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--INSTRUMENTS--
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He Is Always Near
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3
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4
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2
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1
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1
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2
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1
Voix Tenor
1
Chorale TTBB
1
+ 1 instrumentations
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2 Clarinettes (duo)
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
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Vous avez sélectionné:
He Is Always Near
Partitions à imprimer
28 partitions trouvées
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1
26
He Is Always Near
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Lois Mountz
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He Is Always Near
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mountzmusic
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.866810 Composed by Lois Mountz. Easter,Praise & Worship,Sacred,Standards. Score. 4 pages. Mountzmusic #6759367. Pu...
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Piano,Vocal,Voice - Level 3 - SKU: A0.866810 Composed by Lois Mountz. Easter,Praise & Worship,Sacred,Standards. Score. 4 pages. Mountzmusic #6759367. Published by mountzmusic (A0.866810). This original composition is perfect for any time of the church year. It is arranged for a soloist with piano accompaniment at an intermediate level . With purchase of the sheet music, permission is given here for use of the accompanying video for performance by a soloist. .
$5.99
He's Just a Prayer Away
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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He's Just a Prayer Away
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841559 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #34716...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841559 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3471613. Published by Andrew Mc Donald (Macka Records) (A0.841559). He's Just a Prayer Away is a song about how Jesus is always near cause when we pray He's there.If we are lonely or angry no matter how we feel we just have to talk to him in prayer and he will listen and draw near.
$4.99
He's Always Near
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Musique Sacrée
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Mark Greer
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He's Always Near
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The CHOSEN Company, LLC
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.980747 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. T...
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.980747 Composed by Mark Greer. Christian,Praise & Worship,Sacred. Score and parts. 2 pages. The CHOSEN Company, LLC #3904245. Published by The CHOSEN Company, LLC (A0.980747). Song about surviving persecution, and that God is always with us in spite of trials and tribulations.
$3.99
With You Always
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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With You Always
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.841970 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #34803...
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Piano,Vocal,Voice - Level 4 - SKU: A0.841970 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3480323. Published by Andrew Mc Donald (Macka Records) (A0.841970). With You Always is a song about the Great Commission in Matthew 28:20. Go make disciples baptising in my Name ...and low I am with you always even until the end of the world. The Lord wants us to go and tell the world about Jesus and He promises to be with us all the time so we have that confidence he will be near.
$4.99
I Need Thee Every Hour - Piano and Organ Arrangement
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Orgue
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Musique Sacrée
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano
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Jasberger Music
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SheetMusicPlus
Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasber...
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Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Voix Tenor
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AVANCÉ
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishin...
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Tenor Voice,Vocal Solo - Level 5 - SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Voix Baryton, Piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishi...
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Baritone Horn TC,Vocal Solo,Voice - SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95
I Still Call Australia Home
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Chorale 3 parties
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DÉBUTANT
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Contemporain
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Peter Allen
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Sandra Milliken
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I Still Call Australia Home
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - SKU: A0.774753 Composed by Peter Allen. Arranged by Sandra Milliken. Contemporary. Octavo. 12 pages. Sandra Milliken #530...
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Choral Choir (SSA) - Level 1 - SKU: A0.774753 Composed by Peter Allen. Arranged by Sandra Milliken. Contemporary. Octavo. 12 pages. Sandra Milliken #5302929. Published by Sandra Milliken (A0.774753). I Still Call Australia Home was written, first performed and recorded by Peter Allen in 1980. In that year the song peaked on the Australian Singles Chart at number 72. But whilst its initial impact was somewhat less than stellar, it has gone on to become one of those songs that is part of the national psyche and is well-known by most Australians.In I still Call Australia Home Peter Allen wrote of his longing, no matter where in the World he might travel, to always return home to Australia, where he could be near his family and friends once again. The song is now regarded as a heart-warming expression of Australian patriotism and nostalgia for home.Its adoption by Qantas in the mid 1990s as the centrepiece of a long-running advertising campaign exposed a new generation of Australians to the song and greatly boosted its popularity. The Qantas campaign became one of the top Australian television campaigns of all time. It has linked together Australians living at home with those travelling or living overseas. Beginning with a number of well-known Australian musicians, the campaign went on to become associated with the Australian Girls Choir, the National Boys Choir and the Gondwana National Indigenous Children’s Choir.The song has featured in television programs, benefit concerts, sporting event ceremonies, and was included in the musical, The Boy From Oz, which starred Todd McKenney as Peter Allen in the Australian production and Hugh Jackman in the title role when the musical transferred to Broadway.This arrangement, with piano accompaniment, is available in SATB, SSA, SAB and 2-Part voicings.
$2.20
Song of the Heather - Mendelssohn- Clarinet duet
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2 Clarinettes (duo)
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Song of the Heather - Mendelss
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Phil Beaman
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SheetMusicPlus
Clarinet Duet Clarinet - Level 2 - SKU: A0.844460 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. 2 scores....
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Clarinet Duet Clarinet - Level 2 - SKU: A0.844460 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. 2 scores. 4 pages. Phil Beaman #3383067. Published by Phil Beaman (A0.844460). This beautiful tune was written by Felix Mendelssohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint. Â This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendelssohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendelssohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)
$4.99
Song of the Heather - Mendelssohn- Clarinet/ Bass Clarinet duet
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2 Clarinettes (duo)
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Song of the Heather - Mendelss
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Phil Beaman
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SheetMusicPlus
Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - SKU: A0.844466 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic ...
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Instrumental Duet Bass Clarinet,Instrumental Duet - Level 2 - SKU: A0.844466 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3384667. Published by Phil Beaman (A0.844466). This beautiful tune was written by Felix Mendlessohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint. Â This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendlessohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendlessohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)
$4.99
Song of the Heather - Mendelssohn- Saxophone duet
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2 Saxophones (duo)
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FACILE
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Classique
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Felix Bartholdy Mendelssohn
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Phil Beaman
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Song of the Heather - Mendelss
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Phil Beaman
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.844461 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.844461 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3383081. Published by Phil Beaman (A0.844461). This beautiful tune was written by Felix Mendelssohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint. Â This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendelssohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendelssohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. For 2 Altos or 2 Tenors. (2 page score, 1 page Parts)
$4.99
Song of the Heather -Mendelssohn- Oboe/Bassoon duet
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Hautbois, Basson (duo)
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FACILE
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Felix Mendlessohn
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Phil Beaman
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Song of the Heather -Mendelsso
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Phil Beaman
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.844464 Composed by Felix Mendlessohn. Arranged by Phil Beaman. Romantic Period,Stan...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 2 - SKU: A0.844464 Composed by Felix Mendlessohn. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 4 pages. Phil Beaman #3384007. Published by Phil Beaman (A0.844464). This beautiful tune was written by Felix Mendlessohn in 1845. He titled it Moderato in Bm when it was first published as Op 67 No 5 in a volume of his Songs Without Words. It was often referred to as Heide Lied , a type of pastoral German folk song. Another title derived from that is Song of the Heather. Many current editions give it the title The Shepherd's Complaint. Â This instrumental duet arrangement takes a Romantic piece and sets it in 2 part writing. Even without the chords it is still very rich in sound and Romantic in feel. The metre is always in 3 even when the phrasing looks to be in 2; except for a section near the end where I have strayed from the original Mendlessohn and clearly marked Part II with tenutos to be in 2 against Part I in 3. I have also changed phrasing and articulation for more contrast between the two parts. This arrangement is faithful to the spirit of Mendlessohn yet freshens this beautiful old melody. The notes and rhythms are quite easy to play but I have marked it Early Intermediate because so much could be done with phrasing, articulation, and expression that would make this sound like a much more advanced piece. A great Romantic repertoire piece for students. (2 page score, 1 page Parts)
$4.99
For Such a Time as This, sacred music for SAA Women's Choir
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Chorale 3 parties
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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fasting and through prayer, we
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Kevin G
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our mission we'll complete
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For Such a Time as This, sacre
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SAA) - Level 4 - SKU: A0.1175267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spir...
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Choral Choir (SAA) - Level 4 - SKU: A0.1175267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 11 pages. Kevin G. Pace #775419. Published by Kevin G. Pace (A0.1175267). A beautiful, inspiring choral composition for women's choir inspired by the story of Esther.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:For such a time as this we come to fight the foe, Wherever we are placed, like Esther long ago. Though Satan lays his snares and tries our souls to cheat, Our courage we'll maintain; our mission we'll complete. Not on our watch, we will not retreat. Yes, on our watch, Satan we will beat. Not on our watch, we will not withdraw. Yes, on our watch, we will keep God's laws. For such a time as this, through covenants we'll convey Our trust in God's sure care until the coming day. We will manifest true faith and cheerfully comply. We'll consecrate our all and honor God on high. Not on our watch, we will not recede. Yes, on our watch, we will ever heed. Not on our watch, we'll not fail to stand. Yes, on our watch, we will take God's hand. For such a time as this, our Savior's always near. By fasting and through prayer, we will not ever fear. We have come to do his will, and in his strength abide. For such a time as this, our God is by our side. Yes, in these days, vict'ry we will claim. Yes, we'll conquer, honoring his Name. This is our time, courage He'll bestow, And, like Esther, heaven's God we know. And, like Esther, heaven's God we know.
$1.99
Holy Holy Holy (To Thee We Sing)
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Piano seul
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Musique Sacrée
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John Bacchus Dykes
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April Rundquist
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Holy Holy Holy
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April Ann Rundquist
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SheetMusicPlus
Piano Solo - SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633....
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Piano Solo - SKU: A0.938197 Composed by John Bacchus Dykes. Arranged by April Rundquist. Christian,Sacred. Score. 8 pages. April Ann Rundquist #2033633. Published by April Ann Rundquist (A0.938197). This has always been a very visual arrangement for me with a rough narrative. It starts with the trumpets at the end of the world, the sense of quiet expectation. Wind across a field. It drops off into the silence of outer space. The initial theme presented against that impersonal void, knowing that He's out there, somewhere. Some of this is very difficult for me to describe because this is really about the Triune God, the great creative power, the mover in harmony and cooperation with Himself. The second verse is more grand, the love, the sense of story. And then it gets very, very big, in the way that I AM is always in capitals. Who WAS and IS and evermore shall BE! And in my mind that word BE is light, and just explodes against the blackness into a billion sparkles. And we shrink down to the microcosm for a moment, the wonders of His creative power in the tiny worlds, and it fades to the black of space again. Holy, Holy, Holy, though the darkness hide Thee. The Light that we can't see that would outshine all the stars. More beauty, and then we tumble down the waterfall of Living Water from the Throne of God...in Heaven. The golden palaces and the wonder, the unearthliness, the richness of the life. For a moment it's more simple and I'm reminded of an old hymn being sung in a rustic church. Then a vision of the Cosmic Christ from Revelation giving a benediction, and we're plunged into the chorus of Heaven, the new song of the 144,000. (this part sounds really good on an acoustic piano because the sound physically builds on itself) And it ends as it began...
$4.99
The Old Palmer Song
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Chorale SATB
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FACILE
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the time the rush was over, th
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Traditional
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Sandra Milliken
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The Old Palmer Song
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873...
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Choral Choir (SATB) - Level 2 - SKU: A0.774724 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 14 pages. Sandra Milliken #3873279. Published by Sandra Milliken (A0.774724). The Old Palmer Song is a favourite Australian folk song that is meant to be sung in a rollicking style that reflects the excitement and anticipation of hardy Australian colonials setting out in search of gold. Following hard on the heels of the great California gold rushes (1848 – 1855) came the discovery of payable quantities of gold in Australia. The first gold rush in Australia began in New South Wales in May 1851 after prospector Edward Hargraves discovered gold near Orange, at a site he called Ophir. Other discoveries quickly followed, including those at Ballarat and Bendigo in the colony of Victoria. Then came Rosewood and Gympie (1867) in Queensland; the Gawler region in South Australia in 1868; and Halls Creek (1885), Kalgoorlie and Coolgardie (1893) in Western Australia. One of Australia’s richest alluvial goldfields was that of the Palmer River in far north Queensland. The rush to the Palmer began in 1873 and lasted for about three years. The goldfields were nearly 100 miles inland from the small coastal settlement of Cooktown and the early prospectors had a hard time of it just getting to the field. Leaving Cooktown they crossed the coastal mangroves, then on through dense tropical rainforest, into the more open eucalypt forest beyond and then across the dry, inhospitable and rugged country of the hinterland dissected by wide and deep rivers. And always there was the risk of meeting with fierce resistance from the Aborigines whose tribal land they were travelling through. At the height of the rush there were around 35,000 prospectors on the Palmer (including a great many Chinese). By the time the rush was over, the Palmer had yielded over 100 tons of gold! The Old Palmer Song is set to the tune of Ten Thousand Miles Away, a shore ballad/sea shanty that probably originated in Ireland in the early 19th Century.
$2.20
I Know That God Lives - an original hymn for SATB voices
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Musique Sacrée
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Kevin G
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I Know That God Lives - an ori
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701520 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #321...
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Vocal Solo,Voice - Level 4 - SKU: A0.701520 Composed by Kevin G. Pace, Krista Mason Pace. Christian,Praise & Worship,Sacred. 3 pages. Kevin G. Pace #3218387. Published by Kevin G. Pace (A0.701520). An original hymn with text by Krista Mason Pace below.YouTube Video: https://youtu.be/KE-8yPHYkRkI know that God lives as sure as the sun sends light from above. Rivers that flow and starlight aglow, testify true of His love. I know that God lives. His ev’ry creation delights whence it came. Mountains in splendor and beauty herald His glorious name. I know that God lives; I know that He sent His Son to the Earth. His life he gave, then rose from the grave, off’ring a gift of great worth. I know that God lives. His work and His glory eternally sing. Cov’nants that bind me to Heaven; Near Him, He longs to bring. I know that God lives. This great work engages all men to know. Gained step by step, from parents who’ve kept promises made long ago. I know that God lives, And sweet is the feeling of answering prayer Led by His Spirit, each errand; Others know that He’s there. I know that God lives. I honor His name and church in these days. His work is true, and always I knew I’d give my love, strength, and praise. I know that God lives, the depth of my soul yearns to sing it aloud. Praying for blessings for all ‘til Glory comes in a cloud.
$1.99
Echo Taps for Trumpet Ensemble
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Ensemble de Trompettes
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INTERMÉDIAIRE
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Daniel Butterfield
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Zack Richards
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Echo Taps for Trumpet Ensemble
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Zack Richards
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - SKU: A0.894407 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score ...
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Brass Ensemble Trumpet - Level 3 - SKU: A0.894407 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 17 pages. Zack Richards #5754059. Published by Zack Richards (A0.894407). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to those and all Veterans and Service Members. It is also a way of helping the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. I was fortunate to play as a part of this during Armed Forces Day celebrations in Ashtabula for several years. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service.All of these works are available individually or all together in my United We Stand Collection at a considerable discount.S0.1059689 United We Stand Collection Zack Richards Music Minus One SeriesEach of these works for Trumpet Ensemble also have a corresponding arrangement for Solo Trumpet with an mp3 accompaniment track in my Zack Richards Music Minus One Series.S0.1059735 Echo Taps for Solo TrumpetS0.1059689 United We Stand Collection Zack Richards Music Minus One SeriesTrumpet Ensemble5-10 B-flat TrumpetsIntermediateApprox. 2:30Visit zackrichards.com for more from this composer!
$9.99
Scooby Doo, Where Are You?
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Chorale TTBB
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INTERMÉDIAIRE
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #...
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Choral Choir (TTBB) - Level 3 - SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99
Echo Taps for Solo Trumpet
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Trompette
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INTERMÉDIAIRE
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Daniel Butterfield
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Zack Richards
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Echo Taps for Solo Trumpet
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Zack Richards
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individua...
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B-Flat Trumpet Solo - Level 3 - SKU: A0.894419 Composed by Daniel Butterfield. Arranged by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. Zack Richards #6426687. Published by Zack Richards (A0.894419). Taps has always been near and dear to me for almost as long as I've played the Trumpet. I have played it more times than I can count. I was the Bugler for our local Boy Scout troop, playing Taps at many campouts and events to signal the end of the day. I also played it with our High School Marching Band for Memorial Day services, including an incredibly special one at my grandfather's gravesite shortly after his passing. He had served in the Army during World War II. I also played it for several funerals, including my Uncle's, who had served in the Marines. For some time, I had volunteered for our local VFW to play for Veteran's funerals. My High School Trumpet teacher and numerous other people in my life are Veterans and have made a huge impact on me. I decided to write this arrangement to give tribute to all Veterans and Service Members and to help the Echo Taps Worldwide cause. Echo Taps Worldwide was first done on May 19, 2007, in recognition of Armed Forces Day at National Cemeteries, State Veterans Cemeteries and American Battle Monuments Cemeteries overseas. The idea is that at gatherings across the world on Armed Forces Day, Buglers play Taps in succession, with one beginning as the previous ends, to honor those who have sacrificed so much. The intention is also to bring attention to the dire need for buglers to play for Veteran's funerals across the world. If you can, please look into volunteering for your local organizations to play Taps. From Thomas Day, a Marine veteran who founded Bugles Across America in 2000, A live bugler performing Taps is an expression of the Nation’s appreciation for the service of each veteran...With more than 600,000 veterans dying each year, we are always looking for new volunteers to perform this valuable service. Performance and Rehearsal mp3 Tracks available!S0.1059653 Echo Taps Rehearsal TrackS0.1059683 Echo Taps Performance Track All of these works are available individually or all together in my United We Stand Collection. S0.1059689 United We Stand Collection Zack Richards Music Minus One Series Each of these works for Solo Trumpet with mp3 accompaniment track also have a corresponding arrangement for Trumpet Ensemble.S0.792173 Echo Taps for Trumpet EnsembleS0.1059707 United We Stand Collection for Trumpet Ensemble Solo B-flat Trumpet Intermediate- Advanced Intermediate Approx. 2:30  Visit zackrichards.com for more from this composer!
$5.99
Safari
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Erick Odiweric
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Erick Odiweric
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Safari
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Erick Odiweric
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1150401 By Erick Odiweric. By Erick Odiweric. Arranged by Erick Odiweric. Christian,Classical,March,Ragtime. Score...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1150401 By Erick Odiweric. By Erick Odiweric. Arranged by Erick Odiweric. Christian,Classical,March,Ragtime. Score. 6 pages. Erick Odiweric #750565. Published by Erick Odiweric (A0.1150401). SAFARI is a Swahili word for journey; this is Swahili piece about trials and tribulations in the journey of faith. We are urged to be patient in tribulation and abide by the right track, trusting in Jesus the Master Guide. In Swahili Language the words are pronounced just as they appear. Translations; Verse one; Katika safari ya Imani (In the journey of faith) ‘twakumbwa na shida (we’re met with challenges) Si kidogo (not a few challenges) Lakini tusihofu (But let’s not be terrified) Tujipe moyo (Let’s take heart) Bwana Yesu, yu karibu (Lord Jesus, is near) Refrain; Vumilia, ufurahie (Be patient, rejoice) Kwani Bwana yupo nawewe (For the Lord is with you) Yesu ndiye kiongozi (Jesus is the leader) Rafiki wa kweli (A friend so truthful) ‘takuwa nawe daima (He’ll be with you always) Verse two; Sasa njoo twende (Now come let’s go) Juu mbinguni (upward to heaven) Usirudi nyuma (Never tarry backward) Mwendo kaza (improve the speed) Nira yake laini (His yoke is easy) Jivike sasa (put it on now) Upate wokovu wake (to get His salvation).
$8.99
Piano Cantata - 3. Adoration
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Chorale SATB
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AVANCÉ
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Joshua Chandra
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Piano Cantata - 3. Adoration
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Joshua Chandra
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1429543 Composed by Joshua Chandra. 21st Century,Chamber,Contemporary,New Age. 11 pages. Josh...
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Choral Choir,Choral,SATB Chorus divisi - Level 5 - SKU: A0.1429543 Composed by Joshua Chandra. 21st Century,Chamber,Contemporary,New Age. 11 pages. Joshua Chandra #1010229. Published by Joshua Chandra (A0.1429543). Adoration is currently the only finished movement ... to Joshua Chandra's 3-movement Piano Cantata for piano & SSAATTBB choir, an extra-Romantic work that he begun in 2012 near the end of his piano studies upon being inspired by the elite choirs at his alma mater at Cal State University - Fullerton.The melody is based on a sliver of another melody found in movement 2 (Fanfare), slowed down and expanded into its own dramatic work. Bar 44's inner voices also pay homage to another, brief fragment from Fanfare.If you want to see the rest of the movements finished, support Adoration and nag Josh to finish the piece!===I'm always very happy to hear from my customers and open to sheet music requests! https://www.joshuachandra.com • joshuachandra.com
$3.00
Anthem
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Rush
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Dan Chernow
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Anthem
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Dan Chernow
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1121172 By Rush. By Alex Lifeson, Geddy Lee Weinrib, and Neil Peart. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,R...
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Guitar - Level 4 - SKU: A0.1121172 By Rush. By Alex Lifeson, Geddy Lee Weinrib, and Neil Peart. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 29 pages. Dan Chernow #722349. Published by Dan Chernow (A0.1121172). Meticulous note-for-note guitar transcription of the classic song by Rush. This is a wholly new and original transcription, done solely by Berklee graduate and guitar instructor Dan Chernow, and has never before been available until now. As recorded by Rush on the 1975 album 'Fly By Night'. Transcription and Guitar Pro 8 notation by Dan Chernow, copyright 2022. As always, the most accurate Rush guitar transcriptions you will ever see or hear! The song that kicks off Rush's second album and the first featuring Neil Peart showcases their growing affinity for progressive rock, some would now say inventing progressive hard rock/metal in the process. A fast and tricky (and heavy!) 7/8 intro launches their first odd-time excursion before shifting into a quick and bouncy 12/8 for the reminder of the song. Alex locks in with some mighty power chords, jangly arpeggios and an absolutely diabolical solo. Utilizing a wah pedal and some tastily placed feedback he unleashes a beast of a solo, with some super fast shredding in between some truly tasty blues-inflected licks (both hallmarks of his early soloing style). The slap back delay effect used in several sections must be set to match the time of two eighth notes (or one quarter note) so be careful with that. See and hear this! (YouTube link included near bottom of pdf). (As a bonus. I also invite you to play this transcription along with the original recording as I set the tempos throughout to match the natural fluctuations the band takes throughout the song.).
$7.99
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for c
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for cha
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
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