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Vous avez sélectionné:
Good Things Happen
Partitions à imprimer
19 partitions trouvées
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1
Brass Quintet - There Are Good Things in This World
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767548
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767548 Composed by Mike Lyons. Contemporary,Graduation. Score and parts. 25 pages. Lyons Music Services #5755241. Published by Lyons Music Services (A0.767548). This original composition was intended to act as a counterweight to the Coronavirus Blues! It's a reminder (to me, at least) that there are good things around us and that if bad things happen it's a temporary setback.
$24.99
23.1 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - There Are Good Things in This World
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Lyons Music Services
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SheetMusicPlus
Good Things Happen to Those Who Wait [Solo] (from After it Rains - A New Musical)
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.749991 Composed by Chris Lawr…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.749991 Composed by Chris Lawry, Samantha Joy. Broadway,Musical/Show. 7 pages. Moonhouse Music #6129461. Published by Moonhouse Music (A0.749991). After it Rains is a new musical in development. Set in London, through a series of chance encounters it tells the story of a group of people using the New Year to bring about a change in their lives. It is a story of hope and broken dreams, love and loss, hatred and betrayal, but also of finding joy and happiness in unexpected places.The is song #3, a solo for soprano/mezzo. For more information and background to the song, please see www.rainsmusical.com or www.youtube.com/chrislawry Full backing tracks are available, please contact : contact@chrislawry.com.
$1.99
1.84 €
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Chris Lawry, Samantha Joy
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Good Things Happen to Those Who Wait [Solo]
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Moonhouse Music
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SheetMusicPlus
GOOD THINGS ARE HAPPENING HERE
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1042648 By MICHAEL CHRISTE. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1042648 By MICHAEL CHRISTE. By MICHAEL L. RICCCIARDI. Arranged by TIM C. DORAN. 20th Century,Contemporary,Film/TV,Pop. Score. 4 pages. Creative Horizons Music Publishers (ASCAP) #647425. Published by Creative Horizons Music Publishers (ASCAP) (A0.1042648). UPTEMPO SONG OF CELEBRATION. TRUE LOVE HAS BBEEN FOUND AT LAST.
$3.50
3.24 €
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Piano, Voix
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MICHAEL CHRISTE
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TIM C
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GOOD THINGS ARE HAPPENING HERE
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Creative Horizons Music Publishers
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SheetMusicPlus
You Found Me
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slad…
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C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.
$4.99
4.61 €
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Instruments en Do
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The Fray
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Ben Clapton
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You Found Me
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Ben Clapton
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SheetMusicPlus
There Is No Trust
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1094608 By Andrew McD…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1094608 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Country,Pop,Spiritual. Score. 8 pages. Andrew Mc Donald (Macka Records) #698672. Published by Andrew Mc Donald (Macka Records) (A0.1094608). There is no trust is a song about how bad things happen to good people. People do not trust or believe in God any more because they cannot understand why God allows suffering. God has a purpose in it for us so we can become more holy and learn to persevere. This is a country song for piano and vocals.
$4.99
4.61 €
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Piano, Voix et Guitare
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Andrew McDonald
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Andrew McDonald
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There Is No Trust
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Andrew Mc Donald
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SheetMusicPlus
Why Me?
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1472495 By Barbara Vance (ly…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1472495 By Barbara Vance (lyrics). By Asher Li. 21st Century,Chamber,Classical,Multicultural,World. Score. 5 pages. Asher Li #1050140. Published by Asher Li (A0.1472495). Performers: Soprano/Treble, PianoLyrics: Excerpt from ‘Suzie Bitner Was Afraid of the Drain’ by Barbara Vance.When something unfortunate happens to us, we would always tend to blame it on fate and magnify our unfortunate experiences. The lyrics of this song advises us to be optimistic. We should treasure the good things that happens to us, even as simple as appreciating the 'gentle dew' left by the rain. The two contrasting emotions are depicted with different tonality of the same melody, indicating that everything could be viewed in different angles, and by doing so, we could be optimistic or pessimistic.
$2.00
1.85 €
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Piano, Voix
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Barbara Vance
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Why Me?
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Asher Li
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SheetMusicPlus
Good Things Happen
Piano, Voix et Guitare
By Dierks Bentley. For piano, voice, and guitar (chords only). Country; Pop. 6 pages. Publ…
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By Dierks Bentley. For piano, voice, and guitar (chords only). Country; Pop. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano, Voix et Guitare
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Dierks Bentley
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Pop
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Good Things Happen
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Jamie Hartford: Good Things Happen for voice, piano and guitar
Piano, Voix et Guitare
Instantly printable sheet music by Dierks Bentley for voice, piano or guitar of MEDIUM ski…
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Instantly printable sheet music by Dierks Bentley for voice, piano or guitar of MEDIUM skill level. / country,pop
$6.97
6.44 €
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Piano, Voix et Guitare
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Jamie Hartford
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Virtualsheetmusic
Finally what s remain is only ma blues
Piano seul
Piano - Digital Download SKU: A0.1072499 Composed by Valerio Luciano Bagarella. Blu…
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Piano - Digital Download SKU: A0.1072499 Composed by Valerio Luciano Bagarella. Blues. Full Performance. Duration 216. Valerio Bagarella #3141459. Published by Valerio Bagarella (A0.1072499). Finally ... what s remain is only my blues.There are things we can have, things that we can obtain,Efforts done for something and efforts done for nothing.This it s what happen with you sweety girl...All my rushing for nothing.....And after this , really I feel to growin older.it remain only a taste of you, the good souvenir of good times spent together and my usual bastard bluesstill jumping on my sholdersand knocking hard my head......
$3.00
2.77 €
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Piano seul
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Valerio Luciano Bagarella
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Finally what s remain is only ma blues
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Valerio Bagarella
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SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.61 €
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Piano seul
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
Hop Off
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletche…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
46.21 €
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Ensemble Jazz
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Fletcher Henderson And His Orchestra
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Symphony In Riffs
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1129024 Composed b…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!
$49.99
46.21 €
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Ensemble Jazz
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Benny Carter
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Peter Stöve
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Symphony In Riffs
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Peter Stove
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SheetMusicPlus
I Can Still Sing, vocal solo
Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1077330 Composed by Ke…
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Medium Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1077330 Composed by Kevin G. Pace (ASCAP), Sherri D. Johnson. 20th Century,Contemporary,New Age. 8 pages. Kevin G. Pace #681507. Published by Kevin G. Pace (A0.1077330). A beautiful vocal solo with music by Kevin G. Pace and text by Sherri D. Johnson. Text: When I think of my childhood and all it did bring, (5, p.u. , 6-9) what I remember most is that you always would sing. (9-12) Through the good and the bad, the happy and sad, (13-14) no matter what happened you always did sing. (14-20) There were times I know it was hard for you. (21 pu, 22- There were many things that you had to go through. (23 pu, 24-25 I’m sure there were times when your strength was all gone, (25 pu, 26 and you felt it impossible for you to go on. (27 pu, to 29) Yet somehow within you there was always a song (30 pu, 31- ) that renewed your faith and helped you be strong. (to 37) I learned that no matter what life might bring, (38- it would all be okay if we could still sing. (to 45) I think of the journey you have valiantly fought ( and all of the lessons that to me you taught. You taught me to have faith in my Savior above; you have shown me how to truly love. (to 54) Chorus: You have blessed so many lives; you have touched our hearts. Many tears will be shed when from us you depart. Now your journey soon must come to an end, oh how I will miss you, my dear mother, and friend. (to 66) Yet my life will go on, more challenges to bring, but I’ll be okay, because you taught me to sing. Oh what joy you will feel as you look on his face, and kneel at his feet in that glorious place. (to 79) As you bask in his light he will say to thee, (82-85) “My Daughter, your life has been pleasing to me. (86-89) You kept the faith, you fought a good fight, now take my hand and enter into the light. (to 98) Then joining his angels your voice will ring, as to him your praises you bring. For in that great place, throughout eternity, with Heavenly choirs you will still sing.
$3.99
3.69 €
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Kevin G
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I Can Still Sing, vocal solo
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Kevin G. Pace
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SheetMusicPlus
Jasmine --Duet for Flute and Bassoon
Flûte, Basson (duo)
Instrumental Duet Bassoon,Flute,Instrumental Duet - Digital Download SKU: A0.1032777
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Instrumental Duet Bassoon,Flute,Instrumental Duet - Digital Download SKU: A0.1032777 Composed by Max Chan. Contemporary,World. Score and parts. 9 pages. Max Chan #5337669. Published by Max Chan (A0.1032777). Jasmine, Mo Li Hua, is not just a flower in Chinese tradition, it is a popular title for Chinese folk songs and tunes. Except for the most famous one which has been internationally acknowledged that I adopted, I picked another Cantonese folk tune also named Jasmine for this composition. In every big historical moment, no matter good or bad, Jasmine is the most crucial tune accompanied by us, we sang, we played it. There have been happening many things recently in Hong Kong. How do we adopt these two tunes in our context?
$1.99
1.84 €
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Flûte, Basson (duo)
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Max Chan
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Jasmine --Duet for Flute and Bassoon
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Max Chan
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SheetMusicPlus
Ain't No Sunshine
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1307454 By Bill Withe…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1307454 By Bill Withers. By Bill Withers. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 2 pages. John Fries #896739. Published by John Fries (A0.1307454). The song was released as a single in 1971, becoming a breakthrough hit for Withers, reaching number six on the U.S. R&B Chart and number three on the Billboard Hot 100 chart. Withers was inspired to write the song after watching the 1962 movie Days of Wine and Roses. He explained, in reference to the characters played by Lee Remick and Jack Lemmon, They were both alcoholics who were alternately weak and strong. It's like going back for seconds on rat poison. Sometimes you miss things that weren't particularly good for you. It's just something that crossed my mind from watching that movie, and probably something else that happened in my life that I'm not aware of. If you have need for a special arrangement or wish to see what I have available email me at jfries@ptd.net.
$4.99
4.61 €
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Piano, Voix et Guitare
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Bill Withers
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John Fries
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Ain't No Sunshine
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John Fries
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SheetMusicPlus
Rosary Sonatas: The Nativity
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ig…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1081583 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Christmas,Classical,Sacred. Score and parts. 46 pages. JMJ Arrangements #685705. Published by JMJ Arrangements (A0.1081583). [W]hile [Joseph and Mary] were there, the time came for her to be delivered. And she gave birth to her first-born son and wrapped him in swaddling cloths, and laid him in a manger, because there was no place for them in the inn. And in that region there were shepherds out in the field, keeping watch over their flock by night. And an angel of the Lord appeared to them, and the glory of the Lord shone around them, and they were filled with fear. And the angel said to them, 'Be not afraid; for behold, I bring you good news of a great joy which will come to all the people; for to you is born this day in the city of David a Savior, who is Christ the Lord. And this will be a sign for you: you will find a babe wrapped in swaddling cloths and lying in a manger.' And suddenly there was with the angel a multitude of the heavenly host praising God and saying, 'Glory to God in the highest, and on earth peace among men with whom he is pleased!' When the angels went away from them into heaven, the shepherds said to one another, 'Let us go over to Bethlehem and see this thing that has happened, which the Lord has made known to us.' And they went with haste, and found Mary and Joseph, and the babe lying in a manger. And when they saw it they made known the saying which had been told them concerning this child; and all who heard it wondered at what the shepherds told them. But Mary kept all these things, pondering them in her heart. And the shepherds returned, glorifying and praising God for all they had heard and seen, as it had been told them. (Luke 2:6-20 RSV-CE).
$34.99
32.35 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Nativity
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JMJ Arrangements
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
46.21 €
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Orchestre
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
Piano Facile
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, …
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music. <br> <br> In my experience, every elementary piano student should be given the opportunity to successfully play:<br> Spinning Song (even if you leave out the middle section at first)<br> Minuet in G (page one)<br> Fur Elise (page one)<br> <br> Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection. <br> <br> All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions. <br> <br> "Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.<br> <br> Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening. <br> <br> So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior. <br> <br> If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly. <br> <br> "Practice Makes... "<br> <br> If you said "Perfect" then you've fallen into a sinister trap. <br> <br> "Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career. <br> <br> Here's the process in general:<br> Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?<br> <br> That's something for us professionals to consider.<br> <br> <br> Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!<br> <br> Contents<br> <br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G from the Notebook for Anna Magdalena Bach<br> Minuet in G minor from the Notebook for Anna Magdalena Bach<br> Musette in D from the Notebook for Anna Magdalena Bach<br> Minuet in F Wolfgang Amadeus Mozart<br> Ecossaise in G Ludwig van Beethoven<br> Sonatina in G Ludwig van Beethoven<br> I Allegretto<br> II Romanze<br> Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler<br> I Allegro <br> The Wild Horseman, Op. 68, No. 8 Robert Schumann<br> Fur Elise (Famous Page 1) Ludwig van Beethoven<br> Spinning Song, Op. 14, No. 4 Albert Elmenreich<br> Arabesque, Op. 100, No. 2 Friedrich Burgmüller<br> Ballade, Op. 100, No. 15 Friedrich Burgmüller<br> Solfeggietto Carl Philipp Emanuel Bach<br> Toccatina, Op. 27, No. 12 Dmitri Kabalevsky<br> Fur Elise (Complete) Ludwig van Beethoven<br> Sonatina, Op. 55, No. 1 Friedrich Kuhlau<br> I Allegro <br> Sonatina, Op. 36, No. 3 Muzio Clementi<br> I Spiritoso <br> La Vélocité, Op. 109, No. 10 Friedrich Burgmüller<br> <br> <br> These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering. <br> <br> The hand position notation is used to better communicate what exactly is being demanded of the student. Students’ repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores “playing music on the piano” to primacy and supports “helping a student play music on the piano” as the central activity of the piano lesson. <br> <br> Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.<br> <br> Good luck!<br> Scott Camp<br> scottcampislandpiano@gmail.com
$3.99
3.69 €
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Piano Facile
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Various
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20 Classical Piano Pieces for Elementary Piano Students
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Scott Camp
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SheetMusicPlus
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