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Hate This Place
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Hate This Place
Piano, Voix et Guitare
By The Goo Goo Dolls. This edition: scorch. Pop, Rock. Score. 7 pages. Hal Leonard - …
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By The Goo Goo Dolls. This edition: scorch. Pop, Rock. Score. 7 pages. Hal Leonard - Digital #22764. Published by Hal Leonard - Digital
$4.99
4.54 €
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Piano, Voix et Guitare
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The Goo Goo Dolls
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Hate This Place
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Hal Leonard - Digital
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SheetMusicPlus
Hate This Place
Guitare notes et tablatures
By The Goo Goo Dolls. This edition: scorch. Pop, Rock. Guitar Tab. 9 pages. Hal Leon…
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By The Goo Goo Dolls. This edition: scorch. Pop, Rock. Guitar Tab. 9 pages. Hal Leonard - Digital #22764. Published by Hal Leonard - Digital
$4.99
4.54 €
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Guitare notes et tablatures
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The Goo Goo Dolls
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Hate This Place
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Hal Leonard - Digital
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SheetMusicPlus
Im not longer of this world
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1241476 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1241476 Composed by Steven Samuel Dubulakta. Arranged by Steven Samuel Dubulakta. 21st Century,A Cappella,Advent,Barbershop,Baroque. 1 pages. Semii Music #836846. Published by Semii Music (A0.1241476). Title: Im no longer of this world This song points a sinner that what you're going through today is just a test designed to check your christian life. This song reminds you that you're not part of this world because the world hates you. One day youll be leaving this life for a better place where youll be free from fear and hate of sinful men.
$4.99
4.54 €
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Chorale SATB
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Steven Samuel Dubulakta
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Steven Samuel Dubulakta
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Im not longer of this world
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Semii Music
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SheetMusicPlus
Numbered Places [11 pieces for piano solo]
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA
$11.00
10.01 €
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Piano seul
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Juan María Solare
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Numbered Places [11 pieces for piano solo]
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Juan Maria Solare
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SheetMusicPlus
O Father God (we meet you in this place)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.925641 Composed by An…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.925641 Composed by Annette Butters. Arranged by Geoff Lowson. Christian,Praise & Worship,Sacred. Score. 9 pages. Annette Butters #5857079. Published by Annette Butters (A0.925641). A general praise song for formal or informal worship. The piano and vocals part can be used as a stand alone or, if you have the resources an additional lead sheet and optional flute, violin and 'cello parts are included to allow for real flexibility. The words and music are accessible whatever your musical skills and ideal for large or small gatherings.
$4.99
4.54 €
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Piano, Voix et Guitare
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Annette Butters
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Geoff Lowson
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O Father God
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Annette Butters
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SheetMusicPlus
I Hate Everything About You
Batterie
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1215688 By Three Days Grace. By…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1215688 By Three Days Grace. By Gavin Brown and Three Days Grace. Arranged by Carlos Sanchez. Instructional,Rock. Score. 3 pages. Carlos Sanchez #812416. Published by Carlos Sanchez (A0.1215688). Drumset transcription of I Hate Everything About You(album version) by Three Days Grace; originally performed by Neil Sanderson; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Drumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersSelf Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterTribute - Tenacious DUnchained - Van HalenBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater
$5.99
5.45 €
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Batterie
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Three Days Grace
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Carlos Sanchez
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I Hate Everything About You
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Carlos Sanchez
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SheetMusicPlus
This Dying Soul
Batterie
Drum Set,Drums - Level 5 - Digital Download SKU: A0.1227181 By Dream Theater. By Jo…
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Drum Set,Drums - Level 5 - Digital Download SKU: A0.1227181 By Dream Theater. By John Petrucci, Myung, Portnoy, and Rudess. Arranged by Carlos Sanchez. Instructional,Rock. Score. 13 pages. Carlos Sanchez #823187. Published by Carlos Sanchez (A0.1227181). Drumset transcription of This Dying Soul(album version) by Dream Theater; originally performed by Mike Portnoy; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Performance Notes: Mike Portnoy video recorded his studio sessions for most of Dream Theater Albums. He doesn't record every second of his sessions, so some of the video will not match some of the audio of the final recording. Check out the YouTube link below to see his set up, and to get an idea what the different drum & cymbal notations are. Jump to 0:07:51 to start right in the beginning of this trackDrumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersSelf Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterTribute - Tenacious DUnchained - Van HalenBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater
$9.99
9.09 €
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Batterie
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Dream Theater
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Carlos Sanchez
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This Dying Soul
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Carlos Sanchez
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SheetMusicPlus
This Dying Soul
Basse electrique
Bass Guitar - Level 5 - Digital Download SKU: A0.1227174 By Dream Theater. By John …
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Bass Guitar - Level 5 - Digital Download SKU: A0.1227174 By Dream Theater. By John Petrucci, Myung, Portnoy, and Rudess. Arranged by Carlos Sanchez. Instructional,Rock. Score. 17 pages. Carlos Sanchez #823180. Published by Carlos Sanchez (A0.1227174). 5-String Bass Guitar & TAB transcription of This Dying Soul(album version) by Dream Theater; originally performed by John Myung; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Drumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersSelf Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterTribute - Tenacious DUnchained - Van HalenBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater
$6.99
6.36 €
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Basse electrique
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Dream Theater
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Carlos Sanchez
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This Dying Soul
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Carlos Sanchez
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SheetMusicPlus
The Place Where Lost Things Go
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.940473 Composed by Marc Sh…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.940473 Composed by Marc Shaiman. Arranged by Bob Eggers. A Cappella. Octavo. 9 pages. ROBERT J EGGERS #6673755. Published by ROBERT J EGGERS (A0.940473). The central ballad of Mary Poppins Returns, this song is perfect for today's audiences who have endured the global pandemic and is sure to touch listeners, reminding folks that whatever has been lost is available to them in their hearts. This contemplative but uplifting setting give your soloist tremendous opportunity for expressing tenderness.Please preview the complete arrangement by following the YouTube link.Orchestration: Baritone solo + TTBB a cappellaDuration 3:55
$1.99
1.81 €
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Chorale TTBB
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Marc Shaiman
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Bob Eggers
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The Place Where Lost Things Go
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ROBERT J EGGERS
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SheetMusicPlus
What Child Is This?
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.909702 Composed by English…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.909702 Composed by English Melody Greensleeves - Lyricist William Chaterton Dix. Arranged by D. Kim Clayton. A Cappella,Christian,Christmas. Octavo. 12 pages. HarmonyPlus Publications #4824427. Published by HarmonyPlus Publications (A0.909702). SATB - A Cappella music at it's best! This beautiful Christmas hymn, composed with the unique, reflective sound in mind hits home to listeners during the Christmas season. This A Cappella arrangement is for mature voices and techniques. It creates warmth, beauty and meaning in a unique way. If your choir revels in the A Cappella music, this sacred Christmas hymn is perfect for you! The available recording we have placed on this site does NOT come from a live performance or in the studio. It's not perfect...but we think you will feel the deep and rich nature of What Child Is This?. Also available is The HarmonyPlus Trax CD that is a teaching CD. The CD includes: Full version (all parts), Soprano version, Alto version, Tenor version, Bass version. Perfect for all members of the choir to learn his/her individual parts. 4:10
$1.99
1.81 €
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Chorale SATB
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English Melody Greensleeves - Lyricist William Chaterton Dix
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D
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What Child Is This?
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HarmonyPlus Publications
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SheetMusicPlus
Hate This Place by Goo Goo Dolls - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Goo Goo Dolls: Hate This Place Digital Sheetmusic - instantly downloadable s…
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Performed by: Goo Goo Dolls: Hate This Place Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- Adult Alternative~~Alternative Pop/Rock~~Pop Rock~~Post-Grunge
$5.79
5.27 €
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Piano, Voix et Guitare
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Goo Goo Dolls
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Piano/Vocal/Guitar
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Musicnotes
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
Piano, Voix
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.73 €
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Piano, Voix
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
I Know The End
Basse electrique
Bass Guitar - Level 3 - Digital Download SKU: A0.941991 By Phoebe Bridgers. By Chri…
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Bass Guitar - Level 3 - Digital Download SKU: A0.941991 By Phoebe Bridgers. By Christian Hutson, Christian Lee Hutson, Connor Oberst, Conor Oberst, Marshall Vore, and Phoebe Bridgers. Arranged by Daniel Roberts. Contemporary. Score. 4 pages. Daniel P Roberts #6623115. Published by Daniel P Roberts (A0.941991). The Know The End by Phoebe Bridgers Bass with TAB for 4 string bassSomewhere in Germany, but I can't place itMan, I hate this part of TexasClose my eyes, fantasizeThree clicks, and I'm home
$4.99
4.54 €
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Basse electrique
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Phoebe Bridgers
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Daniel Roberts
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I Know The End
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Daniel P Roberts
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.38 €
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
The Goo Goo Dolls: Hate This Place - voice, piano or guitar
Piano, Voix et Guitare
Instantly printable sheet music by The Goo Goo Dolls for voice, piano or guitar of MEDIUM …
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Instantly printable sheet music by The Goo Goo Dolls for voice, piano or guitar of MEDIUM skill level. / pop,rock
$8.97
8.16 €
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Piano, Voix et Guitare
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The Goo Goo Dolls
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Virtualsheetmusic
The Goo Goo Dolls: Hate This Place - guitar (tablature)
Guitare notes et tablatures
Instantly printable sheet music by The Goo Goo Dolls for guitar (tablature) of MEDIUM skil…
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Instantly printable sheet music by The Goo Goo Dolls for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97
8.16 €
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Guitare notes et tablatures
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The Goo Goo Dolls
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Virtualsheetmusic
String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - Digital Download SKU: S9.Q19873 'Divorce' · Scheidung. C…
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String quartet - Digital Download SKU: S9.Q19873 'Divorce' · Scheidung. Composed by Fazil Say. This edition: score and parts. Downloadable, Score and parts. Op. 29. Duration 16 minutes. Schott Music - Digital #Q19873. Published by Schott Music - Digital (S9.Q19873). In the composition of this string quartet, I have permitted myself to be led by my personality and experiences and have attempted to relate experiences such as divorce, separation and the failure of a relationship in the language of music with the aid of notes and rhythms. As is the case with my other compositions, this quartet is more a work originating from intuition than the description of a historical event, a journey or a place. The beginning of the first movement is somewhat wild, rapid and sorrowful with an irregular rhythm. Intermittent sections ensue which are reminiscent of a jazz club. Living history is our present which we are currently experiencing. The second movement with a melancholic atmosphere is dominated by colours, the subject of searching, the search for a remedy and unhappiness. In contrast, the final movement is intended to express the hatefulness, arguments and disputes within a relationship which have been transformed into a profound trauma. (Fazıl Say, translated by Lindsay Chalmers-Gerbracht).
$40.99
37.28 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Fazil Say
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String Quartet
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Schott Music - Digital
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SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
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Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital
The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$16.99
15.45 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Masters of the Violin
Violon
Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Compos…
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Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.54 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Masters of the Violin
Violon
The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. …
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The Masters of the Violin. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. II. Schott Music - Digital #Q42355. Published by Schott Music - Digital
French.<br> <br> The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year\'s time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated.
$15.99
14.54 €
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Violon
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Mathieu Crickboom
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The Masters of the Violin
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Schott Music - Digital
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.63 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Down with the Smokers for voice and guitar
Voix duo
Voice Duet Voice - Level 3 - Digital Download SKU: A0.576909 Composed by David Wari…
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Voice Duet Voice - Level 3 - Digital Download SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published by David Warin Solomons (A0.576909). I am so happy that smoking in enclosed public places is now illegal in the UK and in many other countries, but this song was written in the 1980s when people had to breath the pollution created by inconsiderate smokers, and, of course, there are still countries where this is the case. So I decided to publish the song even though the battle is thankfully won here. The sound sample is my own performance with some additional (un-notated) improvisations on cello and vibraphone. The pdf file contains the score and parts. The music has also been arranged as an instrumental duo called Laid back bounce, also available on this site. I went out this morning along the way to work when without warning I was faced with clouds of murk refrain: Sing Down with the smokers who infect the air with clouds hate their unthinking uncaring unblinking hate the stinking coughing crowds! I went down to the station and was waiting for my train but to my irritation the stinkers were there again. [refrain] Wouldn't it be pleasant to enjoy a drink in a theatre bar discussing the play or wouldn't it be jolly just to sing along with pals in a cozy pub along the way or wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death. [refrain] I was eating my fav'rite curry but the air was getting thick and I felt I had to hurry because the smokers made me feel sick [refrain] It's fine bright hot and sunny and I'd love to have a drink but why spend time and money where the smokers sit and stink? [refrain] Wouldn't it be pleasant just to pass the time at a social do or a meeting hall or wouldn't it be jolly to dance the night away with the one you love at a disco or ball wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death [refrain].
$8.00
7.28 €
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Voix duo
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David Warin Solomons
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Down with the Smokers for voice and guitar
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David Warin Solomons
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SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.09 €
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Trombone et Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Running
Batterie
Drum Set,Drums - Level 2 - Digital Download SKU: A0.1232653 By 311. By Doug Martine…
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Drum Set,Drums - Level 2 - Digital Download SKU: A0.1232653 By 311. By Doug Martinez and Timothy J. Mahoney. Arranged by Carlos Sanchez. Funk,Grunge,Instructional,Pop,Rock. Score. 4 pages. Carlos Sanchez #828305. Published by Carlos Sanchez (A0.1232653). Drumset transcription of Running(album version) by 311; originally performed by Chad Sexton; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Drumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersRunning - 311Self Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterTribute - Tenacious DUnchained - Van HalenBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater
$5.99
5.45 €
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Batterie
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311
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Carlos Sanchez
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Running
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Carlos Sanchez
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SheetMusicPlus
Show Me How To Live
Batterie
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1103354 By Audioslave. By Audio…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1103354 By Audioslave. By Audioslave and Chris Cornell. Arranged by Carlos Sanchez. Instructional,Rock. Score. 2 pages. Carlos Sanchez #706617. Published by Carlos Sanchez (A0.1103354). Drumset transcription of Show Me How To Live(album version) by Audioslave; originally performed by Brad Wilk; transcribed/arranged by Carlos Sanchez. Sanchez is a professional percussionist with nearly 30 years of experience transcribing and/or arranging music for marching bands, drumlines, and cover bands. Sanchez prides himself on the accuracy of his transcriptions and you should be able to easily play along with the original album version of this song. Be sure to look for other publications by Carlos Sanchez. Have fun and enjoy!Drumset Transcriptions:Amber - 311Beautiful Disaster - 311Breakout - Foo FightersCochise - AudioslaveCome Out and Play - The OffspringCrazy Bitch - BuckcherryGo With The Flow - Queens Of The Stone AgeI Hate Everything About You - Three Days GraceInside Our Home - 311Inside The Fire - DisturbedJudith - A Perfect CircleJudith(Easy Version) - A Perfect CircleJust A Girl - No DoubtLive Wire - Motley CrueMonkey Wrench - Foo FightersOn A Roll - 311Panama - Van HalenPerfect Mistake - 311Places That The Mind Goes - 311Pretty Fly(For A White Guy) - The OffspringRun - Foo FightersSelf Esteem - The OffspringSex Type Thing - Stone Temple PilotsShow Me How To Live - AudioslaveSquare Hammer - GhostThis Dying Soul - Dream TheaterTribute - Tenacious DUnchained - Van HalenBass Transcriptions:This Dying Soul - Dream TheaterVacant - Dream TheaterMarching Band Arrangements:Come Out and Play - The OffspringFull Band Transcriptions:Vacant - Dream Theater
$5.99
5.45 €
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Batterie
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Audioslave
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Carlos Sanchez
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Show Me How To Live
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Carlos Sanchez
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SheetMusicPlus
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