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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLOCHES
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VIOLONCELLE
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Hans Bath
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Piano, Voix et Guitare
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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DEEJAY
DIDGERIDOO
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FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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Crtitères actifs :
Hans Bath
Partitions à imprimer
15 partitions trouvées
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1
Alle zusammen
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Piano, Voix
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Gerd Eggers, Hans Bath, and Kl
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Alle zusammen
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Lied der Zeit Musikverlag
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SheetMusicPlus
Piano, vocal - SKU: RX.9783841827623 Composed by Gerd Eggers, Hans Bath, and Klaus Schneider. Key of D-Major. Schlager Music. Score. With Text Language:...
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Piano, vocal - SKU: RX.9783841827623 Composed by Gerd Eggers, Hans Bath, and Klaus Schneider. Key of D-Major. Schlager Music. Score. With Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag (RX.9783841827623). ISBN 978-3-8418-2762-3.This Ebook contains the score of the title in D-Major for Piano & Vocal. The Musical genre is: Schlager Music.
$3.99
Regina Thoss
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Piano, Voix
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Pop musique
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Walter Kubiczeck, Karin Kerste
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Regina Thoss
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Lied der Zeit Musikverlag
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SheetMusicPlus
Piano, Vocals & Chords - SKU: RX.9783737802789 Songbook. Composed by Walter Kubiczeck, Karin Kersten, Gerhard Siebholz, Wolfgang Brandenstein, An...
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Piano, Vocals & Chords - SKU: RX.9783737802789 Songbook. Composed by Walter Kubiczeck, Karin Kersten, Gerhard Siebholz, Wolfgang Brandenstein, Andreas Falk, Dieter Schneider, Hans Bath, Gerd Halbach, Fred Neumann, Gerd Natschinski, Jurgen Degenhardt. Text language: German. Pop. 26 pages. Published by Lied der Zeit Musikverlag (RX.9783737802789). Here available is the songbook of the singer Regina Thoss.
$13.49
Das Wunderbare im Leben
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Pop musique
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Hajo Fiebig, Dieter Schneider,
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Das Wunderbare im Leben
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Lied der Zeit Musikverlag
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SheetMusicPlus
Baritone-sax, Alt-Sax 1/2, melody in Bb 1/2, Tenor Sax. 1/2, Bass, trumpet 1/2, accordion, violin, Piano, trombone, percussion, guitar - SKU: RX.97838418634...
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Baritone-sax, Alt-Sax 1/2, melody in Bb 1/2, Tenor Sax. 1/2, Bass, trumpet 1/2, accordion, violin, Piano, trombone, percussion, guitar - SKU: RX.9783841863409 Composed by Hajo Fiebig, Dieter Schneider, Hans Bath. Text language: German. Pop. 23 pages. Published by Lied der Zeit Musikverlag (RX.9783841863409). Hier erhaltlich ist die Notenausgabe des Titels 'Das Wunderbare im Leben', fur Band oder Orchester. Enthalten sind die Stimmen: Bariton-Sax., Alt-Sax 1/2, Melodie in Bb 1/2, Tenor Sax. 1/2, Bass, Trompete 1/2, Akkordeon, Violine, Piano, Posaune, Schlagzeug, Gitarre.
$3.99
Anne fahrt morgen studieren
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Piano, Voix et Guitare
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Pop musique
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Wolfgang Protze, Hans Bath
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Anne fahrt morgen studieren
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Lied der Zeit Musikverlag
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SheetMusicPlus
Piano/vocal/chords - SKU: RX.9783841855237 Composed by Wolfgang Protze, Hans Bath. Main key: Eb-Major. Pop. Single. With Language: German. 6 pages. Publ...
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Piano/vocal/chords - SKU: RX.9783841855237 Composed by Wolfgang Protze, Hans Bath. Main key: Eb-Major. Pop. Single. With Language: German. 6 pages. Published by Lied der Zeit Musikverlag (RX.9783841855237). ISBN 978-3-8418-5523-7. Key: Eb-major.This Ebook contains the sheet music of the title Anne fahrt morgen studieren in Eb-Major.
$3.99
Bathroom Dance by Duo.Hansen - Cello Solo
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Violoncelle
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Film/TV
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Duo.Hansen
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Bathroom Dance
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Musicnotes
Performed by: Duo. Hansen: Bathroom Dance - (from Joker) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet...
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Performed by: Duo. Hansen: Bathroom Dance - (from Joker) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Cello; 1 pages -- Movie/TV~~Solo Instrumental~~Soundtrack
$6.99
Barcarole
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Flûte traversière et Piano
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Classique
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Jacques Offenbach; Hans Bath
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Hans Bath
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Barcarole
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Lied der Zeit Musikverlag
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SheetMusicPlus
(aus der Oper "Hoffmanns Erzahlungen"). By Jacques Offenbach; Hans Bath. For flute, piano & chords. Key of D-Major. Classic. Text Language: German...
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(aus der Oper "Hoffmanns Erzahlungen"). By Jacques Offenbach; Hans Bath. For flute, piano & chords. Key of D-Major. Classic. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag
$3.99
Menuett
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Flûte traversière et Piano
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Classique
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Luigi Boccherini; Hans Bath
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Hans Bath. For flute &
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Menuett
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Lied der Zeit Musikverlag
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SheetMusicPlus
By Luigi Boccherini; Hans Bath. For flute & piano. Key of D-Major. Classic. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag ...
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By Luigi Boccherini; Hans Bath. For flute & piano. Key of D-Major. Classic. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag
$3.99
Lotos
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Flûte traversière et Piano
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Klaus Hugo; Hans Bath
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Lotos
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Lied der Zeit Musikverlag
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SheetMusicPlus
(Bolero). By Klaus Hugo; Hans Bath. For flute, piano & chords. Key of Bb-Minor. Bolero. Text Language: German. 7 pages. Published by Lied der Zeit Musikverl...
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(Bolero). By Klaus Hugo; Hans Bath. For flute, piano & chords. Key of Bb-Minor. Bolero. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag
$3.99
Ich Glaube an Liebe
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Piano, Voix et Guitare
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Barbel Wachholz
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Ich Glaube an Liebe
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Lied der Zeit Musikverlag
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SheetMusicPlus
By Barbel Wachholz. By Hans Bath; Willy Schuller. For piano, vocal & guitar. Key of D-Minor. Schlager Music. Score. Text Language: German. 7 pages. Publishe...
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By Barbel Wachholz. By Hans Bath; Willy Schuller. For piano, vocal & guitar. Key of D-Minor. Schlager Music. Score. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag
$3.99
Ein silberweisses Boot
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Piano, Voix et Guitare
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Undine von Medvey
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Ein silberweisses Boot
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Lied der Zeit Musikverlag
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SheetMusicPlus
By Undine von Medvey. By Hans Bath; Dieter Schneider. For piano, vocal & chords. Key of Bb-Major. Schlager Music. Score. Text Language: German. 7 pages. Pub...
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By Undine von Medvey. By Hans Bath; Dieter Schneider. For piano, vocal & chords. Key of Bb-Major. Schlager Music. Score. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag
$3.99
Cordial Medoc
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Flûte traversière et Piano
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Latin/Musique du monde
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Jazz
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Martin Mohle; Hans Bath
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Cordial Medoc
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Lied der Zeit Musikverlag
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SheetMusicPlus
(Bossa Nova). By Martin Mohle; Hans Bath. For flute, piano & chords. Key of Eb-Major. Bossa Nova. Text Language: German. 7 pages. Published by Lied der Zeit...
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(Bossa Nova). By Martin Mohle; Hans Bath. For flute, piano & chords. Key of Eb-Major. Bossa Nova. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag
$3.99
Bulgarisches Rondo
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Flûte traversière et Piano
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Pop musique
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Peter Stupel; Hans Bath
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Bulgarisches Rondo
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Lied der Zeit Musikverlag
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SheetMusicPlus
By Peter Stupel; Hans Bath. For flute, piano & chords. Key of Eb-Major. Pop. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag ...
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By Peter Stupel; Hans Bath. For flute, piano & chords. Key of Eb-Major. Pop. Text Language: German. 7 pages. Published by Lied der Zeit Musikverlag
$3.99
Chorus of Witches and Spirits: from "Der Vampyr"
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Heinrich Marschner and Sam Spe
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Chorus of Witches and Spirits:
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Colla Voce Music - Digital
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SheetMusicPlus
SATB opera choir - SKU: MQ.15-95190-E Composed by Heinrich Marschner and Sam Spears. Octavo. 11 pages. Colla Voce Music - Digital #15-95190-E. Published...
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SATB opera choir - SKU: MQ.15-95190-E Composed by Heinrich Marschner and Sam Spears. Octavo. 11 pages. Colla Voce Music - Digital #15-95190-E. Published by Colla Voce Music - Digital (MQ.15-95190-E). Though he is not well known today, Heinrich Marschner (1795-1861) was the greatest German operatic composer of the generation between Weber and Wagner. He is best remembered for his operas Der Vampyr, Hans Heiling, and Der Templer und die Jüdin. Marschner’s early career was a patchwork of short engagements. He achieved more stability in 1830 when he was appointed Hofkapellmeister at the court of Hanover, a position he held until his retirement in 1859. In addition to opera, he is known for his songs, chamber music, and choral music, especially his works for men’s choir. Der Vampyr premiered in Leipzig in 1828. The Chorus of Witches and Spirits is the opening chorus of the opera. It creates a dramatic sense of foreboding as dark forces gather to celebrate the Witches’ Sabbath and summon the Vampire King. Featured at: 2014 NM All-State Choral Reading Session 2014 Z. Randall Stroope Choral Immersion Workshop
$2.10
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
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Hans Bath