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TRI ET FILTRES
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ACCORDEON
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5
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4
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2
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Guitare (partie séparée)
9
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2
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4
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2
VENTS
2 Saxophones (duo)
649
Saxophone (partie séparée)
519
Saxophone Alto et Piano
289
Saxophone, Clarinette (duo)
256
Saxophone Tenor et Piano
238
Quatuor de Saxophones: 4 saxophones
214
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140
Quintette de Saxophone: 5 saxophones
135
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91
Saxophone Soprano et Piano
77
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40
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23
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19
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13
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11
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10
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7
Clarinette et Alto
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Clarinette
6
Saxophone Soprano
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Flûte, Trompette (duo)
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Hautbois, Clarinette (duo)
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Hautbois, Flûte
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Saxophone Baryton
5
Saxophone
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Flûte, Alto (duo)
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Clarinette (partie séparée)
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Flûte traversière et Piano
4
2 Saxophones, Piano
3
Saxophone et Orgue
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Hautbois, Piano (duo)
3
Flute (partie séparée)
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette et Piano
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois, violon (duo)
2
Saxophone et Guitare
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3 Clarinettes (trio)
1
Quatuor de Flûtes à bec
1
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1
Trio de Flûtes: 3 flûtes
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Trompette, Saxophone (duo)
181
Trombone (partie séparée)
21
Trompette (partie séparée)
16
2 Trombones (duo)
12
Trompette, Trombone (duo)
10
2 Trompettes (duo)
10
Cor (partie séparée)
4
Tuba (partie séparée)
3
Trompette, Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba et Piano
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Quatuor à cordes: 2 violons, alto, violoncelle
26
2 Altos (duo)
22
2 Violons (duo)
13
Contrebasse (partie séparée)
6
Violon, Alto (duo)
5
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
Violon
3
Violon et Piano
2
Violoncelle, Piano
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Quatuor à cordes: 4 violons
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
151
Ensemble Jazz
29
Jazz combo
8
Batterie (partie séparée)
5
Orchestre
2
Ensemble de cuivres
2
Fanfare
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Orchestre à Cordes
1
Marimba, Saxophone (duo)
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Orchestre de chambre
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Recordare (from "Requiem") (F) (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A…
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A0.1108391 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #711032. Published by Regis Bookshar (A0.1108391). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Tenor Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a Tenor Saxophone Quintet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.72 €
#
Quintette de Saxophone: 5 saxophones
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Recordare (from "Requiem") (F) (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - Digital Download SKU: A0…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 4 - Digital Download SKU: A0.1108123 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 25 pages. Regis Bookshar #710746. Published by Regis Bookshar (A0.1108123). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - Alto Saxophone Quintet - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for an Alto Saxophone Quintet and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to practice breath control because of its long, sustained phrases, and also to give them the chance to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (25 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for an Alto Saxophone Quintet, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$28.00
25.72 €
#
Quintette de Saxophone: 5 saxophones
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.3 €
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Saxophone Alto et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Funiculì Funiculà for Soprano Saxophone and Piano
Saxophone Soprano et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level …
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Instrumental Duet,Piano Instrumental Duet,Piano,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.528751 Composed by Luigi Denza. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 11 pages. Diego Marani #6431523. Published by Diego Marani (A0.528751). Funiculì, Funiculà is a Neapolitan song composed in 1880 by Luigi Denza to lyrics by Peppino Turco. It was written to commemorate the opening of the first funicular railway on Mount Vesuvius. The sheet music was published by Ricordi and sold over a million copies within a year. Since its publication, it has been widely adapted (Richard Strauss, Nikolai Rimsky-Korsakov, Arnold Schoenberg) and recorded (Luciano Pavarotti, Beniamino Gigli, Il Volo).This arrangement for Bb Soprano Sax with Piano Accompaniment is suitable for any occasion: from concert to wedding or even for a brilliant encore.
$9.90
9.09 €
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Saxophone Soprano et Piano
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Luigi Denza
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Diego Marani
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Funiculì Funiculà for Soprano Saxophone and Piano
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Diego Marani
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SheetMusicPlus
Funiculì Funiculà for Alto Saxophone and Piano
Saxophone Alto et Piano
Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level …
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Instrumental Duet,Piano Alto Saxophone,Baritone Saxophone,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.528750 Composed by Luigi Denza. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 11 pages. Diego Marani #6431453. Published by Diego Marani (A0.528750). Funiculì, Funiculà is a Neapolitan song composed in 1880 by Luigi Denza to lyrics by Peppino Turco. It was written to commemorate the opening of the first funicular railway on Mount Vesuvius. The sheet music was published by Ricordi and sold over a million copies within a year. Since its publication, it has been widely adapted (Richard Strauss, Nikolai Rimsky-Korsakov, Arnold Schoenberg) and recorded (Luciano Pavarotti, Beniamino Gigli, Il Volo).This arrangement for Eb Alto Sax with Piano Accompaniment is suitable for any occasion: from concert to wedding or even for a brilliant encore.
$9.90
9.09 €
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Saxophone Alto et Piano
#
Luigi Denza
#
Diego Marani
#
Funiculì Funiculà for Alto Saxophone and Piano
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Diego Marani
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Ba
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813832 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533927. Published by Regis Bookshar (A0.813832). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, he has made quite a few other arrangements.
$15.00
13.78 €
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Quintette de Saxophone: 5 saxophones
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A0.813836 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 19 pages. Regis Bookshar #6533941. Published by Regis Bookshar (A0.813836). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (19 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety.
$15.00
13.78 €
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Quintette de Saxophone: 5 saxophones
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Alto Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.813820 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533331. Published by Regis Bookshar (A0.813820). Largo (from Symphony No. 9 in E minor) (From the New World) (Alto Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for an Alto Saxophone Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety o.
$15.00
13.78 €
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Quintette de Saxophone: 5 saxophones
#
Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari) (Tenor lead)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-…
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Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arranged by Regis Bookshar. 20th Century, General Worship, Repertoire, Wedding, Funeral. Score, Set of Parts. 9 pages. Published by Regis Bookshar
O God, Beyond All Praising (Thaxted) (Bb) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.<br> The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.<br> Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones (one of which has the lead) and 1 Baritone Saxophone, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
9.18 €
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Quintette de Saxophone: 5 saxophones
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Gustav Holst (1874-1934)
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Regis Bookshar
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O God, Beyond All Praising
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SheetMusicPlus
O God, Beyond All Praising (Thaxted) (Bb) (Tenor Saxophone Quintet)
Quintette de Saxophone: 5 saxophones
Tenor Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst …
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Tenor Saxophone Quintet - Intermediate - Digital Download Composed by Gustav Holst (1874-1934). Arranged by Regis Bookshar. 20th Century, General Worship, Repertoire, Wedding, Funeral. Score, Set of Parts. 9 pages. Published by Regis Bookshar
O God, Beyond All Praising (Thaxted) (Bb) (Tenor Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of "O God, Beyond All Praising", a hymn tune based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of "Jupiter" (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.<br> The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, "Jupiter, the Bringer of Jollity", Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked "Andante Maestoso", perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem "I Vow to Thee, My Country" by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named "Thaxted", named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn "I Vow to The, My Country", other settings of this hymn tune also include "O God, Beyond All Praising", by Michael Perry in 1982 and "We Praise You and Acknowledge You, O God", a paraphrase of the "Te Deum Laudemus" by Stephen P. Starke in 1999.<br> Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Tenor Saxophone Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of "O God, Beyond All Praising" based on the "Andante Maestoso" section from "Jupiter, the Bringer of Jollity" from Gustav Holst's The Planets, will continue to entertain both performers and audiences alike for years to come.
$10.00
9.18 €
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Quintette de Saxophone: 5 saxophones
#
Gustav Holst (1874-1934)
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Regis Bookshar
#
O God, Beyond All Praising
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SheetMusicPlus
Joy to the World by for Baritone Sax Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Baritone Saxophone - Level 3 - Digital Download SKU…
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Saxophone Quintet,Woodwind Ensemble Baritone Saxophone - Level 3 - Digital Download SKU: A0.1317773 Composed by Isaac Watts and Lowell Mason. Arranged by Ander. Chamber,Christian,Christmas. 14 pages. Woods Only, Arrangements #906456. Published by Woods Only, Arrangements (A0.1317773). If you are looking for a sheet music of an arrangement of Joy to the World for Baritone Saxophone Quintet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
$9.99
9.18 €
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Quintette de Saxophone: 5 saxophones
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Isaac Watts and Lowell Mason
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Ander
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Joy to the World by for Baritone Sax Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Joy to the World by for Tenor Sax Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A…
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Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 3 - Digital Download SKU: A0.1317769 Composed by Isaac Watts and Lowell Mason. Arranged by Ander. Chamber,Christian,Christmas. 14 pages. Woods Only, Arrangements #906452. Published by Woods Only, Arrangements (A0.1317769). If you are looking for a sheet music of an arrangement of Joy to the World for Tenor Saxophone Quintet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
$9.99
9.18 €
#
Quintette de Saxophone: 5 saxophones
#
Isaac Watts and Lowell Mason
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Ander
#
Joy to the World by for Tenor Sax Quintet
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Woods Only, Arrangements
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SheetMusicPlus
Joy to the World by for Alto Sax Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone - Level 3 - Digital Download SKU: A0.1317763 Composed by Isaac Watts and Lowell Mason. Arranged by Ander. Chamber,Christian,Christmas. 14 pages. Woods Only, Arrangements #906446. Published by Woods Only, Arrangements (A0.1317763). If you are looking for a sheet music of an arrangement of Joy to the World for Alto Saxophone Quintet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
$9.99
9.18 €
#
Quintette de Saxophone: 5 saxophones
#
Isaac Watts and Lowell Mason
#
Ander
#
Joy to the World by for Alto Sax Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
Joy to the World by for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1317776 Co…
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Saxophone Quintet,Woodwind Ensemble - Level 3 - Digital Download SKU: A0.1317776 Composed by Isaac Watts and Lowell Mason. Arranged by Ander. Chamber,Christian,Christmas. 14 pages. Woods Only, Arrangements #906459. Published by Woods Only, Arrangements (A0.1317776). If you are looking for a sheet music of an arrangement of Joy to the World for Sax Quintet, then you will love this version that we made, which brings a new look to this classic Christmas carol. Joy to the World is one of the most famous and oldest Christian songs, written by the poet, preacher, theologian and pedagogue Isaac Watts in 1719, based on Psalm 98 of the Bible. The melody that we know today was adapted by the American composer Lowell Mason in 1848, from a work by George Frideric Handel. In this arrangement, we have some fun with the melody, changing rhythms, harmonies and counterpoints, to give a new and magical air to the song, but without losing the essence of the original work. This arrangement is perfect for use in any Christmas event, such as chamber music in recitals, concerts, public shows, or as teaching material and incentive for music students. You will be amazed by the beauty and creativity of this arrangement, which will delight everyone who listens. Do not waste time and get your sheet music of Joy to the World, and be part of the history of this wonderful song.
$9.99
9.18 €
#
Quintette de Saxophone: 5 saxophones
#
Isaac Watts and Lowell Mason
#
Ander
#
Joy to the World by for Saxophone Quintet
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Woods Only, Arrangements
#
SheetMusicPlus
Polly the Polyrhythmic Poltergeist, Halloween Duet for Trumpet and Alto Saxophone
Trompette, Saxophone (duo)
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download
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Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.592278 Composed by David McKeown. Children,Concert,Halloween,Rock,Standards. Score and parts. 4 pages. David McKeown #6356663. Published by David McKeown (A0.592278). Polly the Polyrhythmic Poltergeist is a fun and original duet written by David McKeown for one Trumpet and one Alto Saxophone. Polly the Polyrhythmic Poltergeist is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Alto Saxophone.Polly was unhappy with the noisy reputation that Poltergeists had acquired for random banging and clattering. So she now runs a band for young Poltergeists where they learn how to play funky rhythms in time with the beat.Polly the Polyrhythmic Poltergeist is suitable for players at an intermediate level and above. After an atonal and arrhythmic start, our young poltergeists settle into a rock groove with some syncopated rhythms in an accessible range and key. With a playing-time of around three minutes, Polly the Polyrhythmic Poltergeist is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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Trompette, Saxophone (duo)
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David McKeown
#
Polly the Polyrhythmic Poltergeist, Halloween Duet for Trumpet and Alto Saxophone
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David McKeown
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SheetMusicPlus
Polly the Polyrhythmic Poltergeist, Halloween Duet for Soprano Saxophone and Clarinet
Saxophone, Clarinette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Downloa…
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Instrumental Duet Clarinet,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.592272 Composed by David McKeown. Children,Concert,Halloween,Rock,Standards. Score and parts. 4 pages. David McKeown #6356651. Published by David McKeown (A0.592272). Polly the Polyrhythmic Poltergeist is a fun and original duet written by David McKeown for one Soprano Saxophone and Clarinet. Polly the Polyrhythmic Poltergeist is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Soprano Saxophone and Clarinet.Polly was unhappy with the noisy reputation that Poltergeists had acquired for random banging and clattering. So she now runs a band for young Poltergeists where they learn how to play funky rhythms in time with the beat.Polly the Polyrhythmic Poltergeist is suitable for players at an intermediate level and above. After an atonal and arrhythmic start, our young poltergeists settle into a rock groove with some syncopated rhythms in an accessible range and key. With a playing-time of around three minutes, Polly the Polyrhythmic Poltergeist is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
#
Saxophone, Clarinette (duo)
#
David McKeown
#
Polly the Polyrhythmic Poltergeist, Halloween Duet for Soprano Saxophone and Clarinet
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David McKeown
#
SheetMusicPlus
Polly the Polyrhythmic Poltergeist, Halloween Duet for Trumpet and Tenor Saxophone
Trompette, Saxophone (duo)
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download
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Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.592279 Composed by David McKeown. Children,Concert,Halloween,Rock,Standards. Score and parts. 4 pages. David McKeown #6356665. Published by David McKeown (A0.592279). Polly the Polyrhythmic Poltergeist is a fun and original duet written by David McKeown for one Trumpet and one Tenor Saxophone. Polly the Polyrhythmic Poltergeist is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Saxophone.Polly was unhappy with the noisy reputation that Poltergeists had acquired for random banging and clattering. So she now runs a band for young Poltergeists where they learn how to play funky rhythms in time with the beat.Polly the Polyrhythmic Poltergeist is suitable for players at an intermediate level and above. After an atonal and arrhythmic start, our young poltergeists settle into a rock groove with some syncopated rhythms in an accessible range and key. With a playing-time of around three minutes, Polly the Polyrhythmic Poltergeist is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
#
Trompette, Saxophone (duo)
#
David McKeown
#
Polly the Polyrhythmic Poltergeist, Halloween Duet for Trumpet and Tenor Saxophone
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David McKeown
#
SheetMusicPlus
Polly the Polyrhythmic Poltergeist, Halloween Duet for Flute and Alto Saxophone
Flûte, Saxophone (duo)
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download S…
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Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.592259 Composed by David McKeown. Children,Concert,Halloween,Rock,Standards. Score and parts. 4 pages. David McKeown #6356625. Published by David McKeown (A0.592259). Polly the Polyrhythmic Poltergeist is a fun and original duet written by David McKeown for one Flute and one Alto Saxophone. Polly the Polyrhythmic Poltergeist is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Flute and Alto Saxophone.Polly was unhappy with the noisy reputation that Poltergeists had acquired for random banging and clattering. So she now runs a band for young Poltergeists where they learn how to play funky rhythms in time with the beat.Polly the Polyrhythmic Poltergeist is suitable for players at an intermediate level and above. After an atonal and arrhythmic start, our young poltergeists settle into a rock groove with some syncopated rhythms in an accessible range and key. With a playing-time of around three minutes, Polly the Polyrhythmic Poltergeist is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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Flûte, Saxophone (duo)
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David McKeown
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Polly the Polyrhythmic Poltergeist, Halloween Duet for Flute and Alto Saxophone
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David McKeown
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SheetMusicPlus
Polly the Polyrhythmic Poltergeist, Halloween Duet for Clarinet and Tenor Saxophone
Saxophone, Clarinette (duo)
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download …
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Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.592251 Composed by David McKeown. Children,Rock,Standards. Score and parts. 4 pages. David McKeown #6356609. Published by David McKeown (A0.592251). Polly the Polyrhythmic Poltergeist is a fun and original duet written by David McKeown for one Clarinet and one Tenor Saxophone. Polly the Polyrhythmic Poltergeist is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Tenor Saxophone.Polly was unhappy with the noisy reputation that Poltergeists had acquired for random banging and clattering. So she now runs a band for young Poltergeists where they learn how to play funky rhythms in time with the beat.Polly the Polyrhythmic Poltergeist is suitable for players at an intermediate level and above. After an atonal and arrhythmic start, our young poltergeists settle into a rock groove with some syncopated rhythms in an accessible range and key. With a playing-time of around three minutes, Polly the Polyrhythmic Poltergeist is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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Saxophone, Clarinette (duo)
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David McKeown
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Polly the Polyrhythmic Poltergeist, Halloween Duet for Clarinet and Tenor Saxophone
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David McKeown
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SheetMusicPlus
Polly the Polyrhythmic Poltergeist, Halloween Duet for Clarinet and Alto Saxophone
Saxophone, Clarinette (duo)
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download
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Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - Digital Download SKU: A0.592250 Composed by David McKeown. Children,Concert,Halloween,Rock,Standards. Score and parts. 4 pages. David McKeown #6356607. Published by David McKeown (A0.592250). Polly the Polyrhythmic Poltergeist is a fun and original duet written by David McKeown for one Clarinet and one Alto Saxophone. Polly the Polyrhythmic Poltergeist is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Alto Saxophone.Polly was unhappy with the noisy reputation that Poltergeists had acquired for random banging and clattering. So she now runs a band for young Poltergeists where they learn how to play funky rhythms in time with the beat.Polly the Polyrhythmic Poltergeist is suitable for players at an intermediate level and above. After an atonal and arrhythmic start, our young poltergeists settle into a rock groove with some syncopated rhythms in an accessible range and key. With a playing-time of around three minutes, Polly the Polyrhythmic Poltergeist is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
3.66 €
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Saxophone, Clarinette (duo)
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David McKeown
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Polly the Polyrhythmic Poltergeist, Halloween Duet for Clarinet and Alto Saxophone
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David McKeown
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SheetMusicPlus
The First Noel for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Tradi…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.548504 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387401. Published by jmsgu3 (A0.548504). The First Noel arranged for Tenor Sax & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Alto Sax Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s. Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol. Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
22.92 €
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Saxophone Tenor et Piano
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Traditional
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James M
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The First Noel for Tenor Sax & Piano
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jmsgu3
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SheetMusicPlus
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Saxophone Q
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Le…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813714 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474551. Published by Regis Bookshar (A0.813714). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Saxophone Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone (which has the lead), he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement o.
$12.00
11.02 €
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Quintette de Saxophone: 5 saxophones
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Gustav Holst
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Regis Bookshar
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Jupiter
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Regis Bookshar
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SheetMusicPlus
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