A beloved traditional Welsh folk song suitable for any occasion, this is arranged for an ensemble of 3 to 6 harps (lever or pedal). All fingerings and lever/pedal changes are clearly marked. Accessible to students and fun to play! Harp parts 1 and 2 are advanced-beginner or intermediate (requires reading a dotted 8th- sixteenth rhythm). Harp parts 3-4 may be combined and played by one person, or split into two even easier parts; their rhythms are simpler (quarter notes).

Parts 1, 2, 3 and 4 each have one or two lever changes; F and C levers are required. That is, they wouldn't be suitable for harps with NO levers.

Harps 5-6 are optional; they can also be combined and played by one person, or split into two very-beginner parts; only whole notes, can all be played with only the second finger, and no levers needed! Great for letting beginners enjoy playing in ensemble, learning to listen and count!

This item contains the SCORE and a full set of parts (Harp 1, Harp 2, Harp 3&4 together, and Harp 5&6 together.)

You can also buy the score individually, it is S0.493007

Harp 1 only is S0.493013

Harp 2 only is S0.493015

Harp 3&4 only is S0.493017

Harp 5&6 only is S0.493019.

A beloved traditional Welsh folk song suitable for any occasion, this is arranged for an ensemble of 3 to 6 harps (lever or pedal). All fingerings and lever/pedal changes are clearly marked. Accessible to students and fun to play! Harp parts 1 and 2 are advanced-beginner or intermediate (requires reading a dotted 8th- sixteenth rhythm). Harp parts 3-4 may be combined and played by one person, or split into two even easier parts; their rhythms are simpler (quarter notes).

Parts 1, 2, 3 and 4 each have one or two lever changes; F and C levers are required. That is, they wouldn't be suitable for harps with NO levers.

Harps 5-6 are optional; they can also be combined and played by one person, or split into two very-beginner parts; only whole notes, can all be played with only the second finger, and no levers needed! Great for letting beginners enjoy playing in ensemble, learning to listen and count!

THIS product is the part that shows harps 5&6 together.

You can also buy a FULL SET (score & all parts), it is item S0.493025

Score only is item S0.493025

Harp 1 only is item S0.493013

Harp 2 only is item S0.493015

Harp 3&4 together is item S0.493017

A beloved traditional Welsh folk song suitable for any occasion, this is arranged for an ensemble of 3 to 6 harps (lever or pedal). All fingerings and lever/pedal changes are clearly marked. Accessible to students and fun to play! Harp parts 1 and 2 are advanced-beginner or intermediate (requires reading a dotted 8th- sixteenth rhythm). Harp parts 3-4 may be combined and played by one person, or split into two even easier parts; their rhythms are simpler (quarter notes). Harps 5-6 are optional, and can also be combined and played by one person, or split into two very-beginner parts; only whole notes, can all be played with only the second finger, and no levers needed for parts 5-6! (Parts 1, 2, 3 and 4 each have one or two lever changes; F and C levers are required; that is, they wouldn't be suitable for harps with NO levers.) Great for letting beginners enjoy playing in ensemble, learning to listen and count!

This item is the SCORE only.
You can also buy a FULL SET of score & parts, it is item S0.493025
Harp 1 part only is SO.493013
Harp 2 part only is SO.493015
Harp 3&4 part together is SO.493017
Harp 5&6 part together is SO.493019

A beloved traditional Welsh folk song suitable for any occasion, this is arranged for an ensemble of 3 to 6 harps (lever or pedal). All fingerings and lever/pedal changes are clearly marked. Accessible to students and fun to play! Harp parts 1 and 2 are advanced-beginner or intermediate (requires reading a dotted 8th- sixteenth rhythm). Harp parts 3-4 may be combined and played by one person, or split into two even easier parts; their rhythms are simpler (quarter notes).

Parts 1, 2, 3 and 4 each have one or two lever changes; F and C levers are required. That is, they wouldn't be suitable for harps with NO levers.

Harps 5-6 are optional; they can also be combined and played by one person, or split into two very-beginner parts; only whole notes, can all be played with only the second finger, and no levers needed! Great for letting beginners enjoy playing in ensemble, learning to listen and count!

This item is Harp parts 3&4 together.

You can also buy a FULL SET (Score & all parts), it is item S0.493025

Score only is item S0.493007

Harp 1 part only is item S0.493013

Harp 2 part only is item S0.493015

Harp parts 5&6 together is item S0.493019

A revised collection of Jewish melodies from around the Mediterranean and Celtic music from the British Isles, woven together to celebrate the unique role harp has played in folklore and music from both traditions. Intermediate level, harmonics, well-marked accidentals, guitar chords, keys of C, Bb, G, F, and D. The accompaniment is very "harpistic" in nature with nice arpeggiated chords and flowing lines.

Table of Contents: Adio Querida, Árvoles Lloran, Carolan's Draught, Carolan's Farewell, Eleanor Plunkett, Garfalia, Jerusalem, La Rosa Enflorece, The banks of the Suir, Scarborough Fair, Ya Ribon (two versions), Yo m'enamori d'un aire.

Harp solo of Loca by Alvaro Soler. Suitable for lever & pedal harp.

Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she is specialized in playing Popharp. She has made many arrangements of Popsongs.

Harp solo of Take Yours by Matthew Mole. Suitable for lever & pedal harp.

Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she is specialized in playing Popharp. She has made many arrangements of Popsongs.

Medieval and Renaissance Airs, Songs and Dances. The left hand uses open harmonies and single notes.

Table of Contents:

Medieval

Alle, psallite, Alleluya Anonymous (England, 13th c.)
Cuncti simus Libre Vermell (Spain, 14th c.)
Dansse Real Anonymous (France, 13th c.)
Edi be thu, Heven-Queene Anonymous (England, 13th c.)
Kalenda Maya Raimbaut de Vaqueiras (France, 12th c.)
Non sofre - CSM #159 Cantigas de Santa Maria (Spain, 13th c.)
Ondas do mar de Vigo - Martin Codax (Spain, 13th c.)
Ondas do mar de Vigo - Estampie ? Therese Honey
Salterello ? Anonymouns (Italy, 14th c.)
Santa Maria amar CMS #7 - Cantigas de Santa Maria (Spain, 13th c.)
Santa Maria, strella do dia CMS #100 - Cantigas de Santa Maria (Spain, 13th c.)
Stella splendens ? Libre Vermell (Spain, 14th c.)


Renaissance
Branle de Cheveaux Thoinot Arbeau (France, 1589)
Branle d?Escosse Thoinot Arbeau (France, 1589)
Branle de la Torche Michael Praetorius (Germany, 1612)
Complaint John Dowland (England, 16th c.)
Jhon Come Kisse Me Noue Anon. (Scotland, 17th c.)
Joy to the Personne of My Love Skene Manuscript (Scotland, 17th c.)
Ladie Laiton?s Alman John Dowland (England, 16th c.)
L?espagnoletta Francisque Caroubel (France, 16th c.)
Nonesuch Playford Collection (England, 17th c.)
Mr. Dowland?s Midnight John Dowland (England, 16th c.)
Round Battle Galliard John Dowland (England, 16th c.)

10 Christmas tunes from various countries of the world and from various eras with a bonus of two versions of Silent night.Beginner, intermediate and advanced level.This collection of Christmas scores for the harp will make you happy for the Christmas holidays with family, friends,with your assemblies or with your public.Do not hesitate to discover it!Good musicand merry preparation for Christmas to you and your family!

Solo arrangements of medieval and Renaissance music, from cantigas (13th century Spain) to popular dance tunes from the 16th and 17th centuries. There are two ensembles (for 3 harps): a well-known Praetorius 'Courante' and the Cantiga 282, which has been performed at Somerset and WAFHS.
Table of Contents:
Cantigas de Santa Maria No. 29 , 56, 100, and 282, French Chanson, Avana alla venetiana, Balletto, belo da balar, Branle Pinagay , Nido d'Amore, Doria Colonna, Il Bianco Fiore, Pavaniglia , Italiana, Le Campane di Parigi, Spagnoletta, Courante from Praetorius, Combien que J'aie ensoie.

This great collection of Celtic tunes also contains notes on each tune, performance notes, and a bibliography. Music is easy to read, and the fingerings are superbly edited. The selection of tunes is varied and includes Irish traditional, O'Carolan tunes, an original by Larry Mallette, music from the Scottish Oswald Collection, from Bunting, Thomas Connallon, O'Neill and the Scottish Athole Collection.
Titles: Blind Mary, Carolan's Draught, Dilligaf's Fancy, Drowsy Maggie, Fanny Power, Flower of Edinburgh, Gordon's Tune, Granu Weal, Jhon Come Kisse Me Noue, King of the Fairies, Lady Iveach, Merrily Kiss the Quaker, Mrs. Crofton, Parisot's Hornpipe, Rights of Man, South Wind, Star of County Down, Trip to Sligo
Tripping Up The Stairs - Will Ye Run Awa' Wi' Me.