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Fuga in C Minor
Non classifié
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Fuga in C Minor
Partitions à imprimer
34 partitions trouvées
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1
26
Bach - Passacaglia e Fuga in C minor BWV 582 - Harpsichord version
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Clavecin
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INTERMÉDIAIRE
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Classique
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Santino Cara
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Santino Cara
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Bach - Passacaglia e Fuga in C
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Santino Cara
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SheetMusicPlus
Harpsichord - Level 3 - SKU: A0.711749 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 17 pages. Santino Cara #3203...
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Harpsichord - Level 3 - SKU: A0.711749 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 17 pages. Santino Cara #320323. Published by Santino Cara (A0.711749). Complete score of the Passacaglia e Fuga in C minor BWV 582 Composed for organ by Johann Sebastian Bach presumably in Arnstadt between 1706 and 1713. Transcribed for Harpsichord or Piano in Rome in 2021 by Santino Cara. 2 Movements: 1. Passacaglia (Calmo e serioso), 2. Tema fugato (Molto moderato).
$12.99
Fuga in c-minor
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Quatuor de cuivres: 4 cors
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Edition Maulwurf
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Fuga in c-minor
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Edition Maulwurf
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SheetMusicPlus
French Horn Quartet Horn - Level 3 - SKU: A0.1273851 Composed by Johann Sebastian Bach. Arranged by Edition Maulwurf. Baroque. 8 pages. Edition Maulwurf...
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French Horn Quartet Horn - Level 3 - SKU: A0.1273851 Composed by Johann Sebastian Bach. Arranged by Edition Maulwurf. Baroque. 8 pages. Edition Maulwurf #865979. Published by Edition Maulwurf (A0.1273851). Johann Sebastian BachFuga in c-minorarrangement for horn quartetduration: ca 1m 20sscore + partshttps://www.edition-maulwurf.deEdition Maulwurf is a publisher of digital sheet music. For more information and other pieces please visit our web site.
$6.99
Czerny - Fuga in C minor Op.200 for Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Czerny - Fuga in C minor Op.20
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.555848 By Santino Cara. By Carl Czerny. Arranged by Santino Cara. Romantic Period. Score. 6 pages. Santino Cara #165358. ...
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Piano Solo - Level 4 - SKU: A0.555848 By Santino Cara. By Carl Czerny. Arranged by Santino Cara. Romantic Period. Score. 6 pages. Santino Cara #165358. Published by Santino Cara (A0.555848). Score for Piano of the Czerny's Fuga in C minor from Systematische Anleitung zum Fantasieren Op.200 by Carl Czerny. Adaptation and completion of Santino Cara's Fugue.
$8.40
Fuga in C Minor from the Piano Duet K.426 by W.A.Mozart for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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Classique
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Wolfgang Amadeus Mozart
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Stephen Davies
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Fuga in C Minor from the Piano
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Stephen Davies
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SheetMusicPlus
Small Ensemble - SKU: A0.891930 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Davies. Classical,Standards. Score and parts. 27 pages. Stephen...
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Small Ensemble - SKU: A0.891930 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Davies. Classical,Standards. Score and parts. 27 pages. Stephen Davies #4321519. Published by Stephen Davies (A0.891930). Its not often that a piano duet is played on four Clarinets! However, here it is! It’s by far and away a most complicated work and even in the original piano duet version you sometimes have to remind yourself that this was written well over 230 years ago by Mozart! For those groups willing to brave the perils within, enjoy bar 45!
$19.99
'Fuga in C Minor' from the piano duet by W.A.Mozart K426 for Clarinet Quartet.
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Quatuor de Clarinettes: 4 clarinettes
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Classique
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Wolfgang Amadeus Mozart
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Stephen Davies
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'Fuga in C Minor' from the pia
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - SKU: A0.891861 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Davies. Chamber,Classical,Instruct...
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Woodwind Ensemble,Woodwind Quartet Clarinet - SKU: A0.891861 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Davies. Chamber,Classical,Instructional,Romantic Period,Wedding. 27 pages. Stephen Davies #3465734. Published by Stephen Davies (A0.891861). Its not often that a piano duet is played on four Clarinets! However, here it is! Its by far and away a most complicated work and even in the original piano duet version you sometimes have to remind yourself that this was written well over 230 years ago by Mozart! For those groups willing to brave the perils within, enjoy bar 45!
$17.99
Fuga in A Minor
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Laura JH Ball
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Fuga in A Minor
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Laura Jean Heintschel Ball
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.998632 Composed by Laura JH Ball. Baroque,Classical,Instructional,Renaissance,Standards. 6 pages. La...
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Woodwind Ensemble,Woodwind Trio - Level 3 - SKU: A0.998632 Composed by Laura JH Ball. Baroque,Classical,Instructional,Renaissance,Standards. 6 pages. Laura Jean Heintschel Ball #6080807. Published by Laura Jean Heintschel Ball (A0.998632). A short but intriguing fugal piece for three recorders - tenor, bass, and great bass. Duration about 1' 30. Dedicated to a terrific recorder teacher from the Washington, D.C. suburbs named Carole Rogentine, who started me on one of the most fulfilling journeys of my life. .
$4.50
J.S.Bach - Prélude and Fuga No. 2 in C minor, BWV 871 - For Piano Solo Original With Fingered
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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poon
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J.S.Bach - Prélude and
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poon
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1381381 Composed by Johann Sebastian Bach. Arranged by poon. Classical. Score. 4 pages. Poon #966093. Published by poon (...
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Piano Solo - Level 3 - SKU: A0.1381381 Composed by Johann Sebastian Bach. Arranged by poon. Classical. Score. 4 pages. Poon #966093. Published by poon (A0.1381381). J.S.Bach - Prélude and Fuga No. 2 in C minor, BWV 871 - For Piano Solo Original With Fingered - from “Das Wohltemperierte Klavier†Book II.
$2.38
Fantasia and Fugue in C minor, BWV 537 (Fuga)
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johns Sebastian Bach
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Fillipe Mendel
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Fantasia and Fugue in C minor,
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Mendel Music Work
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.901168 Composed by Johns Sebastian Bach. Arranged by Fillipe Mendel. Baroque. Individual part. 20 pages. Mendel Music Wor...
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Cello Solo - Level 4 - SKU: A0.901168 Composed by Johns Sebastian Bach. Arranged by Fillipe Mendel. Baroque. Individual part. 20 pages. Mendel Music Work #3422503. Published by Mendel Music Work (A0.901168). Fantasia and Fugue in C minor, BWV 537 (Fuga), is a very famous piece of the field player Johann Sebastian Bach, written for sextet of cellos.
$4.50
Fuga II in c minor by J. S. Bach for three woodwinds
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Hautbois, Clarinette, Basson (trio d'anches)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach, from th
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Gary Claunch
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Fuga II in c minor by J. S. Ba
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Gary Claunch
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1016487 Composed by Johann Sebastian Bach, from the Well Tempered Clavie...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.1016487 Composed by Johann Sebastian Bach, from the Well Tempered Clavier. Arranged by Gary Claunch. Baroque. 21 pages. Gary Claunch #5724147. Published by Gary Claunch (A0.1016487). The second fugue in c minor by Jonann Sebastian Bach from the Well Tempered Clavier, is arranged for a variety of woodwinds. Parts are provided for each of the different instruments. The first part can be played by clarinet, or oboe/flute, the second part is played by clarinet in B flat, and the third part can be played by bass clarinet or bassoon. This is a great opportunity for woodwinds to play authentic Bach, who took the Baroque era to its ultimate expression. If you think Bach is too cerebral, just listen to the interpretation of Glenn Gould at youtube.
$14.95
Fuga IV (from Well-Tempered Clavier Book 1, BWV 849) for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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ForteTwo
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Fuga IV
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ForteTwo Music
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.942802 Composed by Johann Sebastian Bach. Arranged by ForteTwo. Baroque. Score and parts. 22 pages. ForteTwo Music #3...
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Brass Ensemble - Level 5 - SKU: A0.942802 Composed by Johann Sebastian Bach. Arranged by ForteTwo. Baroque. Score and parts. 22 pages. ForteTwo Music #3434675. Published by ForteTwo Music (A0.942802). This is J. S. Bach's Fugue #4 in C# minor arranged by ForteTwo. As one of two 5-voice fugues in the volume, it lent itself to become this Brass Quintet transcription. Performance time: approximately 4 minutes. The arranger may be reached for comment at fortetwomusic@icloud.com.
$5.00
Little Prelude and Fugue in C# Minor
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Orgue, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Mitch Boucher
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Little Prelude and Fugue in C#
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Mitch Boucher
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SheetMusicPlus
Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990447 Composed by Mitch Boucher. Baroque. Score and parts. 3 page...
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Instrumental Duet,Piano Harpsichord,Instrumental Duet,Organ,Piano - Level 3 - SKU: A0.990447 Composed by Mitch Boucher. Baroque. Score and parts. 3 pages. Mitch Boucher #5753791. Published by Mitch Boucher (A0.990447). I hope you enjoy this prelude and fugue. The prelude is from a collection of 12 preludes in minor keys, and the fugal subject was provided by another composer.
$8.00
Haydn - String Quartet in C major, Hob.III:32 ; Op.20 No.2 · "Sun Quartet No.2"
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Franz Joseph Haydn
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J
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Sun Quartet No
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Haydn - String Quartet in C ma
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1086476 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 44 pages. J...
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String Quartet String Quartet - SKU: A0.1086476 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 44 pages. J.G. Cuco Barber #690680. Published by J.G. Cuco Barber (A0.1086476). Work Title String Quartet in C major Alternative Title String Quartet No.32 ; Sun Quartet No.2 Composer Haydn, Joseph Opus/Catalogue Number Hob.III:32 ; Op.20 No.2 Key C major Movements/Sections 4 movements 1. Moderato (C major) 2. Capriccio. Adagio - Cantabile (C minor) 3. Minuet. Allegretto (C major) - Trio (C minor) . Fuga a 4 soggetti. Allegro (C major) Year/Date of Composition 1772 First Publication 1774 in String Quartets, Op.20 (No.2) Dedication Prince Nikolaus Zmeskall von Domanovecz Composer Time Period Classical Piece Style Classical Instrumentation 2 violins, viola, cello.
$23.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Vivaldi RV58 - Sonata in G minor - solo parts flute and trumpets
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Trompette (partie séparée)
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Classique
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Antonio Vivaldi
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Rhodri Tomos
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Vivaldi RV58 - Sonata in G min
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RT Music Ltd
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SheetMusicPlus
B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - SKU: A0.864992 Composed by Antonio Vivaldi. Arranged by Rhodri Tomos. Baroque. Individual part...
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B-Flat Trumpet Solo,C Trumpet Solo,Piccolo Trumpet Solo - SKU: A0.864992 Composed by Antonio Vivaldi. Arranged by Rhodri Tomos. Baroque. Individual part. 44 pages. RT Music Ltd #5024603. Published by RT Music Ltd (A0.864992). Vivaldi RV58 - Sonata no.6 in G minor op.13 - solo parts for 1. Vivace 2. Fuga de Cappella 3. Largo 4. Allegro ma non Presto for flute / trumpet in C, piccolo trumpet in Bb, trumpet in Eb, trumpet in Bb.
$24.99
Bach: Toccata and Fugue in D Minor, BWV 565 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue in D M
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1473062 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Ch...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1473062 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Halloween,Historic. 36 pages. Jmsgu3 #1050683. Published by jmsgu3 (A0.1473062). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (Toccata), a fugal section (fugue), and a short free closing section.The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period.It gained widespread recognition after being featured in Disney's 1940 film Fantasia, where it was adapted for orchestra by Leopold Stokowski. The piece has become strongly associated with horror films and Gothic imagery in Western culture.The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$39.95
Bach: Toccata and Fugue in D Minor, BWV 565 for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue in D M
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1473627 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Halloween,Historic,Standards,Tradi...
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String Orchestra - Level 4 - SKU: A0.1473627 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Halloween,Historic,Standards,Traditional. 48 pages. Jmsgu3 #1051343. Published by jmsgu3 (A0.1473627). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
Bach: Toccata and Fugue in D Minor, BWV 565 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James M
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Bach: Toccata and Fugue in D M
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jmsgu3
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SheetMusicPlus
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1473676 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamb...
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - SKU: A0.1473676 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Traditional. 49 pages. Jmsgu3 #1051393. Published by jmsgu3 (A0.1473676). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
Quartet in F Major
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Classique
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Antonin Dvorak
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Robert Rainford
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Quartet in F Major
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Forton Music - Digital
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SheetMusicPlus
Fl. Fl. Afl. BFl. - Intermediate-Advanced - SKU: F2.FM536 Composed by Antonin Dvorak. Arranged by Robert Rainford. Mixed Flute Quartet, 2 Concert Flutes...
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Fl. Fl. Afl. BFl. - Intermediate-Advanced - SKU: F2.FM536 Composed by Antonin Dvorak. Arranged by Robert Rainford. Mixed Flute Quartet, 2 Concert Flutes, Alto Flute, Bass Flute. Score and parts. 85 pages. Forton Music - Digital #FM536. Published by Forton Music - Digital (F2.FM536). ISBN 9790570484355.This quartet was composed during Dvorak's time in America, during a summer vacation in 1893. It was written in Spillville, Iowa, which at the time was home to a large Czech immigrant community. Dvorak seems to have found the natural country surroundings much more to his liking, having spent much of his previous time in the country in New York. The work was written very quickly, being sketched in three days and finished in about two weeks. In this quartet, Dvorak finally seems to find a balance between his melodic invention and a clear structure. Many writers have tried to find specific 'American' features in this work - from pentatonic melodies to native Indian tunes to American birdsong - but in general such specific references are doubted. The first movement moves from passages of great harmonic stillness through a much more dramatic development section that takes the music through fugato section before recapping the original material. The second movement features a simple, pentatonic melody over a pulsing accompaniment. This melody is shared between the highest and lowest parts, before being developed in an extended middle section until the bass flute restates the original tune while the accompaniment thins out completely. The third movement is a variant of a traditional scherzo. It features two tunes, the main melody being a sprightly tune full of off-beats and cross-rhythms. The alternate melody is actually a variant of the main scherzo theme, but in a minor key and at half tempo. The final movement is in a traditional rondo form. The main melody is once more pentatonic, the B section is more lyrical, and the C section is a chorale theme.
$17.95
Fantasia and Fugue in C minor, BWV 537 (Fuga)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Fillipe Mendel
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Fantasia and Fugue in C minor,
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Mendel Music Work
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.901125 Composed by Johann Sebastian Bach. Arranged by Fillipe Mendel. Baroque. Score and parts. 20 pages. Mendel Musi...
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Brass Ensemble - Level 4 - SKU: A0.901125 Composed by Johann Sebastian Bach. Arranged by Fillipe Mendel. Baroque. Score and parts. 20 pages. Mendel Music Work #3421163. Published by Mendel Music Work (A0.901125).
$4.50
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Mr. P.c.
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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John Coltrane
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Gerhard Guter
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Mr. P.c.
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Gerhard Guter
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.844244 By John Coltrane. By John Coltrane. Arranged by Gerhard Guter. Jazz. 10 pages. Gerhard Guter #4267...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.844244 By John Coltrane. By John Coltrane. Arranged by Gerhard Guter. Jazz. 10 pages. Gerhard Guter #4267419. Published by Gerhard Guter (A0.844244). If you’re looking for an up-tempo, minor blues swing with plenty of space for scatting and instrumental improvisation, then dig P.C.! This arrangement of the John Coltrane classic, which pays tribute to legendary jazz bassist and Miles Davis compatriot Paul Chambers, provides an exciting introduction, statement of the theme in varied textures, a challenging (optional) soli, and room for lots of energetic drum solos. Following an introductory figure reminiscent of Miles Davis and Victor Feldman’s well-known Seven Steps to Heaven collaboration, the arrangement features two optional background choruses to keep the blowing fresh and interesting. After the improvisation, the drums and piano drop out, sending off a challenging, optional soli (18 second mark in demo) featuring a doubled, walking vocal and acoustic bassline. As this section concludes, the acoustic bass drops out and the drums re-enter, propelling a fugal statement of the melody (25 second mark in demo). Following a return to the head, the arrangement modulates upward by whole step to its exciting conclusion. Piano, bass, and drums read off the included composite rhythm section part. The arrangement, which makes prominent use of sharp ninth chords during the head, is a great teaching tool for basses and altos in any vocal jazz ensemble! Demo performed by Christine Guter, Gerhard Guter, and Dina Humble Backing tracks available here: http://tiny.cc/mpnsuz Â
$3.99
Adagio and Fugue Kv 546 for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Diego Marani
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musicologist 
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Adagio and Fugue Kv 546 for Sa
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528383 Composed by Wolfgang A...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528383 Composed by Wolfgang Amadeus Mozart. Arranged by Diego Marani. Classical,Concert,Instructional,Standards. 20 pages. Diego Marani #5889493. Published by Diego Marani (A0.528383). The Adagio and Fugue in C minor, K. 546, is a composition by Wolfgang Amadeus Mozart for strings. Mozart entered it into his own work catalogue on 26 June 1788 in Vienna as A short Adagio for two violins, viola and bass, for a fugue which I wrote some time ago for two Pianos. The fugue in question was the two piano fugue in C minor, K. 426, written in December 1783.The work is in two sections:AdagioFuga (Allegro)The 52-bar Adagio has a very ominous and foreboding tone; musicologist Robert D. Levin said: “Angular outbursts alternate with an unearthly hush; its suggestions of violence and mysticism make the ensuing geometry of the fugue seem a reliefâ€.This arrangement for sax quartet (Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone) is a faithful transcription of the original.
$12.99
10 tunes for FLUTE of Bach
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Flûte traversière
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FACILE
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Classique
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Johann Sebastian Bach
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Leyandder Trustworthy
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10 tunes for FLUTE of Bach
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Leyandder Trustworthy
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.964349 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Instructional,Standards,Wo...
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Flute Solo - Level 2 - SKU: A0.964349 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Instructional,Standards,World. Individual part. 8 pages. Leyandder Trustworthy #6219791. Published by Leyandder Trustworthy (A0.964349). The present collection was the result of research and dedication, in order to analyze and select well-known works of good execution, for this instrument (flute), unfortunately, it was necessary to leave some better known works out of the collection, such as: Toccata and Fuga in D minor; BWV 565 and the Brandemburgo Concerts, as soon as, these are not so favorable for execution on wind instruments, as well as they are of high difficulty. The purpose of this work is for beginners and interediate practitioners on wind instruments, and it can be used effectively by teachers and musical educators who need a material of easy accessibility, as well as good reading and interpretation quality. This material also has the aid of a cipher to be used in accompaniment of a harmonic instrument, because there is not always the availability of a professional pianist to accompany the student. In view of the above-mentioned considerations, I conclude by saying that the inspiration for the fabrication of this work is due to the reality observed in many music schools that are in a precarious state, not only of musical instruments or basic teaching materials, but also the lack of good quality musical editions accessible to educators and students, so that they have access to the great works making our musical future guaranteed of good musical quality and accessible to all.AIR ON THE G STRING; BWV 1068ARIOSO (Sinfonia); BWV 156GAVOTTE I; BWV 808FUGUE IN C MINOR; BWV 847bMINUET IN G MAJOR; BWV Ahn. 114MUSETTE IN D MAJOR; BWV Ahn. 126BOURRÉE; BWV 996PRELUDE; BWV 1007JESU, JOY OF MAN'S DESIRING; BWV 147BADINERIE; BWV 1067MINUET; BWV 825
$6.99
Melody and Variations for flute and piano
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Flûte traversière et Piano
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AVANCÉ
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James Mayhew
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Melody and Variations for flut
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James Mayhew
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.996520 Composed by James Mayhew. Concert,Contemporary,Romantic Period,Standards. Score and part. 16 pages. James Mayhew ...
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Flute,Piano - Level 5 - SKU: A0.996520 Composed by James Mayhew. Concert,Contemporary,Romantic Period,Standards. Score and part. 16 pages. James Mayhew #5857157. Published by James Mayhew (A0.996520). *Includes the flute part on its own at the end of the file*This is a set of theme and variations in C minor (although it ends in C major) for flute and piano. The theme is a simple, melancholy melody with the first three variations on it being in C minor (and it is worth noting that the piano accompaniment is just chords for these first three variations), the fourth variation in Eb major while the fifth is the finale which includes numerous diversions from the theme and many contrasting passages of rich material, although the theme does appear in a fugato section and in another short, jig-like variation section, before it is played a couple of times near the end in the form of triumphant returns. Many passages are of an advanced level, particularly towards the end.
$4.99
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