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He is close by for flute and piano
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Amazing Grace, Gospel Hymn for Flute and Piano
Flûte traversière et Piano
Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by John N…
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Piano Accompaniment, Flute - Early Intermediate - Digital Download Composed by John Newton. Arranged by David McKeown. Christian, Gospel, Spiritual, Sacred, Praise & Worship. Score, Solo Part. 3 pages. Published by David McKeown
Amazing Grace is a beautiful hymn arranged here for Solo Flute and Piano.<br> <br> Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.<br> <br> The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.<br> <br> The standard is early intermediate. Players with a year or two’s experience will enjoy playing Amazing Grace. This gospel hymn is ideal for use in concerts or worship, formal or informal. The piano score and separate instrumental part are combined in one pdf file. Click on the link above to listen to a full YouTube performance of this gospel hymn on clarinet.<br> <br> If you like Amazing Grace, then there are another 35 just like it in 18 Easy Gospel Hymns for Solo Flute and Piano, Volumes 1 and 2. Each volume costs just $8.49. To find them, copy and paste 18 Easy Gospel Hymns for Solo Flute and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.<br> <br> To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.<br> <br> There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david- mckeown/6203
$2.49
2.23 €
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Flûte traversière et Piano
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John Newton
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David McKeown
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Worship
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Amazing Grace, Gospel Hymn for Flute and Piano
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David McKeown
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SheetMusicPlus
Amazing Grace, Concert Solo for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.587640 Composed by John Newton. Ar…
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Flute,Piano - Level 3 - Digital Download SKU: A0.587640 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611377. Published by David McKeown (A0.587640). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Flute with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.12 €
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Flûte traversière et Piano
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John Newton
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David McKeown
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Amazing Grace, Concert Solo for Flute and Piano
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David McKeown
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549224 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468208. Published by jmsgu3 (A0.549224). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.51 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastia…
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Flute,Piano - Level 2 - Digital Download SKU: A0.549225 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468220. Published by jmsgu3 (A0.549225). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
29.51 €
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Flûte traversière et Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Alto Flute & Piano
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jmsgu3
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SheetMusicPlus
He is close by for flute and piano
Flûte traversière et Piano
Composed by David Warin Solomons (1953-). 21st Century, General Worship, World, Klezmer, B…
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Composed by David Warin Solomons (1953-). 21st Century, General Worship, World, Klezmer, Bar or Bat Mitzfah. Score, Set of Parts. 16 pages. Published by David Warin Solomons (S0.303155). - Score,Set of Parts - 21st Century,General Worship,World,Klezmer,Bar or Bat Mitzfah - David Warin Solomons
$16.00
14.33 €
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Flûte traversière et Piano
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David Warin Solomons
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He is close by for flute and piano
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David Warin Solomons
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SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.34 €
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Flûte traversière et Piano
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
Hautbois, Piano (duo)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.34 €
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Hautbois, Piano (duo)
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Flight of the Bumble Bee - Rimsky Korsakov - for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.1039634 Composed by N. Rimsky Kors…
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Flute,Piano - Level 5 - Digital Download SKU: A0.1039634 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 21 pages. Raymond Fenech #644546. Published by Raymond Fenech (A0.1039634). Flight of the Bumblebee (Russian: Полёт шмелÑ) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$3.99
3.57 €
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Flûte traversière et Piano
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N
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Raymond Fenech
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The Flight of the Bumble Bee - Rimsky Korsakov - for Flute and Piano
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Raymond Fenech
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SheetMusicPlus
Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès N…
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Piano Solo - Level 3 - Digital Download SKU: A0.533330 Composed by Marie-Agnès Nataf. Concert,Contemporary. Score. 7 pages. Musik Fabrik Music Publishing #2344341. Published by Musik Fabrik Music Publishing (A0.533330). Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles areBartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as awhole, in that order. The duration is of 5 minutes. They can also be played separately, orgrouped by two (Bartoquades I et II b, duration 3’). The same approach governs the writing ofthese compositions : taking model on works of the repertoire and transforming them as muchas possible while keeping a lot of important parameters.There are many cautionary accidentals. They are not enclosed in brackets to avoidoverloading writing. They are not systematically mentionned. In case of doubt, one willconsider the logic of the composition. When useful, one can distribute differently notesbetween the 2 hands on the condition of respecting the balance between voices. The sign *[on measure 80 means chromatic cluster (F-F#-G). Marie-Agnès NATAF was born on March 2, 1952 at Issy-les-Moulineaux, in the suburbs of Paris, Before deciding to devote herself completely to music, she began by studying both mathematics and musics at the same time. She had a varied base in her musical training, which allowed her to understand the teaching of her main teacher Narcis BONET. She studied the piano, chamber music, musical analysis, harmony and also to a lesser degree the flute, counterpoint and conducting. As a pianist, she received a First Prize in Piano and in Chamber Music at the Orsay Conservatory, the Gold Medla at the National Music School of Cahcan and the Artist Diploma at the Ecole Normale de Musique de Paris – in the class of Germaine MOUNIER. For composition, she studied with Narcis BONET (who later invited her to the Conservatoire Américain of Fontainebleau as accompanist and teacher of French Diction), Yoshihisa TAÃRA, and Edith CANAT de CHIZY. Having taught for a time at the Ecole Normale de Musique de Paris, she is currently professor of piano at the Conservatoire Erik Satie of Villebon-sur-Yvette, Marie-Agnès Nataf has a double career of performer and composer. In both areas, she is especially attracted to chamber music, for the rich musical and human exchanges that this type of music permits. She has written her works Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, Révolte sans paroles and Elan brisé for her colleagues the mezzo-soprano Nicole PARAMYTHIOTTI and the flutiste Isabelle MARCHAL with whom he has given concerts for many years. As a performer, she has premiered works by composers such as Gian-Paolo CHITI, Gloria COATES, Jean-Marie MACHADO, Yoshifumi UMEZAWA, Miao Wen WANG, without speaking of her own compositions. She also tries to discover high quality works of music which are rarely performed, especially works by women composers such as Thérèse BRENET, Dianne GOOLKASIAN-RAHBEE, Ruth LOMON. Her principal works are Trois mélodies sur des poèmes de Marie-Isabelle SOLANO, for mezzo-soprano and piano, 8'30, 1981-83-86. Bartoquade I - Anamorphoses I, 1', et Bartoquade II b - Anamorphoses II, 2', for piano, 1990 revised in 2012. Il fuoco rubato - Anamorphoses III for piano, 2', 1991 revised in 2012. Révolte sans paroles for mezzo-soprano, flute and piano, 16'30, 2000. and Elan brisé and flute and piano, 6'30, 2005. In 2001, on the ocassion of the premier of Révolte sans paroles at the Centre Culturel Jacques Brel of of Villebon-sur-Yvette, she was invited to give a conference on her works at the Conservatoire Erik Satie. In April 2002, her songs were selected by the ensemble North /South Consonance directed by Max LIFCHITZ in a competition. In 2012, the Bartoquades were chosen to be on the list of works proposed by the FFEM for their examination list for intermediate pianists. On the su.
$7.95
7.12 €
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Piano seul
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Marie-Agnès Nataf
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Marie-Agnès Nataf: IL FUOCO RUBATO Anamorphoses III for piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Jules Deersseman: Sérénade, Opus 33 for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534438 Composed by Jules …
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.534438 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 19 pages. Musik Fabrik Music Publishing #3493579. Published by Musik Fabrik Music Publishing (A0.534438). One of the first original compositions written for the saxophone, by one of Sax's closest associates. Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a long lyrical episode punctuated with more florid passages which serve as counterpoint to the main melody.. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone.
$11.95
10.7 €
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Saxophone Alto et Piano
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Jules Demersseman
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Paul Wehage
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to the main melody
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Jules Deersseman: Sérénade, Opus 33 for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Lent and Easter Choral book 2 - with parts
Small Ensemble Cello,Flute,Guitar,Piano,Violin,Voice - Level 2 - Digital Download SKU: …
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Small Ensemble Cello,Flute,Guitar,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.801606 Composed by Connie Boss. Easter,Sacred. Score and parts. 52 pages. Connie Boss #6255285. Published by Connie Boss (A0.801606). This book contains 4 original songs for Lent and Easter. Each song takes you one step closer to Easter. You will get a duet vocals with accent instruments (flute, violin or cello with parts included) and piano. These are all lovely with harmonies and moving parts. cdboss @cvalley.net. I also have these in strings and piano as well in book form as well as individual sales.Lyrics:The Journey (Lenten)Composed by Connie Boss Verse 1:As we start this Lenten journeyA time of fast and prayerWe reflect on your own journeyAnd it’s beyond compare Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 2: Ash Wednesday starts our journeyWith a mark of sacrificeA cross of ashes on our foreheadsFor us you paid the price Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 3: As our time ends for this journeyWe enter Holy WeekWe reach that fateful dayForgiveness now we seek Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Final Refrain: So through our Lenten journeyWe fast and prayAnd we battle with the devilIn every wayTowel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll doWhat You want me to V2Jesus knew there was a traitoramong His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandThen You’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet Crucified(song for Good Friday)Composed by Connie Boss Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V1The people shout. Let’s crucify!He’s not our King. So, He must dieBut Pilate said. Is He the one?I see no crime. That He has done. Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V2With piercing thorns. A crown of grief!Carried a cross. To CalvaryThey nail your hands. And then your feetUpon the cross. For all to see Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V3Then you cried out. With your last breathForgive them God. Then came your deathThe sky grows dark. &nbs.
$6.99
6.26 €
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Connie Boss
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cdboss @cvalley
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Lent and Easter Choral book 2 - with parts
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Connie Boss
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SheetMusicPlus
Emanuele Krakamp: Fantaisie sur la Traviata de Verdi, - alto saxophone and piano by Paul
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533263 Composed by Emanue…
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Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2151147. Published by Musik Fabrik Music Publishing (A0.533263). Emanuele Krakamp was born in Messina in 1813. He began studying music with his father. In 1841 he was named first flute in the royal orchestra of Naples and was also named flute professor of San Pietro a Majella Conservatory in 1860. Krakamp performed concerts in Europe, America, the Middle East and North Africa. The Fantasy Opus 248 based on themes from Verdi's Opera La Traviata is part of a group of three fantasies called La triade verdiana, first published in 1865. Krakamp died in Naples in 1883.The version for saxophone remains close to the original version for flute, with only a few register changes because of range issues. Some passages in the piano part have been re-enforced harmonically and the ending has been slightly changed, to create a more definitive ending. .
$19.95
17.87 €
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Saxophone Alto et Piano
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Emanuele Krakamp
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Paul Wehage
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Emanuele Krakamp: Fantaisie sur la Traviata de Verdi, - alto saxophone and piano by Paul
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Musik Fabrik Music Publishing
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SheetMusicPlus
18 Gospel Hymns Vol.1 for Solo Alto Flute and Piano
Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592566 Comp…
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Alto Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.592566 Composed by Various. Arranged by David McKeown. Praise & Worship,Sacred,Spiritual. Score and individual part. 50 pages. David McKeown #6404061. Published by David McKeown (A0.592566). 18 Easy Gospel Hymns Vol.1 for Solo Alto Flute and Piano is a beautiful collection of your best-loved Gospel Hymns and Spirituals. They are arranged simply in the most suitable range and key for the solo instrument. The preview only shows a few pages of the piano score, but this is followed by a separate solo instrumental part, adding up to 49 pages of quality music.The standard is early intermediate. Players with a year or two’s experience will enjoy playing these Gospel hymns, with plenty of interest in both the solo and the piano parts. These hymns are ideal for use in concerts or worship, formal or informal. The hymns are in alphabetical order and are as follows· Abide with Me, · Amazing Grace, · Blessed Assurance, · Deep River, · Down by the Riverside, · Go Down Moses, · Go Tell It on the Mountain, · He’s Got the Whole World in HIs Hands, · Higher Ground, · Jesus on the Mainline, · Joshua Fought the Battle of Jericho, · Just a Closer Walk with Thee, · Just as I Am, · Just Over in the Glory Land, · Kumbaya My Lord, · Love Lifted Me, · Nobody Knows the Trouble I’ve Seen, · Nothing but the Blood of Jesus. If you like these Gospel Hymns, then there are another eighteen just like them in Volume 2. To find them copy and paste 18 Easy Gospel Hymns Vol.2 for Solo Alto Flute and Piano in the Search Bar above. There are also duet versions of these Gospel hymns available on Sheet Music Plus, and more advanced duet arrangements of your Gospel favourites in the 10 Gospel Duets series.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$8.49
7.6 €
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Various
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David McKeown
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18 Gospel Hymns Vol.1 for Solo Alto Flute and Piano
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David McKeown
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SheetMusicPlus
Carmen Fantaisie Brillante for Solo Flute and Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1383663 Composed by Francois Born…
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Concert Band - Level 4 - Digital Download SKU: A0.1383663 Composed by Francois Borne and Georges Bizet. Arranged by Harry Walker. 19th Century,Classical,Contest,Festival,Opera,Romantic Period. 205 pages. SCORE EDITIONS #968118. Published by SCORE EDITIONS (A0.1383663). Borne was a flutist with the principal opera company in Bordeaux as well as a composer and professor at the conservatory in Toulouse. Expert in both instrumental technique and in the development of the flute as an instrument, he is still recognized for his technical contributions to the Böhm flute. His Fantasie Brillante on Themes from Bizet’s Carmen is by far his most famous composition. Borne’s setting of Carmen’s luscious melodies – like those by Sarasate for the violin, and by Busoni and Horowitz for the piano – combine the virtuoso’s understanding of the solo instrument with a flair for the dance rhythms and passionate colors of the opera. Borne fills his setting with spectacular arpeggios that require fleet fingering and consummate breath control. Carmen’s brilliant Habanera, a traditional dance that she performs with castanets (and with abundant flirting), anchors the work. But the mood of Borne’s Carmen is far brighter than that of the fatalistic Gypsy girl of Bizet’s opera. In Borne’s showpiece, a set of brilliant variations on her showy Habanera leads to a triumphant close – in marked contrast with the opera’s violent, tragic ending. In this version, the composition was arranged for Solo Flute and Concert Band by Harry Walker.
$79.99
71.64 €
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Orchestre d'harmonie
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Francois Borne and Georges Bizet
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Harry Walker
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Carmen Fantaisie Brillante for Solo Flute and Concert Band
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SCORE EDITIONS
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SheetMusicPlus
A Little Baby - Christmas song SSAA flute and piano composed by Connie Boss
Alto Voice,Bass Voice,Choir,Flute,Piano,Soprano voice,Tenor Voice - Digital Download SK…
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Alto Voice,Bass Voice,Choir,Flute,Piano,Soprano voice,Tenor Voice - Digital Download SKU: A0.1317286 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 15 pages. Connie Boss #905946. Published by Connie Boss (A0.1317286). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for SSAA, flute or violin or cello and piano. I have this in other versions as well on here. You can perform this without the flute if you don't have one. To hear just the piano, you can search solo and piano on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
$7.99
7.16 €
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Connie Boss
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Connie Boss
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A Little Baby - Christmas song SSAA flute and piano composed by Connie Boss
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Connie Boss
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SheetMusicPlus
Fantaisie sur La Flûte enchantée” de Mozart
Violoncelle, Piano
Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53290 Op.…
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Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53290 Op. 40. Composed by Auguste Joseph Franchomme. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 40. 16 pages. Schott Music - Digital #Q53290. Published by Schott Music - Digital (S9.Q53290). English • German.Auguste Joseph Franchomme was born in Lille on 10.4.1808; he died in Paris in 1884. One of his first cello teachers in Lille was Pierre Baumann, who also taught Edouard Lalo. Giving up the study of Law in favour of the cello, he studied with Jean-Henri Levasseur and Louis-Pierre Norblin from 1825 at the Paris Conservatoire. After that he played in various orchestras until he was eventually able to establish himself as a soloist and chamber musician in Paris. Together with violinist Jean-Delphin Alard he founded the Alard Quartet, one of the few string quartets of the time whose members were all professional musicians. Alongside his concert career, Franchomme was a popular and successful professor at the Conservatoire for almost forty years. His compositions include numerous pieces and studies for the cello, a cello concerto and many transcriptions. Franchomme was a close friend of Chopin: he also composed the cello part to Chopin’s Duo concertante and reworked the cello part for the Polonaise Brillante. Chopin dedicated his Cello Sonata op. 65 to Franchomme. Chopin’s influence is clearly recognisable in Franchomme’s work and particularly evident, for example, in his Étude in C# minor op. 35/11. In 1884 Franchomme was awarded the Légion d’honneur for his services to music. This Fantaisie based on themes from Mozart’s Magic Flute was published in 1873 (plate no. 20425).
$3.99
3.57 €
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Violoncelle, Piano
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Auguste Joseph Franchomme
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he died in Paris in 1884
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Fantaisie sur La Flûte enchantée” de Mozart
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Schott Music - Digital
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95
38.46 €
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Trio à Cordes: violon, alto, violoncelle
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Trio
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jmsgu3
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Moz…
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String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
53.69 €
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Orchestre à Cordes
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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jmsgu3
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SheetMusicPlus
Nocturne for violin and orchestra
Orchestre, Violon
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
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Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99
17.9 €
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Orchestre, Violon
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Nocturne for violin and orchestra
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Schott Music - Digital
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95
40.26 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Quartet
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jmsgu3
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SheetMusicPlus
Candlemas Carol
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. B…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdrop’s folk names is ‘Eve’s Comforter’; another ‘Maid of February’. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. When Eve and Adam left Eden fair, the snow and ice lay ev’rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. A teardrop fell from Eve’s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heaven’s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: ‘Amen!’ in praise of Winter’s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Eden’s perpetual summer, they wandered, despondently, into Earth’s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.
$100.00
89.56 €
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Chorale SSAA
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Alan Wagstaff
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Alan Wagstaff
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Candlemas Carol
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Alan Wagstaff
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SheetMusicPlus
A Little Baby - Christmas song trio, flute or cello or violin and piano composed by Connie Boss
Alto Voice,Cello,Electric Violin,Flute,Medium Voice,Piano,Soprano voice - Level 2 - Digita…
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Alto Voice,Cello,Electric Violin,Flute,Medium Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.1288007 Composed by Connie Boss. Celtic,Christmas,Irish. 14 pages. Connie Boss #879043. Published by Connie Boss (A0.1288007). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for trio, flute or violin or cello and piano. I have this in other versions as well on here. You can perform this without the flute if you don't have one. To hear just the piano, you can search solo and piano on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
$5.99
5.36 €
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Connie Boss
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A Little Baby - Christmas song trio, flute or cello or violin and piano composed by Connie Boss
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Connie Boss
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SheetMusicPlus
A Little Baby - Christmas song SATB optional instruments and piano composed by Connie Boss
Alto Voice,Bass Voice,Cello,Choir,Flute,Piano,Soprano voice,Tenor Voice,Violin - Level 2 -…
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Alto Voice,Bass Voice,Cello,Choir,Flute,Piano,Soprano voice,Tenor Voice,Violin - Level 2 - Digital Download SKU: A0.1317293 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious,Sacred. 15 pages. Connie Boss #905953. Published by Connie Boss (A0.1317293). God sent his son in the form of a baby. He was born to save all of us. This is a pretty song about a little baby (Jesus). It is for SATB, flute or violin or cello and piano. I have this in other versions as well on here. You can perform this without the flute if you don't have one. To hear just the piano, you can search solo and piano on here. Questions or requests - email cdboss@cvalley.netLyrics:A Little BabyChristmas SongComposed by Connie Boss Verse 1:A little baby in a stallA little baby oh so smallA little baby born for allA little babyA little babyRefrain:He was the one God sent usHe was born to save usHe was our light  He gave His life  For usVerse 2:News of His birth spread all aroundAcross the desert and the townThey all were searching up and down….forA little babyA little babyRefrain:Verse 3:His mother stays close by His sideHis father with a watchful eyeA baby gives a humble cryA little babyA little babyRefrain:Verse 4 (Final Ending)In a stall oh so smallBorn to save us one and allHe fulfilled His father’s callA little babyA little baby.
$7.99
7.16 €
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Connie Boss
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Connie Boss
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A Little Baby - Christmas song SATB optional instruments and piano composed by Connie Boss
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Connie Boss
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SheetMusicPlus
Polka Russe-Czerny-Flute Trio
Trio de Flûtes: 3 flûtes
Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.844567 C…
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Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.844567 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 17 pages. Phil Beaman #3904041. Published by Phil Beaman (A0.844567). In 1853 Charles Czerny composed a set of 20 easy piano pieces which he called Amusement des Jeunes Amateurs (Amusement for Young Amateurs); they were subtitled Petites et Brillantes Recreations (Small and Brilliant Recreations). Let's just say they are easy fun little pieces! All of the pieces were loosely based on a folk song or a popular theme from a classical composer. One of them was based on a popular folk Russian polka, so he called it Polka Russe.I have taken Polka Russe and freely arranged it for Instrumental Trio, using some of Czerny's themes, re-arranging them into parts, and also re-ordering them into my own Rondo. Form is Intro-ABACADA-Coda. I have broken up his melodies and spread them across all three parts; each part is of equal importance and each part independently adds to the stunning melodic weaving. Parts are mostly scales and arpeggios. It requires careful counting and close attention to rhythmic interplay, but sounds quite advanced and dramatic when all details are observed. This piece is really quite Easy, I have just marked it Early Intermediate because of the Allegretto vivace tempo, the note range (two octaves), and the necessary counting. A fun piece to show your technique and musicianship as a group in any concert. 1:45 minutes, 8 pages score, 3 pages @ part
$5.50
4.93 €
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Trio de Flûtes: 3 flûtes
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Flute Trio
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Phil Beaman
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SheetMusicPlus
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