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He is Coming Soon
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Vous avez sélectionné:
He is Coming Soon
Partitions à imprimer
58 partitions trouvées
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He's Coming Soon (In These, the Closing Days of Time) - for easy piano
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Piano Facile
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DÉBUTANT
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Thoro Harris Liliʻuokalani
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Samuel Stokes
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He's Coming Soon
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SamuelStokesMusic.com
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.562457 Composed by Thoro Harris Liliʻuokalani. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Score. 2 ...
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Easy Piano - Level 1 - SKU: A0.562457 Composed by Thoro Harris Liliʻuokalani. Arranged by Samuel Stokes. Children,Christian,Concert,Sacred. Score. 2 pages. SamuelStokesMusic.com #5753931. Published by SamuelStokesMusic.com (A0.562457). This is an arrangement of He's Coming Soon (In These, the Closing Days of Time) for easy piano in C major. This tune is based on the Hawaiian song Aloha Oe. Learn more about Samuel Stokes at https://www.SamuelStokesMusic.com
$2.50
HE is Coming Again - Woodwind Chamber Ensemble
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Musique Sacrée
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DIAPASON
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Fritz Stanley
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HE is Coming Again - Woodwind
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MicStanley
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.748471 Composed by DIAPASON. Arranged by Fritz Stanley. Christian,Praise & Worship,Sac...
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.748471 Composed by DIAPASON. Arranged by Fritz Stanley. Christian,Praise & Worship,Sacred. 8 pages. MicStanley #3490435. Published by MicStanley (A0.748471). 2018 Chamber Music Contest Entry He is Coming Again is a hymn song from The Diapason. Lyrics from traditional words. Arranged by Fritz Stanley for woodwind chamber ensemble. The song is about the readiness of Christ's disciples for Jesus' second coming.
$10.99
Nocturne sans sommeil (Sleepless nocturne) for bassoon and piano
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Basson, Piano (duo)
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INTERMÉDIAIRE
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David Warin Solomons
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Nocturne sans sommeil
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David Warin Solomons
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SheetMusicPlus
Bassoon,Piano - Level 3 - SKU: A0.577209 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. Score and part. 8 pages. David Warin Solom...
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Bassoon,Piano - Level 3 - SKU: A0.577209 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. Score and part. 8 pages. David Warin Solomons #2972569. Published by David Warin Solomons (A0.577209). An uneasy nocturne in which the augmented fourth (diabolus in musica - devil in music) disturbs the restless sleeper - he looks out at the night sky and wonders what is coming.
$9.00
He is My Guide
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Flûte traversière
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DÉBUTANT
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Musique Sacrée
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Chris Cooke
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He is My Guide
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Chris Cooke
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SheetMusicPlus
Flute Solo - Level 1 - SKU: A0.865261 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Individual part. 11 pages. Chris Cooke #4605823. Publi...
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Flute Solo - Level 1 - SKU: A0.865261 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Individual part. 11 pages. Chris Cooke #4605823. Published by Chris Cooke (A0.865261). This is a collection of hymn duets focusing on God as our guide. Each hymn has one or two verses so that they may be repeated as needed. Suitable for church services, they can be played as special music or accompany congregational singing. Most are in keys very close to the traditional hymnal key. They are written for 2nd year players. The hymns with their concert keys are:Guide Me O Thou Great Jehovah, GAll the Way My Savior Leads Me, A-flatFootsteps of Jesus, E-flatHoly Spirit, Faithful Guide, GHe Leadeth Me, E-flatWhere He Leads Me, FLead on O King Eternal, D-flatOther transpositions of this collection are coming soon for clarinet/trumpet, alto sax, French horn, trombone/baritone/bassoon, and tuba.
$3.95
He is Coming Soon
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Instruments en Do
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FACILE
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Musique Sacrée
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Matthew Elenbaas
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He is Coming Soon
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Elenbaas Publishing
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1126038 By Matthew Elenbaas. By Matthew Elenbaas. Praise & Worship,Religious. Lead Sheet / Fake Book. 5 pages. Elenbaas...
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C Instrument - Level 2 - SKU: A0.1126038 By Matthew Elenbaas. By Matthew Elenbaas. Praise & Worship,Religious. Lead Sheet / Fake Book. 5 pages. Elenbaas Publishing #726758. Published by Elenbaas Publishing (A0.1126038). By Matthew Elenbaas. Worship. Score. 5 Pages. Published by Elenbaas Publishing.
$4.99
A Child Is Born
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Chorale 3 parties
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Noël
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Laura Kathryn Rosser and Mary
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A Child Is Born
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Monarch Music
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SheetMusicPlus
SAB choir, Piano - SKU: LX.65-1984M A Christmas Worship Experience of the Christ-Light. Composed by Laura Kathryn Rosser and Mary McDonald. With ...
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SAB choir, Piano - SKU: LX.65-1984M A Christmas Worship Experience of the Christ-Light. Composed by Laura Kathryn Rosser and Mary McDonald. With Optional Full Orchestra, Choral Cantatas. Christmas. 92 pages. Monarch Music #e65/1984M. Published by Monarch Music (LX.65-1984M). The significance of Christ's coming is beautifully conveyed in this service of worship for the Christmas season. Recognizing Jesus' birth as the coming of the Christ-Light offers us hope, peace, light, joy, and love. We sense the celebration shared by all who welcome Him, from the Israelites 2,000 years ago to each of us who invite this Child into our hearts today. The blending of new anthems with familiar carols and choruses makes this suitable for traditional and blended churches alike. Beginning with a quiet theme incorporating the beloved Londonderry Air, the orchestral overture is soon energized with a Celtic setting of the French carol He Is Born. A brief narrative precedes an optional candlelight processional by the choir while familiar choruses and carols offer the congregation an opportunity to join in singing this celebration of Christ's birth. Other well-known tunes include the chorus I Worship You, Almighty God, and a fresh version of When You Left Your Throne..
$9.95
He's A Pirate
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Geoffrey Zanelli, Hans Zimmer,
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Rob Hlebinsky
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He's A Pirate
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Rob Hlebinsky
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SheetMusicPlus
Organ - Level 4 - SKU: A0.1292366 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Rob Hlebinsky. 21st Century,Broadway,Contempo...
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Organ - Level 4 - SKU: A0.1292366 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Rob Hlebinsky. 21st Century,Broadway,Contemporary,Film/TV,Musical/Show. Score. 5 pages. Rob Hlebinsky #882832. Published by Rob Hlebinsky (A0.1292366). He's a Pirate from Pirates of the Caribbean: The Curse of the Black Pearl arranged for the pipe organ. NOTE: This is not the full medley, only one of the selections; indications are given for how to adapt this version to the medley version. Suggested registration coming soon. Difficulty rating: Advanced Intermediate.
$5.99
Away In A Manger: for Bassoon & Piano
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Basson, Piano (duo)
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Bassoon
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - SKU: A0.548473 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Sco...
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 1 - SKU: A0.548473 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and parts. 3 pages. Jmsgu3 #3386521. Published by jmsgu3 (A0.548473). Traditional Christmas song arranged for Bassoon & Piano. Third verse features modified harmony. Score: 2 pg. Part: 1 pg. Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
He Is Coming Very Soon
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Contemporain
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Lucia Timmerman
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He Is Coming Very Soon
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Lucia Timmerman
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SheetMusicPlus
Small Ensemble - SKU: A0.966464 Composed by Lucia Timmerman. Contemporary. Score and parts. 1 pages. Lucia Timmerman #4354889. Published by Lucia Timmer...
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Small Ensemble - SKU: A0.966464 Composed by Lucia Timmerman. Contemporary. Score and parts. 1 pages. Lucia Timmerman #4354889. Published by Lucia Timmerman (A0.966464).
$3.99
He Is Coming Very Soon
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Piano seul
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FACILE
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Musique Sacrée
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Lucia Timmerman
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He Is Coming Very Soon
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Lucia Timmerman
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.966472 Composed by Lucia Timmerman. Sacred. Score. 1 pages. Lucia Timmerman #6496863. Published by Lucia Timmerman (A0.96...
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Piano Solo - Level 2 - SKU: A0.966472 Composed by Lucia Timmerman. Sacred. Score. 1 pages. Lucia Timmerman #6496863. Published by Lucia Timmerman (A0.966472).
$4.99
Scarborough Fair arr. for flute, oboe, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flut
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Colin Kirkpatrick Publications
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SheetMusicPlus
Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Mult...
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Woodwind Ensemble Bassoon,Flute,Oboe - Level 2 - SKU: A0.1442831 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 20 pages. Colin Kirkpatrick Publications #1022767. Published by Colin Kirkpatrick Publications (A0.1442831). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
Murray - Rondo - Clarinet, Bassoon & Piano
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TK Tim Murray
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Murray - Rondo - Clarinet, Bas
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TK
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Piano - Level 4 - SKU: A0.824108 Composed by TK Tim Murray. 20th Century,Concert,Standards,Wedding. Score and parts. 15 ...
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Small Ensemble Bassoon,Clarinet,Piano - Level 4 - SKU: A0.824108 Composed by TK Tim Murray. 20th Century,Concert,Standards,Wedding. Score and parts. 15 pages. TK (Tim) Murray #5741785. Published by TK (Tim) Murray (A0.824108). 'Rondo' for Piano Trio is a vibrant, joyful work contrasting a lively rhythmic theme with two lyrical sections. This was commissioned by Felicity & Christopher Martin to mark the engagement of their Son Dominic. The main theme portrays the excitement at the prospect of the upcoming marriage contrasted with a section of past regrets and another looking back at a happy childhood. (c. 7 mins 30 secs) First performed by Hilary Sturt, Ian Pressland & TK Murray, 'Rondo' has been recorded by the Fujita Piano Trio.Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).contact; tkmurraycomp@aol.com
$10.95
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50
Scarborough Fair arr. for flute, clarinet, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for flut
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpa...
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Level 2 - SKU: A0.1444898 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Historic,Irish,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1024766. Published by Colin Kirkpatrick Publications (A0.1444898). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. The clarinet part avoids awkward movement around the break. This arrangement would make a splendid encore piece for a recital.
$11.99
Scarborough Fair arr. for oboe, clarinet, bassoon and piano
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Traditional
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Colin Kirkpatrick
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Scarborough Fair arr. for oboe
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Colin Kirkpatrick Publications
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SheetMusicPlus
Level 2 - SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publica...
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Level 2 - SKU: A0.1452373 Composed by Traditional. Arranged by Colin Kirkpatrick. Folk,Historic,Multicultural,World. 20 pages. Colin Kirkpatrick Publications #1031703. Published by Colin Kirkpatrick Publications (A0.1452373). This is one of the most popular and best-loved folksongs of all time, made famous by Simon and Garfunkel, Bob Dylan and many others. The song is in the Dorian mode and thought to have originated over four hundred years ago. Scarborough (SKAH-buh-ruh) is an English coastal town in the county of Yorkshire. It was occupied by the Romans during the fourth and fifth centuries but today has become the largest holiday resort on the Yorkshire coast with a thriving fishing industry. There are many different versions of the lyrics and by the end of the 19th century, dozens of variants existed. The repeated chorus of “parsley, sage, rosemary and thyme” is significant. In olden times, these herbs had medicinal purposes. In addition, parsley was associated with comfort, sage with strength, rosemary with love and thyme with courage. The song takes the form of a melancholy dialogue between two individuals who were once lovers but now live separate lives. Each of them asks the listener to pass on a message to the other. The young man requests impossible tasks from his former lover, saying that if she can perform them, he will take her back. In return, she requests equally impossible things of him, saying she will perform her tasks when he performs his. The fact that all the tasks are impossible seems to imply that neither of them have any intention of becoming reunited. This arrangement for woodwind instruments and piano stays well within the instrumental ranges and attempts to reflect the melancholy feeling of the lyrics. It would make an excellent addition to a woodwind recital.
$11.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
AGAPE (For God So Loved The World) A601G - Single
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Musique Sacrée
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Shag Evans
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Shag Evans
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AGAPE
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Shag Evans
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SheetMusicPlus
Small Ensemble Bass Voice,Electric Guitar,Piano and Keyboard,Synthesizer - Level 2 - SKU: A0.1050351 Composed by Shag Evans. Arranged by Shag Evans. Chr...
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Small Ensemble Bass Voice,Electric Guitar,Piano and Keyboard,Synthesizer - Level 2 - SKU: A0.1050351 Composed by Shag Evans. Arranged by Shag Evans. Christmas,Easter,Holiday,Pop,Praise & Worship. Score and parts. 15 pages. Shag Evans #654670. Published by Shag Evans (A0.1050351). AGAPE (For God So Loved The World) is a modern Christian bible song featuring famous verbatim quotes from Book of John 3:16: For God so loved the world, that he gave his only begotten son, that whosoever believeth in him should not perish, but have everlasting life. This tune makes fun holiday music for Christmas, Easter and Holy Week! Arrangement A601G is a professional sheet music score containing lead & harmony vocal parts, four different keyboard staff parts (piano and synths), guitar, bass, and accurate guitar chord diagrams. All parts are included in this sheet music score (in the video only the vocal part is shown). Key of G means mezzo or low baritone range. Lead vocal note span: E-B low --> high (octave plus a fifth). The melody of this tune spans 1.5 octaves but the low note is only briefly tagged. More keys and other arrangements of this song are coming soon. SUMMARY: Professional Sheet Music. Custom Made For Music Lovers. ADDITIONAL DETAILS: Quality PDF 300dpi resolution: Awesome viewing. Complete music score: Repeats on verse & coda. Full instrument notation: 9 staves, 6 instrument parts, 2 vocal parts. Contains accurate guitar chord diagrams: No approximations or generic substitutes. Separate full lyric sheet included. More keys & more arrangements coming soon! Be sure to watch & listen to the entertaining follow-the-bouncing-ball style Sing-A-Long Soundtrack video (see the YT link below).
$3.99
Come Forth, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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death was sure by then
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Come Forth, sacred music for S
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #801959. Published by Kevin G. Pace (A0.1203284). An epic, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball. Depicting the miracle of Jesus in raising Lazarus from the dead.Text:Lord, if thou hadst been here, our brother had not died.Lord, if thou hadst been here, our brother had not died.â€Word was sent to Jesus . . . “Lazarus lay sick.He to whom thou lovest, he is very sick.â€Martha and her sister loved this brother dear.Though their Lord was absent, He would soon be near.Consciously He waited in Jerusalem,‘Til four days had ended; death was sure by then.Jesus told the sisters: “Lazarus shall rise.He is only sleeping.†Still, with them He cried.Coming to the gravesite where the dead was laid,One large stone was taken; Jesus knelt and prayed.When He thus had spoken, causing to restore,He affirmed with loudness: “Lazarus, come forth.â€Now he had arisen, God’s most holy will.Jesus is Messiah! Miracles are real!Whosoever liveth, they shall never die.To all men He beckons: “Come forth, it is I.â€.
$1.99
Czerny's 110 Easy and Progressive Exercises Opus 453, Ex. 1-22. KlavarScore notation (Letter/A4)
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Piano seul
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DÉBUTANT
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practicing the exercises found
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Carl Czerny
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KlavarScore
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Czerny's 110 Easy and Progress
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KlavarScore
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.988442 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 31 pages. Klav...
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Piano Solo - Level 1 - SKU: A0.988442 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 31 pages. KlavarScore #6667881. Published by KlavarScore (A0.988442). Book 1, containing the exercises 1-22 from Carl Czerny's 110 Easy and Progressive Exercices as an addition to the free Klavarscore Beyer Piano Course (See https://www.klavarscore.org). This book is in Letter/A4 format, suitable for printing, and is also available in A5 (Half Letter) format for sight-reading from a tablet or e-bookreader. In this book you will find links for free download of the audio files and KlavarScore Scrolling files, so you can play these pieces (with an appropriate app) from your cellphone, tablet or desktop PC. Perhaps not only for exercising, but also because it is such nice music to play and hear..... The Video example shown on this site is exercise No.16, the audio example is exercise No.22 Books 2, 3 and 4, each also containing 22 exercises are also available. Book 5, also containing 22 exercises will be coming soon. By practicing the exercises found in this and the remaining 4 books of this series, the student will quickly discover how Czerny must have intended these to be much more than simple exercises. As exercises, Czerny would of course want them to be meticulously practiced, revisited and improved upon, but in doing so, students will find them to be very pleasurable pieces of music to play, even for the enjoyment of an audience. These books contain instructions in Czerny's own words. Translations of Czerny's words are included in the Prefaces or in some cases as footnotes after the exercises, regarding choosing a proper tempo, the proper playing of ornaments, etc., mostly taken from Czerny's Piano School, Opus 500. In this way, Czerny himself becomes the teacher to students in need of one. Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven's numerous pupils, Franz Liszt was his most famous pupil. Source: Wikipedia. For more information about KlavarScore see: https://www.klavarscore.org.
$1.99
Czerny's 110 Easy and Progressive Exercises Opus 453 Ex. 45-66 KlavarScore notation (A4)
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Piano seul
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FACILE
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Carl Czerny
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KlavarScore
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Czerny's 110 Easy and Progress
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KlavarScore
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.988443 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 32 pages. Klav...
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Piano Solo - Level 2 - SKU: A0.988443 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 32 pages. KlavarScore #6698337. Published by KlavarScore (A0.988443). Book 3, containing the exercises 45-66 from Carl Czerny's 110 Easy and Progressive Exercices as an addition to the free Klavarscore Beyer Piano Course (See www.klavarscore.org). This book is in the Letter/A4 format, suitable for printing.In this book you will find QR codes for free download of the audio files, as an example of how these pieces could be played. Perhaps not only for exercising, but also because it is such nice music to play and hear.....Books 1, 2 and 4, each also containing 22 exercises are also available.Book 5, also containing 22 exercises will be coming soon.The Video example shown on this site is exercise No.62, the audio example is exercise No.52.Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven's numerous pupils, Franz Liszt was his most famous pupil.Source: Wikipedia.
$1.99
Czerny's 110 Easy and Progressive Exercises Opus 453, Ex. 23-44 KlavarScore notation (Lettter/A4)
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Piano seul
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FACILE
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Carl Czerny
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KlavarScore
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Czerny's 110 Easy and Progress
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KlavarScore
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.988440 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 27 pages. Klav...
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Piano Solo - Level 2 - SKU: A0.988440 Composed by Carl Czerny (1791-1857). Arranged by KlavarScore. Instructional,Romantic Period. Score. 27 pages. KlavarScore #6667879. Published by KlavarScore (A0.988440). Book 2, containing the pieces 23-44 from CarlCzerny's 110 Easy and Progressive Exercises as an addition to the free Klavarscore Beyer Piano Course (See www.klavarscore.org). This book is in Letter/A5 suitable for printing. In this book you will find QR codes for free download of the audio files, as an example of how these pieces could be played. Perhaps not only for exercising, but also because it is such nice music to play and hear..... Books 1, 3 and 4, each also containing 22 exercises are also available. Books 5 will be coming soon. The Video example shown on this site is exercise No.42, the audio example is exercise No.36. Carl Czerny (1791-1857) was an Austrian composer, teacher, and pianist of Czech origin whose vast musical production amounted to over a thousand works. His books of studies for the piano are still widely used in piano teaching. He was one of Beethoven'snumerous pupils, Franz Liszt was his most famous pupil. Source: Wikipedia.
$1.99
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Beethoven: Adagio from Sonata Pathetique for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Perio...
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French Horn,Piano - Level 3 - SKU: A0.549653 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516943. Published by jmsgu3 (A0.549653). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Beethoven: Adagio from Sonata Pathetique for Bass Clarinet & Piano
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
#
SheetMusicPlus
Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Per...
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Bass Clarinet,Piano - Level 3 - SKU: A0.549648 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516889. Published by jmsgu3 (A0.549648). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional...
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Baritone Horn TC,Euphonium,Piano - Level 3 - SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
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