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Vous avez sélectionné:
Gregorian Impressions
Partitions à imprimer
6 partitions trouvées
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Gregorian Impressions
Orgue
Organ 3-staff - Moderately Advanced - Digital Download SKU: LX.70-2155S Plaincha…
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Organ 3-staff - Moderately Advanced - Digital Download SKU: LX.70-2155S Plainchant Settings for Organ. Arranged by Richard J Clark. Sacred, General, Communion. Organ. 32 pages. Sacred Music Press #e70/2155S. Published by Sacred Music Press (LX.70-2155S). ISBN 9780787763558.Richard J. Clark has chosen some of his favorite plainchant melodies and created approachable organ settings of varied character. These melodies are among the most well-known plainchants, and they appear in hymnals of many denominations. These pieces will provide service-playing material for several seasons of the church year and Communion or a suite for recital use.
$21.00
19.06 €
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Orgue
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Richard J Clark
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Gregorian Impressions
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Sacred Music Press
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SheetMusicPlus
Gregorian Impressions
Orgue
Organ: 3-staff - Moderately Advanced SKU: LO.70-2155S Composed by Richard J. Clark.…
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Organ: 3-staff - Moderately Advanced SKU: LO.70-2155S Composed by Richard J. Clark. Sacred, General, Holy Communion. Sacred Music Press #70/2155S. Published by Sacred Music Press (LO.70-2155S). ISBN 9780787763558.Richard J. Clark has chosen some of his favorite plainchant melodies and created approachable organ settings of varied character. These melodies are among the most well-known plainchants, and they appear in hymnals of many denominations. These pieces will provide service-playing material for several seasons of the church year and Communion or a suite for recital use.
$25.00
22.69 €
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Orgue
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Richard J
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Gregorian Impressions
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Sacred Music Press
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SheetMusicPlus
Tantum Ergo
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.732176 Composed by Gregori…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.732176 Composed by Gregorian Chant/ Text: St.Thomas Aquinas. Arranged by Thomas Quigley. Christian,Classical,Sacred. Octavo. 7 pages. Thomas Quigley #5316689. Published by Thomas Quigley (A0.732176). A new dimension has been added to this famous plainchant melody with the inclusion of subtle, tasteful, modal harmonies. The texture varies and the overall musical effect is sublime. Choirs will enjoy the accessibility of the arrangement, whilst at the same time appreciating the power of the original hymn tune. Very impressive! .
$2.20
2 €
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Chorale SATB
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Gregorian Chant/ Text: St
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Thomas Quigley
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Tantum Ergo
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Thomas Quigley
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SheetMusicPlus
Sonata Hymnica No. 5
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. C…
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Piano Solo - Level 3 - Digital Download SKU: A0.972672 Composed by James Siddons. Christian,Concert,Contemporary,Easter. Score. 17 pages. James Siddons Music and Writings #6671707. Published by James Siddons Music and Writings (A0.972672). Sonata Hymnica No. 5 has the subtitle Scenes of Calvary. Landscape paintings and printed illustrations of the Cross of Calvary were ubiquitous in Christian literature in the late 19th century, so it not surprising that allusions to such art are found in the texts of hymns. The three hymns heard in Sonata Hymnica No. 5 all evoke some sense of seeing, in a spiritual way, the scene of the Crucifixion. Sonata Hymnica No. 5 opens with a sturdy and rugged statement of When I Survey the Wond’rous Cross, written by Isaac Watts in 1707. This poem continues: On which the Prince of Glory dy’d, . . . See from His Head, his Hands, his Feet, Sorrow and Love flow mingled down! In the United States, music educator Lowell Mason (1792-1872) composed a tune in 1824 for singing Watts’ hymn. Named HAMBURG tune, it was an adapted form of some Gregorian chant in Church Mode I. This combination of poem and tune became very popular; so much so, that by the 1880s, elaborations of it appeared in print. The most enduring is the pairing of Watts’ poem and Mason’s tune with a simple camp meeting song, At the Cross, to be a refrain. It has the phrases, At the cross, where I first saw the light . . . It was there by faith I received my sight. The centerpiece of Sonata Hymnica No. 5 is the tune TOPLADY, the usual tune for singing Rock of Ages. This tune was composed in 1830 by Thomas Hastings (1784-1872), an associate of Lowell Mason in New York. He wrote hymns and hymn tunes, published hymnals, and worked tirelessly to elevate choral singing in churches. Hastings indicated that he intended his tune for singing Rock of Ages by naming it after the author of the hymn-poem, the English pastor Augustus Toplady (1740-1778). The Rev. A. B. Grosart wrote in a memorial that Toplady was no poet or inspired singer, but an impulsive, rash-spoken, reckless preacher who could nonetheless picture vanishing gleams of imaginative light in his hymnic verses. A better impression was gained by poet A. C. Benson (1862-1925), who, upon hearing Rock of Ages sung at William Gladstone’s funeral at Westminster Abbey in 1898 --- a rare State funeral attended by several members of the British Royal family --- wrote, To have written such words which should come home to people in moments of high, deep, and passionate emotion . . . there can hardly be anything worth doing better than that. This high compliment came from the poet who, a few years later, would write the words of Elgar’s Coronation Ode for King Edward VII and Queen Alexandra. A camp meeting song, a rash-spoken English pastor, two American music educators, a State funeral at Westminster Abbey --- such is the wide world of influence and inspiration of these three Scenes of Calvary.
$9.50
8.62 €
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Piano seul
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James Siddons
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Sonata Hymnica No. 5
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James Siddons Music and Writings
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SheetMusicPlus
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00
89.84 €
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Aleksander Norbert Czarnecki
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SheetMusicPlus
O Emmanuel
Chorale SSAATTBB
Mixed choir (SSAATTBB) - advanced - Digital Download Composed by Andrej Makor. This e…
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Mixed choir (SSAATTBB) - advanced - Digital Download Composed by Andrej Makor. This edition: choral score. Distinguished Choral Music. Downloadable. Duration 4 minutes. Schott Music - Digital #Q46155. Published by Schott Music - Digital
Latin.<br> <br> Andrej Makor, currently a master student of composition at the Conservatorio Cesare Pollini in Padua, has already won numerous international composition prizes. The highly respected works by the artist born in Slovenia in 1987 are performed by renowned choirs, ensembles and soloists at prestigious competitions and festivals, among others. His composition O Emmanuel for which he was awarded the 2nd prize of the International Composition Competition 'Musica Sacra Nova' 2016 is based on the original Gregorian chant of the last of a total of seven so-called O antiphons which are sung at the seven Advent days with the Magnificat at Vespers in anticipation of Christmas Eve. Makor's score which follows the traditional motet form but is structured in a more modern form begins with the original Gregorian chorale. Its melody runs through various voice groupings in the course of the piece. In the concluding 'Domine Deus noster' whose pressing character becomes obvious in the constantly recurring triplet figurations of the middle parts, the work imbued with the idea of eternity reaches its extremely impressive climax.
$4.99
4.53 €
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Chorale SSAATTBB
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Andrej Makor
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O Emmanuel
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Schott Music - Digital
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SheetMusicPlus
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