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Vous avez sélectionné:
Getting Up To Speed
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Getting Up To Speed
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1246745 Compose…
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1246745 Composed by Paul Taylor. Baroque,New Age. 7 pages. Paul Taylor #841376. Published by Paul Taylor (A0.1246745). A quick show piece for violin and cello. It's in a neo-Baroque style with elements of modern panache'. The violin and cello have separate parts and a two-part score of these instruments is also included.
$1.99
1.79 €
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Violon, Violoncelle (duo)
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Paul Taylor
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Getting Up To Speed
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Paul Taylor
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SheetMusicPlus
Etude in C, Le Couppey-Nolte
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte …
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99
3.59 €
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Piano seul
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Eric Paul Nolte and Felix Le Couppey
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
All Creatures of our God and King Late Intermediate Piano Solo
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1417376 Composed by Lasst Uns Erfre…
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Piano Solo - Level 4 - Digital Download SKU: A0.1417376 Composed by Lasst Uns Erfreuen. Arranged by Amanda Tero. Christian,Religious,Sacred. Score. 10 pages. Amanda Tero #998921. Published by Amanda Tero (A0.1417376). Delight your audience with the All Creatures of our God and King piano solo, designed for late intermediate players. Ideal for church performances or recitals, this piece includes lively triplets in both hands, making it an exciting show-stopper.The late intermediate piano solo of All Creatures of our God and King includes popular elements like fast triplets, octaves, polyrhythms (2 against 3), and a dramatic ending.I arranged All Creatures of our God and King as a traditional hymn with a contemporary flair. The driving triplets give it a “rock†feel while low left hand octaves add depth of sound. There are a lot of patterns which makes this late intermediate solo easier to learn–the challenge is getting it up to speed fluently!For church services, recitals, and spring/summer music events, All Creatures of our God and King late intermediate piano sheet music solo will capture the listeners with delight and excitement.Similar in level to most Level 4-5 piano curricula and ABRSM Level 4.The basic format of All Creatures of our God and King late intermediate piano solo is: introduction, verse, interlude, verse, ending.6 pages. Key of C major.Approx. 2:00 performance time. Musical Elements In All Creatures of our God and King late intermediate piano solo Sheet Music Key of C major Time signature: 4/4 Tempo: fast, exuberant Note values: whole notes, dotted half notes, half notes, dotted quarter notes, quarter notes, eighth notes, eighth note triplets Note reading: right hand treble clef C4 to C7, left hand bass clef C1 to G4 Ledger lines (up to 5 lines) Harmonic octaves in left hand and right hand Triplets Polyrhythms (2 against 3; eighth notes vs. eighth note triplets) Fermata Practice Tips for All Creatures of our God and King late intermediate piano solo This is an exciting arrangement that the student may be tempted to play faster than possible. Encourage the student to breathe while they play to keep the tempo steady and manageable (I like recommending breathing in for one measure, out for one measure).There may be the temptation to have a heavy pulse for each beat, but focus on phrasing an entire measure or two.If the student struggles to bring out the measure for the first verse, experiment with “shadow playing,†where the student only plays the actual melody notes and “shadow plays†(puts their finger on the key, but doesn’t press down) all other notes.
$5.99
5.39 €
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Piano seul
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Lasst Uns Erfreuen
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Amanda Tero
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eighth notes vs
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All Creatures of our God and King Late Intermediate Piano Solo
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Amanda Tero
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SheetMusicPlus
Rolling In The Deep
Trio à Cordes: 3 violoncelles
String Ensemble,String Trio Cello - Level 4 - Digital Download SKU: A0.1031098 By A…
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String Ensemble,String Trio Cello - Level 4 - Digital Download SKU: A0.1031098 By Adele. By Adele Adkins and Paul Epworth. Arranged by The Cello Playin' Fool. Pop,R & B. Score and parts. 13 pages. Caitlin McAndry #3108637. Published by Caitlin McAndry (A0.1031098). Adele's Rolling in the Deep is an instantly recognisable hit, and is a real crowd pleaser. This arrangement, suitable for competent cellists, is designed to produce a full sound despite the small group size. The melody is swapped between parts to give each player a chance to shine. Suitable for any event, from wedding receptions to concerts, and always guaranteed to draw attention. Arrangement duration: ≈ 3:45Notes on the arrangement:Some sections are technically challenging, including double stopping in 3rds, 6ths, and open string octaves, and use of tenor clef. However anyone wanting to simplify this arrangement to make it more accessible to less experienced players would be able to do so; either by splitting up the double stops between a larger group of player, and/or transposing the melody down an octave.Performance notes:This piece should be played with energy and vigour, as intended by Adele. A good pulse and a steady speed will help players to keep together. Any repeated quavers should be played nice and staccato, and quite percussively. This avoids any mushiness sometimes associated with 3 lower instruments playing together in approximately the same range. More information:If anyone has any questions or wants more information, performance tips, rearrangements,or future requests, feel free to contact me:Caitlin McAndry ~ The Cello Playin' FoolEmail: cmcandry@me.comFacebook: The Cello Playin' FoolKudos for getting this far into the description! Thanks for reading, enjoy the music!From Caitlin The Cello Playin' FoolP.S Sorry for the awful sound quality on the recording, it was recorded on my headphone mic which is not all that good!
$12.99
11.7 €
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Trio à Cordes: 3 violoncelles
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Adele
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The Cello Playin' Fool
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Rolling In The Deep
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Caitlin McAndry
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SheetMusicPlus
Camptown Races Duet
Piano Facile
Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.901509
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Instrumental Duet Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.901509 Composed by Stephen Foster. Arranged by Mike Benson. Children,Folk. Score and parts. 9 pages. M. Benson #5314683. Published by M. Benson (A0.901509). NEEEIIIGGH! Rev up your horses for the fun take on the Stephen foster classic. Written for students getting into book 2 of the Faber piano adventures series. Piano 2 has some simple 8th note rhythms to practice and Piano 1 has none for a less experienced player. The arrangement also speeds up and slows down the beginning/end respectively for some added fun.
$5.99
5.39 €
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Piano Facile
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Stephen Foster
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Mike Benson
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Camptown Races Duet
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M. Benson
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SheetMusicPlus
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