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Have You Not Known? - Flute
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Vous avez sélectionné:
Have You Not Known? - Flute
Partitions à imprimer
6 partitions trouvées
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You Are My Salvation (Lead Sheet)
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Musique Sacrée
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Rick Lee James
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Rick Lee James
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You Are My Salvation
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Voices In My Head Productions LLC
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SheetMusicPlus
Small Ensemble - SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 ...
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Small Ensemble - SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Voices In My Head Productions LLC #6418991. Published by Voices In My Head Productions LLC (A0.942923). You Are My SalvationVerse 1When the waves are crashing and the storm won’t calmWhen I’ve lost direction and I can’t find homeWhen my guiding stars are hidden by the cloudsAnd the waves are surging in to pull me downI will call on Him who calms the raging seasTrusting he’ll be stronger than the storms in meWhen my journey takes me to the great unknownsYou are my SalvationVerse 2When I’ve lost myself and fallen to my sinWhen my shame blinds me to all the grace you giveWhen I’ve placed my trust in lies that I’ve believedAnd I wonder how my God could still love meChrist is interceding when I cannot prayGroaning words unknown that I may still be savedMy lament for sin now turns to songs of praiseYou are my SalvationVerse 3When the night surrounds me and my fears beginWhen my grief is threatening to do me inWhen the pain is crushing and I can’t escapeWhen the strength I had is slowly drained awayEven in death’s shadow on the darkest nightThere is not one breath that you have not suppliedGive me faith my Lord that with the Son I’ll riseYou are my SalvationVerse 4When the dawn breaks through and we are truly healedWhen we climb the stairs to what will be revealedWhen our days are lighted by the Risen LambWhen our tears are wiped away by God’s own handWhen creation’s birth is finally made completeWhen the guests are seated at the Savior’s feastWhat a day of gladness when we join their songYou are my SalvationCCLI Song # 7171093Rick Lee James© 2020 James, Rick LeeFor use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.comCCLI License # 549412
$1.99
May The Lord Be With You / Que el Señor esté contigo
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Piano, Voix et Guitare
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Musique Sacrée
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Shaun Parry
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May The Lord Be With You / Que
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MusicforMillions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0....
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Guitar,Piano,Vocal,Voice - SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0.935515). THIS IS AN ORIGINAL (simple) SONG I WROTE FOR MY MOM AND SISTER To be clear, it is a prayer written in musical form. I guess that makes it a psalm. A few nights ago I was feeling the pain of so many people around the globe who are suffering due to the pandemic. I was inspired to sit down and write an simple song of comfort for them-for us. The very same evening I started writing the song, unbeknownst to me, my sister was being taken to the hospital where she collapsed of heart failure and was life-flighted to the nearest cardiovascular facility.They put her on life support (ECMO and ventilator) to let her heart and lungs rest. Two days later, due to complications with circulation in her leg she had to be rushed into emergency surgery to pull the catheter from the artery leading to her heart. This required taking her off of life support four days earlier than they had planned. We were informed she may not make it. Thanks to thousands of people praying for her, and her own indomitable spirit, she pulled through-but not without more complications.A fever kicked in and lack of circulation in her other leg caused even more concern. Her heart and body were suffering greatly. As we prayed (and thousands of you from around the world prayed with us) I kept massaging and nuancing the exact melody line I wanted, at the same time interweaving various lyrics to intuit what felt right. I wanted this to be a song anyone could sing for their beloved family member or friend who was struggling. Every note, every syllable had to land just right-as if it was meant to be.Through all this my mother was going through her own bit of personal anguish. We were basically waiting for my sister to die. Due to COVID regulations nobody, not even family, could visit her in ICU. My mother bought a plane ticket... just in case. We hoped beyond hope that, If she died, she would not die alone. I wanted to finish this song by Mother's Day to share with my mother and my dear struggling sister who is also a mother of 5. I finished it and sang it through tears on Mother's Day. I have many friends show speak Spanish who are going through very difficult times due to COVID-19 and the subsequent quarantine. The second time through is a carefully crafted Spanish translation. I hope to hear people singing this far and wide with, to and for each other.
$1.99
Creep
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Chorale SATB
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FACILE
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Radiohead
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Jan-Hendrik Herrmann
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Creep
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Jan-Hendrik Herrmann
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.1045323 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlew...
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Choral Choir (SATB divisi) - Level 2 - SKU: A0.1045323 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Jan-Hendrik Herrmann. A Cappella,Pop,Rock. Octavo. 7 pages. Jan-Hendrik Herrmann #649893. Published by Jan-Hendrik Herrmann (A0.1045323). This arrangement of the Radiohead classic focusses on the lyrics. Athmospheric voicings of the well knowns chords set the tone for a slow and eerie interpretation that features the basses with most of the melody. The other parts accompany with sighing glissandi and polyphonic phrases that culminate in a powerful bridge. Sopranos have only few optional splits. Altos, sopranos and tenors sing in comfortable ranges while the basses are set a little higher now and then (top note d4). If your singers have a rich vocal sound palette and enjoy musical story-telling with huge dynamic ranges this arrangement is perfect for them.
$3.00
Ain't Got Rhythm
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Chorale TTBB
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FACILE
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Dan Povenmire, Danny Jacob, Je
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Christopher Alexander
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Ain't Got Rhythm
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1412111 Composed by Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes. ...
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Choral Choir,Choral,TTBB Chorus - Level 2 - SKU: A0.1412111 Composed by Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes. Arranged by Christopher Alexander. Film/TV,Funk. 20 pages. Christopher Alexander #994347. Published by Christopher Alexander (A0.1412111). NEW GENERATION CHORAL SERIESThis groovy song from the hit Disney® TV series Phineas and Ferb will have your singers and audiences dancing in the aisles at your next performance.  In the episode, the school librarian (a former rock band drummer) argues he is not able to make music anymore unbeknowningly rapping and creating a stomp-like rhythm groove, inspiring the students in the library to erupt into excited mayhem.  This message of hope and changing one’s self view should be the focus of your singers…and having fun!Also available in SATB.
$2.25
Ain't Got Rhythm
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Chorale SATB
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FACILE
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Dan Povenmire, Danny Jacob, Je
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Ain't Got Rhythm
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1251811 Composed by Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes. Arran...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1251811 Composed by Dan Povenmire, Danny Jacob, Jeff Swampy Marsh, Martin Olson, and Robert Hughes. Arranged by Byron Bemo Myers II and Christopher Alexander. Film/TV,Funk. 20 pages. Christopher Alexander #846029. Published by Christopher Alexander (A0.1251811). NEW GENERATION CHORAL SERIESThis groovy song from the hit Disney® TV series Phineas and Ferb will have your singers and audiences dancing in the aisles at your next performance.  In the episode, the school librarian (a former rock band drummer) argues he is not able to make music anymore unbeknowningly rapping and creating a stomp-like rhythm groove, inspiring the students in the library to erupt into excited mayhem.  This message of hope and changing one’s self view should be the focus of your singers…and having fun!
$2.25
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00
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