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Vous avez sélectionné:
French Noël, 16th century
Partitions à imprimer
13 partitions trouvées
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1
Venez, divin Messie: a Noël on a 16th century French Advent Carol
Orgue
Organ - Level 4 - Digital Download SKU: A0.836714 Composed by Brian Joyce. 20th Cen…
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Organ - Level 4 - Digital Download SKU: A0.836714 Composed by Brian Joyce. 20th Century,Christian,Christmas,Sacred. Score. 8 pages. Brian Joyce #4805139. Published by Brian Joyce (A0.836714). New for the 2019 Christmas Season, here is a Noël (a set of variations of a type popular in the French Baroque) on a somewhat less well known Advent Carol for manuals only. Venez, divin Messie (O Come Divine Messiah) is an anonymous 16th century tune to which Abbé Simon-Joseph Pellegrin added the words in the early 18th century. It is a charming melody and this new setting will provide organists with a little something beyond the ordinary Advent/Christmas fare.Originally conceived for harpsichord, this piece easily makes the transition to organ manuals. Performance time is between 9 and 10 minutes depending largely on the acoustics of the room. The attached audio file will tell you everything there is to say about the music. You will hear the entire tune plus the beginning and ending of each variation.
$5.95
5.5 €
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Orgue
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Brian Joyce
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Venez, divin Messie: a Noël on a 16th century French Advent Carol
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Brian Joyce
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SheetMusicPlus
O Come, Divine Messiah! - SAB voices, organ
Chorale 3 parties
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.726150 Composed by French N…
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.726150 Composed by French Noël, 16th century. Arranged by Todd Marchand. Advent,Christian,Sacred. Octavo. 4 pages. Con Spirito Music #6735019. Published by Con Spirito Music (A0.726150). O Come, Divine Messiah! is a hymn by Abbé Simon-Joseph Pellegrin (1663-1745), a French poet, playwright, and librettist who collaborated with Jean-Philippe Rameau and other composers. In addition to stage plays and opera libretti, his works included two collections of carols, published in 1708 and 1711. Pellegrin’s text for this hymn communicates the longing for a Redeemer by a world enslaved in sin, and is therefore appropriate for the season of expectation and preparation that is Advent. The tune, however - a 16th-century French Noël - is sprightly and cheerful, making this anthem especially fitting for the third Sunday of Advent - Gaudete Sunday, which derives its name from the introit for the day, Rejoice (Gaudete) in the Lord always.
$2.00
1.85 €
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Chorale 3 parties
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French Noël, 16th century
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Todd Marchand
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O Come, Divine Messiah! - SAB voices, organ
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Con Spirito Music
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SheetMusicPlus
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 2: Je te l’avais bien dit from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voix
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Noël Nouvelet (Sing We Now of Christmas) for Flute w/Piano Accompaniment
Flûte traversière et Piano
Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1337277 Composed by 15th C…
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Piano,Soprano Flute - Level 3 - Digital Download SKU: A0.1337277 Composed by 15th Century French Carol. Arranged by Carol Troutman Wiggins. Christian,Christmas,Early Music,Holiday,Religious. Score and part. 4 pages. Carol Troutman Wiggins #923086. Published by Carol Troutman Wiggins (A0.1337277). Noel Nouvelet, or also known in English as Sing We Now of Christmas, is a 15th/16th century French carol. The title translates as both news or newness. It has been used as a New Year's song, but the lyrics tell of the news of the birth of the Christ Child in Bethlehem. Melody is for the solo instrument Late Intermediate piano accompaniment Perfect for preludes, offertories, and other holiday performancesÂ
$9.99
9.24 €
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Flûte traversière et Piano
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15th Century French Carol
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Carol Troutman Wiggins
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Noël Nouvelet
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Carol Troutman Wiggins
#
SheetMusicPlus
Noël Nouvelet (Sing We Now of Christmas) for Violin w/Piano Accompaniment
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.1337281 Composed by 15th Century F…
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Violin Solo - Level 3 - Digital Download SKU: A0.1337281 Composed by 15th Century French Carol. Arranged by Carol Troutman Wiggins. Christian,Christmas,Early Music,Holiday,Religious. 4 pages. Carol Troutman Wiggins #923092. Published by Carol Troutman Wiggins (A0.1337281). Noel Nouvelet, also known in English as Sing We Now of Christmas, is a 15th/16th century French carol. The title translates as news or newness. It has been used as a New Years song, but the lyrics tell of the good news of the birth of the Christ Child.Melody is for solo instrumentLate Intermediate piano accompanimentPerfect for preludes, offertories, and other holiday performances.
$9.99
9.24 €
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Violon
#
15th Century French Carol
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Carol Troutman Wiggins
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Noël Nouvelet
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Carol Troutman Wiggins
#
SheetMusicPlus
Noël nouvelet
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1125803 By Michael Swedberg. By Tra…
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Piano Solo - Level 5 - Digital Download SKU: A0.1125803 By Michael Swedberg. By Traditional French Melody. Arranged by Terrence Niska. Christmas,Contemporary,Holiday. Score. 8 pages. Niska Music Publishing #726544. Published by Niska Music Publishing (A0.1125803). I first became familiar with this tune in high school choir when we performed “Sing We Now of Christmas†for a holiday concert. I did not know that it had originated as a French carol from the late 15th/early16th century and like many of my favorite carols, it is set in a minor key. I had forgotten all about it until a friend suggested arranging it for this collection. As I began working on the piece, I was torn between staying true to the feel of the original and this growing sense I had to write something more dramatic and more inspired by one of my favorite composers, Ralph Vaughn Williams. I chose a much slower tempo than the French carol and as a result it has more depth and a sense of gravitas, reflecting the mystery of the birth of Christ. At the end of the first verse, I transition to the parallel major key and the music takes on a more lighthearted and almost dance-like character as the stable is visited by shepherds and kings alike to see for themselves the sleeping child and enjoy the sense of wonder and amazement at such a scene. The music then moves back to the opening and the original key as the kings offer their gifts to the babe and prepare to return home. Even though it is in a minor key, there is an overpowering grandeur in this prelude reflecting the events to come in His short life on this earth, but even more the importance to all that his sacrifice would bring. There is a brief coda that returns to the major key with the promise of hope offered by one so small.
$3.99
3.69 €
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Piano seul
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Michael Swedberg
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Terrence Niska
#
Noël nouvelet
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Niska Music Publishing
#
SheetMusicPlus
Sing We Now of Christmas - Clarinet Sextet or Choir
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.11…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1138483 By Brendan James Elliget NotePerformer 3. By Traditional French Melody. Arranged by Brendan James Elliget. Christmas. 13 pages. BJE Music #738823. Published by BJE Music (A0.1138483). Noël Nouvelet is a traditional French Christmas and New Year's carol. The song was long ago translated into English as Sing We Now of Christmas. This traditional French carol dates from the late 15th century and the early 16th century. The word nouvelet has the same root as Noël, both stemming from the word for news and newness… This is an arrangement for a Flexible Clarinet Sextet or Choir. There are parts for Eb Clarinet, Bb Clarinets, Alto Clarinet in Eb, and Bb Bass Clarinet. Grade = 3.5 Duration = 2:32 mins The MP3 was recorded with NotePerfomer 3.
$7.50
6.94 €
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Brendan James Elliget NotePerformer 3
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Brendan James Elliget
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Sing We Now of Christmas - Clarinet Sextet or Choir
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BJE Music
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SheetMusicPlus
The First Noel (Marimba 4 Mallets)
Marimba
Marimba Solo - Level 1 - Digital Download SKU: A0.1317680 Composed by Public Domain…
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Marimba Solo - Level 1 - Digital Download SKU: A0.1317680 Composed by Public Domain. Arranged by Marcelo Borba. Christmas,Folk,Historic,Multicultural,Traditional,World. Individual part. 2 pages. Marcelo Borba #906358. Published by Marcelo Borba (A0.1317680). Work arranged for marimba with 4 mallets. The First Noel is a traditional Christmas carol that tells the story of the birth of Jesus Christ. The word Noel itself is derived from the French word Noël, meaning Christmas or the Christmas season.The song is believed to have originated in the 16th or 17th century, and its exact authorship is unknown. It has been passed down through generations and has become a popular Christmas hymn.The lyrics of The First Noel typically describe the joyous announcement of the birth of Jesus by angels to shepherds in the fields. The shepherds are guided by a bright star to Bethlehem, where they find the baby Jesus lying in a manger. The lyrics emphasize the significance of the event and the adoration of the shepherds for the newborn Christ.Here are the first few lines of the song:The first Noel, the angels did say, Was to certain poor shepherds in fields as they lay; In fields where they lay keeping their sheep, On a cold winter's night that was so deep.The song is often sung in a reverent and celebratory manner, capturing the spirit of Christmas and the joyous occasion of Jesus' birth. It has been recorded by numerous artists and is a staple in many Christmas carol collections.
$1.99
1.84 €
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Marimba
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Public Domain
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Marcelo Borba
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The First Noel
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Marcelo Borba
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SheetMusicPlus
The First Noel (Guitar Duet)
2 Guitares (duo)
Acoustic Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1317681 Comp…
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Acoustic Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.1317681 Composed by Public Domain. Arranged by Marcelo Borba. Christmas,Classical,Historic,Instructional,Traditional. 7 pages. Marcelo Borba #906359. Published by Marcelo Borba (A0.1317681). Work arranged for two Guitar. The First Noel is a traditional Christmas carol that tells the story of the birth of Jesus Christ. The word Noel itself is derived from the French word Noël, meaning Christmas or the Christmas season.The song is believed to have originated in the 16th or 17th century, and its exact authorship is unknown. It has been passed down through generations and has become a popular Christmas hymn.The lyrics of The First Noel typically describe the joyous announcement of the birth of Jesus by angels to shepherds in the fields. The shepherds are guided by a bright star to Bethlehem, where they find the baby Jesus lying in a manger. The lyrics emphasize the significance of the event and the adoration of the shepherds for the newborn Christ.Here are the first few lines of the song:The first Noel, the angels did say, Was to certain poor shepherds in fields as they lay; In fields where they lay keeping their sheep, On a cold winter's night that was so deep.The song is often sung in a reverent and celebratory manner, capturing the spirit of Christmas and the joyous occasion of Jesus' birth. It has been recorded by numerous artists and is a staple in many Christmas carol collections.
$1.99
1.84 €
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2 Guitares (duo)
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Public Domain
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Marcelo Borba
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The First Noel
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Marcelo Borba
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SheetMusicPlus
The First Noel (Leadsheet)
Piano Facile
C Instrument - Level 1 - Digital Download SKU: A0.1317675 Composed by Public Domain…
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C Instrument - Level 1 - Digital Download SKU: A0.1317675 Composed by Public Domain. Arranged by Marcelo Borba. Children,Christmas,Classical,Country,Traditional. Lead Sheet / Fake Book. 1 pages. Marcelo Borba #906351. Published by Marcelo Borba (A0.1317675). This is an arrangement for leadsheet style. Sheet music contains chords and melody. It can be played by different instrumental formations. The First Noel is a traditional Christmas carol that tells the story of the birth of Jesus Christ. The word Noel itself is derived from the French word Noël, meaning Christmas or the Christmas season.The song is believed to have originated in the 16th or 17th century, and its exact authorship is unknown. It has been passed down through generations and has become a popular Christmas hymn.The lyrics of The First Noel typically describe the joyous announcement of the birth of Jesus by angels to shepherds in the fields. The shepherds are guided by a bright star to Bethlehem, where they find the baby Jesus lying in a manger. The lyrics emphasize the significance of the event and the adoration of the shepherds for the newborn Christ.Here are the first few lines of the song:The first Noel, the angels did say, Was to certain poor shepherds in fields as they lay; In fields where they lay keeping their sheep, On a cold winter's night that was so deep.The song is often sung in a reverent and celebratory manner, capturing the spirit of Christmas and the joyous occasion of Jesus' birth. It has been recorded by numerous artists and is a staple in many Christmas carol collections.
$1.99
1.84 €
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Piano Facile
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Public Domain
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Marcelo Borba
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The First Noel
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Marcelo Borba
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SheetMusicPlus
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