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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSON
BATTERIE
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CHORALE - CHAN…
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CORNET
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VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Grave Assaï
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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TROMPETTE
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Vous avez sélectionné:
Grave Assaï
SheetMusicPlus
Partitions à imprimer
26 partitions trouvées
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26
Grave Assaï & Fandango
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4 Guitares (Quatuor)
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AVANCÉ
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Luigi Boccherini
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Gabriel Bianco
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Grave Assaï & Fandang
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Les Productions d'OZ - Digital
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SheetMusicPlus
4 guitars - Advanced - SKU: ZZ.DZ-3883 Composed by Luigi Boccherini. Arranged by Gabriel Bianco. Score and Parts. 52 pages. Les Productions d'OZ - Digit...
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4 guitars - Advanced - SKU: ZZ.DZ-3883 Composed by Luigi Boccherini. Arranged by Gabriel Bianco. Score and Parts. 52 pages. Les Productions d'OZ - Digital #DZ 3883. Published by Les Productions d'OZ - Digital (ZZ.DZ-3883). ISBN 9782897958008.
$15.95
Do Not Stand at My Grave and Weep
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Chorale SATB
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Musique Sacrée
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Dale Grotenhuis
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Do Not Stand at My Grave and W
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Roger Dean Publishing
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SheetMusicPlus
SATB choir - Moderately Advanced - SKU: LX.10-2509R Composed by Dale Grotenhuis. Te Deum Choral Series. Sacred Anthem, Easter, General, Lent. Octavo. 12...
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SATB choir - Moderately Advanced - SKU: LX.10-2509R Composed by Dale Grotenhuis. Te Deum Choral Series. Sacred Anthem, Easter, General, Lent. Octavo. 12 pages. Roger Dean Publishing #e10/2509R. Published by Roger Dean Publishing (LX.10-2509R). UPC: 000308055566.Beginning with a solo soprano and tenor, this anthem expands into an intense and dramatic expression of hope that is timely for any Eastertide Sunday. Short a cappella sections that feature chromatic passages will create a real tour de force for your choir.
$2.50
Fanfare on "Low in the Grave He Lay" for Trumpet Duo and Organ: Score and 2 Parts
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Ensemble de cuivres
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Musique Sacrée
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William H
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James Siddons
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Fanfare on "Low in the Gr
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James Siddons Music and Writings
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SheetMusicPlus
Brass Ensemble - SKU: A0.972667 Composed by William H. Doane. Arranged by James Siddons. Christian,Easter,Praise & Worship. Score and parts. 6 pages. Ja...
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Brass Ensemble - SKU: A0.972667 Composed by William H. Doane. Arranged by James Siddons. Christian,Easter,Praise & Worship. Score and parts. 6 pages. James Siddons Music and Writings #6304573. Published by James Siddons Music and Writings (A0.972667). This exuberant fanfare is for Easter worship services, especially as prelude music. It begins with a quiet introduction in the style of vespers music, then goes into the familiar hymn tune. The concluding phrases of the hymn tune are interspersed with short cadenza-like passages for the trumpets that express the triumph and glory of the Resurrection. Also published for one Bb trumpet and organ in high range and low range versions.
$9.99
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99
O Lord, you have searched me out
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Le Bas
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O Lord, you have searched me o
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Philip Le Bas
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1496253 Composed by Philip Le Bas. A Cappella,Christian,Praise & Worship,Religious,Sacred. 7 pages. Philip Le Bas #1072778. Published by Philip Le Bas (A0.1496253). A new setting of Psalm 139 by Philip Le Bas, which begins O Lord, you have searched me out and known me - text printed below. The psalm is a deeply personal reflection by the psalmist on the wonder of my being and on the inescapability of God's love, wherever we might try to hide, and whatever we might do ourselves or might experience - even death. This gentle setting for unaccompanied SATB choir uses the full range of all four choral voices, with just one divisi passage at the end of the composition in the tenor and bass parts. The piece should be sung meditatively, without too much drama, even in the fortissimo passages, aiming for a sense of wonder and inner peace. Psalm 139 O Lord, you have searched me out and known me; you know all my sitting down and rising; you discern my thoughts from afar. You mark all my journeys and my resting place and are acquainted with all my ways. For not a word is on my tongue but, Lord, you know it altogether. You encompass me, behind and before me, you lay you hand upon me. O where can I go from your spirit? Or where can I flee from your presence? If I climb up to heaven you are there; you are there if the grave is where I lie. If I take the wings of the morning, or dwell in the depths of the sea, even there your hand shall lead me, your right hand hold me fast. You created my innermost parts; you knit me together in my mother's womb. I thank you for the wonder of my being, I marvel at all your works. Amen.
$2.99
TELEMANN: QUARTET IN G MAJOR TEV 43: G2 for flute, oboe, clarinet & bassoon
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Georg Philipp Telemann
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Pat Spence
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TELEMANN: QUARTET IN G MAJOR T
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.811818 Composed by Georg Philipp Telemann (1681 - 1767). Arranged by Pat Spence. Baroque,Concert,Holiday,Wedding. 40 pages. Piper Publications #6533127. Published by Piper Publications (A0.811818). This quartet is the second piece in the first of three sets of ‘Tafelmusik’ published in Hamburg by Telemann in 1763. The numbers of players required ranged from a single treble instrument with continuo (cello & harpsichord) to pairs of trumpets, horns and violins with string orchestra with continuo which provided the entertainment for the guests at the most important feasts.The quartet was originally written for flute, oboe, violin and continuo and has been arranged for flute, oboe, clarinet & bassoon. Some additional phrasings and dynamics have been added in parentheses ( ) or dashed lines and passages of music have been redistributed among the parts with some octave transposition to accommodate the range of the wind instruments.There are three movements: Largo - Allegro - Largo, Vivace - Moderato - Vivace & Grave - Vivace. The quartet is suitable for advanced intermediate players and above.The short Grave introduction to the final Vivace would have afforded the three treble instrument players a bar/measure each to perform a short improvised cadenza before the infectious romp of the final Vivace. (Rather like the present day introductions of the athletes before important competitions - the difference being that the 18th century musicians had already demonstrated their prowess.Telemann clearly had very talented musicians available and provided them with music which was enjoyable to play for an appreciative audience of patrons to enjoy.
$20.00
7 small preludes for solo guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Oleg Boyko
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7 small preludes for solo guit
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Oleg Boyko
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1151798 By Oleg Boyko. By Oleg Boyko. Classical,Contemporary,New Age. Individual part. 12 pages. Oleg Boyko #751997. Pub...
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Solo Guitar - Level 4 - SKU: A0.1151798 By Oleg Boyko. By Oleg Boyko. Classical,Contemporary,New Age. Individual part. 12 pages. Oleg Boyko #751997. Published by Oleg Boyko (A0.1151798). 7 pieces of different mood for classical guitar I - Andantino II - Grave III - Lento IV - Andante mosso V - Larghetto VI - Allegretto VII - Moderato assai www.boyko.cn.ua.
$12.00
Stabat Mater - G. Pergolesi for SAX Quartet (SATB)
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Quatuor de Saxophones: 4 saxophones
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Giovanni Battista Pergolesi
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Eric Drapier
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Stabat Mater - G. Pergolesi fo
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Eric Drapier
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.991491 Composed by Giovanni Battista Pe...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.991491 Composed by Giovanni Battista Pergolesi. Arranged by Eric Drapier. Christian,Classical,Contemporary,Sacred,Spiritual. 59 pages. Eric Drapier #2991507. Published by Eric Drapier (A0.991491). Stabat Mater by G. Pergolesi arranged for SAX Quartet (intermediate) (SATB)5 mouvements from intermediate to intermediate/advanceGrave - Stabat Mater dolorosaAndante Amoroso - Cuius animam gementemAllegro - Fac, ut ardeat cor meumA tempo giusto - Sancta Mater, istud agas Presto assai - Quando corpus morieturSounds great for sax QuartetA set of full parts (59 pages)Do not hesitate to contact me for optionnal part (Subst Alto for example)ericdrapier24@gmail.com.
$49.00
Beethoven - String Quartet No.16 in in F major, Op.135
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Quatuor à cordes: 2 violons, alto, violoncelle
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Classique
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Ludwig van Beethoven
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J
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Beethoven - String Quartet No.
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J.G. Cuco Barber
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.1113192 Composed by Ludwig van Beethoven. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 57...
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String Quartet String Quartet - SKU: A0.1113192 Composed by Ludwig van Beethoven. Arranged by J.G. Cucó Barber. Chamber,Classical,Romantic Period. 57 pages. J.G. Cuco Barber #715152. Published by J.G. Cuco Barber (A0.1113192). Work Title String Quartet No.16 Composer Beethoven, Ludwig van Opus/Catalogue Number Op.135 Key F major Movements/Sections 4 movements: 1. Allegretto (F major) 2. Vivace (F major) 3. Lento assai, cantante e tranquillo (D♠major) 4. Der schwer gefasste Entschluss. Grave, ma non troppo tratto — Allegro (F major) Year/Date of Composition 1826 First Publication 1827 (September) - Berlin: Schlesinger Dedication Johann Wolfmayer Composer Time Period Classical Piece Style Romantic Instrumentation 2 violins, viola, cello.
$23.00
Concertino in A major (Badley A2)
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Classique
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Leopold Hofmann
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Allan Badley
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Concertino in A major
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Artaria Editions
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SheetMusicPlus
Cello,Flute,Harpsichord,Violin - Level 3 - SKU: A0.1487810 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 48 pages. Artaria Editions ...
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Cello,Flute,Harpsichord,Violin - Level 3 - SKU: A0.1487810 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 48 pages. Artaria Editions #1064748. Published by Artaria Editions (A0.1487810). Artaria Editions AE198For flute, violin, cello, harpsichord, and basso (usually a second cello)The present work was advertised by Breitkopf (Supplement IV) in 1769 along with two of the composer's keyboard concerti.Most of Hofmann's keyboard music appears to date from his years as Hofklaviermeister (1769-1774) and we can assume that a good deal of it was intended as teaching material. In the circumstances it is tempting to suggest that this attractive and unusually-scored work was composed for Hofmann's imperial pupils and that Joseph II perhaps played the cello part in a domestic concert at court. This edition is based on a set of MS parts now preserved in the Staatsbibliothek zu Berlin under the shelfmark Mus.ms. 10733/3. The wrapper reads: 'A/ Concertino / a / Cembalo / Flauto Traverso / Violino / Violoncello / e / Basso / del Sigr. Leop: Hoffmann / Grave' . The intended 'basso' instrument is uncertain but in all likelihood it was played by a second cello. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Berlin copy. The simple continuo realisation, printed here in smaller type, has been added by a later hand and is certainly not the work of the composer. As is often the case in Hofmann's chamber music there are few dynamic markings in the parts although considerable care is taken with articulation. The style and notation of these have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.
$62.00
SEXTET #3 in E Minor
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Louis-Francois Dauprat
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Becky Dugan
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SEXTET #3 in E Minor
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B. L. Dugan
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.918753 Composed by Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. Classical. Score and parts. 30 pages....
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Brass Ensemble - Level 4 - SKU: A0.918753 Composed by Louis-Francois Dauprat (1781-1868). Arranged by Becky Dugan. Classical. Score and parts. 30 pages. B. L. Dugan #115591. Published by B. L. Dugan (A0.918753). Brass sextet by the great French horn teacher, Louis-Francois Dauprat (1781-1868). Originally written for horns in various keys, Dauprat intended for his students to practice transposing parts. Sextet #3 is slow (Lento/Grave) with interweaving and overlapping melodies. All parts have challenging passages, making this piece interesting and rewarding for advancing musicians.
$20.00
Folk Songs For Classical Guitar - Volume 14 (Songs 352-378)
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Traditional/Anonymous
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Socrates Arvanitakis
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Folk Songs For Classical Guita
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Socrates Arvanitakis
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153432 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music...
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Acoustic Guitar,Instrumental Solo - Level 3 - SKU: A0.1153432 Composed by Traditional/Anonymous. Arranged by Socrates Arvanitakis. Classical,Early Music,Folk,Traditional. Individual part. 42 pages. Socrates Arvanitakis #753693. Published by Socrates Arvanitakis (A0.1153432). This is the fourteenth volume of an extensive collection of folk songs arranged for the classical guitar mostly in two-part counterpoint. The arrangements are of moderate difficulty and the aims of this publication are to familiarise, entertain and educate guitarists (and other musicians) with a melodic repertoire of lasting aesthetic value, under the light of contrapuntal treatment. The thirty five volumes of this collection can certainly be printed on paper if so desired and there are a few pages in each volume, either blank or with photographs of various musicians, which can be inserted at will in any place for the correct ordering of left and right hand pages so that page turns can be avoided. The principle of avoiding page turns has been maintained in all volumes, but this edition is also designed with mobile electronic devices in mind such as tablets etc, using the environment and facilities of a score reading application, towards a paperless world, at least in music. Therefore the size of the staves is bigger than usual for ease of reading on a small screen but not big enough to exceed the limit of a two-page view. Active internal links for navigating from thematic indexes to particular songs and back to indexes have been added, and also external internet links to sites that give further information for the 945 songs of this first collection for classical guitar.Volume 14 (Songs 352-378)Georgie Jeems (Who will shoe my Foot)Gibson, Wilson and Johnson-The Three ButchersGipsy (The)Gipsy Countess Part 1 (The)Gipsy Countess Part 2 (The)Gipsy Laddy OGirl I Left Behind Me (The)GlenlogieGo Down MosesGo Tell it on the MountainGod Bless the MasterGod speed the ploughGolden Vanity (The)Good King EneryGood NewsGood Old Leathern Bottle (the)Goodbye fare-ye-wellGossip JoanGrampound Wassail (The)Green Broom 1Green Broom 2Green Bushes 1 (The)Green Bushes 2 (The)Green Bushes 3 (the)Green Gravel (Derbyshire)Green Gravel (Lancashire)Green grow the Leaves.
$25.00
Suite from the opera "Hamlet", op. 64a
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Adrian Gagiu
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Suite from the opera "Ham
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian ...
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Full Orchestra - Level 4 - SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
Bach - Brandenburg Concerto No.2 in F major BWV 1047 - Piano Version
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Piano seul
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AVANCÉ
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Classique
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Santino Cara
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Johann Sebastian Bach before 1
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Santino Cara
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Bach - Brandenburg Concerto No
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Santino Cara
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1313832 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 20 pages. Santino Cara #9025...
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Piano Solo - Level 5 - SKU: A0.1313832 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 20 pages. Santino Cara #902553. Published by Santino Cara (A0.1313832). Complete score of the Brandenburg Concerto No.2 in F major BWV 1047. Composed by Johann Sebastian Bach before 1721 for Trumpet, recorder, oboe, concerted violin, violins 1 and 2 ripieni, viola, cello and harpsichord. Transcribed for Piano solo in Rome in 2023 by Santino Cara.3 Movements: 1. Moderato, 2. Andante moderato, 3. Allegro assaiSources: The six Brandenburg concerts were presented by Bach in 1721 in a collection for Christian Ludwig, Margrave of Brandenburg-Schwedt and dedicated to him. It is therefore assumed that they were composed before that date.Other piano works by Bach and baroque and classical composers
$16.40
BOISMORTIER SONATA No.1 in D MAJOR OPUS 7 No. 1 for flute, oboe & clarinet in A
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Flûte, Hautbois, Clarinette (trio)
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INTERMÉDIAIRE
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Joseph Bodin De Boismortier
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BOISMORTIER SONATA No.1 in D M
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Piper Publications
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.811700 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute,Oboe - Level 3 - SKU: A0.811700 Composed by Joseph Bodin De Boismortier (1689 - 1755). Arranged by Edited & arranged by Pat Spence. Baroque,Concert,Standards. 24 pages. Piper Publications #4310185. Published by Piper Publications (A0.811700). The sonata is the first of a set of six published in Paris in 1725 by L’Auteur & Boivin ‘Avec Privilege du Roy.1725.’ The title page described them as ‘SONATES EN TRIO pour Trois Flûtes Transversieres sans Basse Par MR BOISMORTIER. OEVRE SEPTIÈME.’ The publication consisted of a set of parts each with the title page followed by a copy of the Privilége granted by King Louis to Boismortier to print and sell his music. There are 5 movements, Gravement, Allemande Gayment, lentement, Gavotte en rondeau & Gayment. Players of Intermediate standard will enjoy playing this music. Obvious mistakes and omissions have been corrected without comment, trills have been added where there is for e.g. a sequence where only the first trill has been indicated or a similar passage has a trill in that part or another part. The more modern tr has been substituted for + and the mordant used on shorter notes retained. No dynamics were included in the original and none have been added. Players should feel free to add their own. For the arrangement some changes of register have been made to accommodate the ranges of the oboe and clarinet and additional slurs have been added (dashed lines). Players are free to retain the ‘feel’ of early eighteenth century style whilst playing modern instruments. The original publication used the, now defunct, soprano clef (with G on the bottom line of the stave) and this edition has been transcribed into the modern treble clef. In the eighteenth century it was quite usual for wind players to play several instruments. The use of the soprano clef would have made it easier to switch between flute and bassoon.
$10.00
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
For Unto Us A Child Is Born (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Charles A
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For Unto Us A Child Is Born
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CG Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1226069 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Histor...
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Chamber Orchestra - Level 4 - SKU: A0.1226069 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #821953. Published by CG Publications (A0.1226069). Handel’s inspiring chorus from “MESSIAH†is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Difficult melismatic passages have been simplified, without diminishing their musical integrity, to allow for an effective and impressive, but easier, performance for groups of even modest resources. Performance requires an accomplished violinist but only players of modest ability in the other instruments. Also, appropriate substitutions are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.
$14.99
For Unto Us A Child Is Born (from “MESSIAH”) for Men’s Chorus (TTB) – VOCAL PARTS
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Charles A
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For Unto Us A Child Is Born
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CG Publications
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1227062 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Hist...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1227062 By George Frideric Handel. By George Frideric Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Octavo. 6 pages. CG Publications #823069. Published by CG Publications (A0.1227062). Vocal Score from the full arrangement of Handel’s inspiring chorus from “MESSIAH†re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard or Guitar Continuo). Difficult melismatic passages have been simplified, without diminishing their musical integrity, to allow for an effective and impressive, but easier, performance for groups of even modest resources. May be performed with Keyboard accompaniment only from any available Messiah edition. Performance Notes provided in score. The Full Arrangement of this piece, including Score & Parts for all instruments, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, may be obtained from CG Publications here through Sheet Music Direct/Sheet Music Plus.
$2.99
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Scor...
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Alto Saxophone,Piano - Level 4 - SKU: A0.534135 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 29 pages. Musik Fabrik Music Publishing #3133401. Published by Musik Fabrik Music Publishing (A0.534135). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. Versions are available from Musik Fabrik for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$16.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik ...
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Chamber Orchestra - Level 4 - SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #3133403. Published by Musik Fabrik Music Publishing (A0.534136). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part for the orchestral version. Versions are available from Musik Fabrik for piano for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 ...
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Concert Band - Level 4 - SKU: A0.534137 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 50 pages. Musik Fabrik Music Publishing #3133405. Published by Musik Fabrik Music Publishing (A0.534137). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part only for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and concert b
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Paul Wehage
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.534138 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204...
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Concert Band - Level 4 - SKU: A0.534138 Composed by Louis Adolphe Mayeur. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 204 pages. Musik Fabrik Music Publishing #3133407. Published by Musik Fabrik Music Publishing (A0.534138). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and complete parts for the concert band version. Versions are available from Musik Fabrik for piano, for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$90.95
Bach: Goldberg Variations, BWV 988: Var. 30 (as played by Víkingur Ólafsson) for Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and VÃ
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Flavio Regis Cunha
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Bach: Goldberg Variations, BWV
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FRC Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1371724 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 3 - SKU: A0.1371724 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. FRC Music #955951. Published by FRC Music (A0.1371724). Bach: Goldberg Variations, BWV 988: Var. 30 (as played by VÃkingur Ólafsson) for PianoAdvanced Intermediate.Format: Concert, 9 x 12 inches.2 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.The transcendent rendition of Goldberg Variations, BWV 988: Var. 30 by VÃkingur Ólafsson on the piano is nothing short of a musical masterpiece. In this sublime interpretation, Ólafsson navigates the intricate tapestry of Bach's composition with unparalleled skill and sensitivity.Var. 30, also known as the Quodlibet, is a culmination of the preceding variations, bringing together various melodic fragments in a harmonious convergence. Ólafsson's performance is characterized by a profound understanding of the emotional nuances embedded in the piece. His delicate touch and precise articulation illuminate the intricate counterpoint, allowing each note to resonate with a profound sense of purpose.The pianist's nuanced phrasing and dynamic control breathe life into the composition, creating a compelling narrative that unfolds with each passing measure. As Var. 30 progresses, Ólafsson's interpretative choices reveal a deep connection to the essence of Bach's work, capturing the essence of the Baroque era while infusing it with a contemporary flair.The juxtaposition of contrasting motifs within the Quodlibet showcases Ólafsson's virtuosity and musical insight. His ability to seamlessly transition between intricate passages and lyrical moments is a testament to his technical prowess and artistic sensitivity. The performance, under his deft guidance, transforms into a captivating journey that engages the listener on both intellectual and emotional levels.In conclusion, VÃkingur Ólafsson's rendition of Goldberg Variations, BWV 988: Var. 30 stands as a testament to his extraordinary skill as a pianist and his deep appreciation for the musical genius of Johann Sebastian Bach. This interpretation is a compelling and enriching experience that transcends the boundaries of time, bringing the timeless beauty of Bach's work to contemporary audiences with grace and brilliance.
$6.99
The Vision (Downloadable Keyboard/Choral Score)
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Chorale SATB
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Conrad Susa
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The Vision
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, oboe, handbells, harpsichord, and strings - Moderately Difficult - SKU: MQ.7617-E Composed by Conrad Susa. 14 pages. E. C. Schirmer Music Co...
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SATB choir, oboe, handbells, harpsichord, and strings - Moderately Difficult - SKU: MQ.7617-E Composed by Conrad Susa. 14 pages. E. C. Schirmer Music Company - Digital #7617-E. Published by E. C. Schirmer Music Company - Digital (MQ.7617-E). English.Engraved and edited after the composer's death, this charming piece deserves wider attention in the choral world. The music features unmeasured chant-like passages contrasted with moving accompanied ones. The English text is a rhapsodic vision of one entering into the Kingdom of God, the Latin text In paradisum weaves in near the end and brings the piece to a close. Duration: 6:00.
$2.85
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