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Crtitères actifs :
G Ionian to G Locrian
Partitions à imprimer
12 partitions trouvées
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1
G Ionian to G Locrian (Playing Through the Seven 'G' Modes)
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Traditional
#
Danny Crocome
#
G Ionian to G Locrian
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Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1329535 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 p...
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Guitar - Level 3 - SKU: A0.1329535 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 pages. Danny Crocome Music #917518. Published by Danny Crocome Music (A0.1329535). These info sheets show guitarists how to play all of the seven modes, starting from the root note G.1. G Ionian (also known as the G Major Scale)2. G Dorian (2nd mode of F Ionian)3. G Phrygian (3rd mode of Eb Ionian)4. G Lydian (4th mode of D Ionian)5. G Mixolydian (5th mode of C Ionian)6. G Aeolian (6th mode of Bb Ionian)7. G Locrian (7th mode of Ab Ionian)The exercise plays through each of the 7 modes in order, before returning in reverse sequence. All modes shown are full 2-octave patterns, with note names, picking and fingering written into the score. Backing track included for play-along purposes. An excellent resource for learning how to play the various G modes, and to incorporate more tonal color into ones guitar playing.
$8.99
C Ionian to C Locrian (Playing Through the Seven 'C' Modes)
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Traditional
#
Danny Crocome
#
C Ionian to C Locrian
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1329155 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 p...
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Guitar - Level 3 - SKU: A0.1329155 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 pages. Danny Crocome Music #917130. Published by Danny Crocome Music (A0.1329155). These info sheets show guitarists how to play all of the seven modes, starting from the root note C.1. C Ionian (also known as the C Major Scale)2. C Dorian (2nd mode of Bb Ionian)3. C Phrygian (3rd mode of Ab Ionian)4. C Lydian (4th mode of G Ionian)5. C Mixolydian (5th mode of F Ionian)6. C Aeolian (6th mode of Eb Ionian)7. C Locrian (7th mode of Db Ionian)The exercise plays through each of the 7 modes in order, before returning in reverse sequence. All modes shown are full 2-octave patterns, with note names, picking and fingering written into the score. Backing track included for play-along purposes. An excellent resource for learning how to play the various C modes, and to incorporate more tonal color into ones guitar playing.
$8.99
B Ionian to B Locrian (Playing Through the Seven 'B' Modes)
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Traditional
#
Danny Crocome
#
B Ionian to B Locrian
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1329058 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 p...
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Guitar - Level 3 - SKU: A0.1329058 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 pages. Danny Crocome Music #917029. Published by Danny Crocome Music (A0.1329058). These info sheets show guitarists how to play all of the seven modes, starting from the root note B.1. B Ionian (also known as the B Major Scale)2. B Dorian (2nd mode of A Ionian)3. B Phrygian (3rd mode of G Ionian)4. B Lydian (4th mode of F# Ionian)5. B Mixolydian (5th mode of E Ionian)6. B Aeolian (6th mode of D Ionian)7. B Locrian (7th mode of C Ionian)The exercise plays through each of the 7 modes in order, before returning in reverse sequence. All modes shown are full 2-octave patterns, with note names, picking and fingering written into the score. Backing track included for play-along purposes. An excellent resource for learning how to play the various B modes, and to incorporate more tonal color into ones guitar playing.
$8.99
E Ionian to E Locrian (Playing Through the Seven 'E' Modes)
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Traditional
#
Danny Crocome
#
E Ionian to E Locrian
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1329525 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 p...
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Guitar - Level 3 - SKU: A0.1329525 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 pages. Danny Crocome Music #917508. Published by Danny Crocome Music (A0.1329525). These info sheets show guitarists how to play all of the seven modes, starting from the root note E.1. E Ionian (also known as the E Major Scale)2. E Dorian (2nd mode of D Ionian)3. E Phrygian (3rd mode of C Ionian)4. E Lydian (4th mode of B Ionian)5. E Mixolydian (5th mode of A Ionian)6. E Aeolian (6th mode of G Ionian)7. E Locrian (7th mode of F Ionian)The exercise plays through each of the 7 modes in order, before returning in reverse sequence. All modes shown are full 2-octave patterns, with note names, picking and fingering written into the score. Backing track included for play-along purposes. An excellent resource for learning how to play the various E modes, and to incorporate more tonal color into ones guitar playing.
$8.99
A Ionian to A Locrian (Playing Through the Seven 'A' Modes)
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Traditional
#
Danny Crocome
#
A Ionian to A Locrian
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1327473 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 p...
(+)
Guitar - Level 3 - SKU: A0.1327473 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 pages. Danny Crocome Music #915518. Published by Danny Crocome Music (A0.1327473). These info sheets show guitarists how to play all of the seven modes, starting from the root note A.1. A Ionian (also known as the A Major Scale)2. A Dorian (2nd mode of G Ionian)3. A Phrygian (3rd mode of F Ionian)4. A Lydian (4th mode of E Ionian)5. A Mixolydian (5th mode of D Ionian)6. A Aeolian (6th mode of C Ionian)7. A Locrian (7th mode of Bb Ionian)The exercise plays through each of the 7 modes in order, before returning in reverse sequence. All modes shown are full 2-octave patterns, with note names, picking and fingering written into the score. Backing track included for play-along purposes. An excellent resource for learning how to play the various A modes, and to incorporate more tonal color into ones guitar playing.
$8.99
D Ionian to D Locrian (Playing Through the Seven 'D' Modes)
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Traditional
#
Danny Crocome
#
D Ionian to D Locrian
#
Danny Crocome Music
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1329495 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 p...
(+)
Guitar - Level 3 - SKU: A0.1329495 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Instructional,Jazz,Rock,Traditional. Guitar Tab. 3 pages. Danny Crocome Music #917477. Published by Danny Crocome Music (A0.1329495). These info sheets show guitarists how to play all of the seven modes, starting from the root note D.1. D Ionian (also known as the D Major Scale)2. D Dorian (2nd mode of C Ionian)3. D Phrygian (3rd mode of Bb Ionian)4. D Lydian (4th mode of A Ionian)5. D Mixolydian (5th mode of G Ionian)6. D Aeolian (6th mode of F Ionian)7. D Locrian (7th mode of Eb Ionian)The exercise plays through each of the 7 modes in order, before returning in reverse sequence. All modes shown are full 2-octave patterns, with note names, picking and fingering written into the score. Backing track included for play-along purposes. An excellent resource for learning how to play the various D modes, and to incorporate more tonal color into ones guitar playing.
$8.99
Prelude 6 in G Minor Dorian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 23 in G Major Lydian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
#
Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Prelude 16 in G# Minor Phrygian
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Brian Golden
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Brian Golden
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Prelude 16 in G# Minor Phrygia
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Brian Golden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden ...
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Piano Solo - Level 4 - SKU: A0.1248575 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 8 pages. Brian Golden #843067. Published by Brian Golden (A0.1248575). Prelude 16 in G# Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
Modal Moods
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Harpe
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INTERMÉDIAIRE
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Darhon Rees-Rohrbacher
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Modal Moods
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Afghan Press Music for the Harp
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SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score...
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Lever Harp - Level 3 - SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score. 22 pages. Afghan Press Music for the Harp #878476. Published by Afghan Press Music for the Harp (A0.1287455). Seven Original Compositions In Varied Styles Based On Seven Modal Scales For All Harps (Lever or Pedal) With Guitar ChordsTable of Contents1. Ionian Intonation 12. Dorian Delight 33. Phrygian Phrolic 54. Lydian Lilt 75. Mixolydian Mirth 96. Aeolian Aire 117. Locrian Lament 13These tunes may be played on lever harps with an Eb, Bb, F, or C tuning or on any pedal harp. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. If desired, the length of each piece can be lengthened by repeating some sections; section divisions are indicated by light double bar lines. Many people are unaccustomed to hearing tunes based on modes other than the Ionian or Aeolian. Therefore, you may find some of the melodic contours or harmonies to be unusual, unexpected, or even uncomfortable. There are only three lever changes in this entire book – and they all occur on the last note of the piece. Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minoradjustments.Dynamics, fingering, and metronome markings are provided throughout as an aid to performance. However, the harper should use whatever dynamics, fingerings, and tempos suit them, no matter what this book indicates! The maximum range needed for each piece is only 26 strings (3.5 octaves) from low C to high G. Therefore, it can be played on a small harp encompassing that range. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten glissandos as needed.
$10.00
Quirky Tunes in Unique Keys for Piano Solo
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Piano seul
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AVANCÉ
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Contemporain
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Kevin G
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Quirky Tunes in Unique Keys fo
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Kevin G. Pace
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.702243 Composed by Kevin G. Pace (ASCAP). 20th Century,Contemporary. Score. 43 pages. Kevin G. Pace #5984083. Published b...
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Piano Solo - Level 5 - SKU: A0.702243 Composed by Kevin G. Pace (ASCAP). 20th Century,Contemporary. Score. 43 pages. Kevin G. Pace #5984083. Published by Kevin G. Pace (A0.702243). Quirky Tunes in Unique Keys for Piano Solo is a collection of 22 really fun, unique piano solos of moderate to advanced difficulty. Each piece is based in a unique and uncommon key such as the Ionian b2, Aeolian b4, Major Locrian, Two Semitone Tritone, Mixolydian b2, Octatonic, etc. Very fun, unique, accessible piano solos for the moderately advanced pianist.
$7.95
SEVEN ANCIENT GREEK TUNES IN SEVEN MODES ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗΝΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟΝ&T
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Trad, Alan Edgar, Euripides
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SEVEN ANCIENT GREEK TUNES IN S
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Alan Edgar Ted Moon
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1296046 Composed by Trad, Alan Edgar, Euripides. Early Music,Folk,Historic,Traditional. 24 pages. Alan...
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String Quartet String Quartet - Level 2 - SKU: A0.1296046 Composed by Trad, Alan Edgar, Euripides. Early Music,Folk,Historic,Traditional. 24 pages. Alan Edgar Ted Moon #886315. Published by Alan Edgar Ted Moon (A0.1296046). ΕΠΤΑ ΑΡΧΑΙΑ ΕΛΛΗÎΙΚΑ ΜΟΥΡΗ ΣΕ ΕΠΤΑ ΜΟÎΤΕΣ για ΚουαÏÏ„Îτο ΕγχόÏδων. The Seikilos epitaph. While you live, shine!. It is engraved on a pillar from the 1st or 2nd century CE. The melody Dorian: the harmony, as in all of these pieces, is mine. Garifolia (Carnation) Do you love me, my Carnation, or are you laughing at me?†“I love you, my Basil, I don’t laugh at youâ€. This song is Phrygian with characteristic 7/8 metre. KαÏπαθιωτικος. Karpathiotikos. About supplying olives. Aeolian.  ΓεÌννηση (Génnisi, Nativity)--a Greek Orthodox chant which may date back to the 4th Century Christ is born today. Mixolydian.Â Î‘Ï€Î¿Ì Ï„Î·Î½ ποÌÏτα (I walk past your door) so you can see me and be glad. I have made this traditional tune Lydian. Orestes  408 BC in Egypt. it is part of a chorus of Euripides’ tragedy. Locrian.  I weep, I weep. Kali chronia (Happy New Year) Beautiful girls have come to bring us a Happy New Year. One sweetly whistles, another sings. Ionian. 10 minutes.
$21.00
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G Ionian to G Locrian
