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G Major Pentatonic Scale
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G Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1170475 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1170475 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #770844. Published by Danny Crocome Music (A0.1170475). This info sheet shows guitarists five separate positions for playing the notes of the G Major Pentatonic Scale.1. Starting from the root note (G)2. Starting from the 2nd (A)3. Starting from the 3rd (B)4. Starting from the 5th (D)5. Starting from the 6th (E).
$2.00
1.83 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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G Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
The Big Book of Pentatonics & Fourths
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,P…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Flute,Guitar,Horn,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Violin - Level 4 - Digital Download SKU: A0.829078 Composed by Eric Bolvin. Blues,Instructional,Jazz. Score and parts. 92 pages. ERIC V BOLVIN #3580507. Published by ERIC V BOLVIN (A0.829078). The Big Book of Pentatonics & Fourths is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion.DescriptionA pentatonic scale is any group of five notes that cover the span of an octave. There are literally hundreds of pentatonic scales in Western music, and hundreds more that use alternate tunings.The Big Book of Pentatonics & Fourths will focus on the most common pentatonic scale, the major pentatonic and its relative minor. In the key of C the notes of the major pentatonic are: C D E G A. If you start on C and go up in perfect 5ths, you will get all the notes of the major pentatonic. The relative minor scale in A minor is A C D E G. If you start on E and go up in perfect 4ths, you will get the minor pentatonic in A.This book is a series of four and six note groups that are developed into chromatic and diatonic lines. The concept of note groups was presented to me by the great pianist Hal Galper at the Jamey Aebersold clinic in 1980. I was young at the time but was hip to pentatonics so his ideas stayed with me and I’ve expanded on them in my own fashion. You should watch the video that goes with this book for more detailed instruction on how to properly practice the exercises.
$19.95
18.25 €
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Eric Bolvin
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The Big Book of Pentatonics & Fourths
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ERIC V BOLVIN
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SheetMusicPlus
C# Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1171271 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1171271 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771610. Published by Danny Crocome Music (A0.1171271). This info sheet shows guitarists five separate positions for playing the notes of the C# Major Pentatonic Scale.1. Starting from the root note (C#)2. Starting from the 2nd (D#)3. Starting from the 3rd (E#)4. Starting from the 5th (G#)5. Starting from the 6th (A#).
$2.00
1.83 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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C# Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
E Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1170526 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1170526 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #770896. Published by Danny Crocome Music (A0.1170526). This info sheet shows guitarists five separate positions for playing the notes of the E Major Pentatonic Scale.1. Starting from the root note (E)2. Starting from the 2nd (F#)3. Starting from the 3rd (G#)4. Starting from the 5th (B)5. Starting from the 6th (C#).
$2.00
1.83 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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E Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
Bb Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1171283 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1171283 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771622. Published by Danny Crocome Music (A0.1171283). This info sheet shows guitarists five separate positions for playing the notes of the Bb Major Pentatonic Scale.1. Starting from the root note (Bb)2. Starting from the 2nd (C)3. Starting from the 3rd (D)4. Starting from the 5th (F)5. Starting from the 6th (G).
$2.00
1.83 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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Bb Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
F Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1171274 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1171274 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771613. Published by Danny Crocome Music (A0.1171274). This info sheet shows guitarists five separate positions for playing the notes of the F Major Pentatonic Scale.1. Starting from the root note (F)2. Starting from the 2nd (G)3. Starting from the 3rd (A)4. Starting from the 5th (C)5. Starting from the 6th (D).
$2.00
1.83 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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F Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
B Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1170958 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1170958 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771297. Published by Danny Crocome Music (A0.1170958). This info sheet shows guitarists five separate positions for playing the notes of the B Major Pentatonic Scale.1. Starting from the root note (B)2. Starting from the 2nd (C#)3. Starting from the 3rd (D#)4. Starting from the 5th (F#)5. Starting from the 6th (G#).
$2.00
1.83 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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B Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
F# Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1171253 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1171253 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771591. Published by Danny Crocome Music (A0.1171253). This info sheet shows guitarists five separate positions for playing the notes of the F# Major Pentatonic Scale.1. Starting from the root note (F#)2. Starting from the 2nd (G#)3. Starting from the 3rd (A#)4. Starting from the 5th (C#)5. Starting from the 6th (D#).
$2.00
1.83 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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F# Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
Eb Major Pentatonic Scale (Five Positions)
Guitare notes et tablatures
Guitar - Level 1 - Digital Download SKU: A0.1171663 Composed by Traditional. Arrang…
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Guitar - Level 1 - Digital Download SKU: A0.1171663 Composed by Traditional. Arranged by Danny Crocome. 20th Century,Contemporary,Instructional,Rock,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #771941. Published by Danny Crocome Music (A0.1171663). This info sheet shows guitarists five separate positions for playing the notes of the Eb Major Pentatonic Scale.1. Starting from the root note (Eb)2. Starting from the 2nd (F)3. Starting from the 3rd (G)4. Starting from the 5th (Bb)5. Starting from the 6th (C).
$2.00
1.83 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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Eb Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
5 Scale Forms for Guitar
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Bri…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
$1.99
1.82 €
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Guitare notes et tablatures
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Brian Streckfus
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Brian Streckfus
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5 Scale Forms for Guitar
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Brian Streckfus
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SheetMusicPlus
Pentatonic Scale Exercises in G - Treble Clef
Small Ensemble Flute,Guitar,Violin,Xylophone - Level 3 - Digital Download SKU: A0.88423…
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Small Ensemble Flute,Guitar,Violin,Xylophone - Level 3 - Digital Download SKU: A0.884234 Composed by Halley Feaster. Contemporary,Instructional. Score and parts. 1 pages. Halley Feaster #4802323. Published by Halley Feaster (A0.884234). This is a page of pentatonic scale exercises for a treble clef instrument, such as Violin, Flute, Guitar, upper Mallet Percussion - basically, if you can read it you can use it!This includes exercises in G Major Pentatonic, and G Minor Pentatonic, with bowings/phrasings and everything clearly labeled.This can help you get faster at improvisation and getting to know the finger patterns for G Major and Minor Pentatonic keys.Enjoy!
$4.99
4.56 €
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Halley Feaster
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Pentatonic Scale Exercises in G - Treble Clef
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Halley Feaster
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SheetMusicPlus
Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
Trompette
Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etu…
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Trumpet - Advanced Intermediate - Digital Download Composed by Eddie Lewis. Method, Etudes and Exercises, General Instructional, Technique Training. 65 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization Introduction Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series. Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians. That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example: E - A - D - G - C Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale: C - D - E - G - A For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale. Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales. Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.Trumpet Pro Pentatonic Tonalization
Introduction
Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.
Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a \"jazz thing.\" Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.
That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let\'s look at the C pentatonic as an example:
E - A - D - G - C
Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:
C - D - E - G - A
For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.
Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.
Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.
$14.99
13.71 €
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Trompette
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Eddie Lewis
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Pentatonic Tonalization Studies - Pro Level - by Eddie Lewis
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Tiger Music
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SheetMusicPlus
C Major Pentatonic Scale - Five Positions for the C Major Pentatonic Scale (C D E G A)
Guitare notes et tablatures
Composed by Traditional. Arranged by Danny Crocome. 20th Century, Contemporary, Inst…
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Composed by Traditional. Arranged by Danny Crocome. 20th Century, Contemporary, Instructional, Rock, Traditional. Guitar Tab. 1 pages. Danny Crocome Music #770821. Published by Danny Crocome Music
$2.00
1.83 €
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Guitare notes et tablatures
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Traditional
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Danny Crocome
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C Major Pentatonic Scale - Five Positions for the C Major Pentatonic Scale
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Danny Crocome Music
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SheetMusicPlus
THE DEEP for solo DOUBLE BASS
Contre Basse
Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Ed…
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00
18.29 €
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Contre Basse
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Alan Edgar
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THE DEEP for solo DOUBLE BASS
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Alan Edgar Ted Moon
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SheetMusicPlus
Notturno in Gb Major of Ottorino Respighi
Piano seul
Composed by Respighi, O. Arranged by Michael Bomier. Concert, Romantic Period, Standard…
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Composed by Respighi, O. Arranged by Michael Bomier. Concert, Romantic Period, Standards. Score. 9 pages. Michael Butkus-Bomier #3622741. Published by Michael Butkus-Bomier
Notturno is simply "nocturne" with an Italian aroma. Bella Vita, eh! Many concert works in the standard repertoire are placed in keys with five flats of sharps or more, as this piece illustrates. The reason for this is not mere "virtuosity" or even intellectual hubris. The black-keys afford an access to many kinds of gestures that alternate between the black and white keys, for two hands, in a way that placement in C, F or G simply do not provide. Having the hands in and up over the black keys affords, as in this case, an easy alternation between an upper and lower hand gesture, without having to be in the same keyplane. Why are the black keys easier for this, you might ask, since they are ALSO in a uniform plane? The white keys have no diatonic gaps, but the black keys, forming a pentatonic scale with two gaps, does indeed afford just such a place to place these sorts of piano-drumming gestures. The main distinguishing feature of our setting here is the elimination of this top melody tone, which dies so fast,and yet in standard editions gets smeared across the top of many lines like excess frosting that has already been eaten. Our edition shows when each gesture begins, and does NOT emphasize how long these drawn-out single tones last, over the accompaniment. Spellings are better, and pedaling is included throughout, rather than left to laissez-faire. 10ths are often used here, and are shown are arpeggiandi throughout. The MIDI file playback here does not really convey how much rubato can be applied to this piece, in a most musical and entertaining way, as the composer intended. MBB.Notturno is simply "nocturne" with an Italian aroma. Bella Vita, eh!
Many concert works in the standard repertoire are placed in keys with five flats of sharps or more, as this piece illustrates. The reason for this is not mere "virtuosity" or even intellectual hubris. The black-keys afford an access to many kinds of gestures that alternate between the black and white keys, for two hands, in a way that placement in C, F or G simply do not provide. Having the hands in and up over the black keys affords, as in this case, an easy alternation between an upper and lower hand gesture, without having to be in the same keyplane.
Why are the black keys easier for this, you might ask, since they are ALSO in a uniform plane? The white keys have no diatonic gaps, but the black keys, forming a pentatonic scale with two gaps, does indeed afford just such a place to place these sorts of piano-drumming gestures. The main distinguishing feature of our setting here is the elimination of this top melody tone, which dies so fast,and yet in standard editions gets smeared across the top of many lines like excess frosting that has already been eaten.
Our edition shows when each gesture begins, and does NOT emphasize how long these drawn-out single tones last, over the accompaniment. Spellings are better, and pedaling is included throughout, rather than left to laissez-faire. 10ths are often used here, and are shown are arpeggiandi throughout.
The MIDI file playback here does not really convey how much rubato can be applied to this piece, in a most musical and entertaining way, as the composer intended. MBB.
$4.25
3.89 €
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Piano seul
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Respighi, O
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Michael Bomier
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Notturno in Gb Major of Ottorino Respighi
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Michael Butkus-Bomier
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SheetMusicPlus
Don't Worry, Be Happy
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99
13.71 €
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Ensemble de Percussions
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Trumpet Hymn Duets eBook by Eddie Lewis
2 Trompettes (duo)
Trumpet Duet - Intermediate - Digital Download Composed by Various. Arranged by Eddie…
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Trumpet Duet - Intermediate - Digital Download Composed by Various. Arranged by Eddie Lewis. Christian, Sacred, General Worship, Christmas, Easter. Score. 69 pages. Published by Tiger Music
Trumpet Pro Pentatonic Tonalization<br> Introduction<br> Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.<br> <br> Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a "jazz thing." Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.<br> <br> That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let's look at the C pentatonic as an example:<br> <br> E - A - D - G - C<br> <br> Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:<br> <br> C - D - E - G - A<br> <br> For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.<br> <br> Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.<br> <br> Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.Trumpet Pro Pentatonic Tonalization<br> Introduction<br> Pro Pentatonics is a new book from the constantly growing Total Tonalization Series. It is book number five in the pentatonic series.<br> <br> Technique in the form of pentatonic scales is most enthusiastically sought after by jazz musicians. Although the scale and its compositional uses are not limited to jazz, the practice of those scales is almost exclusively a "jazz thing." Not only is the pentatonic scale the root of the blues scale, but it is also used to varied degrees by most modern jazz musicians.<br> <br> That said, there are certain benefits to practicing pentatonic scales that apply to all musicianship. For example, I believe that the best way to begin to learn and understand quartal harmony is via practicing the pentatonic scales. Pentatonic scales are constructed in perfect fourths. Let's look at the C pentatonic as an example:<br> <br> E - A - D - G - C<br> <br> Five notes a fourth apart from each other, beginning on E, produces all of the notes of the C pentatonic scale:<br> <br> C - D - E - G - A<br> <br> For this reason, the traditional scale patterns come alive with the sound of perfect fourths when applied to the pentatonic scale.<br> <br> Quartal harmony is not limited to jazz compositions or improvisation. Many musicians since the early twentieth century have written compositions utilizing quartal harmony, and I believe that the first step to understanding those compositions and performing them is in practicing the pentatonic scales.<br> <br> Aside from the theoretical applications of the pentatonic scale, there are also technical reasons to practice them. The removal of the fourth and seventh scale degrees (the tritone) creates a scale and inherent patterns which become far clumsier to perform than the traditional major scales. The agility and flexibility required offer the diligent practicer an edge over those who do not practice such things.
$19.95
18.25 €
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2 Trompettes (duo)
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Various
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Trumpet Hymn Duets eBook by Eddie Lewis
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Tiger Music
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SheetMusicPlus
The Girl with the Flaxen Hair - Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.881364 Composed …
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.881364 Composed by Claude Debussy. Arranged by Ted Lucas. 20th Century,Contemporary,Romantic Period. 15 pages. Tuxedo Music Publishing #5022049. Published by Tuxedo Music Publishing (A0.881364). The Girl with the Flaxen Hair is one of Debussy's most popular solo piano compositions. Number 8 in Book I of Debussy's two books of Preludes, the piece is an example of Debussy's experimentation with new scales, especially the pentatonic scale in this instance. The work, in Gb major, is performed almost entirely on the black keys of the piano. This arrangement for string quartet has been transposed to G major to make it easier to play for most string quartets. Take a listen to the MP3. It's only two and a half minutes long.
$9.99
9.14 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Claude Debussy
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Ted Lucas
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The Girl with the Flaxen Hair - Score and Parts
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Tuxedo Music Publishing
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SheetMusicPlus
Seven Steps To Heaven (2002) for string septet or string orchestra
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99
9.14 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
Closer
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.896070 By The Chainsmokers. By Andr…
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Easy Piano - Level 2 - Digital Download SKU: A0.896070 By The Chainsmokers. By Andrew Taggart, Ashley Frangipane, Frederic Kennett, Isaac Slade, Joseph King, and Shaun Frank. Arranged by Jim Lansing. Instructional,Pop,Rock. Score. 3 pages. Jim Lansing #5302509. Published by Jim Lansing (A0.896070). Early Intermediate level arrangement of The Chainsmoker's/Halsey 2016 release in key of G major. Â Syncopateion is simplified; once notes are learned, encourage player to use their ear to fix rhythms to match the artist's recording. Â RH off-beat entrances are preceeded by LH playing on the beat to help player feel the rhythmic pulse. Â RH melody uses a G pentatonic scale, moves frequently, and must play a descending, one-octave arpeggio in m.7/11/17/19. Â LH plays same 3 note pattern, with some rhythmic variation, until final measure when it moves to give dominant/tonic bass notes. Â
$4.99
4.56 €
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Piano Facile
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The Chainsmokers
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Jim Lansing
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Closer
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Jim Lansing
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SheetMusicPlus
Heavy Metal for Balinese gamelan and chamber ensemble
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Comp…
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
22.87 €
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Christine Southworth
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Heavy Metal for Balinese gamelan and chamber ensemble
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Airplane Ears Music
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SheetMusicPlus
Mud Slappin' Blues/ Orange Sunrise
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1304664 Composed by Doug Smith. 20…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1304664 Composed by Doug Smith. 20th Century,Blues,Classical,Instructional,Jazz. Individual part. 6 pages. Doug Smith Guitar Studio #894105. Published by Doug Smith Guitar Studio (A0.1304664). The first of a group of guitara solos composed to be perfomred on one fret. Mud Slappin Blue's is uses a G pentatonic scale with bends and open strings on the third fret. The short blues solo is followede by a light hearted jazz waltz that flows easily  in the key of C major with melody, chord formations and arpeggios.
$1.99
1.82 €
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Guitare
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Doug Smith
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Mud Slappin' Blues/ Orange Sunrise
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Doug Smith Guitar Studio
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SheetMusicPlus
Three Pieces for Beginner Guitarists (Acoustic or Electric)
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (w…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
4.53 €
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Guitare notes et tablatures
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Dan Jones
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Three Pieces for Beginner Guitarists
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DanJonesGuitarist
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SheetMusicPlus
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