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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CORNET
DEEJAY
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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From Here to Victory
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23
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6
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1
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2 Flûtes traversières, Piano
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1
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Ensemble de Trombones
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1
Cor et Piano
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Alto, Piano
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Vous avez sélectionné:
From Here to Victory
Partitions à imprimer
92 partitions trouvées
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From Here to Victory
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Chorale 3 parties
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Musique Sacrée
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W
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From Here to Victory
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Wilhelm Schmidt
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SheetMusicPlus
Choral Choir (SAB) - SKU: A0.806524 Composed by W. F. Schmidt. Gospel,Praise & Worship,Sacred. Octavo. 7 pages. Wilhelm Schmidt #3549035. Published by W...
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Choral Choir (SAB) - SKU: A0.806524 Composed by W. F. Schmidt. Gospel,Praise & Worship,Sacred. Octavo. 7 pages. Wilhelm Schmidt #3549035. Published by Wilhelm Schmidt (A0.806524). A dynamic, uptempo anthem with a powerful evangelistic message.
$2.00
The Free Lance (On To Victory)
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John Philip Sousa
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Adrian Horn
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The Free Lance
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AJH Brass
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1192838 Composed by John Philip Sousa. Arranged by Adrian Horn. March. Brass Band. 73 pages. AJH Brass #792292. Published by AJH Brass (A0.1192838). ‘The Free Lance’ march uses themes taken from Sousa’s operetta of the same name. As there were so many march tunes within his operetta, Sousa tried to include them all within this march, thus giving it a longer and more unusual construction than found in most of his marches. The trio of the march is the song ‘On To Victory’ from the operetta. A name under which the march has also been published at various times. The operetta itself is about Sigmund Lump, a mercenary who hired himself out as leader to two opposing armies. He manoeuvred both armies so that neither could win, eventually declaring himself as emperor of both nations!This arrangement is for British style Brass Band, and the download includes a full score and set of parts.
$7.99
It Is Not Death to Die - Orchestration
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Robert Myers
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It Is Not Death to Die - Orche
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WheatMyer Music
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SheetMusicPlus
Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by ...
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Small Ensemble - SKU: A0.976717 Composed by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 67 pages. WheatMyer Music #4794639. Published by WheatMyer Music (A0.976717). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.Available with orchestral (this version) or piano accompaniment, It Is Not Death to Die is a fitting close to the Easter season, or is suitable for Ascension Sunday, a funeral or memorial service, or any time in the church year to remind Christians of the central hope of our faith, eternal life in Christ.Robert MyersS.D.G.Orchestration 2 1 1 1 1 2 2 2 1 1 Timp Glock Perc Mark Tree, Sus Cym, Crash Cym, Snare, Bass Drum, Mid Tom, Triangle, Tam Tam Piano Strings
$75.00
It Is Not Death to Die
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Robert Myers
#
#
It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music...
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Choral Choir (SATB) - Level 4 - SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
Victory (Downloadable)
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Bruce Preuninger
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Victory
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Solo instrument with optional keyboard accompaniment - Moderately Easy - SKU: MQ.20-995-77E Composed by Bruce Preuninger. Easter, 21st Century. Instrume...
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Solo instrument with optional keyboard accompaniment - Moderately Easy - SKU: MQ.20-995-77E Composed by Bruce Preuninger. Easter, 21st Century. Instrument part. 6 pages. MorningStar Music Publishers - Digital Sheet Music #20-995-77E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-995-77E). • Designed for use with the Presbyterian Hymnal Glory to God, but also appropriate for many other hymnals.• Well-suited for congregational use AND stand-alone instrumental features.• A variety of part difficulties are available to appeal to all instrumentalists.• Keyboard player must play from hymnal.For additional information click here.
$5.00
Choral - O Sing to the Lord (Psalm 98)
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Chorale SATB
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INTERMÉDIAIRE
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Dan Cutchen Music
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Choral - O Sing to the Lord
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.844353 Composed by Dan Cutchen Music. Christian,Sacred,Spiritual. Octavo. 11 pages. Dan Cutchen Music #4312291. ...
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Choral Choir (SATB) - Level 3 - SKU: A0.844353 Composed by Dan Cutchen Music. Christian,Sacred,Spiritual. Octavo. 11 pages. Dan Cutchen Music #4312291. Published by Dan Cutchen Music (A0.844353). O Sing to the Lord (Psalm 98) is a lovely and powerful expression of God's power and triumph.Scored for SATB with piano accompaniment.Time: approximately 3:40The piece utilizes alternating counter melodies in the verses and a strong homophonic declaration of joy and victory in the refrain.The bridge of the piece employs a simple and beautiful fugue set with the text from verse 9: ...for he is coming to judge the earth. He will judge the world with justice, and the nations with fairness.In regard to this psalm of David, Charles Spurgeon stated, There must be new songs on new occasions of triumph.For the piano accompaniment track, copy and paste the following into the search bar:Choral - O Sing to the Lord (Psalm 98) Accompaniment Track, Dan Cutchen
$1.99
Choral - "O Sing to the Lord (Psalm 98) with Children's Choir/Descant
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Dan Cutchen Music
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Choral - "O Sing to the L
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.844355 Composed by Dan Cutchen Music. Children,Christian,Gospel,Sacred,Spiritual. Octavo. 11 pages. Dan Cutchen ...
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Choral Choir (SATB) - Level 3 - SKU: A0.844355 Composed by Dan Cutchen Music. Children,Christian,Gospel,Sacred,Spiritual. Octavo. 11 pages. Dan Cutchen Music #4312333. Published by Dan Cutchen Music (A0.844355). O Sing to the Lord (Psalm 98) with Children's Choir/Descant part is a lovely and powerful expression of God's power and triumph.This piece is an arrangement of Dan's piece, Choral - O Sing to the Lord (Psalm 98).He reworked the SATB parts and added a Children's Choir part (or Treble Descant part.)Time: approximately 3:40The piece utilizes alternating counter melodies in the verses and a strong homophonic declaration of joy and victory in the refrain. There is a children's choir/descant part that adds a wonderful series of counter melodies through out the piece.The bridge of the piece employs a simple and beautiful fugue set with the text from verse 9: ...for he is coming to judge the earth. He will judge the world with justice, and the nations with fairness.For the piano accompaniment track, copy and paste the following into the search bar:Choral - O Sing to the Lord (Psalm 98) Accompaniment Track, Dan Cutchen
$1.99
Revelation: Factum est silentium from Eternal Light: A Requiem (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Howard Goodall
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Revelation: Factum est silenti
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir and Piano - Medium - SKU: MQ.56-0050-E Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae. 13 pages. Duration 2 minutes, 30 secon...
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SATB choir and Piano - Medium - SKU: MQ.56-0050-E Composed by Howard Goodall. Lent, Triduum/Three Days, Tenebrae. 13 pages. Duration 2 minutes, 30 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0050-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0050-E). English.Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. This movement does not use an English text, however. The Latin text is from a motet for the feast of Michael the Archangel and describes his victory over a dragon. Despite its chant-like setting, there is great energy and urgency, with the organ punctuating and adding to the rhythmic drive in many spots. Duration 2:30.
$3.35
Lent to Easter Organ Works, Vol. 2 (Aus Der Tiefe, Lasst Uns Erfreuen, etc.) by Phil Lehenbauer
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Orgue
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INTERMÉDIAIRE
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Phil Lehenbauer
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Phil Lehenbauer
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Lent to Easter Organ Works, Vo
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Phil Lehenbauer
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SheetMusicPlus
Organ - Level 3 - SKU: A0.1389074 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Christian,Classical,Easter,Lent,Sacred. Score. 23 pages. Phi...
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Organ - Level 3 - SKU: A0.1389074 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Christian,Classical,Easter,Lent,Sacred. Score. 23 pages. Phil Lehenbauer #972591. Published by Phil Lehenbauer (A0.1389074). This collection includes six organ works based on hymns used during Lent, Palm Sunday, Holy Week, and Easter. Included are:Aus Der Tiefe (Forty Days and Forty Nights)Southwell (Lord Jesus Think on Me)Winchester New (Ride On, Ride On in Majesty)Victory (The Strife is O'er)Lasst Uns Erfreuen (From All that Dwell Below the Skies, and others)Ellacombe (Hosanna, Loud Hosanna)With a variety of styles and moods, these works can be used as preludes, offertories, postludes, recital pieces, or music during communion. All were written and recorded on a two manual instrument, and each is also available separately on this website. I hope this collection makes your music planning easier for the Lenten season! There is also a Volume 1 with other seasonal works!
$12.00
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Waterloo
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ABBA
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Rob Bushnell
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Waterloo
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RBMusic
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752412 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752412 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Pop. Score and parts. 2 pages. RBMusic #5795689. Published by RBMusic (A0.752412). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two treble-clef instruments (part 1 in Bb and part 2 in F). This version is in C major (concert pitch) – part 1 has a written range from B3 to D5 and part 2 has a written range from B3 to D5. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here onYouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99
Waterloo
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ABBA
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Rob Bushnell
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Waterloo
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RBMusic
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752408 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752408 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Broadway,Contemporary,Contest,Festival,Musical/Show,Pop. Score and parts. 2 pages. RBMusic #5795229. Published by RBMusic (A0.752408). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two treble-clef instruments (part 1 in Bb and part 2 in Eb). This version is in C major (concert pitch) – part 1 has a written range from B3 to D5 and part 2 has a written range from C#4 to E5. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99
Waterloo
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ABBA
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Rob Bushnell
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Waterloo
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RBMusic
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SheetMusicPlus
Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Level 3 - SKU: A0.752410 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by...
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Euphonium,Instrumental Duet,Trombone/Baritone B.C. - Level 3 - SKU: A0.752410 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Film/TV,Pop. 2 pages. RBMusic #5777009. Published by RBMusic (A0.752410). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two bass-clef instruments in concert pitch. This version is in C major – part 1 has a range from A2 to C4 and part 2 has a range from E2 to G3. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99
Waterloo
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ABBA
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Rob Bushnell
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Waterloo
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RBMusic
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752407 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752407 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Film/TV,Pop. Score and parts. 2 pages. RBMusic #5776995. Published by RBMusic (A0.752407). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two treble-clef instruments in the same key. This version is in F major (written pitch) – part 1 has a written range from D4 to F5 and part 2 has a written range from A3 to C5. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99
Waterloo
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ABBA
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Rob Bushnell
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Waterloo
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RBMusic
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752409 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752409 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Film/TV,Pop. Score and parts. 2 pages. RBMusic #5777017. Published by RBMusic (A0.752409). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two bass-clef instruments in concert pitch. This version is in Eb major – part 1 has a range from C3 to Eb4 and part 2 has a range from G2 to Bb3. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4.  Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Super Mario Bros Theme
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Jeux Videos
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Koji Kondo
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Victoria Campbell
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Super Mario Bros Theme
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Victoria Campbell
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1426046 Composed by Koji Kondo. Arranged by Victoria Campbell. Video Game. 43 pages. Victoria Campbell #1006543. Pu...
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String Orchestra - Level 4 - SKU: A0.1426046 Composed by Koji Kondo. Arranged by Victoria Campbell. Video Game. 43 pages. Victoria Campbell #1006543. Published by Victoria Campbell (A0.1426046). Here's a different and fun piece for an all string orchestra that is sure to delight instrumentalists and audiences alike! Just the first opening notes will catch anyone's ear, drawing them into a captivating performance of the Super Mario Bros. most well-known tunes. It starts with the original theme song, then moves to the bouncy song from World 1-1 from the Super Mario Bros. Wii game. Take audiences into the underground caves, through Bowser's castle, and eventually lead them to victory. This piece features optional (but recommended) percussion parts and vital spoken words that are written in the score, spoken by any performer of your choosing (as long as their impressions are on point!). Let's save Princess Peach and engage audiences with these delightfully recognizable tunes!
$55.00
50 Favorite Hymns for Solo and Duet Instruments--Tuba
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Tuba
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Musique Sacrée
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Gospel Spirituel
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Chris Cooke
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50 Favorite Hymns for Solo and
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Chris Cooke
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SheetMusicPlus
Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published...
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Tuba Solo - SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97
Joshua F’it de Battle of Jericho for 8-part Trombone Ensemble
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Ensemble de Trombones
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AVANCÉ
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Gospel Spirituel
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Musique Sacrée
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Traditional African-American S
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James Markey
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Joshua F’it de Battle of
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792352 Composed by Traditional African-American Spiritual. Arranged by James Markey. Folk,Gospel,Praise & Wo...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792352 Composed by Traditional African-American Spiritual. Arranged by James Markey. Folk,Gospel,Praise & Worship,Spiritual. Score and parts. 48 pages. Gordon Cherry #4806773. Published by Gordon Cherry (A0.792352). Joshua F’it de Battle of Jericho is a well-known African-American spiritual, most likely composed by slaves in the early 19th century. Early versions used the word f’it for fought. The words harken to the biblical story of the Battle of Jericho, where Joshua led the Israelites to victory against Canaanite armies. Put into perspective, Joshua’s battle is really against slavery and the desire for freedom, like the themes of so many other spirituals from that era. This rousing arrangement in swing-style for 8-part Trombone ensemble by James Markey is about two minutes in length, featuring the 1st and 8th parts and is for advanced performers. The mp3 sound clip is taken from Mr. Markey’s solo Bass Trombone album, on base, and includes star performers including Joseph Alessi, David Finlayson and Lisa Albrecht
$32.50
Sacred Anthems for Choir 3, sacred choral music
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Sacred Anthems for Choir 3, sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1380601 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 169 pages. Kevin G. Pace #965379. Published by Kevin G. Pace (A0.1380601). Sacred Anthems for Choir volume 3 is a collection of 21 sacred choral compositions with piano accompaniment. Music composed by Kevin G. Pace. Text by Mark R. Fotheringham.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:Come and SeeGethsemane, Garden Lovely The Prisoners Shall Surely Go Free Lord, Humbly I Come To Thee Now, TTBB Lord, Humbly I Come To Thee NowThe Dark GardenAll Wisdom, Grace and GloryInto the WindWaiting for Sunrise Let Thy Holy Spirit Guide, revised 2023Holy Father, I PrayBlessed Be God When We Call Sing to the Lord Dearest Savior Every Tongue Ye Are As a Fruitful FieldEver Saints Await Thee What Can I Offer? Where Would We Go Without You? Lead Us On To Victory!
$18.99
Knights of Valor
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Quatuor à cordes: 2 violons, alto, violoncelle
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DÉBUTANT
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A
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Knights of Valor
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Bläserwinds Music
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SheetMusicPlus
String Quartet String Quartet - Level 1 - SKU: A0.955469 Composed by A. J. Fortuna. Children,Contemporary,Standards. Score and parts. 11 pages. Bläse...
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String Quartet String Quartet - Level 1 - SKU: A0.955469 Composed by A. J. Fortuna. Children,Contemporary,Standards. Score and parts. 11 pages. Bläserwinds Music #6525909. Published by Bläserwinds Music (A0.955469). This is a piece meant for grade .5-1 string orchestra and is broken up into three parts: 1st, 2nd/Vla, and Vcl/Bs. All notes are within the D major scale and only utilize the D and A strings on violin, viola, and cello. The bass part utilizes first position on A, D, and G strings. The inspiration from this work comes from knights returning home to their kingdom victorious in battle! An orchestra is there to greet them with the sweet sounds of victory. I hope you enjoy this piece!
$9.99
Joshua F’it de Battle of Jericho for 8-part Trombone Ensemble
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Ensemble de Trombones
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AVANCÉ
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Musique Sacrée
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Gospel Spirituel
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Traditional
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Markey, James
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Joshua F’it de Battle of
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.792400 Composed by Traditional. Arranged by Markey, James. 20th Century,Christian,Gospel,Spiritual. Score an...
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Brass Ensemble Trombone - Level 5 - SKU: A0.792400 Composed by Traditional. Arranged by Markey, James. 20th Century,Christian,Gospel,Spiritual. Score and parts. 32 pages. Gordon Cherry #4820387. Published by Gordon Cherry (A0.792400). Joshua F’it de Battle of Jericho is a well-known African-American spiritual, most likely composed by slaves in the early 19th century. Early versions used the word f’it for fought. The words harken to the biblical story of the Battle of Jericho, where Joshua led the Israelites to victory against Canaanite armies. Put into perspective, Joshua’s battle is really against slavery and the desire for freedom, like the themes of so many other spirituals from that era. This rousing arrangement in swing-style for 8-part Trombone ensemble by James Markey is about two minutes in length, featuring the 1st and 8th parts and is for advanced performers.
$32.50
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From Here to Victory
