889). Latin.Herrmann Schroeder (1904-1984), one of the most important church music composers of the 20th century, wrote this Latin mass in 1961, i.e. at the beginning of the Second Vatican Council. The Council marked a turning point in the field of church music: Masses in the respective native languages gained more and more acceptance, Gregorian chant faded into the background, stylistic features of popular music were also taken up in church music. Today, about 50 years after the beginning of the Council, one can see a return to Gregorian chant and polyphonic vocal music, and this is why even works such as Schroeder's Latin Missa melismatica arouse great interest again. The work takes the free intonation of the Gregorian chant as a starting-point and is enriched with wide-spun melodic arcs in elaborate polyphony, according to Schroeder's opinion that Gregorian chant and polyphony are particularly suitable for giving expression to the mysticism and irrationality of religious faith in the liturgy. A demanding work for good choirs, duration ca. 16 minutes.
$6.99
Orgelsinfonie No. 16
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Orgue
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AVANCÉ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Scho...
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Organ - advanced - SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
Qui sedes, Domine, Op. 54 (2018) for solo organ
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Orgue
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INTERMÉDIAIRE
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Vidas Pinkevicius
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Qui sedes, Domine, Op. 54
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909301 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 5 pages. Vidas Pinkevicius #3550417. Published ...
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Organ - Level 3 - SKU: A0.909301 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 5 pages. Vidas Pinkevicius #3550417. Published by Vidas Pinkevicius (A0.909301). Today I wanted to share my newest composition - Qui sedes, Domine which is based on the Gregorian chant Gradual for the 3rd Sunday in Advent. It is dedicated to organist Angela Kraft Cross. She visited Vilnius and played the organ at Vinius University St John's church last year.Although this Gradual is written in the 7th mode, to make it more colorful, I often changed and transposed the mode throughout the piece.It's a free paraphrase of Gregorian chant. The pedal maintains a dialogue with the hand part.PDF score. 5 pages. Duration - 4.5 minutes. Intermediate level.When you create, miracles happen!
$5.00
Kyrie & Agnus Dei
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Chorale SATB
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Sofia Söderberg
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Kyrie & Agnus Dei
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus - SKU: BJ.1406 Composed by Sofia Söderberg. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1406. Published by Bo Ejeby Forlag - D...
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SATB chorus - SKU: BJ.1406 Composed by Sofia Söderberg. Christian. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1406. Published by Bo Ejeby Forlag - Digital (BJ.1406). 8.27 x 11.7 inches.Music based on Gregorian themes.In the autumn of 2015, Malmo Live Vokalensemble performed Thierry Machuel's Paroles contre l'oubli - words against oblivion. In a large-scale art project, prisoners serving a life sentence at the Clairvaux high-security prison in north-eastern France were interviewed by the composer, who set their stories to music. The piece is incredibly dark, coloured by the innermost thoughts of individuals who know they will never again be free, people who are slipping into oblivion. Clairvaux wasn't always a prison, though - it was formerly an important monastery. Established by St. Bernhard in 1115 and closed in connection with the French Revolution, Clairvaux is a mythic place. For some, it is an abbey where thousands of monks voluntarily chose the path of saints, plunging themselves into the blessed silence of darkness. For others, it is a prison, the sheer name of which inspires terror and generates horrific images. My intention was that we, with our concert, would create a bridge between the present and the past, between incarceration and voluntary solitude. So I sought out the historical sources for our earliest notated music, from the French abbey of Solemn, and composed a variety of versions based on Gregorian themes. Kyrie and Agnus Dei are two of them. - Sofia Soderberg.
$3.20
Da pacem, Domine - Verleih uns Frieden
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Chorale SATB
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AVANCÉ
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Enjott Schneider
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Da pacem, Domine - Verleih uns
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) a cappella - advanced - SKU: S9.Q20511 Motette. Composed by Enjott Schneider. This edition: choral score. Schott Choral Music....
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Mixed choir (SATB) a cappella - advanced - SKU: S9.Q20511 Motette. Composed by Enjott Schneider. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Duration 4 minutes. Schott Music - Digital #Q20511. Published by Schott Music - Digital (S9.Q20511). German • Latin.This work with its calmly pleading character lives on the contrast between the freely metric, virtually Gregorian passages and the strict time-beating sections. It is especially in the 'Da pacem' call written in triplets that pressing, accelerating crescendos arise which can also be led into the forte excessively. The concluding Latin 'Da pacem' should then be sung in a deliberately introverted manner.
$3.99
The Parting Before the Battle- Ní neart go cur le chéile (There is no strength without unity)
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James W
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The Parting Before the Battle-
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Knox Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (...
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Choral Choir (TTBB) - Level 4 - SKU: A0.942885 Composed by James W. Knox. Contemporary. Octavo. 21 pages. Knox Music #6383215. Published by Knox Music (A0.942885). THE PARTING BEFORE THE BATTLE was written by Thomas Moore (1779-1852) an Irish writer, poet and lyricist celebrated for his Irish Melodies. He is best remembered for the lyrics of The Minstrel Boy and The Last Rose of Summer and one of the first recognized champions of freedom in Ireland. As an impressionable young man with a quick Irish temper, the execution of a close college friend during the United Irishmen's Rebellion aroused in Moore a patriotic fervor that provided his greatest literary inspiration. Thomas Moore's best known work included a brilliant biographical masterpiece taken from the confidential memoirs of Lord Byron. His own Memoirs, Journal, and Correspondence are an invaluable social record of life in England and Ireland during the first half of the nineteenth century. James W. Knox, composer, depicts a battle of the brave Irish men and women who have courageously fought against those who seek destruction. The chorus should sing with great boldness and display a sense of honorable pride. To create a dramatic affect, James also used Erse or Gaelic with an ancient proverb, Nà neart go cur le chéile. (There is no strength without unity.) This text is used throughout the piece in addition to the poem. The proverb is set to the melody of Dies irae , which is a famous Gregorian chant dating back to the 13th century and is found as part of the Latin sequence in the Requiem. .
$3.50
Ave Maris Stella arr. for woodwind quartet
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Anonymous
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Ruth Raubertas
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Ave Maris Stella arr. for wood
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White Bird Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.1411123 Composed by Anonymous. Arranged by Ruth Raubertas. Chamber,Classical,Early M...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.1411123 Composed by Anonymous. Arranged by Ruth Raubertas. Chamber,Classical,Early Music,Medieval,Sacred. 3 pages. White Bird Music #993445. Published by White Bird Music (A0.1411123). This is a short woodwind quartet featuring a Gregorian melody on oboe with harmony provided by an additional oboe and 2 bassoons. Â It is meant to be played in a free chant style with rubato; however, mixed meters are provided to give an approximate idea of the counting. Â This piece would be suitable for a school or church setting and is derived from ancient sacred music written for the Catholic Church. Â It is quite an easy piece in D Dorian mode, thus no sharps or flats. Â The quiet beauty of this piece is suitable for meditative or concert use. Â An interlude of gentle improvisation could be added with a repeat of the theme at the end if a longer piece is desired (permission to do that hereby granted). Â Students, teachers and church music directors as well as professional musicians looking for a short easy work may find this a useful addition to their repertoire. Â (Please note: Â the audio recording is a guide and does not necessarily reflect the proper phrasing as indicated in the score.).
$4.99
Ave Maris Stella arr. for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Anonymous
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Ruth Raubertas
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Ave Maris Stella arr. for stri
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White Bird Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1404870 Composed by Anonymous. Arranged by Ruth Raubertas. Chamber,Classical,Mediev...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1404870 Composed by Anonymous. Arranged by Ruth Raubertas. Chamber,Classical,Medieval,Renaissance,Sacred. 3 pages. White Bird Music #987895. Published by White Bird Music (A0.1404870). This is a short string quartet featuring a Gregorian melody on violin with harmony provided in the lower voices by violin, viola and cello. It is meant to be played in a free chant style with rubato; however, mixed meters are provided to give an approximate idea of the counting. This piece would be suitable for a school or church setting and is derived from ancient sacred music written for the Catholic Church. It is quite an easy piece in D Dorian mode, thus no sharps or flats. The quiet beauty of this piece is suitable for meditative or concert use. An interlude of gentle improvisation could be added with a repeat of the theme at the end if a longer piece is desired (permission to do that hereby granted). Students, teachers and church music directors as well as professional musicians looking for a short easy work may find this a useful addition to their repertoire. (Please note: the audio recording is a guide and does not necessarily reflect the proper phrasing as indicated in the score.).
$4.99
Ubi Caritas
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Chorale SATB
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Nicholas W
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Ubi Caritas
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Nicholas W. Mathes
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1033010 Composed by Nicholas W. Mathes. Contemporary,Sacred. Octavo. 5 pages. Nicholas W. Mathes #5997341. Publi...
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Choral Choir (SATB) - Level 3 - SKU: A0.1033010 Composed by Nicholas W. Mathes. Contemporary,Sacred. Octavo. 5 pages. Nicholas W. Mathes #5997341. Published by Nicholas W. Mathes (A0.1033010). This is a reverent and contemplative setting of the well-known liturgical text, Ubi Caritas. This free flowing piece presents a fusion of the Gregorian chant and modern polyphony. Very appropriate for high school choruses, college choirs, and church ensembles. Approximately 2-3 minutes. .
$1.99
Gloria In Excelsis Deo
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Chorale 3 parties
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FACILE
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James Mccray
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Gloria In Excelsis Deo
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Roger Dean Publishing
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SheetMusicPlus
SSA choir (With Optional Handbell 2 octaves, Soprano, Flute) - Easy - SKU: LX.15-1467R Composed by James Mccray. Janet Galván Roots & Wings. Educatio...
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SSA choir (With Optional Handbell 2 octaves, Soprano, Flute) - Easy - SKU: LX.15-1467R Composed by James Mccray. Janet Galván Roots & Wings. Educational, Christmas, General. Octavo. 12 pages. Roger Dean Publishing #e15/1467R. Published by Roger Dean Publishing (LX.15-1467R). UPC: 000308045468.A bright, festive instrumental introduction gives way to a multi-meter, unison statement of gloria. The middle section is free and in the style of Gregorian chant. The work concludes in a festive mood with new material.
$2.50
Ave Maria Chant
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Guitare notes et tablatures
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DÉBUTANT
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Anonymous
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Brian Streckfus
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the music is very old.
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Ave Maria Chant
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1277301 Composed by Anonymous. Arranged by Brian Streckfus. Early Music,Religious. Tablature. 2 pages. Brian ...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1277301 Composed by Anonymous. Arranged by Brian Streckfus. Early Music,Religious. Tablature. 2 pages. Brian Streckfus #868998. Published by Brian Streckfus (A0.1277301). Pages: 2Gregorian Chant with guitar tablature. Part of the reason why I make these is to update ancient copyright-free scores to modern, more legible notation.1. It's modal. There is a strong sense of D dorian often. 2. I added commas for suggested phrase markings3. There is no time signature, measures or rhythm values intentionally; the music is very old.
$1.99
Tollite portas, Op. 61 (2018) for solo organ
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Orgue
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INTERMÉDIAIRE
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Vidas Pinkevicius
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Tollite portas, Op. 61
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909308 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 6 pages. Vidas Pinkevicius #3560007. Published ...
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Organ - Level 3 - SKU: A0.909308 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 6 pages. Vidas Pinkevicius #3560007. Published by Vidas Pinkevicius (A0.909308). This morning I created Tollite portas, Op. 61 for solo organ. It is dedicated to my friend composer Ad Wammes from the Netherlands.This piece a free paraphrase of the Gregorian chant Gradual for the Monday before Christmas.To make it more colorful, I changed the mode and transposed the theme a few times. It will sound nice with the dialogue between the Cornet, Krummhorn and the pedal stops on your organ.PDF score. 6 pages. Duration - 6.5 minutes. Intermediate level.When you create, miracles happen!
$6.00
Gaudete in Domino semper, Op. 43 for solo organ
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Orgue
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INTERMÉDIAIRE
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Vidas Pinkevicius
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Gaudete in Domino semper, Op.
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909290 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 5 pages. Vidas Pinkevicius #3543837. Published ...
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Organ - Level 3 - SKU: A0.909290 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 5 pages. Vidas Pinkevicius #3543837. Published by Vidas Pinkevicius (A0.909290). Today I improvised this piece which is based on the Gregorian chant introit Gaudete in Domino semper. The chant is taken from the 3rd Sunday in Advent.It is dedicated to my friend organist Colin Mark Andrews.It's a free paraphrase for the organ where the tune can be heard in the upper voice. Other voices sometimes echos fragments of the chant.I tried to change the mode a few times to make it colorful. Even the whole-tone mode seemed appropriate.It's an intermediate level piece.I hope you'll create something and share it with the world today.
$4.99
Kyrie Orbis Factor, Op. 58 (2018) for solo organ
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Orgue
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INTERMÉDIAIRE
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Contemporain
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Vidas Pinkevicius
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Kyrie Orbis Factor, Op. 58
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909305 Composed by Vidas Pinkevicius. Contemporary. Score. 2 pages. Vidas Pinkevicius #3557503. Published by Vidas Pinkevicius...
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Organ - Level 3 - SKU: A0.909305 Composed by Vidas Pinkevicius. Contemporary. Score. 2 pages. Vidas Pinkevicius #3557503. Published by Vidas Pinkevicius (A0.909305). I don't know why, I don't know how but the only melody that I heard in my head last night was Kyrie eleyson from Orbis Factor Gregorian chant mass.So I literally didn't have a choice when I wanted to dedicate a piece to my friend Swedish organist and organ expert Göran Grahn on the occasion of him visiting Vilnius.It's a free paraphrase of the chant. It will sound nice with the dialogue between the Cornet and the pedal stops on your organ.PDF score. 2 pages. Duration - 2 minutes. Intermediate level.When you create, miracles happen!
$4.99
Benedixisti Domine, Op. 56 (2018) for solo organ
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Orgue
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INTERMÉDIAIRE
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Contemporain
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Vidas Pinkevicius
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Benedixisti Domine, Op. 56
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909302 Composed by Vidas Pinkevicius. Contemporary. Score. 3 pages. Vidas Pinkevicius #3554311. Published by Vidas Pinkevicius...
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Organ - Level 3 - SKU: A0.909302 Composed by Vidas Pinkevicius. Contemporary. Score. 3 pages. Vidas Pinkevicius #3554311. Published by Vidas Pinkevicius (A0.909302). The first thing in the morning I did today was to create a piece for solo organ Benedixisti Domine, Op. 56. It is dedicated to an American organist and composer Edward Landin.The theme for this piece is taken from the Gregorian chant Offertory for the 3rd Sunday in Advent.It's a free paraphrase of the chant. It will sound nice with the colorful Open flute or Flute harmonique stop on your organ with the dialogue between the pedals and soprano.PDF score. 3 pages. Duration - 3 minutes. Intermediate level.When you create, miracles happen!
$3.00
Dicite, Op. 57 (2018) for solo organ
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Orgue
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INTERMÉDIAIRE
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Vidas Pinkevicius
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Dicite, Op. 57
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909304 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 5 pages. Vidas Pinkevicius #3554783. Published ...
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Organ - Level 3 - SKU: A0.909304 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 5 pages. Vidas Pinkevicius #3554783. Published by Vidas Pinkevicius (A0.909304). The first thing in the morning I did today was to create a piece for solo organ Dicite, Op. 57. It is dedicated to a Swedish organist and composer Hans-Ola Ericsson.The theme for this piece is taken from the Gregorian chant Communion for the 3rd Sunday in Advent.It's a free paraphrase of the chant. It will sound nice with the dialogue between Viola Gamba and Unda Maris stops on your organ.PDF score. 5 pages. Duration - 5 minutes. Intermediate level.When you create, miracles happen!
$5.00
Excita Domine, Op. 55 (2018) for solo organ
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Orgue
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INTERMÉDIAIRE
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Vidas Pinkevicius
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Excita Domine, Op. 55
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909303 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 3 pages. Vidas Pinkevicius #3553443. Published ...
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Organ - Level 3 - SKU: A0.909303 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 3 pages. Vidas Pinkevicius #3553443. Published by Vidas Pinkevicius (A0.909303). This morning I decided to create a piece for solo organ Excita Domine, Op. 55. It is dedicated to an American organist and composer Carson Cooman.The theme for this piece is taken from the Gregorian chant Alleluia for the 3rd Sunday in Advent.It's a free paraphrase of the chant. I hope it will sound nice with the colorful Cornet 8' stop on your organ with the dialogue between the pedals and soprano.PDF score. 3 pages. Duration - 3 minutes. Intermediate level.When you create, miracles happen!
$3.00
Tu es Petrus, Op. 60 (2018) for solo organ
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Orgue
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INTERMÉDIAIRE
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Vidas Pinkevicius
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Tu es Petrus, Op. 60
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 3 - SKU: A0.909307 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 3 pages. Vidas Pinkevicius #3559043. Published ...
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Organ - Level 3 - SKU: A0.909307 Composed by Vidas Pinkevicius. 20th Century,Contemporary,Sacred. Score. 3 pages. Vidas Pinkevicius #3559043. Published by Vidas Pinkevicius (A0.909307). This morning I created Tu es Petrus, Op. 60 (2018 for solo organ. It is dedicated to my friend organist Paulius Grigonis.This piece a free paraphrase of the Gregorian chant Communion for the Solemnity of St Peter and St Paul.To make it more colorful, I changed the mode and transposed the theme a few times. It will sound nice with the dialogue between the Trompette or Oboe and the pedal stops on your organ.PDF score. 3 pages. Duration - 3 minutes. Basic level.When you create, miracles happen!
$3.00
Confortamini, Op. 63 (2018) for solo organ by Vidas Pinkevicius
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Orgue
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FACILE
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Vidas Pinkevicius
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Confortamini, Op. 63
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - SKU: A0.909310 Composed by Vidas Pinkevicius. Christmas,Contemporary,Sacred. Score. 2 pages. Vidas Pinkevicius #6858509. Published by ...
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Organ - Level 2 - SKU: A0.909310 Composed by Vidas Pinkevicius. Christmas,Contemporary,Sacred. Score. 2 pages. Vidas Pinkevicius #6858509. Published by Vidas Pinkevicius (A0.909310). This piece is a free paraphrase of the Gregorian chant Offertory for the Monday before Christmas.To make it more colorful, I changed the mode and transposed the theme a few times. It will sound nice with the dialogue between Unda Maris and the pedal stops on your organ.2 pages. Basic level.
$4.99
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