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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Grand Court
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Quatuor à cordes: 2 violons, alto, violoncelle
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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Vous avez sélectionné:
Grand Court
Partitions à imprimer
66 partitions trouvées
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Grand Court
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Michael Bufalini
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Grand Court
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Michael Bufalini
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SheetMusicPlus
Small Ensemble Flute,Harpsichord,Violin - Level 3 - SKU: A0.996196 Composed by Michael Bufalini. 20th Century,Baroque,Concert,Contemporary,World. Score ...
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Small Ensemble Flute,Harpsichord,Violin - Level 3 - SKU: A0.996196 Composed by Michael Bufalini. 20th Century,Baroque,Concert,Contemporary,World. Score and parts. 16 pages. Michael Bufalini #4830801. Published by Michael Bufalini (A0.996196). Enter the house of royals, more grandiose and majestic than those common folk. Much more style and pomp with fitted dressings than rugged cotton. .
$10.00
Danse du Grand Calumet de la Paix
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Jean-Philippe Rameau
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Nina Kopparhed
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Danse du Grand Calumet de la P
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Arcantora Publications
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1488635 By Jean-Philippe Rameau. By Jean-Philippe Rameau. Arranged by Nina Kopparhe...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1488635 By Jean-Philippe Rameau. By Jean-Philippe Rameau. Arranged by Nina Kopparhed. Baroque,Chamber,Historic,Opera,Wedding. 27 pages. Arcantora Publications #1065482. Published by Arcantora Publications (A0.1488635). Danse du Grand Calumet de la Paix (Dance of the Great Peace Pipe), also known as Danse des Sauvages is one of the most well known pieces from Jean-Philippe Rameau's Les Indes Galantes (1735). It appears in the final Entree of the Opera-Ballet and sets the scene for a grove in an American forest on the border of the Frence and Spanish colonies.This piece is used at the Palace of Versailles every year as part of the dancing items at their grand costume ball, so if you'd like to bring some grandeur from the court of Louis XIV to your event or concert, look no further! This string quartet arrangement was premiered at a costume ball in Edinburgh in March 2024.
$12.99
Tremont Grand March
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Piano seul
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F
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Tremont Grand March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.9732 Arranged by F.L. Raymond. Harps. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9...
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Piano - SKU: LV.9732 Arranged by F.L. Raymond. Harps. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9732). Tremont Grand March. Arranged for the Piano Forte by F.L. Raymond. Published 1839 by Henry Prentiss, No. 33 Court Street, Opposite the new Court House in Boston. Composition of sectional with piano instrumentation. Subject headings for this piece include Harps. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Gov. Morton's Grand March
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Piano seul
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J
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Gov. Morton's Grand March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.14302 Composed by J. Friedheim. Capitols, National Emblems, Dwellings, Flags. Lester S. Levy Collection. 3 pages. Published by Johns Hop...
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Piano - SKU: LV.14302 Composed by J. Friedheim. Capitols, National Emblems, Dwellings, Flags. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14302). Gov. Morton's Grand March. Composed & arranged for the Piano Forte by J. Friedheim. Published 1889 by Henry Prentiss, No.33 Court St. (Opposite the new Court House) in Boston. Composition of sectional with piano instrumentation. Subject headings for this piece include Capitols, National Emblems, Dwellings, Flags. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
For This Will Be a Jolly Court (from "The Grand Duke")
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Arthur S
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Richard Giszczak
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For This Will Be a Jolly Court
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1090730 Composed by Arthur S. Sullivan (1842–1900). Arranged by Richard Giszczak. Classical,Opera,...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1090730 Composed by Arthur S. Sullivan (1842–1900). Arranged by Richard Giszczak. Classical,Opera,Romantic Period. Individual part. 6 pages. Singing Winds Music Company #694878. Published by Singing Winds Music Company (A0.1090730). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. The music comes from the operetta The Grand Duke by Gilbert & Sullivan.
$2.00
Queen Victoria's Court Quadrilles
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Piano seul
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W
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W
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(2) L'Ete
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Queen Victoria's Court Quadril
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.19087 Composed by W. H. Montgomery. Portraits, Rulers, Thrones. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins Universit...
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Piano - SKU: LV.19087 Composed by W. H. Montgomery. Portraits, Rulers, Thrones. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19087). Queen Victoria's Court Quadrilles. (1) La Pantalon; (2) L'Ete; (3) La Poule; (4) La Trenis; (5) La Finale. Also Grand Promenade Waltz, In which are introduced the National Airs Rule Brittannia, and God Save the Queen. Composed & Arranged by W.H. Montgomery. Published [n.d.] by Firth, Hall & Pond, 239 Broadway in New York. Composition of da capo with piano instrumentation. Subject headings for this piece include Portraits, Rulers, Thrones. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
State Street Grand Marc
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Piano seul
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Simon Knaebel
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State Street Grand Marc
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.17452 Arranged by Simon Knaebel. Cityscapes, Carriages & coaches, Commercial buildings, Historic buildings, Crowds, City & town life. Le...
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Piano - SKU: LV.17452 Arranged by Simon Knaebel. Cityscapes, Carriages & coaches, Commercial buildings, Historic buildings, Crowds, City & town life. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17452). State Street Grand Marc. Arranged for the Piano Forte by Simon Knaebel. Published 1843 by Chas. H. Keith, 67 & 69 Court St. in Boston. Composition of da capo with piano instrumentation. Subject headings for this piece include Cityscapes, Carriages & coaches, Commercial buildings, Historic buildings, Crowds, City & town life. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Eight Grand Studies for Cello, Op. 44
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Opera
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Classique
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Friedrich August Kummer
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Michele Galvagno
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Eight Grand Studies for Cello,
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cellos - Level 5 - SKU: A0.1146959 Composed by Friedrich August Kummer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Opera,Romantic ...
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Cellos - Level 5 - SKU: A0.1146959 Composed by Friedrich August Kummer. Arranged by Michele Galvagno. 19th Century,Chamber,Instructional,Opera,Romantic Period. Educational Exercises. 84 pages. Artistic Score Engraving di Galvagno Michele #747161. Published by Artistic Score Engraving di Galvagno Michele (A0.1146959). Friedrich August Kummer (1797—1879) produced less pedagogical material compared to his two great predecessors, Dotzauer and Romberg, but what survived to this day is of the greatest quality. The Eight Grand Studies for Cello, with optional accompaniment of a second Cello, Op. 44, were composed when Kummer was first solo cello at the Dresden Court Opera (1854—64). All of them use the thumb in some way, while two are specifically dedicated to the thumb position. No. 7, in C minor, uses the melody from Rossini’s aria “Dal tuo stellato soglio†from the opera Mosé in Egitto, showing how great an influence his work as an opera cellist had on him. This edition comes in two versions, Original & Collectors’ Edition. The Original version contains, for the first time since their composition, the Urtext score and parts, and is available for digital download right now and will be printed in Q1 2023. The Collectors’ Edition contains, in digital download, the Urtext score and parts, the score and parts of the revision by the legendary Milan Conservatory professor Giuseppe Magrini, and the cello part of the revision by the Paris Conservatory professor Jules Loeb (André Navarra’s teacher).
$24.95
State Street Grand March
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Piano seul
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Simon Knaebel
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State Street Grand March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.9719 Arranged by Simon Knaebel. City & town life, Government buildings, Carts & wagons, Commercial buildings. Lester S. Levy Collection....
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Piano - SKU: LV.9719 Arranged by Simon Knaebel. City & town life, Government buildings, Carts & wagons, Commercial buildings. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9719). State Street Grand March. Arranged for the Piano Forte by Simon Knaebel. Published [n.d.] by Chas. H. Keith, 67 & 69 Court St. in Boston. Composition of da capo with piano instrumentation. Subject headings for this piece include City & town life, Government buildings, Carts & wagons, Commercial buildings. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Lawrence's Grand March
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Piano seul
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Sprake
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T
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Lawrence's Grand March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.21035 Composed by Sprake. Arranged by T. Bricher. Portraits, Military officers, Waterfronts, Ships, Beaches, Mountains, Dwellings. Leste...
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Piano - SKU: LV.21035 Composed by Sprake. Arranged by T. Bricher. Portraits, Military officers, Waterfronts, Ships, Beaches, Mountains, Dwellings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21035). Lawrence's Grand March. Composed by Sprake, and arranged for the Piano-Forte by T. Bricher. Published 1843 by Chas. H. Keith, 67 & 69 Court St. in Boston. Composition of da capo with piano instrumentation. Subject headings for this piece include Portraits, Military officers, Waterfronts, Ships, Beaches, Mountains, Dwellings. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Harrington Grand Quick Step, In imitation of a full Band "`a la militaire"
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Piano seul
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Ireneus J
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The Harrington Grand Quick Ste
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.15817 Composed by Ireneus J. Solomons. Theaters--interiors, Stages (platforms), Singers. Lester S. Levy Collection. 3 pages. Published b...
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Piano - SKU: LV.15817 Composed by Ireneus J. Solomons. Theaters--interiors, Stages (platforms), Singers. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15817). The Harrington Grand Quick Step, In imitation of a full Band `a la militaire. Composed by Ireneus J. Solomons. Published 1840 by Henry Prentiss, No.33 Court St. in Boston. Composition of sectional with piano instrumentation. Subject headings for this piece include Theaters--interiors, Stages (platforms), Singers. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
National Lancers Grand Parade. A Quick Step
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Piano seul
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John Holloway
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National Lancers Grand Parade.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.21158 Composed by John Holloway. Military training, Military officers, Horseback riding, Military camps, Fire, Dwellings. Lester S. Levy...
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Piano - SKU: LV.21158 Composed by John Holloway. Military training, Military officers, Horseback riding, Military camps, Fire, Dwellings. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21158). National Lancers Grand Parade. A Quick Step. Composed by John Holloway. Published 1840 by Henry Prentiss, No.33 Court St. in Boston. Composition of sectional with piano instrumentation. Subject headings for this piece include Military training, Military officers, Horseback riding, Military camps, Fire, Dwellings. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Tiger's Grand March
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Piano seul
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C
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Tiger's Grand March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.17455 Composed by C. F. D. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17455).
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Piano - SKU: LV.17455 Composed by C. F. D. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17455). Tiger's Grand March. Composed by C.F.D. Published 1845 by Henry Prentiss, 33 Court St. in Boston. Composition of da capo with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
(1) The Maryland Cadets' Quick Step; (2) Boston Independent Company of Cadets' Grand March
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Piano seul
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A
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(1) The Maryland Cadets' Quick
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.17043 Composed by A. F. Knight. Monuments & Memorials, Soldiers, Forts & fortifications, Portraits, Campaigns & battles. Lester S. Levy ...
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Piano - SKU: LV.17043 Composed by A. F. Knight. Monuments & Memorials, Soldiers, Forts & fortifications, Portraits, Campaigns & battles. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17043). (1) The Maryland Cadets' Quick Step; (2) Boston Independent Company of Cadets' Grand March. Composed and arranged for the Piano Forte by A.F. Knight. Published [n.d.] by Henry Prentiss, 33 Court Street in Boston. Composition of da capo with piano instrumentation. Subject headings for this piece include Monuments & Memorials, Soldiers, Forts & fortifications, Portraits, Campaigns & battles. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Vive La Danse. Galoppe et Grande Marche
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Piano seul
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Hunten
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Vive La Danse. Galoppe et Gran
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.9572 Composed by Hunten. Dancing, Military officers, Caricatures, Fools & jesters, Angels. Lester S. Levy Collection. 3 pages. Published...
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Piano - SKU: LV.9572 Composed by Hunten. Dancing, Military officers, Caricatures, Fools & jesters, Angels. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9572). Vive La Danse. Galoppe et Grande Marche. Composee Par Hunten. Published 1840 by Henry Prentiss, 33 Court St. in Boston. Composition of two da capo movements with piano instrumentation. Subject headings for this piece include Dancing, Military officers, Caricatures, Fools & jesters, Angels. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
The Grand Seigneur
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Piano, Voix
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Perceval J
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The Grand Seigneur
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.5290 Composed by Perceval J. Illsley. Couples, Horseback riding, Rulers, Courtship, Love. Lester S. Levy Collection. 7 pages. ...
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Piano and voice - SKU: LV.5290 Composed by Perceval J. Illsley. Couples, Horseback riding, Rulers, Courtship, Love. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5290). The Grand Seigneur. Words by William H. Drummond, M.D. Music by Perceval J. Illsley, Mus. B. Published 1896 by Whaley, Royce & Co., 158 Yonge St. in Toronto. Composition of aba with piano and voice instrumentation. Subject headings for this piece include Couples, Horseback riding, Rulers, Courtship, Love. First line reads To the hut of the peasant or lordly hall, to the heart of the King.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Op. 37, No. 2: Du grand Turc je n’ai souci from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 37, No. 2: Du grand Turc j
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 7 pages. E. C. Schirmer Music Company - Digital #8491-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-02E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Ferrocarril de los Altos. Fox Guatemalteco por Domingo Bethancourt Mazariegos
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Domingo Bethancourt Mazariegos
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Juan Carlos Cortés Aguirre
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Ferrocarril de los Altos. Fox
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1120188 By Domingo Bethancourt Mazariegos. By Domingo Bethancourt Mazariegos. Arranged by Juan Carlos Cortés Aguirre. ...
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Piano Solo - Level 4 - SKU: A0.1120188 By Domingo Bethancourt Mazariegos. By Domingo Bethancourt Mazariegos. Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #721506. Published by Juan Carlos Cortés Aguirre (A0.1120188). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. El maestro Domingo Bethancourt Mazariegos (Quetzaltenango, 1906-1980) fue un marimbista y compositor guatemalteco. Sus obras para marimba se encuentran entre las más populares de Centro américa. Para la inauguración del Ferrocarril de los Altos, Mingo (como le decÃan a Domingo Bethancourt) compuso una melodÃa con ese nombre, de tan grande éxito, que muy pronto fue grabada en Estados Unidos por la marimba Centroamericana. Un tren convertido en melodÃa inmortal El 30 de marzo de 1930 fue inaugurado el ferrocarril de Los Altos, tren eléctrico cuya vÃa conectaba a Retalhuleu con Quetzaltenango. El ambiente era festivo y en el aire vibró la melodÃa conmemorativa de un joven compositor llamado Román Domingo Bethancourt Mazariegos, UNA LEYENDA MUSICAL Campana y pito preceden a la festiva melodÃa Ferrocarril de Los Altos. Tal composición de Domingo Bethancourt surgió para celebrar el nuevo tren eléctrico de occidente. La construcción empezó en septiembre de 1924, concesionada a una firma alemana. El costo final serÃa de 8 millones de Quetzales. Empezó a funcionar el 30 de marzo de 1930, pero solo duró tres años. Problemas financieros y el fuerte invierno de 1933 golpearon el proyecto que pretendÃa extenderse al Occidente del paÃs, pero que al final fue desmantelado. ¿Cómo se financió el Ferrocarril de Los Altos? Con nostalgia, los quetzaltecos, guardan como recuerdo del Ferrocarril de Los Altos, un monumento ubicado en el Parque Guzmán, de Totonicapán y la conocida melodÃa nacional de marimba, obra de Domingo Betancourt, que lleva el nombre de este innovador proyecto.
$7.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
You're A Grand Old Flag
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Piano, Voix
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George M
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You're A Grand Old Flag
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by George M. Cohan (1878-1942). Portraits, Civil War, Patriotism, Peace, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopki...
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Composed by George M. Cohan (1878-1942). Portraits, Civil War, Patriotism, Peace, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24091). - - - Johns Hopkins University Sheridan Libraries
$5.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical....
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99
The Waltz of Long Ago
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Piano, Voix
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Contemporain
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Comédie Musicale
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Irving Berlin
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The Waltz of Long Ago
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by Irving Berlin. Ballroom dancing, Fads, Nostalgia, Grandparents, Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins Uni...
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Composed by Irving Berlin. Ballroom dancing, Fads, Nostalgia, Grandparents, Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21980). - - - Johns Hopkins University Sheridan Libraries
$5.99
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