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Partitions à imprimer
2 partitions trouvées
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Six Partitas for Solo Flute
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann George Tromlitz
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Six Partitas for Solo Flute
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Paladino Editions
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SheetMusicPlus
Flute Solo,Soprano Flute - Level 4 - SKU: A0.1281615 Composed by Johann George Tromlitz. Baroque,Classical. Individual part. 32 pages. Paladino Editions...
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Flute Solo,Soprano Flute - Level 4 - SKU: A0.1281615 Composed by Johann George Tromlitz. Baroque,Classical. Individual part. 32 pages. Paladino Editions #872958. Published by Paladino Editions (A0.1281615). Following his successful edition of the Capriccios by Johann Joachim Quantz, Eric Lamb herewith presents the first modern edition of the six partitas for solo flute by Johann George Tromlitz. The source for this edition is the manuscript preserved by the Royal Library of Copenhagen under the title Sei Partite per il Flauto Traverso Solo senza accompagnamento da Giovanni Giorgio Tromlitz in Lipsia. Tromlitz was one of the most important figures in the development of the flute and its playing techniques. He was regarded to be the best flutist of his time, and these partitas reflect his own virtuosity as well as the then breathtakingly new and exciting possibilities of his advanced flute.
$19.95
Gentili - Two sonatas for violoncello and basso continuo (preface, score and parts in PDF)
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2 Violoncelles (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Giorgio Gentili
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Snakewood Editions
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Gentili - Two sonatas for viol
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Sneakwood Editions
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SheetMusicPlus
Cello Duet Cello - Level 4 - SKU: A0.1266695 Composed by Giorgio Gentili. Arranged by Snakewood Editions. Baroque,Classical. Score. 25 pages. Sneakwood ...
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Cello Duet Cello - Level 4 - SKU: A0.1266695 Composed by Giorgio Gentili. Arranged by Snakewood Editions. Baroque,Classical. Score. 25 pages. Sneakwood Editions #859373. Published by Sneakwood Editions (A0.1266695). Giorgio Gentili was surely one of the most influential musicians in Venice at the beginning of the 18th century. In 1702, or even earlier, he was appointed maestro di instromenti at the prestigious Ospedale dei Mendicanti in Venice, where musicians such as Legrenzi, Biffi and Galuppi worked. In 1689 he became a violinist in the San Marco orchestra and shortly after, in 1691, he was appointed concertmaster. Under his direction he had musicians like Veracini or Giovanni Battista Vivaldi and Antonio Vivaldi. Surely this fact is related to the notable influence of Gentili's concerti on those of Antonio Vivaldi.Gentili's departure from the Ospedale dei Mendicanti in 1717 coincides with the departure to Dresden of other famous Venetian musicians such as Lotti, which gives rise to the suspicion that Gentili was also hired along with these musicians by the Elector of Saxony during his trip to Italy.Gentili was one of those rare musicians who only played instrumental music, at least as far as we know. Gentili published six volumes of music:Op. 1. Suonate a tre, 1701Op. 2. Concerti da camera a tre, 1702Op. 3. Capricci da camera a violino e violoncello o cimbalo, 1707Op. 4. Suonate a tre (lost)Op. 5. Concerti a quattro e cinque, 1708Op. 6. Concerti a quattro, 1716Apart from this work, we find two interesting manuscripts in the Library of the Benedetto Marcello Conservatory in Venice that contain the only two known sonatas for cello and basso continuo by Gentili.
$18.00
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Giovanni-Giorgi