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Vous avez sélectionné:
Going Down the Shore
Partitions à imprimer
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Upon the Shore
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1010589 Composed by K…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1010589 Composed by Ken Davies and Lyrics by Amy Crane. Christian,Gospel,Spiritual. Score. 12 pages. Beautiful Life #568783. Published by Beautiful Life (A0.1010589). This piece is about a person who is going through personal struggles and ignores the voice God in their life. Through the song, God says Walk with me upon the shore. The person then accepts Christ, and at the end of the song says, I'll walk with You upon the shore. Amy Crane, writer of the song lyrics, owns the copyrights to the piece to sell the sheet music. This piece can be performed as a piano and vocal piece. This piece cannot be sold as a sound recording. Duration: 6:15 minutes Released in 2015 Upon the Shore is a piece written to be sung as a solo during a church service. It is also appropriate for a special Christian event. www.facebook.com/FreelanceMusicWriterAmyCrane For further information, please contact: Amy Crane 269-275-9940.
$6.95
6.24 €
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Piano, Voix et Guitare
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Ken Davies and Lyrics by Amy Crane
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Upon the Shore
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Beautiful Life
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SheetMusicPlus
Let The Lower Lights Be Burning (BQ)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855268
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855268 Composed by Philip P. Bliss(1838-1876). Arranged by Joseph Pugh. Christian,Contemporary,Sacred,Standards. Score and parts. 7 pages. Joseph Pugh #6519003. Published by Joseph Pugh (A0.855268). This is an arrangement of the Hymn my Mother told about as our Church Choir rehearsed, years ago.  At the mouth of Cleveland harbor, there were two lights, one at each side of the bay, called the upper and lower lights; and to enter the harbor safely by night, vessels must sight both of the lights. A ship can try to make for the harbor, but they may crash against the rocks if they don't see the lights upon the shore. Very few escape. The great majority find a watery grave. Why? Simply because the lower lights going out. Now, with us the upper lights are all right. Christ Himself is the upper light, and we are the lower lights, and the cry to us is, keep the lower lights burning; that is what we have to do. He will lead us safe to the sunlit shore of Canaan, where there is no more night._ D.L. Moody.
$9.99
8.97 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Philip P
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Joseph Pugh
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Let The Lower Lights Be Burning
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Joseph Pugh
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
20.65 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
#WeToo
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1262362 Composed by Sally Whitwell. 21st Century,Contemporary. Octavo. 17 pages. Sally Whitwell #855402. Published by Sally Whitwell (A0.1262362). On the morning of 2 March 2020, I finished writing the first draft of this song. It was the same morning that the New South Wales Rural Fire Service announced that for the first time since July 2019, the state was free of active bush and grass fires.At the time it felt quite euphoric. We’d been through a lot. Little did we know what was coming just a few days from then, when the Covid19 global pandemic reached our shores. It’s a virus that would kill millions across the world, and disable millions more, long term. It forced us, globally, into a kind of reckoning the like of which we had never experienced before. Non pharmaceutical controls like lockdowns, mask mandates, social distancing and ventilation standards were employed to keep us safe from this airborne virus, whilst scientists worked round clock to develop vaccines and treatments.Technically, the declaration of a pandemic is still active, but governments and people have somehow decided for themselves that it is all over. No one takes any precautions any more. Governments have stopped reporting statistics. People who know they are infected are going about their business with no thought for others. Meanwhile, many of the immune-compromised, the disabled, the vulnerable, are unable to safely leave their homes and engage in activities out in the world. I know this, because I am a carer for a vulnerable person.What this whole exercise has taught me is that people in the world are actually much less kind than I thought they were. Humans do not really care for each other. People attack me for wearing a mask, tell me that I’m virtue signalling and that I look ridiculous (as if I care how I look). I’ve asked questions about workplace Covid safety and been informed that it’s “a bit rich†that I’m asking at all, when everything is now safe. A friend’s diagnosed Long Covid symptoms were cruelly minimised or completely dismissed “Oh, it’s not Covid. How old are you? In your forties? It’s your hormones, it’s the menopause.†The fatal combination of sheer selfishness, rampant misinformation and DISinformation continues, whilst people waltz around spreading a deadly virus with no thought for the grief that will undoubtedly ensue.It boils down to this: if we want to continue as a species and to have a planet on which to reside, we have to stop with the Self Care and start with the Community Care. A choir is the perfect instrument for expressing these notions, through the unique power of the massed first person plural. My wish for this piece is that it spurs performer and listener alike into some kind of action. Please consider the effect your actions have on others, and on the planet, and make any changes necessary, however inconvenient or difficult they are. Otherwise, there’s really no point.Sally Whitwell 11 July 2023.
$1.99
1.79 €
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Chorale SATB
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Sally Whitwell
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#WeToo
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Sally Whitwell
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SheetMusicPlus
This is My Father's World
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.818215 By Stephen R Dalrymple. By M…
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Piano Solo - Level 3 - Digital Download SKU: A0.818215 By Stephen R Dalrymple. By Malthie Babcock & Franklin Sheppard. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Score. 13 pages. Stephen R Dalrymple #3070593. Published by Stephen R Dalrymple (A0.818215). This is My Father’s World♫ piano solo arrangement by Stephen R Dalrymple♫ lyrics by Malthie Babcock with a traditional English melody adapted by Franklin Sheppard♫ Malthie Davenport Babcock, a pastor in upstate New York, was an athletic man who loved to walk near Lake Ontario and the Niagara Escarpment. He often told his wife that he was “going out to see the Father’s world.†This phrase prompted the title for one of his original poems. His wife published his poems after his death in 1901 (age 42.) ♫ In 1915 Franklin Shepherd, his friend, adapted Babcock’s poem and an English folk tune to create the hymn. Shepherd named the melody TERRA BEATA (Blessed Earth). ♫ The original folk tune appears in the opening notes of the Shire Theme by Howard Shore in the Lord of the Rings Film Series.♫ The last stanza used in this video is seldom found in hymnbooks. But there is a delightful idea here that since Jesus Christ was incarnated on the earth, the entire earth is holy ground.♫ music © 2017 (copyright registered in 'I See your Glory’ collection)♫ recording ℗ 2020 Stephen R Dalrymple ♫ presentation © 2023 Stephen R Dalrymple ♫ performed by the composer♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$4.50
4.04 €
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Piano seul
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Stephen R Dalrymple
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This is My Father's World
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Stephen R Dalrymple
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SheetMusicPlus
Heavens Shore
Chorale SATB
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1248668 By Steven S…
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1248668 By Steven Samuel Dubulakta. By Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. A Cappella,Advent,Christian,Contemporary,Jazz. 1 pages. Semii Music #843166. Published by Semii Music (A0.1248668). Title: Heavens ShoreWe are all on a pilgrim journey in this land. We'll reach that celestial shore on a glorious day in our new bodies. The journey is tough but we are going to be just fine as long as we have the Savior with us.
$4.99
4.48 €
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Chorale SATB
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Steven Samuel Dubulakta
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Steven Samuel Dubulakta
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Heavens Shore
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Semii Music
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SheetMusicPlus
The Old Pier
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1358164 By Suzanne Herman. By Suzan…
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Piano Solo - Level 4 - Digital Download SKU: A0.1358164 By Suzanne Herman. By Suzanne Herman. Classical,Contemporary,Contest,Festival,New Age. Score. 7 pages. Suzanne Herman Music #942647. Published by Suzanne Herman Music (A0.1358164). Anna Maria Island is located in the Tampa Bay area. Along the incredible north shoreline of the island, where Tampa Bay meets the Gulf of Mexico, is an old historical pier. The name of the pier is The Rod and Reel. People are constanly fishing, relaxing, or enjoying the awesome view of the Sunshine Skyway Bridge that can be admired across the bay. The old historical Rod and Reel Pier has seen many tropical storms and hurricanes. Yes, the pier has been damaged over the years, but it has always been repaired and lives on. This is the setting of The Old Pier. The relaxed mood of this piece is conveyed through a flowing left-hand pattern and an easy-going right-hand melody that uses the interval of a sixth. Amidst the gentle flow are some dramatic 32nd note passages that again give way to the calming and peaceful theme. The Old Pier is in the key of F major and contains some accidentals adding a gorgeous harmonic variation. Tha Old Pier, from the solo piano album and songbook A Seaside View, can be found worldwide on all major listening platforms including Spotify, Pandora, Apple Music, SoundCloud, etc.Suzanne Herman Links:Website Facebook Instagram YouTube Channel Register for Newsletter
$5.50
4.94 €
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Piano seul
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Suzanne Herman
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The Old Pier
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Suzanne Herman Music
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SheetMusicPlus
Wellerman
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Joel Jacklich (A.S.C.A.P.). 19th Century,Folk,Multicultural,World. 12 pages. Joel Jacklich #710097. Published by Joel Jacklich (A0.1107440). New Zealand-based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song from his uncle. it was attributed to one D.H. Rogers. It has been speculated that Rogers was the uncle of Woods and that Rogers had worked as a teenage pirate or shore whaler in the early-to-mid 19th century, composing this and another song in his later years and eventually passing them on to his nephew as an old man. Nathan Evers recorded the work in 2021 during the COVID pandemic and it became a viral sensation with house-bound Tik-Tokers sparking a whole re-introduction of sea shanties in what was termed Shanty-Tok. This string quartet arrangement gives all instruments a chance at the melody, and adds the affectation of a foot-stomp and a shout at the ends of verses. The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George, and Joseph, who had emigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. The Weller brothers had on their voyage to New Zealand brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder. From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named Otago in approximation of the local MÄori pronunciation. The song's lyrics describe a whaling ship called the Billy o' Tea [Note: a billy is a pot in which water is boiled to make tea or coffee] and its hunt for a right whale. The song describes how the ship's crew hope for a wellerman to arrive and bring them supplies of luxuries. According to the song's listing on the website New Zealandfolk Song, the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco. The chorus continues with the crew singing of their confidence that the tonguin' will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making his regular call to strengthen the captain and crew. Note from Wikipedia.
$12.99
11.67 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Nathan Evans
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Joel Jacklich (A
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Wellerman
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Joel Jacklich
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SheetMusicPlus
Going Down the Shore
Chorale 2 parties
Composed by Amy F Bernon. For 2-part choir, piano accompaniment. Educational. New Horizons…
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Composed by Amy F Bernon. For 2-part choir, piano accompaniment. Educational. New Horizons. Concert, Festival. Octavo. 12 pages. Published by Heritage Music Press
$2.50
2.25 €
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Chorale 2 parties
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Amy F Bernon
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Going Down the Shore
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Heritage Music Press
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SheetMusicPlus
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