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--INSTRUMENTS--
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Furious Five
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--INSTRUMENTS--
ACCORDEON
ALTO
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BANJO
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Vous avez sélectionné:
Furious Five
Partitions à imprimer
11 partitions trouvées
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1
Melle Mel,Grandmaster Flash & The Furious Five : White Lines (Don't Don't Do It) - Version originale (niveau intermédiaire)
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Basse electrique
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INTERMÉDIAIRE
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Melle Mel,Grandmaster Flash &a
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White Lines
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Tomplay
Telechargez la tablature et la partition Basse White Lines (Don't Don't Do It) - Version originale (niveau intermediaire) de Grandmaster Flash & T...
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Telechargez la tablature et la partition Basse White Lines (Don't Don't Do It) - Version originale (niveau intermediaire) de Grandmaster Flash & The Furious Five. Tab pour Basse avec band -- Rap et Hip Hop
5.99€
Melle Mel,Grandmaster Flash & The Furious Five : White Lines (Don't Don't Do It) (niveau débutant)
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Basse electrique
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DÉBUTANT
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Melle Mel,Grandmaster Flash &a
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White Lines
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Tomplay
Telechargez la tablature et la partition Basse White Lines (Don't Don't Do It) (niveau debutant) de Grandmaster Flash & The Furious Five. Tab pour...
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Telechargez la tablature et la partition Basse White Lines (Don't Don't Do It) (niveau debutant) de Grandmaster Flash & The Furious Five. Tab pour Basse avec band -- Rap et Hip Hop
5.99€
The Message by Grandmaster Flash & The Furious Five Drive - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Grandmaster Flash & The Furiou
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The Message
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Musicnotes
Performed by: Grandmaster Flash & The Furious Five Drive: The Message Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloada...
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Performed by: Grandmaster Flash & The Furious Five Drive: The Message Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Piano;Guitar;Voice; 6 pages -- Rap~~Hip Hop~~Old School Rap
$5.50
Carson Cooman: Biblicals: Concerto for Solo Piano
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Piano seul
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AVANCÉ
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Carson Cooman
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Carson Cooman: Biblicals: Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music...
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Piano Solo - Level 5 - SKU: A0.533692 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Sacred,Standards. Score. 17 pages. Musik Fabrik Music Publishing #3038635. Published by Musik Fabrik Music Publishing (A0.533692). Biblicals: Concerto for Solo Piano in Five Movements (1998) was commissioned from thecomposer by an anonymous benefactor for pianist Kathleen Supové in tribute of her tirelesssupport of new music.The work is in five movements, each inspired by a different biblical quotation which isquoted in the score before each movement. If possible, these passages should be printed inthe program or read aloud before the performance of the work. Each movement isprogrammatic only in an internal sense. While the movements do not attempt to directlyportray the action of the passage in a storybook sense, they do attempt to capture the overallaffect of the verse. The form of the work is as a concerto for solo piano drawing on a titlethat has been used in the past by numerous composers. Likewise, although the work does notinvolve an orchestra, I have titled it concerto because it contains elements of a concerto solopart and because of the virtuosity required to perform the work. The work explores a widerangeof styles from quasi-lyrical to highly chromatic. Throughout, the work has a rhythmicintensity which should be observed by the performer.The first movement, Hovering Over the Waters, makes use of an irregular rhythmic patternintroduced in the opening measure and used throughout the work. Irregular and nervousrhythms using chromatic intervals pervade the entire movement.The second movement, Baldhead, is a forceful and loud movement making use of the clashbetween diatonic and pentatonic clusters. It is relentless in its pounding energy, irregularrhythms, and volume. This movement is dedicated to American composer Daniel Pinkhamon the occasion his 75th birthday in 1998. The connection of this movement to Pinkhamcomes in the superimposition of pentatonic and diatonic clusters, a technique used so well inone of my favorite Pinkham works, Blessings for Organ (1978).The third movement, Forgiven and Free, presents a tranquil scene involving the building ofchords, standard and otherwise, through the adding of tones one at a time. Brief chromaticmelodies appear and then disappear quickly.The fourth movement, Under the Sun, makes use of a motive involving four chords over a lefthand bass consisting of a major-tenth chord. This motive appears throughout the movement,constantly breaking in and interrupting the action. A variety of irregular rhythmic motivesappear throughout as a contrast to the main motive with its strict rhythm. Quotes of nurseryrhyme tunes are hidden throughout the movement as well in various forms.The fifth movement, The Seventh Angel, is a fast and furious tarantella. As the movementflies by a variety of musical ideas emerge and then disappear into the main motive again.The music continues to get faster and faster and finally the movement ends with a furiousprogression from the bottom to top of the piano and then a thunderous unison chord in thelower register.
$16.95
Polarities
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Contemporain
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Kristian S Rodriguez
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Polarities
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Kristian S. Rodriguez
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.1023334 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Score and parts. 15 pages. Kristian S. Rodriguez...
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Small Ensemble - Level 3 - SKU: A0.1023334 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Score and parts. 15 pages. Kristian S. Rodriguez #5191591. Published by Kristian S. Rodriguez (A0.1023334). Five reed instruments play together, but the alto saxophone, knowing a world outside this classical-style reed quintet, chafes under the conformity and briefly plays a solo before returing to the fold. This alternation between the quintet playing together and the sax interrupting with a solo continues, causing tensions to boil. Both the ensemble sections and the solo sections become more chaotic, before the whole ensemble breaks from its constraints and begins playing in a bebop style. The oboe tries to restore order, however, and one by one, the other instruments other than the sax return to their initial classical-style playing, choosing to play the initial section in reverse. The sax, furious, rages at the other instruments to broaden their thinking, and in response, each instrument introduces its own, unique solo. The oboe is the last to join in the fun, but gives in at last, before all five instruments make one final outburst at the end of the piece.
$4.99
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
The Godfather Tarantella
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Carmen Coppola
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The Godfather Tarantella
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Uwe Roessler
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1098300 Composed by Carmen Coppola. Arranged by Uwe Roessler Rössler Ra...
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - SKU: A0.1098300 Composed by Carmen Coppola. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Film/TV,Multicultural,Wedding,World. Score and parts. 10 pages. Uwe Roessler #702179. Published by Uwe Roessler (A0.1098300). From the movie „The Godfather“: a fast and furious tarantella – very rewarding, and a fun to play! Comes with full score, as well as individual parts for all five instruments. Minimal instrumentation: Violin1, Cello, piano. Have fun with my arrangements! And browse through my arrangements with other cover versions for piano trio, quartet, and quintet.
$20.00
Hate Is Not Stronger
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Kat Felicis Ioco
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Hate Is Not Stronger
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Kat Felicis Ioco Productions LLC
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.993095 Composed by Kat Felicis Ioco. 20th Century,Classical,Contest,Festival. Score. 7 pages. Kat Felicis Ioco Production...
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Piano Solo - Level 4 - SKU: A0.993095 Composed by Kat Felicis Ioco. 20th Century,Classical,Contest,Festival. Score. 7 pages. Kat Felicis Ioco Productions LLC #6428093. Published by Kat Felicis Ioco Productions LLC (A0.993095). Hate Is Not Stronger displays the hope of what can be, the melancholy of what is, and the tension that arises from holding both at the same time.Lasting approximately five and a half minutes (~5:30 min.), Hate Is Not Stronger floats and pounds with both simple and technically demanding passages before culminating with a somewhat furious and bombastic ending that echoes into the ether. It remains highly melodic and impassioned throughout the entire piece. It is appropriate for a wide variety of contexts, including competitions.Note that this piece uses sostenuto pedal.
$4.99
Piano Suite #1 (Ancient Scenes)
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Piano seul
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AVANCÉ
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Contemporain
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James Domine
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Piano Suite #1
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976506 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 49 pages. Earth Music, Ltd. #2081751. Publishe...
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Piano Solo - Level 5 - SKU: A0.976506 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 49 pages. Earth Music, Ltd. #2081751. Published by Earth Music, Ltd. (A0.976506). Based on the myth of Taliesin, the Ancient Scenes concert suite is made up of five piano solo arrangements extracted from the Legend complete ballet. These are the Invocation, Processional March, Fire Dance, Snake Dance (The Oracular Serpent) and Bacchanal. The music of the Invocation prepares for the reenactment of the myth of the Sun King, whose life and subsequent sacrifice is executed to placate the wrath of the Moon Goddess. According to legendary accounts, King Maelgwynhad determined to offer Taliesin as the sacrificial victim, and led him off in chains to the cadence of the Processional March to the dungeon at Dyganwy where along with Prince Elphin he was imprisoned. The King caused a great sacrificial funeral pyre to be built, stacked high with wood and stoked by burning embers taken from a fir tree, still smoldering from a winter’s storm lightning strike. The people of Gwynedd leapt in a furious sacrificial Fire Dance as Taliesin was brought enmeshed in a wicker cage to the edge of the pyre. A great snake appeared before the fire, coiling threateningly, and rearing up with a fearful hiss, spoke to Taliesin as the Snake Dance unfolds: Can you answer the riddle of the oracular serpent? As soon as Taliesin answered the correct mysterious formula in secret words only audible to the snake, the flames of the pyre roared back into life, and the serpent disappeared into fire to the sound of drums pounding an inexorable rhythm. King Maelgwyn was seized by his own soldiers and thrown without ceremony on the burning maelstrom, and led by the High Priest and the Council of Elders, Taliesin was proclaimed Sun King, who will reign for a period of seven years. All join in a great Bacchanal in celebration of the preservation of order in the universe.
$14.99
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99
Furious Five
Hand Percussion,Percussion Ensemble,Buckets and small percussion
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Enfant
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Sue Morris
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Furious Five
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Sue Morris
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SheetMusicPlus
Composed by Sue Morris. Classroom, General Instructional, Activities and Games. Score, Set of Parts. 22 pages. Published by Sue Morris (S0.214853). - Score,Set ...
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Composed by Sue Morris. Classroom, General Instructional, Activities and Games. Score, Set of Parts. 22 pages. Published by Sue Morris (S0.214853). - Score,Set of Parts - Classroom,General Instructional,Activities and Games - Sue Morris
$3.99
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Furious Five
