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--INSTRUMENTS--
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Friendly People - Concert Band
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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Crtitères actifs :
Friendly People - Concert Band
Partitions à imprimer
7 partitions trouvées
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1
Friendly People (Brass Band)
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Andrew Will
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Friendly People
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Willscore Publishing
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SheetMusicPlus
Small Ensemble Euphonium,Horn,Timpani,Trombone,Tuba,Voice - Level 3 - SKU: A0.1002951 Composed by Andrew Will. Contemporary,Patriotic,Standards. Score a...
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Small Ensemble Euphonium,Horn,Timpani,Trombone,Tuba,Voice - Level 3 - SKU: A0.1002951 Composed by Andrew Will. Contemporary,Patriotic,Standards. Score and parts. 47 pages. Willscore Publishing #6703659. Published by Willscore Publishing (A0.1002951). Listed pricing includes Score and all Parts. Friendly People is a vocal feature with brass band accompaniment but can be played as an instrumental. It was written for the Australian Tourism Commission to promote Australia internationally. The audio is without vocal. To hear the vocal part, listen to the orchestral version. Enjoy!
$30.00
The Friendly Beasts for 13-note Bells and Boomwhackers (with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson
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The Friendly Beasts for 13-not
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Voice,Xylophone - Level 1 - SKU: A0.569881 By Sharon Wilson. By Traditional. Arranged...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Voice,Xylophone - Level 1 - SKU: A0.569881 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christmas,Folk,Sacred,Traditional. 8 pages. Sharon Wilson #6137877. Published by Sharon Wilson (A0.569881). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody throughout while the Boomwhackers® add a creative, upbeat harmony. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note reference chart is also provided. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics are included as well to aid in the learning and teaching of this song.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match).This arrangement is one of the 10 songs in the collection Ten Christmas Carols for 13-note Bells and Boomwhackers.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children's ministriesBoomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission. Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicKeywords: boomwhacker, boomwacker, boomwackers, pitched percussion, tuned percussion tubes, idiophone percussion, plastic tubes, elementary classroom music, supplemental education for classrooms, pitched instruments, grade school resources, xylophone, Orff Instruments
$5.99
“The Friendly Beasts” for 13-note Bells and Boomwhackers® (with Black and White Notes)
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Noël
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Sharon Wilson
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Sharon Wilson
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“The Friendly Beasts&rdq
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Voice,Xylophone - Level 1 - SKU: A0.569873 By Sharon Wilson. By Tr...
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Large Ensemble Bells,Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Voice,Xylophone - Level 1 - SKU: A0.569873 By Sharon Wilson. By Traditional French Carol. Arranged by Sharon Wilson. Christmas,Folk,Sacred,Standards. Score and parts. 8 pages. Sharon Wilson #6137835. Published by Sharon Wilson (A0.569873). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody throughout while the Boomwhackers® add a creative, upbeat harmony. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note reference chart is also provided. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics are included as well to aid in the learning and teaching of this song.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel.This arrangement is one of the 10 songs in the collection Ten Christmas Carols for 13-note Bells and Boomwhackers®Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesBoomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
La Blonde
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Edward Elgar
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Sharla Nichols Fasko
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La Blonde
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Sharla Nichols Fasko
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1454879 By Edward Elgar. By Edward Elgar. Arranged by Sharla Nichols Fas...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.1454879 By Edward Elgar. By Edward Elgar. Arranged by Sharla Nichols Fasko. 19th Century. 20 pages. Sharla Nichols Fasko #1033845. Published by Sharla Nichols Fasko (A0.1454879). Long before he became famous for the Pomp & Circumstance March we hear at graduations all over the United States, Edward Elgar was a band director at a hospital for people with mental disabilities. The Powick Lunatic Asylum held dances every Friday afternoon for its inmates as a therapeutic activity, and Elgar had to compose the dances the band played for the events. The musicians were hospital employees with a bit of musical training. Elgar named his charming polkas and quadrilles after fellow musicians, fiancées, and friendly ladies of his acquaintance. He continued there from 1879-84. La Blonde was written in honor of his then-fiancee Helen Weaver. This version was edited and arranged for a small to medium flute ensemble.
$14.99
Sonatina of Time for early intermediate flute
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Rebecca Maughan Cook
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Sonatina of Time for early int
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Rebecca Maughan Cook
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maughan Cook #6873209...
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Flute,Piano - Level 3 - SKU: A0.908188 Composed by Rebecca Maughan Cook. Contemporary,Standards. Score and part. 12 pages. Rebecca Maughan Cook #6873209. Published by Rebecca Maughan Cook (A0.908188). This wonderful Sonatina is in 3 movements for the intermediate flutist. It is a finalist for the 2022 New Voices for Young Flutists competition. Set in the band friendly Key of B-flat major, Movement 1 is a Classical Sonata Allegro Form with an accessible flute part and a piano part that makes it BIG!  It's called 'Clockworks' because of the type of clock sounds used, especially in the piano part. The range for the flutist is Low A to High D.   Movement 2 is called 'Time for Caring.' I wrote the melody I wanted to play. It's lovely and makes you want to develop an even more beautiful sound. It's range is Low F to High D with a fast scale going from Low F up to mid B-flat.  This is also in the Key of B-flat.  The 3rd Movement is also in the Key of B-flat. I called it 'Time to Grow.' It's rhythm is in 8/8, usually divided into 3+3+2, although there are a few measures where it is easier for the flutist to think of it in 2+2+2+2.  It has a lot of drive in the rhythm and I think has a Broadway kind of sound, as if people were moving and walking across a busy stage while singing. I'm uploading a recording of this which I hope you enjoy! The piano part is much more challenging. Each of these movements is accessible, musical, interesting and when paired with the accompaniment a full ensemble kind of sound.  Enjoy!
$5.99
Ten Christmas Carols for 13-note Bells and Boomwhackers® (with Black and White Notes)
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Noël
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Sharon Wilson
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Sharon Wilson Music
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Ten Christmas Carols for 13-no
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Voice,Xylophone - Level 1 - SKU: A0.569918 By Sharon Wilson. By...
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Large Ensemble Boomwhackers,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Voice,Xylophone - Level 1 - SKU: A0.569918 By Sharon Wilson. By Various. Arranged by Sharon Wilson Music. Children,Christmas,Folk,Holiday,Sacred. Score and parts. 78 pages. Sharon Wilson #6137843. Published by Sharon Wilson (A0.569918). This collection of 10 Christmas songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). For each song there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note chart is also provided for each song as well as a chord chart when appropriate. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics are provided as well to aid in the learning and teaching of these songs. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are provided for each song. Though this sheet music is notated for Handbells and Boomwhackers®, these arrangements are playable by any 13-note (one octave, C to C chromatic scale) instrument such as a xylophone, glockenspiel, or recorder. For those songs with chords provided, a ukulele could be included in the ensemble. Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate) * use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a fewEach of the 10 Christmas Carol arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Away in a MangerBring a Torch, Jeannette, IsabellaGood King WenceslasI Saw Three ShipsIn Little Bethlehem (Wind Through the Olive Trees) O Come, All Ye FaithfulThe Friendly BeastsPat-a-PanWe Three KingsWho Is He in Yonder Stall?Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC, Fort Worth, TX. Used by permission.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99
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