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--INSTRUMENTS--
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Get A Clue!
Partitions à imprimer
8 partitions trouvées
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1
Get A Clue!
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Piano seul
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Melody Bober
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Get A Clue!
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - early intermediate - SKU: F0.W9290 Composed by Melody Bober. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital ...
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Piano - early intermediate - SKU: F0.W9290 Composed by Melody Bober. Sheet Music. Written For You. Solo Sheet. 3 pages. The FJH Music Company - Digital #W9290. Published by The FJH Music Company - Digital (F0.W9290). UPC: 674398221424.A catchy solo in 3/4 time, Melody Bober gives students a piece that fits comfortably under the hands utilizing a variety of dynamics and articulations. This piece is mostly in the D minor hand position, with splashes of color throughout sure to educate and entertain. Your private eye will have fun with this piece!
$2.95
Whatever Lola Wants (lola Gets)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Jerry Ross and Richard Adler
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Robert Blond
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Whatever Lola Wants
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robert blond
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.948634 Composed by Jerry Ross and Richard Adler. Arranged by Robert Blond. Contemporary. Score. 4 pages. Robert blond #67...
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Piano Solo - Level 3 - SKU: A0.948634 Composed by Jerry Ross and Richard Adler. Arranged by Robert Blond. Contemporary. Score. 4 pages. Robert blond #6702645. Published by robert blond (A0.948634). Rousing tango in minor key from 1955 Broadway musical Damn Yankees, depicting a game Lola working hard to seduce a clueless JoePiano solo adheres throughout to composer's melody, suitable for sing-a-longsLiberal use of semi-dissonant minor-2nd intervals, reflects farcical seductionDistinctive ending, simultaneously rousing and comicalKey change, no repeat sections
$4.99
"The Sea of Sunset" - for Soprano, Trombone, Double Bass and Piano [Performance Score]
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Contemporain
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Lior Navok
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"The Sea of Sunset"
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Lior Navok Music
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SheetMusicPlus
Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - SKU: A0.976037 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 p...
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Small Ensemble Double Bass,High Voice,Piano,Trombone - Level 4 - SKU: A0.976037 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719307. Published by Lior Navok Music (A0.976037). THE SEA OF SUNSETfor Soprano, Trombone, Double Bass and Piano (1997) DURATION: 8 Minutes POEM BY: Emily Dickinson PROGRAM NOTES: The composer writes about his work: The poems of Emily Dickinson are very unique work of art. Most of her poems are full with detailed descriptions, transferring the poems to a medium of picture, carefully painted and calculated. Yet, it is quiet amazing that these poems came from the hand of a woman who lived secluded life, in her hometown Amherst, Massachusetts. A clue may be finds in one of Dickinson's saying: To shut our eyes is to travel. As I approached Dickinson's poems (which are close to 2000), I found that most of them, even the short ones, are built into a large space. Each poem needs its development time and cannot be rushed or squeezed to a regular song form. In The Sea of Sunset, I have let the words, the nature description, and the lazy mood of the poem take me to the picture medium. Adding the murmur of the sea, and the whisper of the wind, I tried to get as close as possible to the picture I saw through the poem. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: Folio (Europe) / Legal (USA) Remarks: All performers read from score.
$18.00
The Journey of Hope (Downloadable Full/Choral Score)
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Jim Papoulis
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The Journey of Hope
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SSA(B) choir, Djembe, shaker, bass guitar, and piano - Medium - SKU: MQ.7.0727-E Composed by Jim Papoulis. Secular, 21st Century, Hope/Assurance. Score ...
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SSA(B) choir, Djembe, shaker, bass guitar, and piano - Medium - SKU: MQ.7.0727-E Composed by Jim Papoulis. Secular, 21st Century, Hope/Assurance. Score & instrument parts. 19 pages. Duration 3 minutes, 25 seconds. Galaxy Music Corporation - Digital #7.0727-E. Published by Galaxy Music Corporation - Digital (MQ.7.0727-E). UPC: 600313707278. English.The Journey of Hope was written as a commission for the Jacksonville Children’s Chorus. I was asked to write a piece that would celebrate the possibility of moving towards a better future, inspired by the desire and need to join together as a community in Jacksonville, Florida. Often when we look around and wonder how young people can grow into responsible, caring people in the face of so much adversity, music, and hope become more essential than we can all imagine. We all can unite if we collectively join in a Journey of Hope. -Jim PapulousThe Journey of Hope is scored for SSAB voices, with the baritone part written so that it is appropriate for changing male voices. Accompanimental parts are provided for piano, djembe, cabasa, and bass guitar. The title gives a clue to the focus of the text: a forward-looking view of what we can accomplish together through hope and unity. This inspiring text and infectious rhythms make this a must-have piece for young singers. Duration: 3:25.
$3.15
Melody Bober: Get A Clue! - piano solo
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Piano seul
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INTERMÉDIAIRE
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Melody Bober
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Virtualsheetmusic
Instantly printable sheet music by Melody Bober for piano solo of MEDIUM skill level. /
Instantly printable sheet music by Melody Bober for piano solo of MEDIUM skill level. /
$4.93
Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Gravitational Ripples
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Brian L
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Gravitational Ripples
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BLM Music Publications
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SheetMusicPlus
Percussion Quintet Bells,Marimba,Optional Percussion,Snare Drum,Suspended Cymbal,Vibraphone - Level 3 - SKU: A0.1350204 Composed by Brian L. Monroe. 21s...
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Percussion Quintet Bells,Marimba,Optional Percussion,Snare Drum,Suspended Cymbal,Vibraphone - Level 3 - SKU: A0.1350204 Composed by Brian L. Monroe. 21st Century,Chamber,Instructional. 11 pages. BLM Music Publications (https://brianmonroemusic.com) #934989. Published by BLM Music Publications (https://brianmonroemusic.com) (A0.1350204). Gravitational Ripples are 'waves' in space-time caused by some of the most violent and energetic processes in the Universe.  Albert Einstein predicted the existence of gravitational waves in 1916 in his general theory of relativity. Einstein's mathematics showed that massive accelerating objects (things like neutron stars or black holes orbiting each other) would disrupt space-time in such a way that 'waves' of undulating space-time would propagate in all directions away from the source. These cosmic ripples would travel at the speed of light, carrying with them information about their origins, as well as clues to the nature of gravity itself. This quintet for percussion ensemble works to convey the power & energetic nature of these ripples in space-time.  Grade 3Instrumentation: Percussion 1: Bells, Woodblock, Crash Cymbal Percussion 2: Vibes, 3 Tom Toms, Sizzle Cymbal Percussion 3:  Marimba 1, Snare Drum Percussion 4:  Marimba 2, Gong (bow & mallet) Percussion 5: Timpani, Snare Drum, Triangle.
$15.00
Scooby Doo, Where Are You?
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Chorale TTBB
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INTERMÉDIAIRE
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #...
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Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
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Get A Clue!