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G Half Diminished Scale
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--INSTRUMENTS--
ACCORDEON
ALTO
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BASSON
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CORNET
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G Half Diminished Scale
Partitions à imprimer
5 partitions trouvées
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G Half Diminished Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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G Half Diminished Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1287280 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1287280 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #878296. Published by Danny Crocome Music (A0.1287280). This info sheet shows guitarists 4 different ways to play the G Half Diminished Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe G Half Diminished scale is the sixth mode of the Bb Melodic Minor scale.The sheet also shows how to play the diatonic chords of the G Half Diminished Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
G# Half Diminished Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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G# Half Diminished Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1287471 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1287471 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #878492. Published by Danny Crocome Music (A0.1287471). This info sheet shows guitarists 4 different ways to play the G# Half Diminished Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe G# Half Diminished scale is the sixth mode of the B Melodic Minor scale.The sheet also shows how to play the diatonic chords of the G# Half Diminished Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
E Half Diminished Scale (4 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Traditional
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Danny Crocome
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E Half Diminished Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1286540 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. ...
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Guitar - Level 3 - SKU: A0.1286540 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Multicultural,Traditional,World. Guitar Tab. 1 pages. Danny Crocome Music #877599. Published by Danny Crocome Music (A0.1286540). This info sheet shows guitarists 4 different ways to play the E Half Diminished Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingeringThe E Half Diminished scale is the sixth mode of the G Melodic Minor scale.The sheet also shows how to play the diatonic chords of the E Half Diminished Scale. A useful resource for those looking to learn about this interesting sounding scale.
$2.00
G Tetrad Arpeggios for Guitar
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Traditional
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Danny Crocome
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G Tetrad Arpeggios for Guitar
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1486657 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Instructional,Jazz,Pop,Rock. Guitar Tab. 6 pages. Da...
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Guitar - Level 3 - SKU: A0.1486657 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Instructional,Jazz,Pop,Rock. Guitar Tab. 6 pages. Danny Crocome Music #1063722. Published by Danny Crocome Music (A0.1486657). This series teaches guitarists how to play 3-octave arpeggios and corresponding chords for the following 12 kinds of 4-note G chords:1. G62. G minor 63. G major 74. G minor 75. G dominant 76. G diminished 77. G minor 7 flat 5 (a.k.a. G half diminished 7th)8. G minor major 79. G major 7 #510. G dominant 7 #511. G dominant 7 flat 512. G dominant 7 sus4.Each exercise includes the notes and scale construction info for each 4-note chord. Note names, fingering and picking written into the score. In standard notation and TAB. An incredible resource for guitarists looking to further their knowledge of the more advanced chord types used in the jazz, classical, and progressive rock genres.
$8.99
The Concise String Method, Book 2- Teacher's Score
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Orchestre à Cordes
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FACILE
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Methodes
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Mark W
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The Concise String Method, Boo
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Mark Wayne Music, LLC
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Publi...
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String Orchestra - Level 2 - SKU: A0.808194 Composed by Mark W. Huxhold. Instructional. Score and parts. 68 pages. Mark Wayne Music, LLC #3489363. Published by Mark Wayne Music, LLC (A0.808194). Developed by a String Specialist for the String Specialist by Mark W. Huxhold (Who's Who Among America's Teachers- 2000, 2005, 2006) I developed this method over a 20 year period as a school orchestra teacher faced with ever diminishing classroom instructional time. My goal was to preserve and articulate the scope and sequence of the curriculum in a concise and efficient manner. This method is intended to foster music reading skills from the beginning when used in conjunction with teacher initiated rote and modeling teaching techniques. Book 2 continues in standard portrait format at 100% scale. Curriculum Scope & Sequence Prerequisite: Book 1 or 1st position (bass 1st & 3rd pos.) on A and D strings. D major, Common time. Eighth, quarter and half notes. Detáche and whole bowing. Technique: Position:violin/viola-1st position (viola half pos.), cello- 1st and extended position, bass- half, 1st, 2nd, 3rd, 3 1/2 position. Bowing: Slurs, Richochet Keys: G, C, F/d, Bb/g, Eb/c, A/f#, b, e, a Rhythm Time signatures: 2/4, 3/4, 6/8 Notes/Rests: whole, eight, dotted half, sixteenth, dotted quarter & eight, eighth & quarter triplets Concerning the Double BassMy experience as a classroom teacher and a bassist has convinced me that a beginning bassist develops best in a heterogeneous string class when playing the same contour as the other instruments. This is achieved by introducing the bassist to 3rd position when the other instruments learn C# and D on the A string. I do advocate marking 3rd position on the fingerboard. Another benefit is that the bassist is able to develop good tone production and intonation more easily on the higher 2 strings.
$3.99
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G Half Diminished Scale