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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BOUZOUKI
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He Gave His Only Son
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18
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10
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3
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7
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1
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5
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Crtitères actifs :
He Gave His Only Son
Partitions à imprimer
120 partitions trouvées
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101
God Loves You (from the "Ten Minute Praise in Scripture and Song" Children’s Musical Program)
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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God Loves You
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Sharon Wilson
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.565623 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Holiday,Praise & Worsh...
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Piano,Vocal,Voice - Level 3 - SKU: A0.565623 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. Children,Contemporary,Holiday,Praise & Worship,Sacred. Score. 6 pages. Sharon Wilson #5025295. Published by Sharon Wilson (A0.565623). This song is filled with encouraging words of God's love for each one of us: From the moment God formed you in His mind, His everlasting love He hoped you would find. . .Remember God loves you every hour of every day. Let His love fill your heart with joy in every way. Remember God so loved the world that He gave His only son; believe in Him always for the victory he won. Though originally written to be performed around Valentine's Day, this song is fitting any time of year as a celebration of God's love for us. This arrangement is one of the four songs in the children's musical choir program titled God Loves You (in the Ten Minute Praise in Scripture and Song series). Purchase price includes the 3-staff score with melody line and piano accompaniment (4 pages) plus a separate score with melody line only for the soloist or unison choir (2 pages). Set in the key of C major, the vocal range is one octave from middle C to high C.
$3.99
Allegro - Score Only
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Solo Trumpet Player
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ed
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Allegro - Score Only
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Peet du Toit
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical...
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Brass Quintet - Level 3 - SKU: A0.1372446 By Solo Trumpet Player. By Franz Schubert. Arranged by ed. W Beeler & orchestration by Peet du Toit. Classical. 4 pages. Peet du Toit #956746. Published by Peet du Toit (A0.1372446). Franz Peter Schubert (German: [fÊants ˈpeËtÉ ËˆÊƒuËbÉt]; 31 January 1797 – 19 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short life, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include the art songs Erlkönig, Gretchen am Spinnrade, Ave Maria; the Trout Quintet, the unfinished Symphony No. 8 in B minor, the Great Symphony No. 9 in C major, the String Quartet No. 14 Death and the Maiden, a String Quintet, the two sets of Impromptus for solo piano, the three last piano sonatas, the Fantasia in F minor for piano four hands, the opera Fierrabras, the incidental music to the play Rosamunde, and the song cycles Die schöne Müllerin, Winterreise and Schwanengesang.Born in the Himmelpfortgrund suburb of Vienna, Schubert showed uncommon gifts for music from an early age. His father gave him his first violin lessons and his elder brother gave him piano lessons, but Schubert soon exceeded their abilities. In 1808, at the age of eleven, he became a pupil at the Stadtkonvikt school, where he became acquainted with the orchestral music of Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven. He left the Stadtkonvikt at the end of 1813 and returned home to live with his father, where he began studying to become a schoolteacher. Despite this, he continued his studies in composition with Antonio Salieri and still composed prolifically. In 1821, Schubert was admitted to the Gesellschaft der Musikfreunde as a performing member, which helped establish his name among the Viennese citizenry. He gave a concert of his works to critical acclaim in March 1828, the only time he did so in his career. He died eight months later at the age of 31, the cause officially attributed to typhoid fever, but believed by some historians to be syphilis.Appreciation of Schubert's music while he was alive was limited to a relatively small circle of admirers in Vienna, but interest in his work increased greatly in the decades following his death. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other 19th-century composers discovered and championed his works. Today, Schubert is ranked among the greatest composers in the history of Western classical music and his work continues to be admired and widely performed.
$17.00
KIRCHEN-SYMPHONIE for organ and brassband, opus 18 (conductor score) - Score Only
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Ensemble de cuivres
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INTERMÉDIAIRE
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Julius Katterfeldt
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KIRCHEN-SYMPHONIE for organ an
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Albismusic
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1107288 Composed by Julius Katterfeldt (1813-1886). Classical,Sacred. Score and parts. 14 pages. Albismusic #709950. ...
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Brass Ensemble - Level 3 - SKU: A0.1107288 Composed by Julius Katterfeldt (1813-1886). Classical,Sacred. Score and parts. 14 pages. Albismusic #709950. Published by Albismusic (A0.1107288). Julius Katterfeldt was born in Wandsbek in 1813. Wandsbek was not yet part of Hamburg at that time. His father Johann Hinrich Katterfeldt was the organist at the famous Schnitger organ of Hamburg's main church St. Jakobi. He also gave his son first music lessons. Later he was a pupil of the famous Christian Heinrich Rinck in Darmstadt. Julius Katterfeldt was first organist at the church of St. Johannes in Eppendorf. In 1840, Katterfeldt was appointed by the Danish king to the post of cathedral organist in Schleswig. After the Schleswig-Holstein uprising (1848 to 1851) he had to give up his organist post at the cathedral. Friedrich von Reventlou (1797-1874) brought Katterfeldt to the monastery church in Preetz, where Renventlou was provost, because of the political quarrels over the county of Holstein. In Preetz he even had to take on sexton duties in addition to organ duties. After the war (Battle of Dybbøl/DK), Schleswig once again belonged to the Republic of Prussia. For this reason, the German Emperor had a new tower built for Schleswig Cathedral in 1864. It can be assumed that the church symphony by Julius Katterfeldt was composed for this purpose beforehand and was therefore later published by the renowned Berlin music publisher BOTE & BOCK. His Church Symphony Opus 18, for brassband and organ, is dedicated to the Prussian Emperor Wilhelm I. Katterfeldt’s Church Symphony is the first original symphonic work for the instrumentation organ and brass band. His son-in-law was the Schwerin cathedral organist George Hepworth (1825-1918). Through his contacts in England, some of J. Katterfeldt's organ works were published in the anthologies Organist's Quarterly Journal (editor, William Spark). this publication: ISMN 979-700-212-81-0 instrumental parts (PiccTrp, Fluegelhorn, Trumpet 1+2, Frenchhorn 1+2 (F alt. C), Euphonium, Tuba) conductor score: ISMN 979-700-212-81-4.
$4.99
He Gave His Only Son
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Piano, Voix et Guitare
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FACILE
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Classique
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Robert G Farrell
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Robert G Farrell
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He Gave His Only Son
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Robert G Farrell
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1110988 By Robert G Farrell. By Robert G Farrell. Arranged by Robert G Farrell. Classical. Score. 4 pages. ...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1110988 By Robert G Farrell. By Robert G Farrell. Arranged by Robert G Farrell. Classical. Score. 4 pages. Robert G Farrell #713257. Published by Robert G Farrell (A0.1110988). Text adapted from John 3:16. Mostly 2 part, but some SATB.
$2.00
Puer Nobis (Unto us is born a son) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Piae Cantiones
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Ray Thompson
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Puer Nobis
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - SKU: A0.502627 Composed by Piae Cantiones. Arranged by Ray Thompson. Christmas,Classica...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - SKU: A0.502627 Composed by Piae Cantiones. Arranged by Ray Thompson. Christmas,Classical,Sacred. 10 pages. Published by RayThompsonMusic (A0.502627). Also known as Unto us a boy is born Puer nobis nascitur, usually translated as Unto Us Is Born a Son, is a medieval Christmas carol found in a number of manuscript sources—the 14th-century German Moosburg Gradual and a 15th-century Trier manuscript. The book became well known in Britain after a rare original copy of Piae Cantiones owned by Peter of Nyland was given as a gift to the British Minister in Stockholm. He subsequently gave it to John Mason Neale in 1852, and it was from this copy that Neale, in collaboration with Thomas Helmore published songs in two collections in 1853 and 1854 respectively, although this carol was not included in either. The carol became popular as a processional hymn following a translation by George Ratcliffe Woodward first published in 1902.[7] Percy Dearmer also translated the hymn for inclusion in The Oxford Book of Carols (1928) as Unto Us a Boy Is Born.Both translations are commonly used. 5 verses, all differnt instrumentation Arranged standard wind quintet.
$7.95
At The Cross - SSA A Cappella
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Hudson, Issac Watts, and Ralph
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Fritz Stanley
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At The Cross - SSA A Cappella
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MicStanley
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.748542 Composed by Hudson, Issac Watts, and Ralph. E. Hudson. Arranged by Fritz Stanley. A Cappella,Christian,Eas...
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Choral Choir (SSA) - Level 3 - SKU: A0.748542 Composed by Hudson, Issac Watts, and Ralph. E. Hudson. Arranged by Fritz Stanley. A Cappella,Christian,Easter,Gospel,Praise & Worship. Octavo. 11 pages. MicStanley #5322813. Published by MicStanley (A0.748542). At The Cross is a classical hymn song created by Ralph E. Hudson and the lyrics by Issac Watts and Ralph E. Hudson. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. This song tells about the wonderful love of GOD to us as sinners, that HE gave HIS only Son, Jesus, to redeem our sins at the cross, so by faith to Jesus, we are saved from the death.
$2.00
At The Cross - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Hudson, Issac Watts, and Ralph
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Fritz Stanley
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At The Cross - Piano Solo
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MicStanley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.748543 Composed by Hudson, Issac Watts, and Ralph. E. Hudson. Arranged by Fritz Stanley. Christian,Easter,Gospel,Praise &...
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Piano Solo - Level 3 - SKU: A0.748543 Composed by Hudson, Issac Watts, and Ralph. E. Hudson. Arranged by Fritz Stanley. Christian,Easter,Gospel,Praise & Worship. Score. 7 pages. MicStanley #5354279. Published by MicStanley (A0.748543). At The Cross is a classical hymn song created by Ralph E. Hudson and the lyrics by Issac Watts and Ralph E. Hudson. Arranged by Fritz Stanley for piano solo. This song tells about the wonderful love of GOD to us as sinners, that HE gave HIS only Son, Jesus, to redeem our sins at the cross, so by faith to Jesus, we are saved from the death.
$4.99
Schubert: Ave Maria for Bassoon & Piano
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2 Bassons (duo)
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bassoo
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jmsgu3
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SheetMusicPlus
Bassoon,Instrumental Duet - Level 1 - SKU: A0.548694 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 page...
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Bassoon,Instrumental Duet - Level 1 - SKU: A0.548694 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. 4 pages. Jmsgu3 #3411135. Published by jmsgu3 (A0.548694). A Bassoon Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bassoon part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Overture for Strings No. 3 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 6 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
I Am the Lord of the Dance
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Joel Raney
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I Am the Lord of the Dance
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Hope Publishing - Digital
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SheetMusicPlus
(Choral) - SKU: H1.8566DP Composed by Joel Raney. Lent, Holy Week, Easter Sunday. Preview pack - book & listening CD. 67 pages. Hope Publishing - Digita...
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(Choral) - SKU: H1.8566DP Composed by Joel Raney. Lent, Holy Week, Easter Sunday. Preview pack - book & listening CD. 67 pages. Hope Publishing - Digital #8566DP. Published by Hope Publishing - Digital (H1.8566DP). Sydney Carter.Lent & Easter Musical Sydney Carter's classic hymn, Lord of the Dance, is a metaphor of the life of Christ. In beautiful, poetic language, Carter describes Jesus as The Piper, calling his followers to the dance of life. This 30-minute musical from Joel Raney is an elaboration on that hymn, portraying each verse individually in a dramatic, colorful presentation - all retelling the story from John 3:16, For God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life. Appropriate for use anytime during Lent or Holy Week, for Palm Sunday or Easter morning, there is an additional narration and underscore that leads into an exciting, complete setting of Lord of the Dance, celebrating Christ's victorious resurrection. For Maundy Thursday or Good Friday, it may be concluded with the musical benediction My Jesus, I Love Thee. Narration and scripture have been carefully chosen to complete the story, tying together the verses of Lord of the Dance with a variety of other timeless hymns and songs, creating a meaningful worship experience for the congregation. The piano accompaniment works extremely well by itself, while the optional instrumental parts require a minimal number of players and will enhance the overall effect. The Instrumental Parts include a Conductor's Score and parts for Flute, Oboe, Violin and Cello.
$17.95
I Am the Lord of the Dance
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Joel Raney
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I Am the Lord of the Dance
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Hope Publishing - Digital
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SheetMusicPlus
Cello, flute, oboe, violin - SKU: H1.8564DP Composed by Joel Raney. Musicals Collection. Lent & Easter Musicals. Lent, Holy Week, Easter Sunday. Instrum...
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Cello, flute, oboe, violin - SKU: H1.8564DP Composed by Joel Raney. Musicals Collection. Lent & Easter Musicals. Lent, Holy Week, Easter Sunday. Instrumental Parts. 150 pages. Hope Publishing - Digital #8564DP. Published by Hope Publishing - Digital (H1.8564DP). Sydney Carter.Lent & Easter Musical Sydney Carter's classic hymn, Lord of the Dance, is a metaphor of the life of Christ. In beautiful, poetic language, Carter describes Jesus as The Piper, calling his followers to the dance of life. This 30-minute musical from Joel Raney is an elaboration on that hymn, portraying each verse individually in a dramatic, colorful presentation - all retelling the story from John 3:16, For God so loved the world that he gave his only Son, so that everyone who believes in him may not perish but may have eternal life. Appropriate for use anytime during Lent or Holy Week, for Palm Sunday or Easter morning, there is an additional narration and underscore that leads into an exciting, complete setting of Lord of the Dance, celebrating Christ's victorious resurrection. For Maundy Thursday or Good Friday, it may be concluded with the musical benediction My Jesus, I Love Thee. Narration and scripture have been carefully chosen to complete the story, tying together the verses of Lord of the Dance with a variety of other timeless hymns and songs, creating a meaningful worship experience for the congregation. The piano accompaniment works extremely well by itself, while the optional instrumental parts require a minimal number of players and will enhance the overall effect. The Instrumental Parts include a Conductor's Score and parts for Flute, Oboe, Violin and Cello.
$79.95
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Softly and Tenderly Jesus Is Calling
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Piano seul
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INTERMÉDIAIRE
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Jeff Bjorck
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Jeff Bjorck
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Softly and Tenderly Jesus Is C
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Pure Piano Music by Jeff Bjorck
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1257744 By Jeff Bjorck. By Will L. Thompson. Arranged by Jeff Bjorck. 19th Century,Christian,New Age,Religious,Spiritual....
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Piano Solo - Level 3 - SKU: A0.1257744 By Jeff Bjorck. By Will L. Thompson. Arranged by Jeff Bjorck. 19th Century,Christian,New Age,Religious,Spiritual. Score. 3 pages. Pure Piano Music by Jeff Bjorck #850974. Published by Pure Piano Music by Jeff Bjorck (A0.1257744). Jeff Bjorck's original solo piano arrangement of this traditional hymn melody by Will L. Thompson is from Bjorck's album/CD This I Know: Ageless Hymns of Faith. This hymn wonderfully portrays the caring heart of God, who so loved the world that He gave His only begotten Son (John 3:16). Its lyrics are reminiscent of the prodigal son's father, who seemed to be waiting and watching for his erring child to come home.  Many hymns  beautifully  express  the  awesome majesty of God, but this one seems to personify His still, small, voice (I Kings 19:12). It is this still, small, yet powerfully loving voice that Bjorck conveys with this arrangement.
$5.50
For God So Loved
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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For God So Loved
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841490 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #34710...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841490 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3471067. Published by Andrew Mc Donald (Macka Records) (A0.841490). For God So Loved is a song based on John 3:16. For God so loved the world he gave His only Son so that whoever believes in Him shall not perish but have everlasting life. This is song is a love message from God to all of us.
$4.99
There's Only One, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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There's Only One, sacred music
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1296230 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Rel...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1296230 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 12 pages. Kevin G. Pace #886474. Published by Kevin G. Pace (A0.1296230). An exquisitely beautiful choral composition for Christmas.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Who would have thought a manger stall would hold a King for blessing all?Who would have thought angelic chords would shepherd in our brand-new Lord?Who would have thought a star would shine to lead sage wisemen to His side?Who would have thought this tiny sight (light) would grow to be the saving Christ?There’s only One our Father chose for total Love to be bestowed.There’s only One! God’s chosen Son! He is the One!Who would have thought this newest Child would be the One to reconcile?Who would have thought this Babe who came would change the world with His Name?Who would have thought a manger birth and this Son’s life would save the earth?Who would have thought He’d be the One, this tiny Infant who had come?There’s only One! There’s only One! Our Father’s plan revealed His Son.There’s only One! God’s chosen Son! He is the One!Who would have thought this Baby dear would feel His Father’s love so near?Who would have thought this Baby Boy would bring the world so much joy?There’s only One who gave such love for us and Father up above.There’s only One who claims our laud---this precious Child, this Son of God.There’s only One our Father chose for total Love to be bestowed.There’s only One! God’s precious Son! He is the One!There’s only One! He is the One! God’s chosen Son!
$1.99
GOD Is So Good - SSA A Cappella
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional music, Traditional
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Fritz Stanley
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GOD Is So Good - SSA A Cappell
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MicStanley
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.748505 Composed by Traditional music, Traditional words. Arranged by Fritz Stanley. A Cappella,Christian,Holiday,...
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Choral Choir (SSA) - Level 3 - SKU: A0.748505 Composed by Traditional music, Traditional words. Arranged by Fritz Stanley. A Cappella,Christian,Holiday,Praise & Worship,Sacred,Spiritual. Octavo. 5 pages. MicStanley #4355889. Published by MicStanley (A0.748505). GOD Is So Good is a popular traditional classical hymn song that tells about GOD that is so good to us that HE gave HIS only Son to save us from sin. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella.
$2.00
Four Songs by Felix and Fanny Mendelssohn
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Felix Mendelssohn
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Stephen Levintow
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Four Songs by Felix and Fanny
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1403057 Composed by Felix Mendelssohn (1809-1847), Fanny Mendelssohn Hensel (1805-1...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1403057 Composed by Felix Mendelssohn (1809-1847), Fanny Mendelssohn Hensel (1805-1847). Arranged by Stephen Levintow. 19th Century,Romantic Period. 29 pages. Cypress Publishing #986241. Published by Cypress Publishing (A0.1403057). The Lieder for voice and piano by Felix Mendelssohn, while of high quality, have mostly been overshadowed by those of his contemporary and friend Robert Schumann. But his Lieder ohne Worte (Songs Without Words) for piano solo with no vocal text, were and remain immensely popular, and had a great influence on his fellow composers, creating a genre of short poetic pieces for piano accessible to skilled amateurs and students as well as professionals.This set of four arrangements for string quartet begins with the best known and most loved of his vocal songs, Auf Flügeln des Gesanges (On Wings of Song), a setting of a poem by Heinrich Heine. Following are two Songs Without Words, a fine untitled one in G Major, and the famous Frühlingslied (Spring Song).In between them is a piece by his older sister, Fanny Mendelssohn Hensel, an accomplished composer with a catalog of over 450 works, some of which were originally published under Felix’s name. Like Felix, she wrote Lieder both with a sung text, and with no words, which she called Lieder für das Pianoforte. This little jewel is one of the latter, from her Opus 8. She gave it the title Lied (Lenau), a reference to the poet Nikolaus Lenau (1802-1850). But with neither sung text nor poem title indicated, it is a little mysterious. A gentle sinuous melody leads to some bold modulations before returning, not in the expected tonic key but on the dominant. Only in the last few bars does it resolve to the home key. The arrangement transposes the original D-Flat Major to D Major, which lies better for strings. CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$8.00
God So Loved the World (Organ Solo)
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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John Stainer
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Mike Carson
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God So Loved the World
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Mike Carson
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SheetMusicPlus
Composed by John Stainer (1840-1901). Arranged by Mike Carson. Christian, Sacred. Score. 4 pages. Mike Carson #5375329. Published by Mike Carson...
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Composed by John Stainer (1840-1901). Arranged by Mike Carson. Christian, Sacred. Score. 4 pages. Mike Carson #5375329. Published by Mike Carson
Asolo organ setting of John Stainer's choral anthem, arranged for solo organ byMike Carson (b. 1951). The text is based on John 3:16, 17 in the New Testament of the Bible: "For Godso loved the world, that he gave his only begotten Son, that whosoeverbelieveth in him should not perish, but have everlasting life."
$5.99
Schubert: Ave Maria for Alto Flute & Piano
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Alto F
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pa...
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Flute,Piano - Level 1 - SKU: A0.548688 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411123. Published by jmsgu3 (A0.548688). An Alto Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Alto Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Schubert: Ave Maria for Bass Flute & Piano
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass F
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548690 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standard...
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Bass Flute,Instrumental Solo,Piano - Level 1 - SKU: A0.548690 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 4 pages. Jmsgu3 #3411129. Published by jmsgu3 (A0.548690). A Bass Flute Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Flute part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$29.95
Schubert: Ave Maria for Bass Clarinet & Piano
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Clarinette Basse, Piano
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DÉBUTANT
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Classique
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Franz Schubert
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James M
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Schubert: Ave Maria for Bass C
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and pa...
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Bass Clarinet,Piano - Level 1 - SKU: A0.548691 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411127. Published by jmsgu3 (A0.548691). A Bass Clarinet Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Bass Clarinet part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular. Â
$29.95
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He Gave His Only Son
