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Vous avez sélectionné:
He'd Have To Get Under
Partitions à imprimer
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1
He'd Have To Get Under
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by Maurice Abrahams, Grant Clarke, and Edgar Leslie. Arranged by Bill Wilson. Sco…
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Composed by Maurice Abrahams, Grant Clarke, and Edgar Leslie. Arranged by Bill Wilson. Score, Set of Parts. 20 pages. Published by Alexander Wilson (S0.18133). - Score,Set of Parts - - Alexander Wilson
A brass quintet arrangement of "He'd Have to Get Under - Get Out and Get Under," a humorous popular work from the time of the early automobile detailing the difficulties mechanical failure imposed on amorous young couples. Performance time is approximately 2:10. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.A brass quintet arrangement of "He'd Have to Get Under - Get Out and Get Under," a humorous popular work from the time of the early automobile detailing the difficulties mechanical failure imposed on amorous young couples. Performance time is approximately 2:10. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.66 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Maurice Abrahams, Grant Clarke, and Edgar Leslie
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Bill Wilson
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He'd Have To Get Under
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Alexander Wilson
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SheetMusicPlus
Thank Hank for Jazz Ensemble, A Tribute to Hank Levy
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.826667 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.826667 Composed by Bud Caputo. Instructional,Jazz,Rock. Score and parts. 56 pages. Bud Caputo #3686729. Published by Bud Caputo (A0.826667). Thank Hank is Rock 70’s arrangement similar to what I experienced under the direction of Hank Levy while a grad student at Catholic University in Washington, D. C. It offers students an opportunity to explore the odd meters he commonly used to formulate many of his works, only on an easier level for advanced middle school and high school players. Audiences will also enjoy this diversion from the typical meters used in most jazz arrangements. Although scored for full jazz ensemble, the arrangement will work for smaller groups that do not have the full instrumentation. Auxiliary cow bell and tambourine parts will add to the flavor that was so commonly used during this era of pop music. Try to get the70’s flavor by using as close to an organ sound as possible, but a piano may be substituted. . There is 36 measure improvisation section that uses three chords, one for every 12 measures, and jazz scales are included in all the wind parts to encourage students to improvise.
$20.00
18.28 €
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Ensemble Jazz
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Bud Caputo
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Thank Hank for Jazz Ensemble, A Tribute to Hank Levy
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Bud Caputo
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SheetMusicPlus
He'd Have to Get Under- Get Out and Get Under (To Fix up His Automobile)
Piano, Voix
Composed by Maurice Abrahams. From the Sam DeVincent Collection of Illustrated American Sh…
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Composed by Maurice Abrahams. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 1.2: Transportation - Automobiles, Box 8, Folder C, Archives Center, National Museum of American History, Smithsonian Institution. Cars. 7 pages. P - - Cars - Smithsonian Institution
$5.99
5.48 €
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Piano, Voix
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Maurice Abrahams
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He'd Have to Get Under- Get Out and Get Under
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SheetMusicPlus
He'd Have to Get Under - Get Out And Get Under (To Fix Up His Automobile)
Piano, Voix
Composed by Maurice Abrahams. For voice and piano. Automobiles, Portraits, Couples, Courts…
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Composed by Maurice Abrahams. For voice and piano. Automobiles, Portraits, Couples, Courtship & love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries
$5.99
5.48 €
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Piano, Voix
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Maurice Abrahams
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love
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He'd Have to Get Under - Get Out And Get Under
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Maurice Abrahams: He'd Have To Get Under, Get Out And Get Under for voice, piano and guitar
Piano, Voix et Guitare
Instantly printable sheet music by Billy Murray for voice, piano or guitar of MEDIUM skill…
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Instantly printable sheet music by Billy Murray for voice, piano or guitar of MEDIUM skill level. / standards
$7.97
7.29 €
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Piano, Voix et Guitare
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Maurice Abrahams
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Virtualsheetmusic
He'd Have To Get Under, Get Out And Get Under
Piano, Voix et Guitare
By Billy Murray. Standards. Piano/Vocal/Guitar. 8 pages. Published by Hal Leonard - Digita…
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By Billy Murray. Standards. Piano/Vocal/Guitar. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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Piano, Voix et Guitare
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Billy Murray
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He'd Have To Get Under, Get Out And Get Under
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Smiling - An easy to learn song for children of all ages
Piano Facile
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.915898 Composed by Judy Lane…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.915898 Composed by Judy Lane. Children,Instructional. Score. 7 pages. Judy Lane Music #5217623. Published by Judy Lane Music (A0.915898). Smiling is a fun song for school children with piano accompaniment. Let's all pass on happiness. (better than coronavirus!!)Smiling is infectious, You catch it like the flu. When someone smiled at me today, I started smiling too. I walked around the corner And someone saw me grin. And when he smiled I realised I'd passed it on to him. And when he smiled I realised I'd passed it on to him. I thought about the smile And realised it's worth. A single smile like mine Could travel round the earth. So if you feel a smile begin, Don't leave it undetected Just start an epidemic And get the world infected. So if you feel a smile begin, Just get the world infected.Judy Lane was a graduate student at the Royal Academy Of Music in London and studied under Michael Head. She has twice been awarded the Lennox Berkeley Cup in the open composition class at the Oxford Music Festival. Adjudicators/critics have said:- Judy exhibits a flair for setting words to singable melodies and for inventing appropriate moods to suit the context and lyrics Judy's music is like a BREATH OF FRESH AIR 3 score pages - Approx length - 3 minutes.
$5.50
5.03 €
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Piano Facile
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Judy Lane
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Smiling - An easy to learn song for children of all ages
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Judy Lane Music
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SheetMusicPlus
Fantasy in D minor K 397
Piano seul
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - Digital Download SKU:…
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.862674 Composed by Wolfgang Amadeus Mozart. Arranged by Michael Bomier. Classical,Concert,Halloween,Standards. Score and parts. 6 pages. Michael Butkus-Bomier #3684801. Published by Michael Butkus-Bomier (A0.862674). Mozart's music is often described as being hard to play because of its thinness, its transparency, and lightness of texture. he compensates for the lack of thunderous chords and bravura with melody, and Syncopation. This piece abounds in both, especially the latter. To further the readability of these L-R alternating syncopated figures, we have used a rhythm which has fewer rests, which reflects the performance style of Emil Gilels, the Russian pianist known for his golden sound. One of the ways he achieved that sound was frankly by playing through many rests in Mozart, Beethoven and other composers whose scores were the vehicles for his sound. Weird, but true. All the original rhythms have been doubled for better visual clarity. Our score has fewer 16th-rests and more stemmed-together notes.When the syncopation is unavoidable and required, we use detached 16ths similar to what a vocalist would find in an opera recitative. The cadenzas are written out in full-size notes, and fingered for logical harmonic and scalar groupings. The ornamentation is also written out, similar to what one might in a grayed-out ossia box from some commercial publishers. MBB.
$3.25
2.97 €
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Piano seul
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Wolfgang Amadeus Mozart
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Michael Bomier
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Fantasy in D minor K 397
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Michael Butkus-Bomier
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.65 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
The Home Coming March (1908) - Concert Band Score and Parts PDF
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1…
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
27.43 €
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Orchestre d'harmonie
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.3 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Mont…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99
4.56 €
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Ensemble de cuivres
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Lyons Music Services
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SheetMusicPlus
The Mevlidi Sherif Symphony ~ in English Piano Reduction
Piano seul
Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporar…
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Piano Solo - Digital Download SKU: A0.1029428 Composed by Taylor Kroff. Contemporary. Score. 113 pages. Listening Heart, LLC #4890651. Published by Listening Heart, LLC (A0.1029428). Mevlidi Sherif Symphony ~ in English Divine is beautiful and loves what is beautiful. Prophet Muhammad (pbuh) Our heartfelt prayer is that this music serves to awaken people of all religious traditions to the sacred musical treasures of Islam and that it contributes to interfaith harmony. CarolAnn Barrows & Taylor Kroff The Mevlidi Sherif, the finest expression of reverence for Muhammad (pbuh), forms an essential part in the religious instruction of most Turkish minds. We hope that this new symphony will foster an interest and understanding of the Muslim soul, even for many who have little direct contact with the world of Islam. Considering how Christians feel about their Christmas carols provides some understanding of what the Mevlidi Sherif (or mawlud) means to Muslims. Over 500 years ago Süleyman Çelebi, from the Great Mosque at Bursa, wrote the Mevlidi Sherif (then entitled Vesiletu’n-necat) so that Turks would have access to the magical, mystical story of their beloved Prophet Muhammad (pbuh), which had previously only been available in Arabic. Over the centuries this epic poem has been recited and sung in Mosques and in homes; on countless occasions of rejoicing and sorrow, such as births, weddings, house blessings, graduations, and especially to celebrate the Night of Power and the Birthday (mawlid) of Muhammad (pbuh). Some consider it to be the most frequently recited poem in the world. In 1942, as an act of interfaith and goodwill, Mr. F. Lyman MacCallum, a Christian missionary who was born in Turkey to missionary parents, translated into English this epic poem and published it in a journal dedicated to promoting East/West understanding. This was a remarkable artistic feat as MacCallum stayed true to the traditional Turkish poetic meter, mathnawī of fâ’ilâtün fâ’ilâtün fâ’ilün, as well as holding fast to the authentic meaning of the original text. In 2015, Dr. Timuçin Çevikoğlu, from Ankara University in Turkey, discovered MacCallum’s English translation of this most beloved poem. With the intention to help those in the west better understand the very heart of Islam, he invited sacred music singer, Ms. CarolAnn Barrows from Maui, Hawaii, USA to be the first person to ever sing the Mevlidi Sherif in English. He asked her to compose music that would appeal to western sensibilities. Ms. Barrows interviewed many composers to assist her. It wasn’t until she heard from Mr. Taylor Kroff from Austin, Texas, U.S.A., that she knew she’d found the right person for the task. Using digital technology they were able to work together, even though thousand of miles apart. They amended and re-translated the text of the original English version of the poem and composed the Mevlidi Sherif Symphony ~ in English. The recording is now available online all over the world. This music was born out of our desire to help non-Muslims appreciate the love all Muslims have for their Prophet Muhammad (pbuh); to create greater understanding and peace among nations. We are not suggesting that anyone change their faith, but rather that greater world peace will be achieved by understanding and accepting the faith of others. We pray that this music will serve to remove the boundaries which divide different religious faiths by bringing to full light the underlying wisdom with which they are all united. CarolAnn Barrows & Taylor Kroff
$50.00
45.71 €
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Piano seul
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Taylor Kroff
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The Mevlidi Sherif Symphony ~ in English Piano Reduction
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Listening Heart, LLC
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SheetMusicPlus
Waltz Op 69 No 2 (Arranged for Guitar)
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌd…
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
1.82 €
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Guitare notes et tablatures
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Union Jack Blues
Ukulele
Ukulele - Level 1 - Digital Download SKU: A0.1238522 By Andrew D. Gordon. By Andrew…
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Ukulele - Level 1 - Digital Download SKU: A0.1238522 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Folk,Jazz,Multicultural,Rock,World. Score. 1 pages. A.D.G. Productions #833834. Published by A.D.G. Productions (A0.1238522). Union Jack Blues is one of a collection of beginner blues songs Andrew D. Gordon has created for Ukulele.The Play-A-Long track can be downloaded for free at the following link.tinyurl.com/nwrbvtwh Scroll down to the very bottom of the category list on the left hand side of the page to where it says Play-A-Long Tracks.About the ComposerAndrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding.Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books:Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you.E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.
$2.99
2.73 €
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Ukulele
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Andrew D
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Andrew D
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Union Jack Blues
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A.D.G. Productions
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SheetMusicPlus
The Lone Star Blues Shuffle
Ukulele
Ukulele - Level 1 - Digital Download SKU: A0.1238898 By Andrew D. Gordon. By Andrew…
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Ukulele - Level 1 - Digital Download SKU: A0.1238898 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Folk,Jazz,Multicultural,Rock,World. Score. 1 pages. A.D.G. Productions #834303. Published by A.D.G. Productions (A0.1238898). The Lone Star Blues Shuffle is one of a collection of beginner blues songs Andrew D. Gordon has created for Ukulele.The Play-A-Long track can be downloaded for free at the following link.tinyurl.com/nwrbvtwh Scroll down to the very bottom of the category list on the left hand side of the page to where it says Play-A-Long Tracks.About the ComposerAndrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding.Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books:Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you.E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.
$2.99
2.73 €
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Ukulele
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Andrew D
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Andrew D
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The Lone Star Blues Shuffle
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A.D.G. Productions
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SheetMusicPlus
Minor Blues, Major Funk
Ukulele
Ukulele - Level 1 - Digital Download SKU: A0.1239873 By Andrew D. Gordon. By Andrew…
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Ukulele - Level 1 - Digital Download SKU: A0.1239873 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Bollywood,Jazz,Multicultural,Rock,World. Score. 1 pages. A.D.G. Productions #835269. Published by A.D.G. Productions (A0.1239873). Minor Blues, Major Funk is one of a collection of beginner blues songs Andrew D. Gordon has created for Ukulele.The Play-A-Long track can be downloaded for free at the following link.tinyurl.com/nwrbvtwh Scroll down to the very bottom of the category list on the left hand side of the page to where it says Play-A-Long Tracks.About the ComposerAndrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding. Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books: Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you. E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.
$2.99
2.73 €
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Ukulele
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Andrew D
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Andrew D
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Minor Blues, Major Funk
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A.D.G. Productions
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SheetMusicPlus
Midnight Blues Serenade For Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.1246834 By Andrew D. Gordon. By An…
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Flute,Piano - Level 3 - Digital Download SKU: A0.1246834 By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues,Contemporary,Instructional,Jazz,Pop. Score and part. 3 pages. A.D.G. Productions #841482. Published by A.D.G. Productions (A0.1246834). Midnight Blues Serenade For Flute and Piano is one of a collection of Blues Flute and Piano Pieces for the Intermediate Flautist. This is a medium tempo 12 bar blues with a swing rhythm in the key of F. The audio is recorded 1st. with flute and piano followed by just the piano to practice with. There is a 4 beat click as an intro.About the ComposerAndrew D. Gordon is a well-known author of over 130 music instructional books, particularly in the field of contemporary music and improvisation. His books are highly regarded and are considered to be of excellent quality by musicians and music educators.One notable aspect of Andrew D. Gordon's instructional books is their practicality. He has a knack for presenting complex musical concepts in a clear and accessible manner, making it easier for musicians of different skill levels to understand and apply them. Whether you are a beginner or an advanced player, his books provide valuable insights and techniques that can enhance your musical proficiency.Gordon's instructional books often focus on specific genres such as jazz, blues, funk, and rock, offering targeted guidance to musicians interested in these styles. He explores various aspects of improvisation, including scales, chord progressions, phrasing, and rhythmic patterns, allowing readers to develop their improvisational skills and musical vocabulary.One of the strengths of Andrew D. Gordon's books is the inclusion of practical examples and exercises. He provides musical examples that are relevant to the concepts being discussed, enabling readers to hear and internalize the ideas being presented. Additionally, his books feature exercises that encourage active participation and practice, ensuring that readers can apply what they have learned and reinforce their understanding.Gordon's writing style is concise and engaging, making it easy to follow along and stay engaged throughout the book. He presents the material in a logical and organized manner, building upon foundational concepts and gradually introducing more advanced techniques. This approach helps readers progress in a structured way, ensuring a comprehensive understanding of the topics covered.Moreover, Andrew D. Gordon's instructional books are often accompanied by audio recordings or backing tracks, providing an immersive learning experience. These resources allow readers to hear how the concepts and techniques should sound in a musical context and provide opportunities for practice and improvisation.Overall, Andrew D. Gordon's music instructional books are highly regarded for their practicality, clarity, and comprehensive coverage of contemporary music and improvisation. Whether you are an aspiring musician, a seasoned player, or an educator, his books can serve as valuable resources for enhancing your musical skills and understanding.Andrew D. Gordon's music instructional books are widely available for purchase through various online platforms and music retailers. Here are some common places where you can find his books:Author's Website: http://www.adgproductions.com.  Andrew D. Gordon has a dedicated website where you can directly purchase his books. Online Retailers: Websites like Amazon, Barnes & Noble, and Sheet Music Plus carry Andrew D. Gordon's instructional books. Simply search for his name or the specific book title to find the available options.Music Stores: Check with local music stores or instrument shops in your area. They may stock Andrew D. Gordon's instructional books or be able to order them for you.E-Book Platforms: Look for digital versions of Andrew D. Gordon's books on platforms like Kindle, Apple Books, or Google Play Books. These platforms often offer e-books that can be purchased and downloaded directly to your device.
$2.99
2.73 €
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Flûte traversière et Piano
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Andrew D
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Andrew D
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Midnight Blues Serenade For Flute and Piano
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A.D.G. Productions
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SheetMusicPlus
ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
Trompette
B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1368479 By Goran Bregovic.…
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B-Flat Trumpet Solo - Level 3 - Digital Download SKU: A0.1368479 By Goran Bregovic. By serbian folk song. Arranged by Zoran Radanovic. Folk,Patriotic,Standards,Traditional,Wedding. Individual part. 2 pages. Zoran Radanovic #952810. Published by Zoran Radanovic (A0.1368479). This arrangement is very famous serbian folk song for Bb trumpet solo. Ovaj aranzman je za solo Bb trubu.Ederlezi is a popular traditional folk song of the Romani people in the Balkans. The song got its name from Ederlezi, which is a festival[1] celebrating the return of springtime, especially by the Romani people of the Balkans, and elsewhere around the world. Ederlezi is the Romani name for the Feast of Saint George. It is celebrated on 6 May [O.S. 23 April] (occurring approximately 40 days after the spring equinox),[2]. The various Balkan spellings (Herdeljez, Erdelezi) are variants of the Turkish Hıdırellez. Versions The song is featured on Bijelo Dugme's 1988 album Ćiribiribela under the title ÄurÄ‘evdan (St. George's Day). Goran Bregović, the frontman of Bijelo Dugme, wrote the Serbo-Croatian lyrics. Bregović also recorded a version with Greek lyrics, titled Του Αη ΓιώÏγη (Tou Ai Giorgi, Saint George's), with Greek singer Alkistis Protopsalti in 1991.[3] The Greek lyrics are credited to Lina Nikolakopoulou. Bregović also worked with Turkish singer Sezen Aksu on her album titled Düğün ve Cenaze (A Wedding and a Funeral) featuring a version with Turkish lyrics, titled (Hıdrellez) in 1997. The lyrics were adapted by Aksu and Pakize Barışta. Finally, together with Polish singer Kayah he also recorded a version with Polish lyrics, titled Nie ma, nie ma ciebie. Bulgarian group Ku-Ku Band, with lead singer Slavi Trifonov, released the song on several albums with Bulgarian lyrics, titled Гергьовден (Gergyovden, St. George's Day); Serbo-Bulgarian lyrics, titled Свети Георги (Sveti Georgi, St. George); and Romani-Serbo-Bulgarian lyrics, titled Erdelezi. The band Beirut, Italian saxophonist Daniele Sepe, and the Boston-based band Bury Me Standing also do covers of Ederlezi. The Gypsy Rebels of Toronto, Ontario also cover the song, featuring the vocals of Micheal T. Butch and his band. Kroke released a version of the song as well. A Bosnian version was released by the folk-punk musical group No Smoking Orchestra on their 2007 album Time of the Gypsies, Punk Opera. A beatbox/trip version was released by French band Plume Tribu on their 2010 album Le Chainon Manquant. In popular culture Goran Bregović's version titled Ederlezi (Scena Djurdjevdana Na Rijeci) was famously used in Emir Kusturica's movie Time of the Gypsies.[1] It was performed by the Macedonian singer Vaska Jankovska.[4] Ederlezi (Scena Djurdjevdana Na Rijeci) also appeared in the movie Borat, although it has no connection to the authentic music of Kazakhstan. The text in brackets in Serbo-Croatian means: The scene of ÄurÄ‘evdan on the river, a description of a ÄurÄ‘evdan celebration on a river in the movie Time of the Gypsies where that song was used. Sacha Baron Cohen's movie does not have a ÄurÄ‘evdan river scene.[5][6] In both soundtrack albums – Time of the Gypsies and Stereophonic Musical Listenings That Have Been Origin in Moving Film Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan – it was credited to Goran Bregović, although he is not the author nor the singer of the song on these albums. However, he arranged the song. A.I. Rising (2018), a Serbian science fiction film, was originally entitled Ederlezi Rising. A portion of Ederlezi (Scena Djurdjevdana Na Rijeci) was also featured in Lazy Square's (or Lenivko Kvadratjić) unofficial Russian art film reimagining of The Simpsons popular opening sequence couch gag.[7][8] Lyrics
$1.99
1.82 €
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Trompette
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Goran Bregovic
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Zoran Radanovic
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ÄurÄ‘evdan - Djurdjevdan - Ederlezi - for Bb trumpet solo
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Zoran Radanovic
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SheetMusicPlus
Mack The Knife
Clarinette
Clarinet Solo - Level 5 - Digital Download SKU: A0.1188946 By Bobby Darin. By Berto…
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Clarinet Solo - Level 5 - Digital Download SKU: A0.1188946 By Bobby Darin. By Bertolt Brecht, Kurt Weill, and Marc Blitzstein. Arranged by Bobby Hesch. 20th Century,Jazz,Standards. Individual part. 4 pages. Bobby Hesch #788559. Published by Bobby Hesch (A0.1188946). MACK THE KNIFE FOR SOLO JAZZ B FLAT CLARINET!!! COMPOSERS Marc Blitzstein, Kurt Weill, & Bert Brecht FROM THE THREE PENNY OPERA !!!PERFORMED BY Bobby Darin!!! AS WELL AS MANY MANY FAMOUS SINGERS & INSTRUMENTALISTS !!! OH THE SHARK BABE, HAS SUCH TEETH DEAR, AND HE SHOWS THEM PEARLY WHITE!!! LET'S PLAY SOME JAZZ !!! KEY OF C/A FLAT/D/E FLAT/B/ & F!!! LOW F TO HIGH A !!! CHALLENGING PASSAGES AND TEMPO!!! GET THE NOTES UNDER YOUR FINGERS BEFORE GOING UP SPEED!!! COMFORTABLE REGISTER!!! CONTACT INFORMATION:bobbyhesch@yahoo.com IG:@bobbyhesch EMAIL QUESTIONS !!! HAVE FUN WITH THIS GREAT TUNE!!! MACKYS BACK IN TOWN !!!
$4.99
4.56 €
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Clarinette
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Bobby Darin
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Bobby Hesch
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Mack The Knife
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Bobby Hesch
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SheetMusicPlus
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
1.82 €
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Chorale SATB
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Romantic Sonata - Poems of Light
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover.…
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Flute,Piano - Level 4 - Digital Download SKU: A0.971652 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 35 pages. Musicart Publications #4797933. Published by Musicart Publications (A0.971652). In three movements, Romantic Sonata - Poems of Light (flute and piano) communicates how light can be a metaphor for the emotional and spiritual aspects of life. There are also three paintings - also created by the composer - joining hearing with sight as a poetic way of understanding ideas and emotions.Of Light and Shadow possesses a monothematic sonata design (rather than a two-theme structure), with a primary musical theme that is developed, and a brief closing section. Colors in the Clouds, the second movement of the work, does not differ greatly in tempo from the first movement, but rather is more relaxed in character. A slower middle section of this movement explores tone color through expressive use of extended techniques for the flute. Prism of the Heart is variation of the classical chaconne, with an introduction and a closing section. The conclusion of the first movement is developed and becomes the closing section of the third movement. This connects the first and third movements, bringing one back to where one started, yet experiencing change after the musical journey. The score and flute part in this edition are arranged to be printed double-sided, with correct page turns, directly from the PDF. Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$21.95
20.07 €
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Flûte traversière et Piano
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Jeffrey Hoover
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Romantic Sonata - Poems of Light
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Musicart Publications
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SheetMusicPlus
In Christ Alone
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1421804 By Margaret Becker. By Ke…
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C Instrument - Level 2 - Digital Download SKU: A0.1421804 By Margaret Becker. By Keith Getty and Stuart Townend. Arranged by B. McCormick. Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. B. McCormick #1003150. Published by B. McCormick (A0.1421804). Discover the timeless hymn “In Christ Alone†like never before with our meticulously crafted Lead Sheet. This concise and comprehensive musical arrangement combines the melody line with harmonizing chords, making it a versatile resource for musicians, worship leaders, and music enthusiasts. About the Songwriters Keith Getty and Stuart Townend, the brilliant minds behind “In Christ Alone,†have left an indelible mark on contemporary Christian music. Their collaboration birthed this powerful anthem that resonates with believers worldwide. As you explore this Lead Sheet, you’ll connect with the heart and inspiration of these gifted composers. About the Song “In Christ Alone†stands as a testament to unwavering faith and the unshakable foundation found in Jesus Christ. Written in 2001, this hymn has become a staple in congregational worship, capturing the essence of salvation, hope, and redemption. Its poetic lyrics and memorable melody evoke deep reflection and praise.Significant Statistics:First Released: 2001Key: D MajorTime Signature: 3/4Tempo: Moderate About the Sheet Music Our Lead Sheet for “In Christ Alone†is a marvel of efficiency. Condensing the entire song onto a single page, it provides both the melody and essential chord symbols. Whether you’re accompanying a vocalist, leading a small ensemble, or playing solo, this sheet music ensures clarity and accessibility. The chord diagrams empower guitarists to strum confidently, harmonizing with the lyrics. Suggestions for Use: Worship Services: Enhance congregational singing during worship services, emphasizing the song’s profound message. Small Groups: Use it as a teaching tool for Bible studies or small group gatherings. Personal Devotion: Play it during quiet moments of reflection or prayer. About the Arranger: Barry McCormick Barry McCormick, a seasoned musician and arranger, brings a wealth of expertise to this Lead Sheet arrangement of “In Christ Alone.†Here’s a closer look at his qualifications and experience. With a Master of Arts (MA) in Music and Theology (with Honors) from the prestigious University of Glasgow: Barry’s academic journey seamlessly blended music and theology, enriching his understanding of the spiritual and artistic dimensions of music. Prior to this he studied and earned a Diploma from the Royal Conservatoire of Scotland: His formal training at this esteemed institution honed his technical skills, deepening his appreciation for musical nuances.Teaching and Performance:Resourceful Arrangements: Barry’s commitment to crafting accessible and meaningful music shines through in his arrangements. His Lead Sheet for “In Christ Alone†exemplifies clarity, precision, and musicality.Connect with Barry:Follow Barry on social media:@resourcefularrangementsExplore more of his musical endeavors, stay updated on new releases, and engage in conversations about music. Make sure to tag in your perfomances using our sheet music!
$3.99
3.65 €
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Instruments en Do
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Margaret Becker
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B
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In Christ Alone
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B. McCormick
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SheetMusicPlus
The Word
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.1421929 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Wedding. 13 pages. RayThompsonMusic #1003267. Published by RayThompsonMusic (A0.1421929). The Word is a song by English rock band The Beatles, written by John Lennon and Paul McCartney and recorded with Lennon on lead vocals. It was first released on their 1965 album Rubber Soul.Musically, the song is founded on a driving funk beat, with few chord changes and a simple melody in the key of D major.(The refrain is a 12 bar blues in D. The main chord is D7(♯9), also used in Drive My Car and Taxman.)John Lennon had felt during his youth that love had been the answer, and had written The Word as his first expression of the concept. He had felt that love was an underlying theme of the universe, and that love was fundamental in many things, which had inspired the lyric In the good and bad books that I have read. The song is credited to Lennon-McCartney, however Lennon had stated that it was mainly mine.It had marked the first time the Beatles had written a song about love as a concept, which would become important in the band's later work.Paul McCartney said of this song, John and I would like to do songs with just one note like 'Long Tall Sally'. We get near it in 'The Word'Arranged here for wind quartet, the flute takes verse 1 and is joined in harmony by the clarinet for verse 2.Verse 3 is taken by the oboe, and all 3 top instruments take the melody, and chordal harmony for verse 4  till the end,The bassoon takes the bass guitar riff throughout.The mp3 starts just before the 4th verse.
$14.99
13.7 €
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Flûte, Hautbois, Clarinette, Basson
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The Beatles
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Ray Thompson
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The Word
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RayThompsonMusic
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SheetMusicPlus
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