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The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.59 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Colores (Let the Children Teach Us)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.12…
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
31.47 €
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
The Monk's Turned Topsy-Turvy
Ensemble de Clarinettes
Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Leve…
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.764956 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956). For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).You may print multiple parts as needed for your ensemble.The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.Also available for concert band (S0.708971)
$25.00
22.48 €
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Ensemble de Clarinettes
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
The Monk's Turned Topsy-Turvy
Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Con…
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Clarinet - Digital Download SKU: A0.1071177 Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177). The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.
$1.99
1.79 €
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Lori Archer Sutherland
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The Monk's Turned Topsy-Turvy
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Lori Archer Sutherland
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SheetMusicPlus
Music for the Taking Part One: The Shape of Sound for Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.862509 Composed by Michael Bomier. …
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Piano Solo - Level 4 - Digital Download SKU: A0.862509 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2032067. Published by Michael Butkus-Bomier (A0.862509). A three-part set based on the topography of the keyboard, and its sonic possibilities and implications. The minor triads of C#, D# and G# all have white keys immediately above and below the chords. The Major triads of C and G have black keys immediately ABOVE the lowest and BELOW the highest notes. These two elements, along with the Major triads on the three sharp-key chords, have been combined into a haunting and ethereal setting, with the left-hand accompaniment stating these shapes, and the melody in the treble taking its cue from the scale implied by the chords below. Octaves, triplets, and 16ths are all part of the swirling mist of melody that surrounds the highly stable and uniform accompaniment. Each measure begins with the low octave on the root, and jumps up to state the shape being used, using dom 7ths to transition to the next sound and shape. Chopin and Liszt did not share many musical values, but they DID both utilize the shape and particular formations of various keys to suit their expressive needs. And, so we salute them both here, in this first of three pieces using this time-honored tradition of pianistic, yet evocative composition. MBB.
$3.99
3.59 €
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Piano seul
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Michael Bomier
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Music for the Taking Part One: The Shape of Sound for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
From The Jump (BQ)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1070647 Composed by Joseph Pu…
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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1070647 Composed by Joseph Pugh. Blues,Jazz,Pop,Rock. Accompaniment. Duration 96. Joseph Pugh #6630459. Published by Joseph Pugh (A0.1070647). Play along with this jazz tune for Brass Quintet. Practice and get your sight reading and playing chops (skills) back and have fun doing it! Download it and the sheet music today at a reduced price!
$1.99
1.79 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Joseph Pugh
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From The Jump
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Joseph Pugh
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SheetMusicPlus
The Sound Of Silence
Harpe
Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Ch…
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Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Christy-Lyn Dosé. 20th Century, Contemporary, Rock. Score. 4 pages. Learning the Harp #647095. Published by Learning the Harp
Early-intermediate for big and small harps. The song was written by Simon and Garfunkel in 1964, but it's become a meme in recent years, so it?s still very relevant today! Christy-Lyn?s intermediate arrangement is reminiscent of the finger-picking guitar in the original version of the song, with broken chords and some harmonies in the left hand and a right hand melody that's been adapted to sound best on the harp. If you learn this piece from the Video Course, you?ll get essential practice tips on how to make the piece flow and sound musical, much faster than learning on your own!..........DIFFICULTY LEVEL and SKILLS REQUIRED: Early-intermediate. This piece has a simple melody in the right hand, with a left hand accompaniment that is a step up in complexity and variation from late-beginner pieces. There are parts of the piece where the two hands play the same notes straight after each other, which can be a challenge for placing without buzzing. There is quite a lot of syncopation ? a rhythmic challenge! The left hand jumps around a fair bit, and the right hand has to place some tricky 4 finger chords. ..........TYPE OF HARP: Big and small harps, including 22 string (C to C) and bigger. ..........RANGE: Lowest note is C an octave below middle C, highest note is B almost 2 octaves above middle C...........LEVERS/PEDALS: It is in the key of G major, with no lever changes. Harps without levers can tune their F strings to F sharps. ..........WHAT'S INCLUDED: PDF download of 4 pages. Fingering and bracketing are included. This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$5.00
4.5 €
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Harpe
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Simon And Garfunkel
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Christy-Lyn Dosé
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The Sound Of Silence
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Learning the Harp
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SheetMusicPlus
Jump
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1436412 By Van Halen. By Alex Van…
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Concert Band - Level 3 - Digital Download SKU: A0.1436412 By Van Halen. By Alex Van Halen, David Lee Roth, and Eddie Van Halen. Arranged by Lorenzo Bocci. Pop,Rock. 99 pages. Lorenzo Bocci #1016525. Published by Lorenzo Bocci (A0.1436412). JUMP performed by Van Halenfor Concert Band - Grade 3 - Digital Download Composed by A. Van Halen, E. Van Halen, M. Anthony, D. Lee Roth. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'03''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Electric Guitar, Keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Jump is a song by American rock band Van Halen. It was released in December 1983 as the lead single of their sixth studio album, 1984. It is Van Halen's most successful single, reaching number 1 on the US Billboard Hot 100.Jump is one of the most famous and recognizable songs of the group, and had the merit of introducing the use of keyboards and synthesizers in hard rock songs, influencing several bands who found commercial success starting from the second half of the eightiesSubscribe to my YouTube Channel to stay updated on new releases.
$99.00
89.02 €
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Orchestre d'harmonie
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Van Halen
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A
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Lorenzo Bocci
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Jump
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Lorenzo Bocci
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SheetMusicPlus
O The Deep, Deep Love of Jesus for Solo Violin and Piano
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.1005690 Composed by Thomas John W…
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Piano,Violin - Level 5 - Digital Download SKU: A0.1005690 Composed by Thomas John Williams, 1890. Arranged by Grace Joy Reid, 2021. Christian,Sacred,Spiritual. 8 pages. Creating Music Joy #6356583. Published by Creating Music Joy (A0.1005690). The text was written in 1875 by Samuel Trevor Francis. A Welsh hymn tune, Ebenezer, composed by Thomas John Williams. Legend has it that as a young man, Samuel Trevor Francis contemplated committing suicide by jumping into the Thames River from the Hungerford Bridge in London. Experiencing the love of Jesus, he wrote these lyrics and went on to write many poems, hymns, and became a preacher, in addition to being a merchant sailor. Hymn Lyrics1 O the deep, deep love of Jesus!Vast, unmeasured, boundless, free,rolling as a mighty oceanin its fullness over me.Underneath me, all around me,is the current of thy love;leading onward, leading homeward,to thy glorious rest above.2 O the deep, deep love of Jesus!Spread his praise from shore to shore;how he loveth, ever loveth,changeth never, nevermore;how he watches o'er his loved ones,died to call them all his own;how for them He intercedeth,watcheth o'er them from the throne.3 O the deep, deep love of Jesus!Love of ev'ry love the best:'tis an ocean vast of blessing,'tis a haven sweet of rest.O the deep, deep love of Jesus!'Tis a heav'n of heav'ns to me;and it lifts me up to glory,for it lifts me up to thee.Source: Trinity Psalter Hymnal #463
$11.95
10.75 €
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Violon et Piano
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Thomas John Williams, 1890
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Grace Joy Reid, 2021
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O The Deep, Deep Love of Jesus for Solo Violin and Piano
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Creating Music Joy
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SheetMusicPlus
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 4)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus…
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Piano Solo - Level 4 - Digital Download SKU: A0.752422 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 7 pages. RBMusic #6014617. Published by RBMusic (A0.752422). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$9.50
8.54 €
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Piano seul
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Wolfgang Amadeus Mozart, Mozart
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
Andante (2nd Movement) from Piano Concerto No. 21 "Elvira Madigan" (Mozart) - Solo Piano (Level 2)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.752421 Composed by Wolfgang Amadeus…
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Piano Solo - Level 2 - Digital Download SKU: A0.752421 Composed by Wolfgang Amadeus Mozart, Mozart. Arranged by Rob Bushnell. Classical,Film/TV. Score. 6 pages. RBMusic #6014595. Published by RBMusic (A0.752421). Famously used in the 1967 film Elvira Madigan, hence the nickname, the Elvira Madigan concerto, Mozart's Piano Concerto No. 21 was completed soon after his 20th in 1785. There are 5 different arrangements for solo piano, each getting progressively harder and trying not to compromise on sound where possible: Level 1: Just over a minute long, this is the easiest version. Both hands are very simple and are very close together, making it easier to see what all the fingers are doing at the same time. No jumps greater than a fifth and no large chords, making it perfect for smaller hands. Level 2: Two version provided: the first just over a minute long; the second the complete length of the movement, minus the orchestra introduction. Again, the melody has been simplified, though harder than level 1, with an increased coverage of the piano. The accompaniment is either static chords (now triads as standard) or broken arpeggios. It now has jumps in the right hand of just over an octave, with the left hand moving relatively little between chords/arpeggios. Level 3: This version has an optional cut, otherwise is the complete second movement, minus the orchestral introduction. Similar to level 2, only one hand tends to be changing pitches/rhythms at any one time, but the right hand is now almost the same as Mozart’s original (with some ornamentation removed or written out in full). The left hand now has the familiar broken-chord pattern (see opening bars) but in simple rather than compound time. On the whole, the left hand moves relatively little between chords, although there are now some larger jumps when the right hand is static. Level 4: Like level 3, but with the broken chord in compound time throughout. Some of the orchestral accompaniment has been integrated into the music, though simplified. Level 5: The hardest version, more difficult than the original solo piano part. Still no orchestral introduction. Includes more of the orchestral accompaniment than level 4. This, in essence, is a piano transcription of the full orchestration for piano and orchestral. Here is a recording on YouTube of Alicia De Larrocha playing the solo with Sir Colin Davis conducting the English Chamber Orchestra: https://www.youtube.com/watch?v=df-eLzao63I.
$5.75
5.17 €
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Piano seul
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Wolfgang Amadeus Mozart, Mozart
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Rob Bushnell
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Andante
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RBMusic
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SheetMusicPlus
The Owl Says Hoo
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1344142 Composed by William …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1344142 Composed by William Suit. 21st Century,Children,Instructional. Score. 3 pages. William Suit #929610. Published by William Suit (A0.1344142). From the piano book, The Own Says Hoo by William Suit for mid to upper elementary students. Learning good technique at the piano should be a fun experience. These ten songs are from the original vocal book, “The Owl Says Hoo†They have been rewritten as piano solos that are accessible to mid and late elementary students. Also included are the lyrics so that adventurous students can sing along while they are playing. These songs can be used to establish confidence in finger placement and movement of the hand positions. Some of them such as, “Frozen Pine Cone†and “Shooting Star†reinforce the use of the C scale. The chromatic scale is explored in “Hummingbird†while ocatve jumps are covered in the haunting melody of “Snowy Owl.†©2023 William Suit.
$2.99
2.69 €
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Piano, Voix
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William Suit
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The Owl Says Hoo
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William Suit
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Piano Facile
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
17.94 €
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Piano Facile
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
One Jump Ahead
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1208697 Composed by Alan Menken and…
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Easy Piano - Level 1 - Digital Download SKU: A0.1208697 Composed by Alan Menken and Tim Rice. Arranged by Christina Vera [Corda Music]. Broadway,Film/TV,Jazz,Musical/Show,Pop. Score. 4 pages. Christina Fordham Vera #806794. Published by Christina Fordham Vera (A0.1208697). Enjoy this easy piano arrangement of One Jump Ahead from Disney's Aladdin.Lots of finger numbers added and simplified left hand chords so you can master this catchy song in no time. Lyrics included (this is an abridged version of the song).An optional intro hints at other songs from the film. And, add the thrill of the chase scene by ending with a big glissando!Key Signature: A Minor (no black keys in the key signature)Length: 4 PagesDifficulty Level: Elementary Level.
$4.99
4.49 €
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Piano Facile
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Alan Menken and Tim Rice
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Christina Vera [Corda Music]
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One Jump Ahead
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Christina Fordham Vera
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SheetMusicPlus
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Orgue
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert…
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Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
11.64 €
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Orgue
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jump Shout Boogie
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853728 By Barry Man…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.853728 By Barry Manilow. By Barry Manilow. Arranged by Larry Wright. A Cappella,Barbershop. 8 pages. Larry Wright #4601549. Published by Larry Wright (A0.853728). A WOMEN'S 4-part, a cappella, barbershop, non-contest driving uptempo song made popular by Barry Manilow. There's also a 4-part overlay harmonies version for choruses. This one rocks! IMPORTANT NOTE: by FIRST purchasing the COMBO of this song from my website store <www.larrywrightmusic.com>, you'll not only be getting the EXCELLENT part-predominant vocal learning trax, but also be able to purchase the sheet music from the SMP website store for the lowest $1.89-$1.99 per-copy price,... NOT the currently posted much higher $14.25 per-copy price. PLUS, you'll also get to choose a second COMBO of your choice from my website store for FREE!!!! Of course, you'll still need to pay the per-copy fees to the publisher (95% of the time SMP) who controls the right to the song. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available EXCELLENT part-predominant vocal Learning Trax <www.larrywrightmusic.com>.
$15.00
13.49 €
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Chorale SSAA
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Barry Manilow
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Larry Wright
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Jump Shout Boogie
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Larry Wright
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SheetMusicPlus
Jump
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774482 By Van Hale…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774482 By Van Halen. By Alex Van Halen, David Lee Roth, and Eddie Van Halen. Arranged by Brad Esbensen. Contemporary,Jazz,Pop,Rock. Score and Parts. 74 pages. Brad Esbensen Music Services #6304105. Published by Brad Esbensen Music Services (A0.774482). Arranged as a big band vocal feature (in Ab major), this arrangement follows a similar form to the version originally recorded by Paul Anka on his 2004 release, Rock Swings. A straight ahead swing chart with brass ranges adjusted from the original to suit younger players (1st Trumpet to Bb5, 1st Trombone to G4). I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
53.95 €
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Ensemble Jazz
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Van Halen
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Brad Esbensen
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Jump
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Brad Esbensen Music Services
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SheetMusicPlus
PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastia…
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Solo Guitar - Level 4 - Digital Download SKU: A0.941919 Composed by Johann Sebastian Bach. Arranged by Cristiano Sousa. Baroque,Instructional,Standards,World. Individual part. 3 pages. Cristiano Sousa #5771565. Published by Cristiano Sousa (A0.941919). J.S Bach composed Prelude, from Prelude, Fugue and Allegro (BWV 998), originally for lute or harpsichord in Eb major key.Transcription: D major key with a drop D tunning in sixth string is required.Level: Advanced guitar skills are required, although Prelude is easier than Fugue and Allegro from the same set. Some devices are listed below:-- embellishments: some of them are indicated;-- Full and half bars (barré or capotasto);-- Jumps;-- Guide fingers;-- Distencions;-- Contractions;-- Slurs (they can be dropped to keep control);-- Memorizing: the whole piece.Fingering: As a classical guitarist, I understand the fingering indication value. Despite I tried to mark clear and confortable fingerings, it is always possible to modify them.You can contact me at cristiano.sousa.santos@gmail.com .
$8.99
8.08 €
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Guitare
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Johann Sebastian Bach
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Cristiano Sousa
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PRELUDE [ from BWV 998 by J.S.Bach ] solo guitar
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Cristiano Sousa
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SheetMusicPlus
The Creepy Spider (Piano Accompaniment Track)
Choir,Piano - Digital Download SKU: A0.1065619 Composed by Carol Troutman Wiggins. …
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Choir,Piano - Digital Download SKU: A0.1065619 Composed by Carol Troutman Wiggins. Children,Halloween,Instructional,Standards. Accompaniment. Duration 73. Carol Troutman Wiggins #3626563. Published by Carol Troutman Wiggins (A0.1065619). THE CREEPY SPIDER (Piano Track)Unison w/Actions & Screams!**PERMISSION GRANTED TO MAKE 2 COPIES**This is a great song for Halloween or any other time you need a break from the norm - a fun song to allow your students to let their hair down! Yes, it has screams in it, but they are short screams. Or not! Excellent for any age elementary or a fun warm-up for younger middle schoolIncludes action cues in scoreJumps and screams - not a scary song . . . just creepy!Chords included for additional instruments.
$5.99
5.39 €
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Carol Troutman Wiggins
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The Creepy Spider
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Carol Troutman Wiggins
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SheetMusicPlus
The Creepy Spider (with Actions & Screams)
Chorale Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727433 Composed by Carol…
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727433 Composed by Carol Troutman Wiggins. Children,Folk,Holiday,Instructional,Thriller. Octavo. 5 pages. Carol Troutman Wiggins #3626561. Published by Carol Troutman Wiggins (A0.727433). THE CREEPY SPIDERUnison w/Actions & Screams!This is a great song for Halloween or any other time you need a break from the norm - a fun song to allow your students to let their hair down! Yes, it has screams in it, but they are short screams. Or not! Excellent for any age elementary or a fun warm-up for younger middle schoolIncludes action cues in scoreJumps and screams - not a scary song . . . just creepy!Chords included for additional instrumentsPiano Accompaniment track available on this site.
$2.50
2.25 €
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Chorale Unison
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Carol Troutman Wiggins
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The Creepy Spider
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Carol Troutman Wiggins
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SheetMusicPlus
Space Jump
Violoncelle, Piano
Violin, cello and piano - Digital Download SKU: S9.Q19386 Composed by Fazil Say. Th…
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Violin, cello and piano - Digital Download SKU: S9.Q19386 Composed by Fazil Say. This edition: score and parts. Felix Baumgartner - orbit - space - border crosser - atmosphere - parachute - risk - world record - stratosphere - piano trio - program music. Downloadable, Score and parts. Op. 46. Duration 10 minutes. Schott Music - Digital #Q19386. Published by Schott Music - Digital (S9.Q19386). What do Fazıl Say and the extreme sportsman Felix Baumgartner have in common? Space Jump: the spectacular jump from the stratosphere. In this composition, Say depicts each phase of the jump, from take off to a safe landing on earth. Say’s intense fascination with this event prompted a work containing every emotion he experienced as a spectator.
$31.99
28.77 €
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Violoncelle, Piano
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Fazil Say
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Space Jump
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Schott Music - Digital
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SheetMusicPlus
Jump Blues Joy to the World
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.914528 Composed by Christian Mo…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.914528 Composed by Christian Morris. Arranged by Hoopla Sheet Music. Blues,Christmas,Standards. Score and parts. 16 pages. Hoopla Sheet Music #4966265. Published by Hoopla Sheet Music (A0.914528). Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here's an arrangement of Joy to the World with a jump blues twist...Brass quintet: 2tp, hn, tbne, tbaMore Christmas music from Hoopla Sheet Music: Jingle Bells Salsa Emmanuel Rock O Come All Ye Boogie-Woogie Faithful Away in A Country Manger Hark the Funky Angels Sing Bossa Nova Bleak Midwinter God Rest Ye Good King Gospel Mashup Jump Blues Joy to the World We Three Kings (Persian Style) We Wish You a Jazzy Christmas and We Wish You a Jazzy Christmas (complete collection of all the above)
$8.99
8.08 €
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Ensemble de cuivres
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Christian Morris
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Hoopla Sheet Music
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Jump Blues Joy to the World
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Hoopla Sheet Music
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SheetMusicPlus
Jump Blues Joy to the World
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.914551 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.914551 Composed by Christian Morris. Arranged by Hoopla Sheet Music. Blues,Christmas,Standards. 15 pages. Hoopla Sheet Music #5217971. Published by Hoopla Sheet Music (A0.914551). Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here's an arrangement of Joy to the World with a jump blues twist... For wind quintet (fl, ob, cl, hn, bn).More Christmas music from Hoopla Sheet Music:Jingle Bells SalsaEmmanuel RockO Come All Ye Boogie-Woogie FaithfulAway in A Country MangerHark the Funky Angels SingBossa Nova Bleak MidwinterGod Rest Ye Good King Gospel MashupJump Blues Joy to the WorldWe Three Kings (Persian Style)We Wish You a Jazzy ChristmasandWe Wish You a Jazzy Christmas (complete collection of all the above)
$8.99
8.08 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Christian Morris
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Hoopla Sheet Music
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Jump Blues Joy to the World
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Hoopla Sheet Music
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SheetMusicPlus
Jump Blues Joy to the World
Clarinette
Clarinet Solo - Level 3 - Digital Download SKU: A0.914485 Composed by Christian Mor…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.914485 Composed by Christian Morris. Arranged by Hoopla Sheet Music. Blues,Christian,Christmas,Standards. Individual part. 7 pages. Hoopla Sheet Music #4717059. Published by Hoopla Sheet Music (A0.914485). Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here's an arrangement of this famous carol with a jump blues twist...Suitable for all Christmas concerts and more informal church services.Includes link to backing track.More Christmas music from Hoopla Sheet Music: Jingle Bells Salsa Emmanuel Rock O Come All Ye Boogie-Woogie Faithful Away in A Country Manger Hark the Funky Angels Sing Bossa Nova Bleak Midwinter God Rest Ye Good King Gospel Mashup Jump Blues Joy to the World We Three Kings (Persian Style) We Wish You a Jazzy Christmas and We Wish You a Jazzy Christmas (complete collection of all the above)
$4.99
4.49 €
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Clarinette
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Christian Morris
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Hoopla Sheet Music
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Jump Blues Joy to the World
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Hoopla Sheet Music
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SheetMusicPlus
Jump Blues Joy to the World
Trompette
Trumpet Solo - Level 3 - Digital Download SKU: A0.914481 Composed by Christian Morr…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.914481 Composed by Christian Morris. Arranged by Hoopla Sheet Music. Blues,Christian,Christmas,Standards. Individual part. 7 pages. Hoopla Sheet Music #4717035. Published by Hoopla Sheet Music (A0.914481). Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here's an arrangement of this famous carol with a jump blues twist...Suitable for all Christmas concerts and more informal church services.Includes link to backing track.More Christmas music from Hoopla Sheet Music: Jingle Bells Salsa Emmanuel Rock O Come All Ye Boogie-Woogie Faithful Away in A Country Manger Hark the Funky Angels Sing Bossa Nova Bleak Midwinter God Rest Ye Good King Gospel Mashup Jump Blues Joy to the World We Three Kings (Persian Style) We Wish You a Jazzy Christmas and We Wish You a Jazzy Christmas (complete collection of all the above)
$4.99
4.49 €
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Trompette
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Christian Morris
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Hoopla Sheet Music
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Jump Blues Joy to the World
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Hoopla Sheet Music
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SheetMusicPlus
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