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HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute
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CLARINETTE
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CLOCHES
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COR ANGLAIS
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DIDGERIDOO
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HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute
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HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute & strings
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Classique
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Franz Joseph Haydn
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Edited by Pat Spence
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Trio, Adagio &
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HAYDN QUARTETTO No. 2 in G MAJ
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Piper Publications
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SheetMusicPlus
Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.811685 Composed by Franz Joseph Haydn. Arranged by Edited by Pat Spence. Classical,Concert. ...
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Small Ensemble Cello,Flute,Viola,Violin - Level 4 - SKU: A0.811685 Composed by Franz Joseph Haydn. Arranged by Edited by Pat Spence. Classical,Concert. Score and parts. 32 pages. Piper Publications #3662763. Published by Piper Publications (A0.811685). The second of Haydn's opus 5 quartets for flute, violin, viola and cello published by Hummel in 1767. Unlike the first quartet, the cello part is figured though this piece, like the first, does not need a keyboard. The figuring may have been an after thought and would have enabled the amateur players for whom the published edition was intended to play it with the resources available.There are 4 movements, Presto assai, Minuet & Trio, Adagio & Presto assai. The quartet will be enjoyed by good amateur and professional players and makes a good companion piece in a concert with any of the Mozart flute quartets written 20 years later. The quartet has been lightly edited: obvious mistakes have been corrected without comment. Dynamics added in parenthesis ( ), slurs in dashed lines, staccato dots have been continued throughout passages where only the first part of a section or the first player has the phrasing indicated. The final chords of both sections of the final movement in the original Hummel edition were given different note lengths: the cello a quaver/8th note, viola and violin crotchet/quarter note and the flute a dotted crotchet/quarter note. In both instances all parts play a crotchet/quarter note. The reason for this is unclear; it may have been a Haydn joke comment on the idiosyncrasies of the players or possibly an adjustment for the acoustics of the room in which the piece was played. It seems to have been deliberate because it appears only at the final cadence of both sections.
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HAYDN QUARTETTO No. 2 in G MAJOR Hob II: G4 for flute 
