This book and accompanying video provide a thorough introduction to flamenco guitar. What are the essential elements and techniques of flamenco guitar playing? How does one capture the real essence of authentic flamenco guitar? These are questions that Juan Martin, celebrated virtuoso flamenco guitarist and teacher, addresses in this first book of a projected three-volume series. The method is designed for the complete beginner and requires no prior knowledge of the guitar or flamenco music. It also provides invaluable insight and material for more advanced players who want to capture the essential sounds, rhythms and emotional power of true flamenco. The series begins with in-depth demonstrations of how the basic building blocks of flamenco guitar technique are used in actual flamenco music. The material then progresses to a detailed exploration of the individual rhythmic forms - the palos. In this book, the fundamental palos of Solea and Alegrias are presented to emphasize the basic rhythms and provide examples of falsetas - the melodic passages. Martin then shows how to apply these when collaborating with a dancer and singer. The music is transcribed in standard notation and tablature (cifra), and the online video contain over 3.5 combined hours of explanation and demonstrations. Provides a detailed introduction to basic techniques, using examples of authentic flamenco to show these techniques in action. Then progresses to demonstrations of the Solea and Alegrias, including music for the soloist and the guitar accompanying the dancing and singing. Includes access to online video.

ISBN 9781619118218.

The aim of this book is to gather in one place a compendium of techniques specific to the classical guitar. Each technique has a written explanation, preliminary exercises and two original compositions, providing the opportunity to use the techniques in a musical context. --Steve Marsh

Mel Bay Publications was founded on Mel's simple pretext of finding a need, and filling it. Mel Bay author, Steve Marsh, continues in that tradition with the publication of The Anthology of Classical Guitar Techniques, a highly original concept that fills a distinct need in the guitar study repertoire. Graded from lower intermediate to higher intermediate in difficulty, this anthology avoids fundamental skills known to most beginners and goes straight to intermediate-level techniques such as: arpeggio, barre, campanella, glissando, harmonics, pizzicato, rapid scales, rasgueado, tambour, tremolo, vibrato, and more. Each of the 32 techniques is illuminated with preliminary studies and two original compositions, all written in standard notation only. If you are ready to take the next step with the classical guitar, this book will improve your technique and musicianship in general, increase your ability to listen to yourself critically, and so lead to more productive practice sessions.

The Fundamentals of Jazz Theory is part one of a larger study entitled, ?Jazz, The Language of Music.? The first volume deals with all the necessary music theory one needs to improvise intelligently. Universities and conservatories have a normal two year program for just this study. This book deals only with the portions of music theory that is necessary to perform in a jazz venue.

This could be used in a class room situation or worked with privately by any jazz educator.

This book is for the serious student of jazz and will enlighten them to the necessary mechanics of music that they must know if they wish to pursue study in the art of improvisation.

ISBN 9781610658539. This is a beginning guitar method. The contents of this book present the fundamentals of playing guitar in a sequence making the material logical and easy to learn. The primary difference between this method and many others is that this book is written for seniors wanting to learn to play the guitar. While many would say that getting on in years is only a state of mind, the fact is that some of the body parts (including the eyes) don't function quite the same as they did in younger years. With this in mind, the font has purposely been enlarged. Care has been taken to select repertoire familiar and appealing to a more mature audience and attention has been given to the pacing of the material. Includes access to online audio.

ISBN 9781619117594.

The Mastering the Guitar Class Method Short Course has been written for use in guitar classes which last for nine weeks or less. Students will receive, in a condensed form, the same high quality, sequential material contained in the Mastering the Guitar Class Method. Although designed for a shorter course, great care has been taken to provide the students with a solid foundation in technique and the fundamentals of playing guitar. Contents include: holding position, chords, strum patterns, tuning, reading single note solos in tablature and standard notation, and ensembles all in a variety of music styles. The book also contains a section on playing the blues and writing original blues lyrics. Fifty five lesson plans are available on line at melbay.com and quizzes will also be made available. This text is ideal for the exploratory course and will provide the perfect springboard for further study.Checkout the Short Course Lesson Plans, and Teacher Supplement and Lesson Plans Free PDF. Also includes access to online audio.

ISBN 9781619117129.

Mel Bay's own method for the classic guitar, featuring a thorough grounding in the fundamentals of music and reading guitar notation, plus graded studies and pieces. This book presents classic guitar technique in a manner that anyone can easily follow. Musical and technical concepts are introduced gradually as needed throughout the text and driven home with ample musical illustrations. Information is provided on: basic right and left-hand techniques, reading standard notation, harmonics, and playing in various keys and positions. In addition to the many classical etudes included here by Aguado, Bach, Carcassi, Carulli, Diabelli, Giuliani, Sor, and others, Mel Bay has made a significant contribution to the student guitar repertoire by transcribing works by Bach, Brahms, Chopin, Mozart, Pleyel, Rubenstein, and others in the classical style. The pieces and exercises are arranged to progress systematically through various keys and playing positions. Written entirely in standard notation only.

ISBN 9781609744724. Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. The guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. For most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting. The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. The first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind: Experienced composers with a concern for writing idiomatically for the guitar. Guitarists who are commissioning a work from a composer who has never written for the instrument. Libraries that wish to add this essential sourcebook to their music reference section.The very structure of the book reflects the composer's own intuition by addressing such questions as: How is the guitar constructed? What does successful guitar music look like? How is the guitar played? How does the guitarist interpret music and express emotion? Which musical elements and gestures are most effective? How do these elements combine to create an effective pacing of idioms? By examining the parameters of successfully written pieces, The Composer's Desk Reference for the Classic Guitar provides an expedient resource of ideas and illustrations contributing to the fluency of both first-time and seasoned guitar composers.

ISBN 9781619114456. First Lessons Flamenco Guitar introduces the absolute basics of flamenco guitar. The book covers the fundamentals of reading music, including note and rest values, reading guitar tablature, finger names for the left and right hands, the names of guitar parts, and basic flamenco techniques and rhythms. This book and accompanying audio are meant for beginners who would like to familiarize themselves with the world of flamenco. Each lesson is accompanied by an audio track so students can hear what they are learning. Some online audio examples include different tempos for the same technique. First Lessonsr Flamenco Guitar will provide the base from which students can advance in their flamenco studies.