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FLUTE DE PA…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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ASIE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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JAZZ MANOUCHE - SWIN…
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METHODE : TECHNIQUES
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PIANO & CLAVIERS
Orgue
2
GUITARES
VOIX
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
CUIVRES
4 Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
7
2 Violoncelles (duo)
1
PERCUSSIONS & ORCHESTRES
Marimba
7
Orchestre de chambre
1
AUTRES
Vous avez sélectionné:
Fugue on B-A-C-H
Partitions à imprimer
21 partitions trouvées
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1
Fugue on B-A-C-H
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
By J. Albrechtsberger. Arranged by Keith Terrett. For brass quintet. Quintet music. Score …
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By J. Albrechtsberger. Arranged by Keith Terrett. For brass quintet. Quintet music. Score and parts. Published by Cimarron Music Press
$18.00
16.24 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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J
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Keith Terrett
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Fugue on B-A-C-H
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Cimarron Music Press
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SheetMusicPlus
Prelude and Fugue on B.A.C.H
Orgue
Organ - Digital Download SKU: S9.Q5564 Composed by Camil Van Hulse. This edition: S…
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Organ - Digital Download SKU: S9.Q5564 Composed by Camil Van Hulse. This edition: Sheet music. Downloadable. Op. 150. Schott Music - Digital #Q5564. Published by Schott Music - Digital (S9.Q5564).
$16.99
15.33 €
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Orgue
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Camil Van Hulse
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Prelude and Fugue on B.A.C.H
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Schott Music - Digital
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SheetMusicPlus
Fugue on B-A-C-H
Marimba
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 m…
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By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Bass marimba part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99
1.8 €
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Marimba
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Johann Georg Albrechtsberger
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Keith Terrett
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Fugue on B-A-C-H
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HaMaR Percussion - Digital
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SheetMusicPlus
Fugue on B-A-C-H
Marimba
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 m…
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By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 4 part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99
1.8 €
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Marimba
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Johann Georg Albrechtsberger
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Keith Terrett
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Fugue on B-A-C-H
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HaMaR Percussion - Digital
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SheetMusicPlus
Fugue on B-A-C-H
Marimba
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 m…
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By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 3 part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99
1.8 €
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Marimba
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Johann Georg Albrechtsberger
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Keith Terrett
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Fugue on B-A-C-H
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HaMaR Percussion - Digital
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SheetMusicPlus
Fugue on B-A-C-H
Marimba
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 m…
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By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 2 part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99
1.8 €
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Marimba
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Johann Georg Albrechtsberger
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Keith Terrett
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Fugue on B-A-C-H
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HaMaR Percussion - Digital
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SheetMusicPlus
Fugue on B-A-C-H
Marimba
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 m…
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By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Marimba 1 part. Duration 3'. Published by HaMaR Percussion - Digital
$1.99
1.8 €
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Marimba
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Johann Georg Albrechtsberger
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Keith Terrett
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Fugue on B-A-C-H
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HaMaR Percussion - Digital
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SheetMusicPlus
Fugue on B-A-C-H
Marimba
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 m…
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By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Score and parts. Duration 3'. Published by HaMaR Percussion - Digital
$13.45
12.13 €
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Marimba
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Johann Georg Albrechtsberger
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Keith Terrett
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Fugue on B-A-C-H
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HaMaR Percussion - Digital
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SheetMusicPlus
Fugue on B-A-C-H
Marimba
By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 m…
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By Johann Georg Albrechtsberger (1736-1809). Arranged by Keith Terrett. 5 players. For 4 marimbas, 1 Bass marimba. Moderate. Score. Duration 3'. Published by HaMaR Percussion - Digital
$5.95
5.37 €
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Marimba
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Johann Georg Albrechtsberger
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Keith Terrett
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Fugue on B-A-C-H
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HaMaR Percussion - Digital
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SheetMusicPlus
Fugue on B-A-C-H
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
By J. Albrechtsberger. Arranged by Keith Terrett. For woodwind quintet. Quintet music. Sco…
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By J. Albrechtsberger. Arranged by Keith Terrett. For woodwind quintet. Quintet music. Score and parts. Published by Cimarron Music Press
$18.00
16.24 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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J
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Keith Terrett
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Fugue on B-A-C-H
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Cimarron Music Press
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SheetMusicPlus
Fantasie and Fugue on the name of " B-A-C-H "
Orgue
Organ - difficult - Digital Download SKU: S9.Q6227 Syncretic Version. Compos…
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Organ - difficult - Digital Download SKU: S9.Q6227 Syncretic Version. Composed by Franz Liszt. Arranged by Jean Guillou. This edition: Sheet music. Downloadable. Duration 13' 30. Schott Music - Digital #Q6227. Published by Schott Music - Digital (S9.Q6227). In his 'Art of Fugue' Bach himself introduced a theme based on the four letters of his name: the notes we know as Bb A C B correspond to the German note names B A C H. Since that time, many composers have expressed their admiration for incomparable master by writing their own pieces of music on this theme. The work based on this theme by Franz Liszt is without any doubt the most important of them all - indeed, it represents a major landmark in the whole of the organ repertoire. It was composed in 1855 and given its first performance in the cathedral of Merseburg by Alexander Winterberger, to whom the work was dedicated. Liszt produced a second version of the work in 1869/70 and in 1870 he also wrote a piano transcription. It was a pity that the organist should not be able to use the ideas with which Liszt subsequently enriched his own adaptation. That is why, without adding anything that was not written by Liszt himself, Guillou has incorporated everything contained in the organ composition and the piano transcription in this 'syncretic' version of the work.
$16.99
15.33 €
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Orgue
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Franz Liszt
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Jean Guillou
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Fantasie and Fugue on the name of " B-A-C-H "
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Schott Music - Digital
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SheetMusicPlus
Schumann: Fugue 1 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1422774 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1004127. Published by jmsgu3 (A0.1422774). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
38.75 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Fugue 1 from Six Fugues on BACH for String Quartet
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jmsgu3
#
SheetMusicPlus
Schumann: Fugue 3 from Six Fugues on BACH, Op. 60, for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1424210 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #1005396. Published by jmsgu3 (A0.1424210). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
38.75 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Fugue 3 from Six Fugues on BACH, Op. 60, for String Quartet
#
jmsgu3
#
SheetMusicPlus
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1424141 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 23 pages. Jmsgu3 #1005325. Published by jmsgu3 (A0.1424141). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section.In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
38.75 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Fugue 2 from Six Fugues on BACH for String Quartet
#
jmsgu3
#
SheetMusicPlus
Schumann: Fugue 4 from Six Fugues on BACH, Op. 60, for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1427547 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 16 pages. Jmsgu3 #1008279. Published by jmsgu3 (A0.1427547). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
38.75 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Fugue 4 from Six Fugues on BACH, Op. 60, for String Quartet
#
jmsgu3
#
SheetMusicPlus
Schumann: Fugue 5 from Six Fugues on BACH for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1428102 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 15 pages. Jmsgu3 #1008910. Published by jmsgu3 (A0.1428102). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
38.75 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Fugue 5 from Six Fugues on BACH for String Quartet
#
jmsgu3
#
SheetMusicPlus
Schumann: Fugue 6 from Six Fugues on BACH Op. 60 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1429451 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #1010138. Published by jmsgu3 (A0.1429451). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive.
$42.95
38.75 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Fugue 6 from Six Fugues on BACH Op. 60 for String Quartet
#
jmsgu3
#
SheetMusicPlus
Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1429486 Composed by Robert Schumann. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 114 pages. Jmsgu3 #1010181. Published by jmsgu3 (A0.1429486). The Six Fugues on the Name BACH, Op. 60 was Schumann's only work composed explicitly for the organ (or the pedal piano). Schumann composed this work in 1845, late in his career, as he turned to more conventional musical forms like the fugue with encouragement from his wife, Clara. The work uses the four-note B-A-C-H motive, which Schumann used to incorporate Bach's name into the music symbolically. The fugues demonstrate Schumann's mastery of the fugal form despite his reputation as a quintessential Romantic composer. Analysts have noted Schumann's innovative use of time and structure in the fugues, such as potential references to the golden section. In summary, Schumann's Op. 60 is an essential late-career work that showcases his command of the fugal form and innovative approaches to musical structure, all while incorporating the symbolic B-A-C-H motive. YouTube Playlist Link: https://www.youtube.com/playlist?list=PLT9KtY0S7DRBZOVDKAJZAWv5auRCmS-6v.
$82.95
74.84 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Robert Schumann
#
James M
#
Schumann: Six Fugues on the name BACH Op. 60 Complete for String Quartet
#
jmsgu3
#
SheetMusicPlus
Prelude and Fugue on the B-A-C-H
4 Tubas
By Johann Sebastian Bach (1685-1750). Arranged by Steven Cross. For Tuba Quartet (EETT). P…
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By Johann Sebastian Bach (1685-1750). Arranged by Steven Cross. For Tuba Quartet (EETT). Published by Cimarron Music Press
$18.00
16.24 €
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4 Tubas
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Johann Sebastian Bach
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Steven Cross
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Prelude and Fugue on the B-A-C-H
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Cimarron Music Press
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SheetMusicPlus
Twenty-four Exercises for Two Cellos, Op. 159
2 Violoncelles (duo)
Cellos - Level 3 - Digital Download SKU: A0.1042144 Composed by Johann Justus Fried…
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Cellos - Level 3 - Digital Download SKU: A0.1042144 Composed by Johann Justus Friedrich Dotzauer. Arranged by Carl Hüllweck. Children,Classical,Instructional,Romantic Period. Educational Exercises. 112 pages. Artistic Score Engraving di Galvagno Michele #646942. Published by Artistic Score Engraving di Galvagno Michele (A0.1042144). The Twenty-four Exercises for Two Cellos, Op. 159, by Johann Justus Friedrich Dotzauer, continue and conclude the series dedicated to the neck positions. These, alongside the just published Twelve Original Pieces, Op. 58, cover the first four positions in all possible variations, using an incredible richness of forms, melody, harmony, and rhythm. After these thirty-six little gems, your students will be able to face much greater challenges with renewed strength and assertiveness. While Op. 58 focused mostly on Theme with Variations, Op. 159’s most used form is the rounded binary one, while no less than three full-fledged fugues enrich the practicing landscape. Due to the lack of the original manuscript, lost during Steiner & Bell’s acquisition of Augener & Co., this edition is based on two surviving editions, by Carl Hüllweck and Johannes Klingenberg, both published in the first decade of the XX century, about 40 years after Dotzauer’s passing. To provide you with the greatest flexibility and choice possibilities, this edition comes in several versions (only C available here, others available on Gumroad): - A: a score only one, based on Hüllweck; - B: two separate sets of parts, one per editor; - C: a score & parts bundle, based once more on Hüllweck; - D: finally, a Collector’s Edition, containing all this, plus a long chapter comparing all differences between Hüllweck’s and Klingenberg’s versions, and an interactive PDF where, at the press of a button, you will be able to switch to the other version of the current part! All PDFs have been optimised to be of the highest Press Quality and lightweight. I truly hope you are going to enjoy this beautiful music and that your cello playing will reach new heights thanks to it!
$34.95
31.53 €
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2 Violoncelles (duo)
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Johann Justus Friedrich Dotzauer
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Carl Hüllweck
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Twenty-four Exercises for Two Cellos, Op. 159
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.55 €
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Orchestre de chambre
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
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