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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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GUITARE LAP ST…
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HARPE
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Crtitères actifs :
Good Times Ahead
Partitions à imprimer
3 partitions trouvées
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Intoxicated
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Fanfare
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FACILE
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Soul/R&B
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Martin Solveig & Good Time
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Andrew Jacobi
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Good Times Ahead
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Intoxicated
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Andrew Jacobi
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SheetMusicPlus
By Martin Solveig & Good Times Ahead. By David C. Martin, Greg Guidry, Julio Mejia, Martin Solveig, and Matthew Toth. Arranged by Andrew Jacobi. H...
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By Martin Solveig & Good Times Ahead. By David C. Martin, Greg Guidry, Julio Mejia, Martin Solveig, and Matthew Toth. Arranged by Andrew Jacobi. Hip-Hop. 35 pages. Andrew Jacobi #889689. Published by Andrew Jacobi
$50.00
Hope of the World:13 Feed the Flock for Slaughter by Stephen R Dalrymple
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Stephen R Dalrymple
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Hope of the World:13 Feed the
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.818372 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 29 pages. Stephen R Dalrymple #6709747. Published by Stephen R Dalrymple (A0.818372). Hope of the World: 13 Feed the Flock for Slaughter original song arranged for SATB choir and piano by Stephen R Dalrymple♫ sequenced by the composer♫ music © 1999 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ based on Zechariah 11, John 10, and Matthew 27♫ The Judah of Zechariah was marred by exiles who struggled greatly to obey God’s law. Ezra, Nehemiah, Haggai and Malachi contain many passages that point out the sin of the people. Joshua, the current high priest, is pictured in one of Zechariah’s visions as wearing filthy apparel, desperately needing cleansing. Sheep in Bible times are grown more for their wool and milk, not so much for the slaughterhouse. Zechariah likens the leadership of Judah to shepherds and flock owners who are primarily concerned with selling meat. But there is a good shepherd who intervenes to lead the flock. He is mistreated by the owners and the shepherds and paid the price of a slave for his efforts. The good shepherd, casts the price on the floor for the potter.♫ Zechariah is looking ahead to a time when the religious leaders of Judah were short on compassion and the needs of people. Jesus called Himself the Good Shepherd. We see several parallel’s here in John 10. He called the religious leaders of His day, thieves and robbers, and predators. Judas Iscariot was paid the price of a slave to betray Jesus, which he threw to the ground, but was scooped to purchase a Potter’s Field!♫ Includes 1) full score 2) SATB choir part on 2 staves 3) full score for 10 inch tablet♫  (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube channel @DalrympleDesigns.
$2.00
Jesus Shall Reign Where'er the Sun
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Piano seul
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AVANCÉ
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Th...
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Piano Solo - Level 5 - SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
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Good Times Ahead