English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
HOW TO BE A WIFE
Non classifié
94
Piano & claviers
Piano seul
10
Piano, Voix
8
Piano, Voix et Guitare
3
Piano Facile
3
Orgue
3
2 Pianos, 4 mains
1
+ 1 instrumentations
Retracter
Guitares
Guitare
1
Voix
Chorale SATB
8
Chorale TTBB
1
Chorale 3 parties
1
Voix duo, Piano
1
Voix Baryton, Piano
1
Chorale SSAA
1
+ 1 instrumentations
Retracter
Vents
Ensemble de saxophones
23
Quatuor de Saxophones: 4 saxophones
17
Quintette de Saxophone: 5 saxophones
14
2 Saxophones (duo)
7
3 Saxophones (trio)
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Ensemble de Clarinettes
4
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Flûte : 5 flûtes
3
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
2
2 Flûtes traversières (duo)
2
3 Clarinettes (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violon (duo)
2
Hautbois, Piano (duo)
2
Clarinette, Trompette (duo)
2
Flûte, Clarinette (duo)
1
Ensemble de Flûtes
1
Hautbois, Flûte
1
Cor anglais, Piano
1
Flûte, Alto (duo)
1
2 Hautbois (duo)
1
Clarinette et Alto
1
Quatuor de Flûtes à bec
1
Hautbois, Basson (duo)
1
Flûte à bec Soprano
1
Clarinette, Basson (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Violon
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto
1
Saxophone Baryton, Piano
1
Flûte traversière
1
Clarinette et Piano
1
3 Flûtes à bec (trio)
1
Flûte traversière et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Tenor et Piano
1
Ensemble de Hautbois
1
Flûte, Trompette (duo)
1
2 Flûte à bec (duo)
1
Saxophone Alto et Piano
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Quatuor de Cuivres
10
Ensemble de Cors
4
Ensemble de Trompettes
4
Ensemble de Trombones
4
2 Trombones (duo)
2
2 Trompettes (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
Cor et Piano
1
2 Cors (duo)
1
Trombone, Cor (duo)
1
Trompette, Trombone (duo)
1
3 Tubas (trio)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Tubas (duo)
1
Trombone et Piano
1
Quatuor de cuivres: 4 trompettes
1
Quatuor de cuivres: 4 cors
1
3 Cors (trio)
1
4 Tubas
1
Trompette, Cor (duo)
1
+ 19 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
6
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon, Violoncelle (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
2 Violons (duo)
2
Violon
2
Violon et Piano
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Ensemble d'Altos
1
2 Violoncelles (duo)
1
Alto, Piano
1
Quatuor à cordes : 4 altos
1
Violon, Alto (duo)
1
Violoncelle
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Piano
1
Alto, Violoncelle (duo)
1
Quatuor à cordes: 4 violons
1
+ 17 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
7
Orchestre à Cordes
6
Orchestre de chambre
5
Orchestre
4
Ensemble de cuivres
2
Ensemble de Percussions
1
+ 1 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
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VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
BLUEGRASS
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METHODE : TECHNIQUES
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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HOW TO BE A WIFE
Partitions à imprimer
398 partitions trouvées
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HOW TO BE A WIFE
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.1017883 Composed by Hilary Brooks, Lyr…
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Piano,Vocal,Voice - Digital Download SKU: A0.1017883 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Film/TV,Musical/Show. Score. 9 pages. Hilary Brooks #6344945. Published by Hilary Brooks (A0.1017883). Musical theatre. A solo for older woman as she instructs a younger woman from WEE FREE! The Musical Piano/Voice. 9p. Kletzmer/jazz waltz. 1984. Morna escapes the city to teach music on the remote Isle of Munst. When she accidentally marries a pillar of the community, she finds herself at odds with the quirks of The Kirk and the strange ways of the locals. Can a New Romantic survive on an island ruled by The Old Testament? Cleverly written... great songs... outstanding cast... crisp direction. **** The Herald Delightful performances... fine sings of love and disappointment... has the audience rolling in the aisles. **** The Scotsman A rare and scintillating treat... funny and cannily observant. **** Mumble Musicals A chamber musical for four actors - 2F, 2M. Original production length: 57 minutes. Suitable for MT students, colleges, MT societies. contact: @BrooksandKing Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. 020 3214 8282 Script perusal and hires can be arranged through MSA
$4.37
4.03 €
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Piano, Voix
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Hilary Brooks, Lyrics by Clive King
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HOW TO BE A WIFE
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Hilary Brooks
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SheetMusicPlus
I've Gotta Get A Message To You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
15.67 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To You
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Peet du Toit
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SheetMusicPlus
Pretty how town for chamber orchestra
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digi…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.575857 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028845. Published by David Warin Solomons (A0.575857). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$16.00
14.75 €
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David Warin Solomons
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Colin Bayliss
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Pretty how town for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Grandma Got Run Over By A Reindeer
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268127 Composed by R…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1268127 Composed by Randy Brooks. Arranged by Michael Thomas Coull. 20th Century,Christmas,Comedy,Country,Holiday. Score. 12 pages. MTC Publishing #860686. Published by MTC Publishing (A0.1268127). Grandma Got Run Over By A Reindeer - Arrangement for Voice, Piano and Guitar by Michael Thomas CoullGrandma Got Run Over By A Reindeer is a novelty holiday song.  Written by Randy Brooks, the song was originally performed by Elmo & Patsy, the husband-and-wife duo of Elmo Shropshire and Patsy Trigg in 1979. The lyrics tell the story of a grandmother celebrating at a Christmas Eve party with her family when, while drunk on eggnog and off her medication, she staggers out into a snowstorm despite everyone imploring her not to.  She is found the next day, trampled; Santa and his reindeer are determined to be the culprits when 'incriminating Claus marks' are found on Grandma's back.  Grandpa seems completely unfazed by his wife's demise and spends the holiday 'watching football, drinking beer and playing cards with cousin Mel', while the rest of the family mourns Grandma's death and wonders if the gifts they bought for her should be returned. Christmas dinner otherwise goes on as normal, with a centrepiece of roast goose, figgy pudding for dessert, and 'blue and silver candles' to match Grandma’s hairpiece.  The upshot is a warning to the listeners that Santa is unfit to carry a driver's license!This arrangment of Grandma Got Run Over By A Reindeer is for solo voice, piano and guitar, but also contains harmonized sections (backing 'oohs', and the final few bars) that also enable this arrangment to be performed by an SSA choir - with the majority of it sung in unison. However it is performed, it is a great choice for a fun, novelty song for Christmas.
$10.99
10.13 €
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Piano, Voix et Guitare
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A Reindeer - Arrangement for Voice, Piano and Guitar by Michael Thomas Coull
Grandma Got Run Over
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Randy Brooks
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Michael Thomas Coull
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Grandma Got Run Over By A Reindeer
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MTC Publishing
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SheetMusicPlus
Now Thank We All Our God: Set A
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837495 Composed by Martin …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.837495 Composed by Martin Rinkart. Arranged by Brett L. Wery. Christian,Holiday,Praise & Worship,Sacred. Octavo. 12 pages. Sonata Grendel Publishing #5753929. Published by Sonata Grendel Publishing (A0.837495). SET A: SATB Choir/Organ (optional brass quintet and timpani-sold separately ) Now Thank We All Our God was originally written ca. 1636 by Protestant minister, Martin Rinkart. The melody is attributed to Lutheran Hymnist, Johann Crüger and was used in three J.S. Bach chorales but the most common version we hear today was harmonized by Felix Mendelssohn in 1840. Martin Rinkart was a deacon in Eisleben Germany where he served during the Thirty Years’ War. The city of Eisleben and Rinkart’s own home became a sanctuary for political refugees during the war. The resulting overcrowding in the walled city resulted in a horrible plague which hit its peak in 1637. Rinkart was the only surviving pastor in the city and before the plague was over he would preside over 4000 funerals include that of his own wife. Despite this, it was during this time that he wrote Now thank we all our God. This new setting of Now Thank We All Our God draws on Rinkart’s fierce spirit of optimism and faith in a time of desolation and despair. To paint the picture of the circumstances in which Rinkart wrote the hymn, this setting opens with the text from Psalm 13: How long, Lord? Will you forget me forever?The setting turns quickly, in an act of disruptive optimism and faith, to a lopsided dance of joy. In the end, the setting returns to the opening question of Psalm 13, How long? only to be answered by Rinkart’s declaration, Gifts of love today!
$2.75
2.54 €
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Chorale SATB
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Martin Rinkart
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Brett L
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Now Thank We All Our God: Set A
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Sonata Grendel Publishing
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SheetMusicPlus
Bwana Nipe Pesa (for S/A.T.B voices)
Chorale SATB
Choral Choir (Mixed) - Digital Download SKU: A0.1023308 Composed by Super Mazembe. …
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Choral Choir (Mixed) - Digital Download SKU: A0.1023308 Composed by Super Mazembe. Arranged by Evans Obanda Mbinji. A Cappella,African,Jazz,Pop. Octavo. 7 pages. Evans Obanda Mbinji #5718561. Published by Evans Obanda Mbinji (A0.1023308). Bwana Nipe Pesa About this piece . . . . Kenyan Zilizopendwa - Song - Arranged by Evans O. Mbinji Zilizopendwa (literally, those which were loved') is a term used in Kenya to refer to early Kenyan popular music, synonymous with the term golden oldies as used in the United States. Kiswahili is the national language of Kenyan.All vowel sounds are pure as in Latin. Bwana Nipe Pesa is a Zilizopendwa song that should be performed with enthusiasm, Dance movement, However expressive accents should be given at appropriate points in the musical and textual phrases. Literal Transalation Bwana nipe pesa –Father give me money Watoto wana njaa – The children are hungry Lakini mke wako- But your wife anapenda kutangatanga – Is a loose lady, who moves with everyone Majirani wanachoka kumuona –Neighbours are tired of seeing her Fungueni milango anakuja – Close all the doors she is coming. Watu wote wa Nairobi,Mombasa – People from Nairobi & Mombasa Wakuona kila siku – They keep seeing you every day. Tafadhali bwana rudi – please father come back. Percussion Notes -Improvisation is encouraged. Percussion must never dominate the texture, but rather remain supportive -The piece my be performed a cappella However the effect of the piece will be greatly enhanced by using a variety of improvised percussion instruments like (conga,shakers,claves and rattles) The accompanying ensemble should take care to allow the the choir to be heard. About the Arranger Evans Obanda Mbinji is a composer,clinician,adjudicator, conductor,music educator and the founding Artistic Director of Jobel Chorale ,Zetech University. He has directed many choirs both in Kenya and international. And is a long-standing member of Kenyan Choral Directors Trust and ACDA. I hope you Enjoy! - Evans O.Mbinji .
$4.00
3.69 €
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Chorale SATB
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Super Mazembe
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Evans Obanda Mbinji
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Bwana Nipe Pesa
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Evans Obanda Mbinji
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SheetMusicPlus
A Moon, A Minute
Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes…
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Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50
2.3 €
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/Â YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
39.63 €
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Orchestre
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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James Nathaniel Holland
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SheetMusicPlus
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730481 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 124 pages. James Nathaniel Holland #4305803. Published by James Nathaniel Holland (A0.730481). The Discontented Housewife FULL ORCHESTRAL SCORE ONLY, A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$13.35
12.31 €
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Orchestre
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James Nathaniel Holland
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The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
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James Nathaniel Holland
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SheetMusicPlus
Timeless To Me
Chorale TTBB
Voice (TTBB) - Level 4 - Digital Download SKU: A0.1144979 Composed by Marc Shaiman …
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Voice (TTBB) - Level 4 - Digital Download SKU: A0.1144979 Composed by Marc Shaiman and Scott Wittman. Arranged by Dom Finetti. A Cappella,Barbershop,Broadway,Contest,Festival,Film/TV,Musical/Show. Barbershop Quartet. 10 pages. Dom Finetti #745295. Published by Dom Finetti (A0.1144979). Music Theater fans, this one's for you! This funny, swing tune was written to be performed as a duet between a husband and wife, who are flirtatiously teasing one another. Famously performed in the hit, Broadway musical, Hairspray!
$12.99
11.98 €
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Chorale TTBB
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Marc Shaiman and Scott Wittman
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Dom Finetti
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Timeless To Me
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Dom Finetti
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SheetMusicPlus
Roy's Wife. A Favorite Scotch Ballad
Piano, Voix
Piano and voice - Digital Download SKU: LV.19833 Composed by Robert Burns. Poets, C…
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Piano and voice - Digital Download SKU: LV.19833 Composed by Robert Burns. Poets, Courtship & love, Spouses, Infidelity, Distress. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19833). Roy's Wife. A Favorite Scotch Ballad, to which is added the words of Canst Thou LeaveMe Thus My Kay. Written by Robert Burns. [Music na]. Published [n.d.] by G.E. Blake in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Poets, Courtship & love, Spouses, Infidelity, Distress. First line reads Roy's wife of Aldivalloch, Roy's wife of Aldivalloch, Wad ye how she cheated me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voix
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Robert Burns
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Roy's Wife. A Favorite Scotch Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
When Peace Like a River (It is Well with My Soul / All is Well) - Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.9…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.937294 Composed by Horatio Spafford, Philip Bliss. Arranged by Hugh Levey. Praise & Worship,Sacred. 19 pages. Woodwindly.com #6529745. Published by woodwindly.com (A0.937294). Clarinet Quartet - 3 x Bb Clarinets and Bass Clarinet The words of this hymn were inspired by a series of tragedies in the life of hymn writer, Horatio Spafford. He lost his 4 year old son in a Chicago fire in 1871 and two years later he lost all 4 of his daughters when the ship, SS Ville du Havre, sank while they were travelling from the USA to England. Only his wife survived the journey. He wrote these words while he travelled alone to meet his grieving wife shortly afterwards.The hymn was first published in 1876, set to a tune by Philip Bliss which is still known as Ville du Havre. It exists in versions with either 4 or 5 verses. This arrangement for clarinet quartet consists of 5 verses, each with slightly altered harmonisation or articulation, to suit the words. For example in verse 3 the words Nailed to the Cross are accompanied by accented stabbing chords. Verse 5 has some trumpet-like fanfares to match the reference to the Trump[et] Calls in the text. The words to the hymn are shown in the score and in the first clarinet part, so the arrangement can be used in a worship setting. Verses can be omitted to suit your liturgical needs. Similarly, if the arrangement is used for an instrumental performance, verses can be omitted as required. Duration: 5’ to 5’30 Â
$13.00
11.98 €
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Quatuor de Clarinettes: 4 clarinettes
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Horatio Spafford, Philip Bliss
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Hugh Levey
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When Peace Like a River
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woodwindly.com
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SheetMusicPlus
The Gambler's Wife. A Descriptive Ballad
Piano, Voix
Piano and voice - Digital Download SKU: LV.3103 Composed by Henry Russell. Mothers …
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Piano and voice - Digital Download SKU: LV.3103 Composed by Henry Russell. Mothers & children, Distress, Gambling, Spouses, Vices, Poor persons, Starvation, Time, Death, Nostalgia, Brides. Lester S. Levy Collection. 16 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3103). The Gambler's Wife. A Descriptive Ballad. The Words written by Dr. Coates. The Music Composed by Henry Russell. Published 1841 by Atwill, 201 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Mothers & children, Distress, Gambling, Spouses, Vices, Poor persons, Starvation, Time, Death, Nostalgia, Brides. First line reads Dark is the night! how dark! no light! no fire!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voix
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Henry Russell
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The Gambler's Wife. A Descriptive Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Wife's Dream. Ballad
Piano, Voix
Piano and voice - Digital Download SKU: LV.19047 Arranged by M.H. Cross. Portraits,…
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Piano and voice - Digital Download SKU: LV.19047 Arranged by M.H. Cross. Portraits, Marriage, Intoxication, Death, Anger, Religion, Prayer. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19047). The Wife's Dream. Ballad. Arranged for the Piano by M.H. Cross. Written by T.A. Becket. Published 1860 by Lee & Walker, 722 Chestnut St. in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Portraits, Marriage, Intoxication, Death, Anger, Religion, Prayer. First line reads Now tell me Mary how it is that you can look so gay, When evening after evening your husban dis away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voix
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M
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The Wife's Dream. Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
How High The Moon
Guitar Ensemble Guitar - Level 5 - Digital Download SKU: A0.1034971 By Les Paul & M…
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Guitar Ensemble Guitar - Level 5 - Digital Download SKU: A0.1034971 By Les Paul & Mary Ford. By Morgan Lewis. Arranged by Bill Swick. Contemporary. Score and parts. 18 pages. Bill Swick #2347285. Published by Bill Swick (A0.1034971). The arrangement was written for 5 guitars by Bill Swick as a tribute to Les Paul. There is a soli section in the middle that is a transcription of Les Paul's solo when he recorded it with his wife and singer Mary Ford. Guitar 1 goes up to a high G at the fifthteenth fret. This arrangement may be performed with a quartet by eliminating the guitar 4 part. The soli is challenging along with the extended range making this an Advanced level piece. Here is a link to a performance of this arrangement as performed by the Las Vegas Academy of the Arts intermediate guitar class. https://youtu.be/qB-XHuD3N84
$12.99
11.98 €
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Les Paul & Mary Ford
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Bill Swick
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How High The Moon
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Bill Swick
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SheetMusicPlus
Who Would Imagine A King
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.940788 By Whitney Houston.…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.940788 By Whitney Houston. By Hallerin Hilton Hill and Mervyn Warren. Arranged by Jen Squires. 20th Century,A Cappella,Pop,Praise & Worship. Octavo. 4 pages. Jenergy #4278347. Published by Jenergy (A0.940788). As sung by Whitney Houston in the movie The Preacher's Wife. Beautiful story of parents marvelling over how their baby son could grow up and change the world, in this case the baby Jesus. Can be used as a Christmas song, or just a lovely story to add to your repertoire. Arranged for treble barbershop/a cappella in four parts. This arrangement includes sections that highlight the Lead part with bell chord accompaniment.
$2.00
1.84 €
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Chorale SSAA
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Whitney Houston
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Jen Squires
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Who Would Imagine A King
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Jenergy
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SheetMusicPlus
A Sunday Stroll
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1414801 By Martycli Piano Guy. By M…
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Piano Solo - Level 3 - Digital Download SKU: A0.1414801 By Martycli Piano Guy. By Martyn Clive Johnson aka Martycli Piano Guy. Arranged by Martyn Clive Johnson (aka Martycli Piano Guy). Comedy,Holiday,Jazz,Ragtime,Singer/Songwriter. Score. 8 pages. Martyn Johnson #996574. Published by Martyn Johnson (A0.1414801). This is an original tune and was inspired by a walk I had with my wife and daughter in Saltburn, a seaside resort just a few miles from where I live. It's a happy feel good tune. The sheet music is for piano solo and it shows the tune more clearly than the YouTube video as a stride piano/ragtime piece with a swing bass left hand.I take it through 3 keys of C, Db and D major. As usual the left hand can be simplified by playing any 10ths as single notes or octaves. Bass notes can often be played an octave higher to lessen the distance stretched. I don't notate dynamics, pedal or fingering as I prefer to leave such issues to the discretion of the individual pianist. Teachers, in any event, can never agree on these things. Also please be aware this is a piano solo and doesn't include notation for the other instruments in my YouTube video. I write all my tunes as piano solos and they are perfect in this format so will have a full sound throughout.I hope you have as much fun playing this tune as I did writing and arranging it.
$2.99
2.76 €
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Piano seul
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Martycli Piano Guy
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A Sunday Stroll
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Martyn Johnson
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SheetMusicPlus
The Kingdom Has A New Son (Cast) from "The Kings" - ACT 2:Song 10
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784836 Composed by McCorkl…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.784836 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11763. Published by DF McCorkle Music and eBook Publications (A0.784836). ACT 2: Song 10. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 12:24 - And David comforted Bathsheba his wife, and went in unto her, and lay with her; and she bore a son, and called his name Solomon. And Yahweh loved him;] [1 Kings 2:1-4 - Now the days of David drew nigh that he should die; and he charged Solomon his son, saying: 2 I go the way of all the earth; be thou strong therefore, and show thyself a man; 3 and keep the charge of Yahweh your God, to walk in His ways, to keep His statutes, and His commandments, and His ordinances, and His testimonies, according to that which is written in the law of Moses, that you may prosper in all that you do, and whithersoever you turn yourself; 4 that Yahweh establish His word which He spoke concerning me, saying: ‘If thy children take heed to their way, to walk before Me in truth with all their heart and with all their soul, there shall not fail thee, said He, a man on the throne of Israel.’] BATHSHEBA becomes pregnant again and DAVID a son, SOLOMON is born to them [The Kingdom has a New Son – Elders]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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Chorale SATB
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McCorkle, Dennis F
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The Kingdom Has A New Son
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Goodbye Wife
Clarinet,Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.480868…
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Clarinet,Instrumental Solo,Piano and Keyboard - Interactive Download SKU: A0.480868 By Ashley Brook Smith. By Ashley Brook Smith. This edition: Interactive Download. Musical/Show,Opera. Individual part. 5 pages. Duration 98. Published by Ashley Brook Smith (A0.480868). This is the clarinet part of a full orchestral score to a Ballet, Symphony, Opera that can be purchased and performed in its entirety complete with costumes, characters, and choreographed scenes.
$2.99
2.76 €
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Ashley Brook Smith
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Goodbye Wife
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Ashley Brook Smith
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SheetMusicPlus
Three Latin Elegies to Lesbia
Chorale SATB
Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Cen…
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Choir, SATB - Intermediate - Digital Download Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus’torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.<br> <br> Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff’s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff’s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.<br> <br> Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus’ earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:<br> <br> Lesbia keeps insulting me in front of her husband:<br> <br> thisfills the fatuous idiot with delight.<br> <br> Mule, doyou perceive nothing? If she shut up and ignored me<br> <br> that’dshow healthy indifference;…<br> <br> In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint thewords, “Lesbia mi dicit semper male nec tacetumquam de me” (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men’s voices when Catullus says he does the same, “quia sunt totidem mea: deprecor illamassidue” (…it’s the same with me: I’m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.<br> <br> Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia’s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, “My love for you is so great thatno other woman could possibly even know what love is.” This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99
4.6 €
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Chorale SATB
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Cinnamon Rolls (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
$19.95
18.39 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Cinnamon Rolls
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https://gildedmusicpress.com/
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SheetMusicPlus
Killarney Carnivale
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hud…
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Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
55.31 €
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Orchestre d'harmonie
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
Orgue
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido…
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
3.68 €
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Orgue
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Guido Menestrina
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SheetMusicPlus
All Of Me
Violoncelle
Cello Solo - Level 3 - Digital Download SKU: A0.526195 By John Legend. By John Step…
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Cello Solo - Level 3 - Digital Download SKU: A0.526195 By John Legend. By John Stephens and Toby Gad. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. Individual part. 3 pages. Sarah Cellobat Chaffee #5954513. Published by Sarah Cellobat Chaffee (A0.526195). All Of Me, John Legend's huge 2014 hit single, became the singer's first number one song on the Billboard charts. Dedicated to his wife Chrissy Teigen, the song soon became a top-requested romantic ballad for weddings, so this arrangement for solo cello is sure to be a crowd-pleaser! Originally written for a wedding cocktail hour, this Cellobat chart will also be perfect for ceremonies, proposals, pop concerts, or just to play for fun. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs (if you're buying a track, note that this chart has been transposed to the more cello-friendly key of G major). This arrangement is rated intermediate -- it goes up to 4th position and has a handful of syncopated rhythms, but nothing too tricky. It will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99
7.37 €
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Violoncelle
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John Legend
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Sarah Cellobat Chaffee
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All Of Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
All Of Me
Violon
Violin Solo - Level 3 - Digital Download SKU: A0.526218 By John Legend. By John Ste…
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Violin Solo - Level 3 - Digital Download SKU: A0.526218 By John Legend. By John Stephens and Toby Gad. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. 3 pages. Sarah Cellobat Chaffee #6036991. Published by Sarah Cellobat Chaffee (A0.526218). All Of Me, John Legend's huge 2014 hit single, became the singer's first number one song on the Billboard charts. Dedicated to his wife Chrissy Teigen, the song soon became a top-requested romantic ballad for weddings, so this arrangement for solo violin is sure to be a crowd-pleaser! Originally commissioned for a wedding cocktail hour, it's also perfect for ceremonies, proposals, pop concerts, or just to play for fun. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs (if you're buying a track, note that this chart has been transposed to the more violin-friendly key of C major). This arrangement is rated intermediate -- it stays mainly in 1st position and has a handful of syncopated rhythms, but nothing too tricky. It will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
7.37 €
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Violon
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John Legend
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Sarah Cellobat Chaffee
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All Of Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
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