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Friedrich Chopin
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Vous avez sélectionné:
Friedrich Chopin
Partitions à imprimer
27 partitions trouvées
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Chopin, MELANCOLIE, OP. 74, Chanson
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Orgue
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DÉBUTANT
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Classique
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Renato Tagliabue
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Renato Tagliabue
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Chopin, MELANCOLIE, OP. 74, Ch
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Renato Tagliabue
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SheetMusicPlus
Organ - Level 1 - SKU: A0.1308726 By Renato Tagliabue. By Friedrich Chopin. Arranged by Renato Tagliabue. Classical,Romantic Period. Score. 1 pages. Ren...
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Organ - Level 1 - SKU: A0.1308726 By Renato Tagliabue. By Friedrich Chopin. Arranged by Renato Tagliabue. Classical,Romantic Period. Score. 1 pages. Renato Tagliabue #897967. Published by Renato Tagliabue (A0.1308726).
$4.00
Chopin - Prelude No. 4 in E Minor - Intermediate
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Piano seul
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Piacere Music Sheets
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Chopin - Prelude No. 4 in E Mi
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Piacere Music Sheets
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1164938 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. S...
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Piano Solo - Level 3 - SKU: A0.1164938 Composed by Frederic Chopin. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. Score. 3 pages. Piacere Music Sheets #765285. Published by Piacere Music Sheets (A0.1164938). Opus/Catalog Number: Op. 28, No. 4, CT. 169Key/Tone: E MinorMovements/Sections: LargoYear/Date of Composition: c.1839Difficulty: Grade 7/12 (Intermediate)Obs.: This piece is the fourth of the 24 Préludes pour le Piano, dedicated to Camille Pleyel. The great music educator Friedrich Niecks wrote about this prelude: This is an exquisite little poem, the languid pensiveness of which defies description. It seems to shut out the wide, noisy world, for a time.
$4.95
Nocturne op.9 n.2
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Piano seul
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INTERMÉDIAIRE
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Classique
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Friedrich Chopin
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Andres Hernandez
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Nocturne op.9 n.2
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Andrés Hernández
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1277922 Composed by Friedrich Chopin. Arranged by Andres Hernandez. 19th Century,Classical,Romantic Period. Score. 3 page...
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Piano Solo - Level 3 - SKU: A0.1277922 Composed by Friedrich Chopin. Arranged by Andres Hernandez. 19th Century,Classical,Romantic Period. Score. 3 pages. Andrés Hernández #869623. Published by Andrés Hernández (A0.1277922). A classical masterpiece rearranged for a 3 year piano student. it has been modified for a weaker left hand, with no ornamentations in the right but preserving the whole original structure of the piece.
$6.00
Mazurka
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Friedrich Hermann
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Mazurka
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate to advanced - SKU: S9.Q53340 Op. 17/1. Composed by Frederic Chopin. Edited by Wolfgang Birtel. Arranged by Friedr...
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Violin and piano - intermediate to advanced - SKU: S9.Q53340 Op. 17/1. Composed by Frederic Chopin. Edited by Wolfgang Birtel. Arranged by Friedrich Hermann. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Volume op. 17/1. 7 pages. Schott Music - Digital #Q53340. Published by Schott Music - Digital (S9.Q53340). English • German.Frédéric Chopin wrote music almost exclusively for ‘his own’ instrument, the piano. This Polish composer, who later took on French nationality, devoted particular attention to smaller forms such as the Ballade, Waltz, Impromptu, Berceuse and created an enduring musical tribute to the dances of his native Poland, including the Polonaise, Mazurka and Krakowiak. With few chamber works by Chopin written for string instruments, it is hardly surprising that arrangers such as Friedrich Hermann chose to make his music available for violin with piano accompaniment such as this setting of the Mazurka in Bb major, a stately dance with resolute opening and characteristic dotted notes on the first beat of the 3/4 bar. Plate no. 02427, published in about 1913.
$3.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Scor...
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Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic P...
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Cello,Piano - Level 4 - SKU: A0.1493033 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069723. Published by Musik Fabrik Music Publishing (A0.1493033). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Perio...
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English Horn,Piano - Level 4 - SKU: A0.1493039 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 34 pages. Musik Fabrik Music Publishing #1069729. Published by Musik Fabrik Music Publishing (A0.1493039). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.1493036 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Pe...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.1493036 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069726. Published by Musik Fabrik Music Publishing (A0.1493036). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Trois pièces : Andante, Sérénade et Chant Serbe
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Per...
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Alto Saxophone,Piano - Level 4 - SKU: A0.1493037 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 36 pages. Musik Fabrik Music Publishing #1069727. Published by Musik Fabrik Music Publishing (A0.1493037). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Nocturne D major, Op. 9/2
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Violon et Piano
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Classique
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Frederic Chopin
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Friedrich Hermann
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Nocturne D major, Op. 9/2
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Schott Music
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SheetMusicPlus
Composed by Frederic Chopin (1810-1849). Arranged by Friedrich Hermann. Copyright 1952 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music (S9.Q3892). ...
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Composed by Frederic Chopin (1810-1849). Arranged by Friedrich Hermann. Copyright 1952 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music (S9.Q3892). - - - Schott Music
$4.99
Barcarolle No.1.
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Émile-Robert Blanchet
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Zellev
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Barcarolle No.1.
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1490133 Composed by Émile-Robert Blanchet. Arranged by Zellev. 19th Century,Classical,Historic,Patriotic,Thriller. Score...
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Piano Solo - Level 4 - SKU: A0.1490133 Composed by Émile-Robert Blanchet. Arranged by Zellev. 19th Century,Classical,Historic,Patriotic,Thriller. Score. 4 pages. Zellev Music #1066983. Published by Zellev Music (A0.1490133). Key Signature: NaturalTime Signature: 6/8 (3/8 in some measures)Tempo: Trés calme. (very calm), (about 60bpm)Difficulty: Advanced intermediateÉmile-Robert Blanchet (abbrv E. R. Blanchet) (1877-1943). Swiss pianist and composer. After early studies with his father, the organist Charles Blanchet (1833–1900), and then with his mother, Marie Schnyder, an excellent pianist, Blanchet attended the Cologne Conservatory from the age of 18, where his teachers included Gustave Jensen for harmony and counterpoint, Friedrich Wilhelm Frankel and Seiss. In 1898 he left Cologne for Berlin, and subsequently Weimar, to study with Busoni, whose influence was to prove pivotal to Blanchet's future development. At 25 he made his début with the Berlin PO, after which he appeared throughout Germany and elsewhere, including a tour of Switzerland as accompanist to the violinist Henri Gerber. In 1905 he became director of the Lausanne Conservatoire, a position he relinquished in 1908 in order to concentrate more on teaching and composition. In 1909 he was awarded first prize for his Tema con variazioni for piano op.13 in a competition in Berlin. As a pianist, Blanchet's virtuoso technique was well suited to his chosen repertory, which was based primarily on the works of Beethoven, Liszt, Brahms and especially Chopin, in addition to those of Debussy, Ravel and Louis Vierne. His playing was particularly admired for its power and control and for the variety of colour and nuance he was able to achieve through a subtle pedal technique.
$6.00
Clémence de Grandval : Two pieces for violin and piano
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Violon et Piano
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - SKU: A0.1366622 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Romantic Period. 29 pages. Musik Fabrik Music ...
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Piano,Violin - SKU: A0.1366622 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Romantic Period. 29 pages. Musik Fabrik Music Publishing #950961. Published by Musik Fabrik Music Publishing (A0.1366622). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe. This work was written for Paul Viardot, the son of Pauline and a well-known violin virtuoso during La Belle époque.1. Andantino2. Danse Bohêmienne.
$15.95
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Clémence de Grandval: R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publish...
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Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Clémence de Grandval: R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publish...
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Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
Clémence de Grandval : Suite for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage (édition)
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Clémence de Grandval :
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score and ...
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Flute,Piano - Level 4 - SKU: A0.1366608 Composed by Clémence de Grandval. Arranged by Paul Wehage (édition). Classical,Romantic Period. Score and part. 79 pages. Musik Fabrik Music Publishing #950947. Published by Musik Fabrik Music Publishing (A0.1366608). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother,Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarriedwith an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, MichelCarré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.1. Prélude2. Scherzo3. Menuet4. Romance5. Finale.
$24.95
Deux Pièces: Lamento et Scherzetto for Bb clarinet and piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces: Lamento et
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Musik Fabrik Music Publishing
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.862377 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score a...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.862377 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26 pages. Musik Fabrik Music Publishing #468857. Published by Musik Fabrik Music Publishing (A0.862377). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Deux Pièces : Invocation et Air Slave
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - SKU: A0.862412 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score a...
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B-Flat Clarinet,Piano - Level 4 - SKU: A0.862412 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468892. Published by Musik Fabrik Music Publishing (A0.862412). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Deux Pièces : Invocation et Air Slave
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Cor anglais, Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and ...
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English Horn,Piano - Level 4 - SKU: A0.862414 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468894. Published by Musik Fabrik Music Publishing (A0.862414). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Viola Arrangements
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Quatuor à cordes : 4 altos
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INTERMÉDIAIRE
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Wolfgang Birtel
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Viola Arrangements
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Schott Music - Digital
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SheetMusicPlus
4 violas - intermediate - SKU: S9.Q23960 6 Famous Pieces. Arranged by Wolfgang Birtel. This edition: score and parts. Downloadable, Score and par...
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4 violas - intermediate - SKU: S9.Q23960 6 Famous Pieces. Arranged by Wolfgang Birtel. This edition: score and parts. Downloadable, Score and parts. Schott Music - Digital #Q23960. Published by Schott Music - Digital (S9.Q23960). 'It is therefore quite wrong to place just mechanical or mediocre players at the viola', warned Christian Friedrich Daniel Schubart in 1784/85 in his 'Ideen zu einer Ästhetik der Tonkunst'. Some disregard for the instrument still exists today, if you think of the large number of viola jokes. But seriously, the viola has of course become emancipated and has of course got its place in the orchestra, as a solo instrument or in chamber music, even if, admittedly, the repertoire is smaller than that for the violin or violoncello. Wolfgang Birtel has extended the repertoire by adding six viola quartets, arrangements ranging from classical titles such as the famous Bach Air, a mazurka by Chopin, 'Salut d'amour' by Elgar to more entertaining titles: from the catchy tune of the Gavotte by Gossec to Martini's 'Plaisir d'amour', which is no less resistant to the ear, and finally to salon music with Noack's 'Heinzelmännchens Wachparade' – all highly entertaining, both for playing and listening!
$24.99
Clémence de Grandval: Valse Mélancolique for flute and harp
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Harpe, Flûte (duo)
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INTERMÉDIAIRE/AVANCÉ
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Clémence de Grandval
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Clémence de Grandval: V
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 4 - SKU: A0.534731 Composed by Clémence de Grandval. Concert,Romantic Period,Standards. Score ...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 4 - SKU: A0.534731 Composed by Clémence de Grandval. Concert,Romantic Period,Standards. Score and parts. 22 pages. Musik Fabrik Music Publishing #6362085. Published by Musik Fabrik Music Publishing (A0.534731). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$12.95
Deux Pièces : Invocation et Air Slave
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces : Invocatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score an...
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Alto Saxophone,Piano - Level 4 - SKU: A0.862413 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 24 pages. Musik Fabrik Music Publishing #468893. Published by Musik Fabrik Music Publishing (A0.862413). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Deux Pièces: Lamento et Scherzetto for Bb soprano saxophone and piano
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Saxophone Soprano et Piano
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INTERMÉDIAIRE
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Clemence de Grandval
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Paul Wehage (editor)
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Deux Pièces: Lamento et
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 3 - SKU: A0.862378 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score...
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Piano,Soprano Saxophone - Level 3 - SKU: A0.862378 Composed by Clemence de Grandval. Arranged by Paul Wehage (editor). Classical,Contest,Festival. Score and part. 26 pages. Musik Fabrik Music Publishing #468858. Published by Musik Fabrik Music Publishing (A0.862378). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint- Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$20.00
Clémence de Grandval: Deux Pièces: Romance et Gavotte for Bb soprano saxophone, violoncello and pian
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Saxophone Soprano et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Jean-Thierry Boisseau
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Clémence de Grandval: D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.534730 Composed by Clémence de Grandval. Arranged by Jean...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Soprano Saxophone - Level 4 - SKU: A0.534730 Composed by Clémence de Grandval. Arranged by Jean-Thierry Boisseau. Romantic Period. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362081. Published by Musik Fabrik Music Publishing (A0.534730). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$19.95
Clémence de Grandval: Deux Pièces: Romance et Gavotte for Bb clarinet, violoncello and piano
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Classique
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Clémence de Grandval
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Jean-Thierry Boisseau
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Clémence de Grandval: D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.534728 Composed by Clémence de Grandval. Arranged by Jean-Thierry ...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.534728 Composed by Clémence de Grandval. Arranged by Jean-Thierry Boisseau. Romantic Period. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362071. Published by Musik Fabrik Music Publishing (A0.534728). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$19.95
Clémence de Grandval: Deux Pièces: Romance et Gavotte for oboe, violoncello and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Clémence de Grandval
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Clémence de Grandval: D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.534729 Composed by Clémence de Grandval. Romantic Period,Standards. Sc...
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Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 4 - SKU: A0.534729 Composed by Clémence de Grandval. Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #6362077. Published by Musik Fabrik Music Publishing (A0.534729). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$19.95
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Friedrich Chopin
