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TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
From The Inside Out - F Horn
Partitions à imprimer
21 partitions trouvées
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1
I Sit Here on the Barren Hill
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
13.08 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
From The Inside Out
Cor Anglais
English Horn Solo - Level 3 - Digital Download SKU: A0.972111 Composed by Joel Hous…
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English Horn Solo - Level 3 - Digital Download SKU: A0.972111 Composed by Joel Houston. Arranged by José Daniel Morales A. Christian,Gospel. Individual part. 2 pages. Jose Daniel Morales #2941933. Published by Jose Daniel Morales (A0.972111). Hillsong United - From The Inside Out sheet music for English HornHillsong United - From The Inside Out partitura para corno inglesThis music makes reading and executing the English horn instrumentalist.It is suitable for schools and students.It works for evangelical Christian religious services.The work lasts 5 minutes 51 seconds.You can contact here: https://www.facebook.com/Danilexdhttps://www.youtube.com/watch?v=T6olWCLHGPwnumber phone: +584246316200Esta partitura es conveniente para el instrumentista del corno inglesEs conveniente para las escuelas y los estudiantes.Funciona para los servicios religiosos cristianos evangélicos.La obra tiene una duración de 5 minutos y 51 segundos.Puede ponerse en contacto aquÃ:https://www.facebook.com/Danilexdhttps://www.youtube.com/watch?v=T6olWCLHGPwNúmero de teléfono: +584246316200
$4.99
4.67 €
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Cor Anglais
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Joel Houston
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José Daniel Morales A
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From The Inside Out
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Jose Daniel Morales
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SheetMusicPlus
From The Inside Out - Alto Sax (sub. Horn)
Saxophone (partie séparée)
Digital Download SKU: HX.251949 By Hillsong. By Joel Houston. Arranged by Heather S…
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Digital Download SKU: HX.251949 By Hillsong. By Joel Houston. Arranged by Heather Sorenson. Christian,Concert,Praise & Worship,Sacred. Choral Instrumental Pak. 2 pages. Duration 240. Hal Leonard - Digital #114378. Published by Hal Leonard - Digital (HX.251949).
$7.00
6.54 €
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Saxophone (partie séparée)
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Hillsong
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Heather Sorenson
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From The Inside Out - Alto Sax
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Hal Leonard - Digital
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SheetMusicPlus
From the Inside Out - Horn 1 & 2
Cor (partie séparée)
Digital Download SKU: HX.127366 Composed by Joel Houston. Arranged by J. Daniel Smi…
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Digital Download SKU: HX.127366 Composed by Joel Houston. Arranged by J. Daniel Smith. Concert,Contemporary,Praise & Worship,Sacred. Choral Instrumental Pak. 2 pages. Duration 305. Hal Leonard - Digital #114378. Published by Hal Leonard - Digital (HX.127366).
$7.00
6.54 €
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Cor (partie séparée)
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Joel Houston
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J
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From the Inside Out - Horn 1 & 2
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Hal Leonard - Digital
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SheetMusicPlus
The Sophisticated Hippy
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Compo…
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 111. George Kaplan #6aVbzZBJPv37joDoKxM0BR. Published by George Kaplan (A0.1081039). Key: Eb minor.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
9.34 €
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Horace Silver
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George Kaplan
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The Sophisticated Hippy
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George Kaplan
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)
$23.99
22.43 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
I'll Say a Prayer- from The Hero Inside MP3 Background Track
Baritone Horn TC,Guitar,Piano,Soprano voice - Digital Download SKU: A0.1068176 Comp…
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Baritone Horn TC,Guitar,Piano,Soprano voice - Digital Download SKU: A0.1068176 Composed by Deborah Johnson. Christian,Contemporary,Easter,Graduation,Sacred. Accompaniment. Duration 201. Deborah Johnson #6758929. Published by Deborah Johnson (A0.1068176). This version of I’ll Say a Prayer is from The Hero Inside album. It’s a beautiful song with heartfelt lyrics that can easily be performed for many different occasions, including holidays and celebrations of life. It can be performed as a solo or duet with the MP3 or a simple guitar accompaniment or combination of instruments including piano. The full sheet music is also available. Easy listening ballad style with an a 1 ½ octave range. Contemporary new ballad that is easy listening and easy to perform. Intermediate level. 11 pages.The Hero Inside album was up for a GRAMMY Award and is available here: https://DJWorksMusic.com/products by Deborah Johnson. You can download the complete MP3 album or individual songs on Amazon here: https://www.amazon.com/music/player/albums/B00FKQ4HT4 I’ll Say a Prayer was originally written for the musical Stiltz (http://djworksmusic.com/stiltzthemusical/ )There is also a beautiful spiral-bound music book of all the songs from the musical. You can find it here on Sheet Music Plus or also on our website.For more information about Deborah, her albums, books and products, visit https://DJWorksMusic.com https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com
$8.99
8.41 €
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Deborah Johnson
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I'll Say a Prayer- from The Hero Inside MP3 Background Track
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Deborah Johnson
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SheetMusicPlus
And the Clouds Break
Cor et Piano
Horn & piano - Digital Download SKU: IZ.IMS156 Composed by Daniel Baldwin. Score an…
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Horn & piano - Digital Download SKU: IZ.IMS156 Composed by Daniel Baldwin. Score and Parts. 11 pages. Imagine Music - Digital #IMS156. Published by Imagine Music - Digital (IZ.IMS156). 9 x 12 in inches.In the fall of 2014, my friend Steven Cohen approached me about doing a project. Around the same time, Idiscovered a Facebook post by Karen Jones (wife of my friend and owner of Imagine Music, Ric Jones) expressinga poetic message about hope, faith, and community. This piece is inspired by a small quote from that posting:....(when) you see children comforting one another, something inside loosens just a little. And the clouds break for amoment, and faith is found in the light.This piece is dedicated to Steven's unborn child, soon to be the light of his life. I hope it will serve as a reminder that,though there will be struggles (there always are when raising children), the clouds will alwaysbreak and the light is always present.
$12.00
11.22 €
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Cor et Piano
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Daniel Baldwin
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And the Clouds Break
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Imagine Music - Digital
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SheetMusicPlus
The Celtic Mandola Music Book
Mandoline
By Brent C Robitaille. By Brent Robitaille. Arranged by Brent C Robitaille. Celtic, …
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By Brent C Robitaille. By Brent Robitaille. Arranged by Brent C Robitaille. Celtic, Instructional, Irish, Multicultural, Traditional, World. Score. 186 pages. Brent C Robitaille #647712. Published by Brent C Robitaille
Is the Mandola the perfect Celtic instrument?Tuned a fifth lower (CGDA) and about 2 inches longer than a mandolin, the mandola is excellent for Celtic music as a solo or band instrument. The Celtic Mandola Music Book is packed with great tunes, chords, exercises, and technique tips, adding to a limited selection of books. This book was written specifically for the mandola and will help you get the most from the alto voice range. The mandola is akin to the viola in the string orchestra but can also be an excellent solo instrument. Blends well with guitars, violins and other string instruments. There are two editions for sale of this book, one written in treble clef and the other in alto clef. Choose which edition best suits your reading skill. Notation, tablature, chords, fingerings and slurring are included in the over 40 pieces. Highly recommended for all mandola players from best-selling author Brent Robitaille. There is a selection of audio and video tracks on the author\'s website. See details inside the book. List of tunes:After the Battle of Aughrim ~ April Snow Reel ~ Black Velvet Band ~ Blind Mary ~ Cape Breton Jig ~ Carolan\'s Concerto ~ Connaughtman\'s Rambles ~ Danny Boy ~ Drowsy Maggy ~ Eleanor Plunkett ~ Fisher’s Hornpipe Flowers of Edinburgh ~ Haste to the Wedding ~ Hector the Hero ~ Hewlett ~ High Road to Linton ~ I\'ll Tell Me Ma ~ Irish Washerwoman ~ John Ryan\'s Polka ~ Kesh Jig ~ Lark in the Clear Air ~ Loch Lomond ~ Merrily Kiss the Quaker ~ Molly Malone ~ Morrison\'s Jig ~ Neil Gow\'s Lament ~ O\'Carolan\'s Draught ~ O\'Dowd’s No. 9 ~ The Parting Glass ~ Planxty George Brabazon ~ Raccoon in the Attic ~ Rakes of Kildare ~ Red Haired Boy ~ Rights of Man ~ Sailor’s Hornpipe ~ Si Bheag Si Mhor ~ Sonny\'s Mazurka ~ Strong Bow ~ Swallow Tail Jig ~ Whiskey in the Jar ~ White Cockade ~ Wind That Shakes the Barley ~.
$19.99
18.69 €
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Mandoline
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Brent C Robitaille
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Brent C Robitaille
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The Celtic Mandola Music Book
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Brent C Robitaille
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SheetMusicPlus
Damerons Dance
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Compo…
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 63. George Kaplan #7Iri8FTj5liweYDJZtdWVT. Published by George Kaplan (A0.1081005). Key: B major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
9.34 €
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Horace Silver
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George Kaplan
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Damerons Dance
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George Kaplan
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SheetMusicPlus
Adjustment
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081131 Compo…
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081131 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 43. George Kaplan #2BWqBfGRvuUa7JVZpWXsgL. Published by George Kaplan (A0.1081131). Key: C major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
9.34 €
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Horace Silver
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George Kaplan
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Adjustment
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George Kaplan
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.34 €
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Orchestre de chambre
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
Karrinyup Fanfare
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00
70.12 €
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Orchestre
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Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
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SheetMusicPlus
A Walk in Nature
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.612888 Composed by JJ Bart…
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.612888 Composed by JJ Bartley. Contemporary. Score and parts. 18 pages. JJ Bartley #222086. Published by JJ Bartley (A0.612888). A Walk in Nature is my first composition and follows the story of someone journeying through the woods. As the piece begins, the sun has just risen and awoken the life inside and surrounding the home. Each entrance represents the different lifeforms waking up on the beautiful day. Finally, the birds are chirping, the sky is filled with light, a breeze makes the woods feel alive, and the journey begins. As the “B†section begins the wanderer begins to look inward and think about themselves, life, and begins to feel nostalgic. This continues until suddenly, it begins to rain; and thus begins the C theme. This minor section represents the darkness the wanderer is feeling from their thoughts as well as the rain that has begun to soak their clothes. Finally, the clouds slowly begin to part and, just as the day started, the sun begins to bring light and warmth through the clouds. The journey is almost over, but not before the beauty of nature reveals itself one last time.
$2.00
1.87 €
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JJ Bartley
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and thus begins the C theme
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A Walk in Nature
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JJ Bartley
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SheetMusicPlus
Reflections of Assisi
Fl. Ob. Cl. Hn. Bsn. - Intermediate - Digital Download SKU: F2.FM629 Composed by Ni…
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Fl. Ob. Cl. Hn. Bsn. - Intermediate - Digital Download SKU: F2.FM629 Composed by Nicole Buetti. Five movements for Wind Quintet. Score and parts. 31 pages. Forton Music - Digital #FM629. Published by Forton Music - Digital (F2.FM629). ISBN 9790570485284.This piece was composed for the Assisi Performing Arts Festival woodwind quintet. It's made up of five movements, each reflecting a different aspect of the beautiful and mystical town of Assisi, Italy. Movement one, 'Sunrise', begins as the sun's light extends over walls and the many churches that adorn the mountainside. Movement 2 is entitled 'Tourists' and reflects the hustle and bustle of incoming visitors to the shops and chapels with imitations of car horns and the pandemonium of the crowds. The third movement is 'Monasteries'. As the orders of monks and nuns are called to Vespers, you can hear their voices from monasteries, chapels and churches throughout Assisi. A beautiful cacophony of sacred music rises above the town! The 4th movement is titled 'Rocca Maggiore' after the lookout post atop a great hill that looks out over the top of the city and across the valley. The hike up to this post is steep, but at the top you are rewarded with not only a spectacular view, but the songs of birds soaring over the town. The 5th and final movement is 'Sunset and Dinner with Family and Friends'. This movement symbolizes the end of the day as all the tourists are gone and the families and friends in Assisi sit down together for their delicious evening meals. Wine, incredible food and conversation close out the day as the sun sets behind the mountain. This piece was written as a tribute to one of the most spiritual and beautiful places in the world...Assisi, Italy.
$14.95
13.98 €
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Nicole Buetti
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Reflections of Assisi
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Forton Music - Digital
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SheetMusicPlus
Dizzy
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1417075 By Olly Alexander. By Dan…
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Concert Band - Level 2 - Digital Download SKU: A0.1417075 By Olly Alexander. By Daniel Harle and Oliver Alexander Thornton. Arranged by John Ivor Holland. 21st Century,Film/TV,Pop. 46 pages. John Ivor Holland #998675. Published by John Ivor Holland (A0.1417075). Dizzy is a song by English singer-songwriter Olly Alexander. It was released on 1 March 2024 and will represent the United Kingdom in the Eurovision Song Contest 2024. Taking its cue from synth-pop classics by Pet Shop Boys, Erasure and Bronski Beat, in an interview with the BBC, Alexander revealed that the song was written in the summer of 2023 and is lyrically about feeling such an intense swell of emotion for someone they totally turn your world upside down and inside out. The strong minor chords and upbeat rhythm are sure to be a hit with your band and audiences - if they like It's A Sin, it's probably safe to say they'll like this song, too!
$49.99
46.74 €
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Orchestre d'harmonie
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Olly Alexander
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John Ivor Holland
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Dizzy
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John Ivor Holland
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SheetMusicPlus
Jingle Bells in Different Styles for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.1308302 Composed by James Lord P…
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Brass Quintet - Level 4 - Digital Download SKU: A0.1308302 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #897541. Published by Woods Only, Arrangements (A0.1308302). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Brass Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$9.99
9.34 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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James Lord Pierpont
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Ander
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Jingle Bells in Different Styles for Brass Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Jingle Bells in Different Styles for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1290196 Com…
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Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.1290196 Composed by James Lord Pierpont. Arranged by Ander. Children,Christmas. 35 pages. Woods Only, Arrangements #880904. Published by Woods Only, Arrangements (A0.1290196). Are you looking for a fun and creative way to play Jingle Bells, the famous Christmas song? Then you will love this arrangement for Woodwind Quintet, which explores the theme in different styles, from waltz to samba. In this arrangement, you will find a slow and gentle opening, which introduces the theme of the melody with delicacy and elegance, followed by a cheerful and lively version, which follows the original version of the song, with striking rhythm and simple harmony. Then, you will be charmed by a waltz version, which gives a different charm to the music, with smooth and graceful movements, and be infected by a samba version, which brings a Brazilian touch to the music, with dancing beat and elements of the samba root. Next, you will be moved by a sad and melancholic version, in minor tone, which shows a touching side of the music, with expressiveness and sensitivity. Finally, you will have fun with a return of the cheerful version, which explores the theme in different tones, with solos divided among all the voices of the arrangement, creating an impression of jumping party. This arrangement is ideal for Christmas parties, in chamber music groups, and can be used in recitals and concerts, inside or outside the academy. It is a different and innovative way to perform this beautiful music, which will surprise and delight your audience. Do not miss this opportunity to acquire this exclusive and fun arrangement of Jingle bells in Different Styles!
$9.99
9.34 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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James Lord Pierpont
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Ander
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Jingle Bells in Different Styles for Woodwind Quintet
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Woods Only, Arrangements
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SheetMusicPlus
From the Inside Out - Eb Alto Saxophone (Horn)
Saxophone (partie séparée)
By Joel Houston. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EP…
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By Joel Houston. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 1 pages. Duration 5:05. Published by Hal Leonard - Digital Sheet Music
$7.00
6.54 €
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Saxophone (partie séparée)
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Joel Houston
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J
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Contemporary
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From the Inside Out - Eb Alto Saxophone
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Israel
Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Horn,Piano Accompanimen…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Double Bass,Drums,Horn,Piano Accompaniment,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.941531 By Miles Davis. By John Carisi. Arranged by Harry Salotti. Jazz. Score and parts. 29 pages. Harry Salotti #6302365. Published by Harry Salotti (A0.941531). Israel composed by John Carisi and arranged by Harry Salotti. Full score and parts, Trumpet, Alto Sax, Bari Sax, French Horn, Trumpet 2 (sub for Horn) Trombone, Tuba, Piano, Bass, Drums. This arrangement is based on the original score and recording from Miles Davis' Birth of the Cool. The original Trumpet and Alto Sax solo's are included as well as the chord changes. The piano and bass parts have written parts and the chord changes. The songs from this album are a part of jazz history. Look inside at the score pages 1-4. You can hear the original recording on YouTube.
$19.99
18.69 €
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Miles Davis
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Harry Salotti
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Israel
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Harry Salotti
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SheetMusicPlus
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