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Hans Werner Henze and Karl Amadeus Hartmann
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3 Pieces for Orchestra
Orchestre
Orchestra - Digital Download SKU: S9.Q54206 Based on a piano music by Karl Amade…
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Orchestra - Digital Download SKU: S9.Q54206 Based on a piano music by Karl Amadeus Hartmann. Composed by Hans Werner Henze and Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q54206. Published by Schott Music - Digital (S9.Q54206). These are free arrangements of three movements from Hartmann’s Piano Sonata ‘27. April 1945.’ Hartmann wrote the Sonata after witnessing endless columns of emaciated prisoners leaving the Dachau concentration camp. The music contains quotes from Jewish folk tunes and from revolutionary songs of the International Worker’s Movement. It is a declaration of pity and outrage and of solidarity with the victims of Nazi Fascism. (from: Hans Werner Henze, Ein Werkverzeichnis 1946-96 [ED 8579])3 (2. auch Picc., 3. auch Picc. u. Altfl.) · 2 · Engl. Hr. · 2 · Bassklar. · Heckelphon · Altsax. (auch Tenorsax.) · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (hg. Beck. · 3 Tamt. [h./m./t.] · Tomt. · kl. Tr. [mit Schnarrs.] · gr. Tr. · gr. Tr. [mit Beck.] · Fingerzimb. · Röhrengl. · Glsp. · Vibr. · Marimba) (2 Spieler) - Hfe. · Cel. · Klav. - Str.
$30.99
28.58 €
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Orchestre
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Hans Werner Henze and Karl Amadeus Hartmann
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3 Pieces for Orchestra
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Schott Music - Digital
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SheetMusicPlus
1. Symphonie
3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 Å
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3 (auch 3 Picc.) · 3 · Engl. Hr. · 3 · Bassklar. · 3 · Kfg. – 4 · 3 · 3 · 1 – P. S. (Trgl. · 2 Gongs· Gl. · Beck. · Tomt. · Rührtr. · kl. Tr. · gr. Tr. · Vibr.) (4 Spieler) – Cel. · Klav. · Hfe. – Str. altovoice and orchestra - Digital Download SKU: S9.Q2283 Versuch eines Requiems. Composed by Karl Amadeus Hartmann. This edition: study score. Music Of Our Time. Downloadable, study score. Duration 35 minutes. Schott Music - Digital #Q2283. Published by Schott Music - Digital (S9.Q2283). English.Karl Amadeus Hartmann wrote his first symphony in 1935/36. At that time he was still an unknown musician whose works stood no chance of being performed and who could not hope to find encouragement in his native Germany. He had to wait more than ten years for its first performance, which finally took place in Frankfurt in the spring of 1948 under the direction of Winfried Zillig. I was 21 at the time, and the work left an extraordinarily deep impression on me, an impression that marked the beginning of my admiration for Hartmann's music and its very special kind of intellectuality, which struck me as both important and significant: by this I mean its spontaneous and unrefracted immediacy, its honesty and straightforwardness – qualities that extend beyond this composer's works and affect his whole surroundings, including his fellow human beings. All Hartmann's works, moreover, contain an essential element of the art of compostion, namely, an exact correspondence between the artist's insistent need to express himself and the instrumental resources that he chooses. A superficial listener might perhaps fail to notice at first that the huge orchestral apparatus that Hartmann conjures up exactly matches his powerful expressivity and the colourful nature of his rhetoric. There is also the expansiveness and physically charged vitality of the native of southern Germany, a man capable of combining his own sense of inwardness with the beauty of the moment and a feeling of hymnic grandeur. It is a combination that reflects his own south German countryside and that answers a need to communicate sustained by his own unwavering faith in humanity. - Hans Werner Henze, in: Hartmann: Kleine Schriften.
$33.99
31.35 €
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Karl Amadeus Hartmann
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1. Symphonie
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Schott Music - Digital
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SheetMusicPlus
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