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Give It One: 3rd B-flat Trumpet
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Vous avez sélectionné:
Give It One: 3rd B-flat Trumpet
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7 partitions trouvées
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Give It One: 3rd B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017572_T3 3rd B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017572_T3 3rd B-flat Trumpet. Composed by Alan Downey and Maynard Ferguson. Arranged by Alan Baylock. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017572_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017572_T3). UPC: 038081459486.You gotta have this spectacular chart! Alan arranged this one reminiscent of Maynard's version but in a lower key---the lead trumpet only goes to written D above the staff. Tempo is brisk at 220 BPM but you could play is a little slower. Solo space is provided for all four trumpets for flexibility. Truly outstanding! This title is available in SmartMusic.
$3.00
2.75 €
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Trompette (partie séparée)
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Alan Downey and Maynard Ferguson
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Alan Baylock
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Give It One: 3rd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
St. James Infirmary: 3rd B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017152_T3 3rd B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017152_T3 3rd B-flat Trumpet. Arranged by Mike Kamuf. Funk; Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017152_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017152_T3). UPC: 038081349756.A contemporary treatment of this traditional jazz tune, arranger and band director Mike Kamuf combines multiple generations in one chart. With a shuffle groove, the opening melody is stated by alto, tenor, trumpet and optional guitar in fourths. Some countermelody development, solo space (written) for tenor and trumpet, then an interlude that builds big time into a powerful shout chorus to bring it home. It's a happening chart. (4:04) This chart gives the New Orleans classic a funk treatment. The piece starts with a great introduction, and a vamp based on the melody follows each chorus. Written solos for the tenor sax and trumpet are in D minor and use some nice stylistic elements. -The Instrumentalist.
$3.00
2.75 €
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Trompette (partie séparée)
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Mike Kamuf
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Jazz
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St. James Infirmary: 3rd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Again and Again: 3rd B-flat Trumpet
Trompette (partie séparée)
Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T3 3rd B-flat Trumpet…
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0016189_T3 3rd B-flat Trumpet. Composed by Benny Carter. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016189_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016189_T3). UPC: 038081331959.Even when Benny Carter wasn't writing for Count Basie, many of his charts from the 1950's onward sound like they could have been written for Basie. Maybe this is because so many of Basie's arrangers (Sammy Nestico, Quincy Jones, Billy Byers and Neal Hefti) were influenced by Carter. The writing is straightforward, with simple harmonies, swinging rhythms and very clear counterpoint. Again And Again has much of the style of an alto feature that Quincy Jones might have written for Marshall Royal. Although Carter gives the pianist two little solo spots, the focus is on the lead alto. The backgrounds are spare and dry, so it is incumbent upon the soloist to supply the warmth and personality to tell this gentle story. Vibrato, scoops, bends, turns, and other devices can be used to bring this simple line to life.
$3.00
2.75 €
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Trompette (partie séparée)
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Benny Carter
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Again and Again: 3rd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Prelude from "Suite Bergamasque" for Trumpet and Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1095672 Composed by Claud…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.1095672 Composed by Claude Debussy. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. Score and part. 10 pages. Diego Marani #699658. Published by Diego Marani (A0.1095672). Suite bergamasque (L. 75) is a piano suite by Claude Debussy. He began composing it around 1890, at the age of 28, but significantly revised it just before its 1905 publication. The popularity of the 3rd movement, Clair de lune, has made it one of the composer's most famous works for piano, as well as one of the most famous piano compositions of all-time. This arrangement for trumpet with piano of the 1st movement, Prelude, is marked moderato tempo rubato. Its legato phrases give it a smooth, flowing feel. It is suitable for classroom, repertoire, recital and also wedding.
$7.99
7.33 €
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Trompette, Piano
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Claude Debussy
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Diego Marani
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Prelude from "Suite Bergamasque" for Trumpet and Piano
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Diego Marani
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SheetMusicPlus
Give It All You Got: 3rd B-flat Trumpet
Trompette (partie séparée)
By Chuck Mangione. Arranged by Victor Lopez. For Jazz Ensemble. Instructional. Part. 2 pag…
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By Chuck Mangione. Arranged by Victor Lopez. For Jazz Ensemble. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00
2.75 €
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Trompette (partie séparée)
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Chuck Mangione
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Victor Lopez
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Give It All You Got: 3rd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,Englis…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
9.17 €
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Nathan Petitpas - Dots and Beams
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
South Africa National Anthem: Nkosi Sikelel' iAfrika
Orchestre d'harmonie
Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankay…
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Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3464591. Published by Colin Kirkpatrick Publications (A0.522139). Colin Kirkpatrick’sNational Anthems ExpressSouth Africa: Nkosi Sikelel' iAfrikaThis quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the woodwind alone has been given the melody beginning in measure 24. The arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani and percussion (3 players).The music has been digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
6.41 €
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Orchestre d'harmonie
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Enoch Mankayi Sontonga
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Colin Kirkpatrick
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Part 1 in C (oboe, violin)
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South Africa National Anthem: Nkosi Sikelel' iAfrika
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Colin Kirkpatrick Publications
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SheetMusicPlus
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