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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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8
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Quatuor à cordes: 2 violons, alto, violoncelle
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Vous avez sélectionné:
Haslinger - Rondo
Partitions à imprimer
23 partitions trouvées
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1
Haslinger - Allegro non tanto from Sonatina in C Major - Easy
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1178887 Composed by Tobias Haslinge…
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Piano Solo - Level 1 - Digital Download SKU: A0.1178887 Composed by Tobias Haslinger. Arranged by Piacere Music Sheets. Classical,Contemporary,Instructional,Romantic Period,Standards. Score. 3 pages. Piacere Music Sheets #778798. Published by Piacere Music Sheets (A0.1178887). Key/Tone: C MajorDifficulty: Grade 2/12 (Easy)Obs.: This piece is the first of two movements in Haslinger's Sonatina in C Major.The second movement, Allegretto, can be bought separately.This first movement has an A-B-A-Codetta musical form:Phrase A: measures 1 to 8Phase B: measures 9 to 20Phrase A: measures 21 to 28Codetta: measures 28 to 33.
$2.95
2.67 €
#
Piano seul
#
Tobias Haslinger
#
Piacere Music Sheets
#
Haslinger - Allegro non tanto from Sonatina in C Major - Easy
#
Piacere Music Sheets
#
SheetMusicPlus
Haslinger - Allegretto from Sonatina in C Major - Easy
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.1178969 Composed by Tobias Haslinge…
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Piano Solo - Level 1 - Digital Download SKU: A0.1178969 Composed by Tobias Haslinger. Arranged by Piacere Music Sheets. Classical,Contemporary,Instructional,Standards. Score. 3 pages. Piacere Music Sheets #778940. Published by Piacere Music Sheets (A0.1178969). Key/Tone: C MajorDifficulty: Grade 3/12 (Easy)Obs.: This piece is the second of two movements in Haslinger's Sonatina in C Major.The first movement, Allegro non tanto, can be bought separately.
$2.95
2.67 €
#
Piano seul
#
Tobias Haslinger
#
Piacere Music Sheets
#
Haslinger - Allegretto from Sonatina in C Major - Easy
#
Piacere Music Sheets
#
SheetMusicPlus
Haslinger Sonatina in C Major 1st movement
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1323594 By Benjamin Choupak. By T. …
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Easy Piano - Level 1 - Digital Download SKU: A0.1323594 By Benjamin Choupak. By T. Haslinger. Arranged by Ben Choupak. Classical. Score. 2 pages. Musictake #911825. Published by Musictake (A0.1323594).
$2.99
2.71 €
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Piano Facile
#
Benjamin Choupak
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Ben Choupak
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Haslinger Sonatina in C Major 1st movement
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Musictake
#
SheetMusicPlus
Haslinger Sonatina in C Major 2nd movement
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1324186 By Benjamin Choupak. By T. …
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Easy Piano - Level 2 - Digital Download SKU: A0.1324186 By Benjamin Choupak. By T. Haslinger. Arranged by Ben Choupak. Classical. Score. 2 pages. Musictake #912381. Published by Musictake (A0.1324186).
$2.99
2.71 €
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Piano Facile
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Benjamin Choupak
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Ben Choupak
#
Haslinger Sonatina in C Major 2nd movement
#
Musictake
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
9.96 €
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Orchestre
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.62 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Bagge - String Quartet in E minor, Op.1 No.1
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Digital Download SKU: A0.826382 Composed by Selmar …
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String Quartet String Quartet - Digital Download SKU: A0.826382 Composed by Selmar Bagge. Arranged by J.G. Cucó Barber. Classical,Romantic Period. Score and parts. 72 pages. J.G. Cuco Barber #433201. Published by J.G. Cuco Barber (A0.826382). Work Title String Quartet in E minor, Op.1 No.1 Composer Bagge, Selmar Opus/Catalogue Number Op.1 No.1 Movements/Sections 4 I. Andante sostenuto — Allegro assai II. Adagio cantabile con molto espressione III. Menuetto and Trio. Allegro appassionato IV. Finale. Allegro First Publication 1844-45 ca.? – Vienna: Tobias Haslinger's Witwe und Sohn Dedication Carl Haslinger Composer Time Period Romantic Piece Style Romantic Instrumentation 2 violins, viola, cello.
$23.00
20.85 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Selmar Bagge
#
J
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Bagge - String Quartet in E minor, Op.1 No.1
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J.G. Cuco Barber
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SheetMusicPlus
Bagge - String Quartet in F major, Op.1 No.2
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.835009 …
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String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.835009 Composed by Selmar Bagge. Arranged by J.G. Cucó Barber. Classical,Romantic Period. Score and parts. 67 pages. J.G. Cuco Barber #441754. Published by J.G. Cuco Barber (A0.835009). Work Title String Quartet in F major Composer Bagge, Selmar Opus/Catalogue Number Op.1 Movements/Sections I. Fantasia. Andante con moto quasi Allegretto — Allegro II. Scherzo and Trio. Allegro assai III. Andante con moto e molto espressivo IV. Finale. Allegro vivace quasi presto First Publication 1844-45 ca.? – Vienna: Tobias Haslinger's Witwe und Sohn Dedication Carl Haslinger Composer Time Period Romantic Piece Style Romantic Instrumentation 2 violins, viola, cello.
$23.00
20.85 €
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Quatuor à cordes: 2 violons, alto, violoncelle
#
Selmar Bagge
#
J
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Bagge - String Quartet in F major, Op.1 No.2
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J.G. Cuco Barber
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.62 €
#
Orchestre de chambre
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.62 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.62 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.62 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.62 €
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Orchestre à Cordes
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Sonatina in C Major, Op. 31, No.1-I
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1130493 Composed by Tobias Haslinge…
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Piano Solo - Level 2 - Digital Download SKU: A0.1130493 Composed by Tobias Haslinger. Arranged by Andrew Harbridge. Classical. Score. 10 pages. Harbridge Publishing House #729920. Published by Harbridge Publishing House (A0.1130493). Sonatina in C Major, Op.31, No. 1 (first movement), is an excellent choice for the student with smaller hands. None of stretches are bigger than a 7th. This cheerful piece is a joy to learn and play and it is an excellent example of a finely crafted sonatina. Sonatina in C Major is a level 4 piece. Four pages long.
$1.99
1.8 €
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Piano seul
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Tobias Haslinger
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Andrew Harbridge
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Sonatina in C Major, Op. 31, No.1-I
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Harbridge Publishing House
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SheetMusicPlus
Eisenbahn-Lust-Walzer fur das Piano-Forte
Piano seul
Piano - Digital Download SKU: LV.19102 Composed by Johann Strauss Jr. Railroads, Cr…
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Piano - Digital Download SKU: LV.19102 Composed by Johann Strauss Jr. Railroads, Crowds, Spires, Mountains. Lester S. Levy Collection. 10 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19102). Eisenbahn-Lust-Walzer fur das Piano-Forte. von Johann Strauss. Published [n.d.] by Tobias Haslinger in Wien. Composition of five sectional waltzes, introduction and coda with piano instrumentation. Subject headings for this piece include Railroads, Crowds, Spires, Mountains. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano seul
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Johann Strauss Jr
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Eisenbahn-Lust-Walzer fur das Piano-Forte
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Martha Quadrille fur das Piano Forte
Piano seul
Piano - Digital Download SKU: LV.10282 Composed by Johann Strauss Jr. Lester S. Lev…
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Piano - Digital Download SKU: LV.10282 Composed by Johann Strauss Jr. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10282). Martha Quadrille fur das Piano Forte. Von Johann Strauss, k.k. Hofball-Musik-Director u. Kapellmeister. [Im Einverstandniss mit Herrn H.F. Muller, als Original Verleger der Oper Martha]. Published [n.d.] by bei Tobias Haslinger's Witwe and Sohn in Wien. Composition of six da capo movements with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.43 €
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Piano seul
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Johann Strauss Jr
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Martha Quadrille fur das Piano Forte
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Serenade - Ständchen - Schwanengesang, D. 957 No. 4 (Duet for Voice and Piano)
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. 8 pages. Flavio Regis Cunha #5725037. Published by Flavio Regis Cunha (A0.597338). Schwanengesang (swan song), D 957, is a collection of songs written by Franz Schubert towards the end of his life and published posthumously.The collection was named by its first editor, Tobias Haslinger, probably intending to present it as Schubert's final musical testament to the world. Unlike earlier Die schöne Müllerin and Winterreise, it contains settings by three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed in 1828 and published in 1829 just a few months after the composer's death on 19 November 1828.Advanced Intermediate.Format: Concert, 9 x 12.8 pages.
$5.99
5.43 €
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Voix haute
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Franz Schubert
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Flavio Regis Cunha
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Serenade - Ständchen - Schwanengesang, D. 957 No. 4
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Flavio Regis Cunha
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SheetMusicPlus
The Irregulars
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1290620 Composed by Blythe Constanc…
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Piano Solo - Level 2 - Digital Download SKU: A0.1290620 Composed by Blythe Constance Rose Pepino, Paul Haslinger, and Tom Bidwell. Arranged by Esther Lindeboom. 21st Century,Film/TV,Thriller. Score. 3 pages. Esther Lindeboom #881343. Published by Esther Lindeboom (A0.1290620). Easy to read arrangement of the main theme from the series.
$4.99
4.52 €
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Piano seul
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Blythe Constance Rose Pepino, Paul Haslinger, and Tom Bidwell
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Esther Lindeboom
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The Irregulars
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Esther Lindeboom
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SheetMusicPlus
Serenade (Ständchen)
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1267930 Composed by Franz Schubert…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1267930 Composed by Franz Schubert. Arranged by Johann Kaspar Mertz. 19th Century,Romantic Period,Wedding. Individual part. 5 pages. Ivan Paschoito #860482. Published by Ivan Paschoito (A0.1267930). This arrangement, by Johann Kaspar Mertz is, probably, the best one for the guitar. He based his version on Liszt’s famous piano transcription. It was originally published in a volume of six Schubert songs, all arranged by Mertz, around 1845, in Vienna, by Tobias Haslinger.
$4.99
4.52 €
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Guitare
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Franz Schubert
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Johann Kaspar Mertz
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Serenade
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Ivan Paschoito
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SheetMusicPlus
Czerny - Étude No. 66 in E Major - Intermediate
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1215645 Composed by Carl Czerny. Ar…
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Piano Solo - Level 3 - Digital Download SKU: A0.1215645 Composed by Carl Czerny. Arranged by Piacere Music Sheets. Chamber,Classical,Instructional,Romantic Period,Standards. Score. 2 pages. Piacere Music Sheets #812373. Published by Piacere Music Sheets (A0.1215645). Opus/Catalog Number: Op. 139, No. 66Key/Tone: E MajorMovements/Sections: Lento cantabileFirst Appearance: 1827 – Wien: Tobias HaslingerDifficulty: Grade 4/12 (Intermediate)Obs.: This piece is the 66th of 100 etudes in Czerny's 100 Exercises in Progressive Order, Op. 139.This is a study of phrasing in a slow tempo.
$2.95
2.67 €
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Piano seul
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Carl Czerny
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Piacere Music Sheets
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Czerny - Étude No. 66 in E Major - Intermediate
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Piacere Music Sheets
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SheetMusicPlus
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven…
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String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
26.29 €
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Orchestre à Cordes
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Ludwig van Beethoven, Cees Nieuwenhuizen
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Upstream Music
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Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
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Upstream Music
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SheetMusicPlus
SERENADE - Ständchen - Schwanengesang, D. 957 No. 4 (for Piano Solo)
Piano seul
Composed by Franz Schubert (1797-1828). Arranged by Flavio Regis Cunha. Romantic Per…
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Composed by Franz Schubert (1797-1828). Arranged by Flavio Regis Cunha. Romantic Period, Funeral, Graduation, Recital. Score. 6 pages. Published by Flavio Regis Cunha
<br> Schwanengesang (Swan Song), D 957, is a collection of 14 songs written by Franz Schubert at the end of his life and published posthumously.Named by its first publisher, Tobias Haslinger, who presumably wished to present it as Schubert's last testament, Schwanengesang differs from the earlier Die schöne Müllerin and Winterreise song-cycles by including settings of more than one poet. Seven texts by Ludwig Rellstab (1799–1860) are followed by six by Heinrich Heine (1797–1856); inclusion of the last song, to words by Johann Gabriel Seidl (1804–1875), may or may not reflect Schubert's wishes. In any case, all 14 songs were composed in 1828 and the collection was published in 1829, a few months after the composer's death.<br> <br> The song "Ständchen" ("Serenade") the singer exhorts his lover to make him happy.<br> <br> Here we present an arrangement for piano solo.<br> Schwanengesang (Swan Song), D 957, is a collection of 14 songs written by Franz Schubert at the end of his life and published posthumously.Named by its first publisher, Tobias Haslinger, who presumably wished to present it as Schubert's last testament, Schwanengesang differs from the earlier Die schöne Müllerin and Winterreise song-cycles by including settings of more than one poet. Seven texts by Ludwig Rellstab (1799–1860) are followed by six by Heinrich Heine (1797–1856); inclusion of the last song, to words by Johann Gabriel Seidl (1804–1875), may or may not reflect Schubert's wishes. In any case, all 14 songs were composed in 1828 and the collection was published in 1829, a few months after the composer's death.<br> <br> The song "Ständchen" ("Serenade") the singer exhorts his lover to make him happy.<br> <br> Here we present an arrangement for piano solo.
$5.99
5.43 €
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Piano seul
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Franz Schubert (1797-1828)
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Flavio Regis Cunha
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SERENADE - Ständchen - Schwanengesang, D. 957 No. 4
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Flavio Regis Cunha
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SheetMusicPlus
Recueil de Romances
Guitare
Bardenklange. Composed by Johann Kaspar Mertz (1806- 1856). This edition: Sheet music…
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Bardenklange. Composed by Johann Kaspar Mertz (1806- 1856). This edition: Sheet music. Guitar Works (Mertz). Downloadable. Op. 13/1-7. Chanterelle #Q51837. Published by Chanterelle
English - German.<br> <br> The beautiful Romantic miniatures called the Bardenklange are in this volume which is a reprint of the original Haslinger publication from the 1840s.English - German.<br> <br> The beautiful Romantic miniatures called the Bardenklange are in this volume which is a reprint of the original Haslinger publication from the 1840s.
$23.99
21.75 €
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Guitare
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Johann Kaspar Mertz
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Recueil de Romances
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Chanterelle
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SheetMusicPlus
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