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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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He is close by for viola and piano
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He is close by for viola and piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.577289 Composed by David Warin Sol…
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Piano,Viola - Level 4 - Digital Download SKU: A0.577289 Composed by David Warin Solomons. Contemporary,Jewish,World. Score and part. 16 pages. David Warin Solomons #3418945. Published by David Warin Solomons (A0.577289). Duo in a double harmonic scale (ie 2 augmented seconds) initially inspired by the Holy holy holy that I wrote last Christmas but with a Klezmer-style edge to it.
$15.00
13.64 €
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Alto, Piano
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David Warin Solomons
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He is close by for viola and piano
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David Warin Solomons
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SheetMusicPlus
Amazing Grace, Concert Solo for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Ar…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611387. Published by David McKeown (A0.587645). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Viola with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.18 €
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Alto, Piano
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John Newton
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David McKeown
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Amazing Grace, Concert Solo for Viola and Piano
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David McKeown
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SheetMusicPlus
Bach: Bist du bei mir BWV 508 for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
29.97 €
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Alto, Piano
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
29.97 €
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Alto, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
Amazing Grace, Gospel Hymn for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.592657 Composed by John Newton. Ar…
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Piano,Viola - Level 2 - Digital Download SKU: A0.592657 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and part. 3 pages. David McKeown #6411267. Published by David McKeown (A0.592657). Amazing Grace is a beautiful hymn arranged here for Solo Viola and Piano.Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey.The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.
$2.49
2.26 €
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Alto, Piano
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John Newton
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David McKeown
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Amazing Grace, Gospel Hymn for Viola and Piano
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David McKeown
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SheetMusicPlus
Bubbles, Floating Bubbles (piano solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1134936 By Juan MarÃa Solare. By…
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Piano Solo - Level 4 - Digital Download SKU: A0.1134936 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 8 pages. Juan Maria Solare #652301. Published by Juan Maria Solare (A0.1134936). Juan MarÃa Solare: Bubbles, Floating Bubbles - a polyrhythmic etude Concert etude composed in Bremen (2-3 July) and Worpswede (5 July 2010). Duration: 4:30 (if the repetition -from bar 28 to the end- is being played; if not, 3 minutes). Bublles, Floating Bubbles - by Juan MarÃa Solare Bubbles, Floating Bubbles on Youtube: Bubbles, Floating Bubbles on Spotify: This composition is a concert etude, since it can be performed at a recital (and not only used to practice). The degree of virtuosity is relatively low, but nevertheless not suitable for absolute beginners. Technically, the main characteristic of this piece is the polyrhythm 2 against 3: the melody subdivides the quarter in 2, and the accompaniment plays triplets. In this sense, an answer to Carl Czerny's polyrhythmic studie in E major. Please use abundant pedal when playing this piece. The idea is to generate a cloud of sound, not a machinal pattern. The sound character of this piece should be closer to Debussy than to Scarlatti. The initial indication scorrevole (fleeting) should orientate the character and the sound quality, the touch. Fermatas and caesuras should add time to the bar, like breathing in. In bar 8 (end) the silence is only in he left hand: the note of the right hand shouldn't be interrupted. This is actually clear if one read the rhythms carefully, but my experience tells me that it is prudent to underline this particular point. In bar 16 (and similar places), left hand: it is the central melody what should be in foreground, not the bass. Imagine that the melody is played by a cello or viola, and the bass by a double bass (or better: a bassoon). Try to achieve a different timbre and to separate therefore both layers. The title refers to this poem: Sum venti ingenium breve Flos sum, scilicet, aeris …… Sum blandum, petulans, vagum, Pulchrum, purpureum, et decens, Comptum, floridulum, et recens. Richard Crashaw -Jacobean English poet- (1613-1649), Bulla (Bubble) I am the brief nature of the wind To be sure, I am the flower of air ...... I am charming, wanton, inconstant, Beautiful, gleaming, and noble, Ornate, somewhat blooming, and fresh.
$3.00
2.73 €
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Piano seul
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Juan MarÃa Solare
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if not, 3 minutes)
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Bubbles, Floating Bubbles
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Juan Maria Solare
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Compose…
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String Trio Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.1201012 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Standards,Wedding. 70 pages. Jmsgu3 #798993. Published by jmsgu3 (A0.1201012). Sonata No. 6, “Durnitz†for String TrioScore and performance parts:  Score: 32 pages. Duration: ca. 28:54Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece that was composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious piano sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.There is no concrete evidence to support the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$42.95
39.07 €
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Trio à Cordes: violon, alto, violoncelle
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Trio
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jmsgu3
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SheetMusicPlus
Mozart: Sonata K. 284 “Durnitz” for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1202033 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Chamber,Classical,Contest,Festival,Traditional,Wedding. 94 pages. Jmsgu3 #800635. Published by jmsgu3 (A0.1202033). Sonata No. 6, “Durnitz†for String Quartet Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The central theme is a lilting melody first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flutist who was a patron of Mozart. Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano. No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works.
$44.95
40.89 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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W
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James M
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Mozart: Sonata K. 284 “Durnitz” for String Quartet
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jmsgu3
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SheetMusicPlus
Lent and Easter Strings book 2 - Strings and Piano
Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU…
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Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801605 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 23 pages. Connie Boss #6254973. Published by Connie Boss (A0.801605). This book contains 4 original songs for Lent and Easter. Each song takes you one step closer to Easter. You will get a score of strings trio and piano, plus just the strings in 2 pages each so no page turning. These are all lovely with harmonies and moving parts. Strings trio is for violin, viola and cello. cdboss @cvalley.net. I also have these individually and with vocals as well.Lyrics:The Journey (Lenten) Composed by Connie Boss Verse 1: As we start this Lenten journey A time of fast and prayer We reflect on your own journey And it’s beyond compare Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Verse 2: Ash Wednesday starts our journey With a mark of sacrifice A cross of ashes on our foreheads For us you paid the price Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Verse 3: As our time ends for this journey We enter Holy Week We reach that fateful day Forgiveness now we seek Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Final Refrain: So through our Lenten journey We fast and pray And we battle with the devil In every wayTowel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll do What You want me to V2Jesus knew there was a traitor among His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandThen You’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet Crucified (song for Good Friday) Composed by Connie Boss Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you. V1 The people shout. Let’s crucify! He’s not our King. So, He must die But Pilate said. Is He the one? I see no crime. That He has done. Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you. V2 With piercing thorns. A crown of grief! Carried a cross. To Calvary They nail your hands. And then your feet Upon the cross. For all t.
$6.99
6.36 €
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Connie Boss
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Lent and Easter Strings book 2 - Strings and Piano
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Connie Boss
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SheetMusicPlus
Nimrod from Enigma Variations Op. 36 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1117904 Composed by Edward Elgar. Arranged by Robert Luke Thompson. 19th Century,Chamber,Classical,Film/TV,Patriotic. 8 pages. Monkspath Music #719410. Published by Monkspath Music (A0.1117904). Sir Edward Elgar’s compositional output was prolific, with many well-known pieces, including the Pomp & Circumstance marches, Dream of Gerontius, and of course, the Engima Variations. Elgar’s legacy has been widely debated, but there is no doubt of his influence on ‘English’ music and composers such as Ralph Vaughan Williams, but also further afield, on composers as diverse as Richard Strauss, Jean Sibelius, and Igor Stravinsky. Along with a central theme woven and varied throughout the work, each movement of Engima Variations is also a musical illustration, based on a family member or close friend of Elgar, and indeed Elgar himself. He dedicated the work “to my friends pictured withinâ€. “Nimrod†is the name given to the ninth movement, based on Elgar’s editor and publisher, Augustus J, Jaeger. Musically, there is an obvious hint at the 2nd movement of Beethoven’s Piano Sonata Pathetique, but beyond this there are beautiful legato lines spread across the whole ensemble and a wide variety of timbral, dynamic, and tempo colourations. “Nimrod†has become a popular piece as a standalone item – often featuring in funerals, memorial services, and other solemn events such as Remembrance Sunday. Hans Zimmer also adapts the piece for use in the score for the 2017 film Dunkirk, and has become a standard tune to represent stoic ‘Britishness’. For further pieces, view the Monkspath Music catalogue and click here!
$12.99
11.82 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Edward Elgar
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Robert Luke Thompson
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Nimrod from Enigma Variations Op. 36 for String Quartet
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Monkspath Music
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SheetMusicPlus
Romance (Study in E) - Anon./Sor/Yepes (Vn, Va, Vc)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802…
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String Ensemble,String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.802693 Composed by Anon. or Fernando Sor, or Narciso Yepes. Arranged by Shigeo Ida & Peet du Toit. Contemporary. Score and parts. 6 pages. Peet du Toit #6513457. Published by Peet du Toit (A0.802693). Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names.Its origins and authorship are currently in question. It is suspected of originally being a solo instrumental guitar work, from the 19th century. It has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Miguel Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. The Anónimo (anonymous) part of its name has been incorporated over the years due to this uncertainty. The question of authorship has probably been propagated by three main reasons: the lack of claim by its true author, the desire to avoid paying copyright fees, and the desire of publishing companies to claim the lucrative copyright of this world-famous piece.The style of the piece is that of the Parlour music of the late 19th century in Spain or South America, having a closed three-part form: the first in the minor key and the second being in the major key, with the third being a restatement of the first.Narciso Yepes (1927 - 1997) interpreted and is listed as the author of the piece in René Clément's 1952 film Jeux interdits (Forbidden Games). The popularity of the film gave the piece worldwide fame. Yepes currently has the copyright of this composition in Spain although recordings and manuscripts of this song predate 1952. Newer publications show Yepes as the arranger and the piece being of anonymous authorship, or authored by Fernando Sor.The official statement from Narciso Yepes and the Yepes heirs is that Narciso Yepes, being a young boy, originally composed the piece for his mother when he was about seven years old (c.1934) and soon thereafter performed it between acts at the Teatro Guerra, in Lorca, Spain. Some time later, he recounts, when he was thirteen years old he attended a performance in Valencia and heard his composition performed by another guitarist, who indicated the authorship as anonymous. Yepes contends that the melody had been plagiarized (with some changes to the arrangement) by someone who, he assumes, must have attended that first performance. However, Yepes was born 1927 and cannot be the author of the work, since it was already recorded in 1900 and published before 1925 (possibly 1913) by J.A. MEDINA e HIJO; and in 1919 in themethod of Pedro Mascaró y Reissig, etc. Vicente Gomez (1911-2001) published it and performed it in 1941 in the Hollywood movie Blood and Sand with Tyrone Powerand Rita Hayworth, also attributing authorship of the song to himself. Anyway, the piano arrangement of the brilliant Shigeo Ida caught my attention and I decided to rework it somewhat into this trio for strings. Enjoy!
$14.50
13.19 €
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Trio à Cordes: violon, alto, violoncelle
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Anon
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Shigeo Ida & Peet du Toit
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Romance
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Peet du Toit
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SheetMusicPlus
A Night In Tunisia
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizz…
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Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.18 €
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Alto, Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Rigaudon - Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.881367 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.881367 Composed by Maurice Ravel. Arranged by Ted Lucas. 20th Century,Contemporary. 39 pages. Tuxedo Music Publishing #5022161. Published by Tuxedo Music Publishing (A0.881367). Rigaudon is the fourth dance in Ravel’s popular piano suite Le Tombeau de Couperin and one of the most well known.. Ravel liked Le Tombeau so much that he later orchestrated four of the dances, ending with Rigaudon. Arranged by accomplished violinist Ted Lucas, who has decades of string quartet experience, this lively dance is a perfect concert-opener or an ideal closer as an encore. This is the only piece in Le Tombeau where Ravel did not include a metronome marking, so it can be played at any spritely tempo you are comfortable with. Take a listen to part of it.
$8.99
8.18 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Maurice Ravel
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Ted Lucas
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Rigaudon - Score and Parts
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Tuxedo Music Publishing
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SheetMusicPlus
Nimrod, from Enigma Variations
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1458677 Composed by Sir Edward Elgar (1857-1934). Arranged by Stephen Levintow. 19th Century,Romantic Period,Wedding. 6 pages. Cypress Publishing #1037607. Published by Cypress Publishing (A0.1458677). Sir Edward Elgar’s Variations on an Original Theme, commonly known as Enigma Variations, may be the most wonderful musical tribute to friendship ever composed. Each of the fourteen variations is headed with initials or a code name of a family member or friend, with the last one being Elgar himself. The best known variation is the ninth, entitled Nimrod. It represents Augustus Jaeger, Elgar’s close friend and editor at his publisher Novello & Company. In the Bible, Nimrod is referred to as “the mighty hunter”, thus identifying with Jaeger (Jäger), meaning “hunter” in German. The stately and serene variation expresses the depth of the composer’s feelings for his friend, and is often performed separately on solemn occasions. This arrangement is based on the original orchestral score, and Elgar’s own piano reduction, both published by Novello in 1899. Technically it is not too difficult, though with some double stopping to complete the harmonies and for fullness of sound.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$5.00
4.55 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Sir Edward Elgar
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Stephen Levintow
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Company
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Nimrod, from Enigma Variations
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Cypress Publishing
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SheetMusicPlus
Just A Closer Walk With Thee for String Quartet or Wind Quartet (Mixed Quartet, Double Reed Quartet,
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.530757 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.530757 Composed by Traditional. Arranged by Daniel Kelley. Gospel,Sacred,Spiritual,Standards. Score and parts. 30 pages. Last Resort Music Publishing #6065337. Published by Last Resort Music Publishing (A0.530757). JUST A CLOSER WALK WITH THEE is a traditional gospel song which has been performed and recorded by literally hundreds of artists. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, We walk by faith, not by sight and James 4:8, Come near to God and He will come near to you.An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Set of 11 Parts plus ScorePart 1 Flute or Oboe or ViolinPart 1 Clarinet in BbPart 2 Flute or Oboe or ViolinPart 2 Clarinet in BbPart 3 ViolaPart 3 Violin Part 3 Clarinet in BbPart 3 English Horn or French Horn in FPart 4 Cello or BassoonPart 4 Bass Clarinet in BbKeyboard or GuitarScore (Parts 1-4 in C)
$9.95
9.05 €
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Orchestre de chambre
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Traditional
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Daniel Kelley
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Cello, Piano Quartet &
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Just A Closer Walk With Thee for String Quartet or Wind Quartet
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Last Resort Music Publishing
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SheetMusicPlus
A Night In Tunisia
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
13.63 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Just A Closer Walk With Thee for String Trio (or Wind Trio or Mixed Trio) Music for Three
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Do…
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.530756 Composed by Traditional. Arranged by Daniel Kelley. Gospel,Sacred,Spiritual,Standards. Score and parts. 23 pages. Last Resort Music Publishing #6065335. Published by Last Resort Music Publishing (A0.530756). JUST A CLOSER WALK WITH THEE is a traditional gospel song which has been performed and recorded by literally hundreds of artists. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, We walk by faith, not by sight and James 4:8, Come near to God and He will come near to you.Full Set of Parts includes:
$9.95
9.05 €
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Traditional
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Daniel Kelley
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Just A Closer Walk With Thee for String Trio
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Last Resort Music Publishing
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SheetMusicPlus
Haunted Spot - Schumann - String Quintet
String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.…
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String Ensemble,String Quintet Cello,Viola,Violin - Level 4 - Digital Download SKU: A0.844500 Composed by Robert Schumann. Arranged by Phil Beaman. Romantic Period,Standards. Score and parts. 11 pages. Phil Beaman #3485509. Published by Phil Beaman (A0.844500). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Haunted Spot, which I have arranged for Instrumental Quintet. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. There are interpretive marks in every measure as each part independently adds to the stunning polyphonic weaving. Requires careful counting and close attention to rhythms, but sounds quite advanced and dramatic when all details are observed. A fun piece to show your technique and musicianship as a group in any concert. To be played with passion, excitement, and mystery...perfect for that Halloween program!2018 Chamber Music Contest entry2 1/2 minutes, 6 pages score, 1 page @ parttemporary MIDI recording for a general idea
$10.99
10 €
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Robert Schumann
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Phil Beaman
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Haunted Spot - Schumann - String Quintet
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Phil Beaman
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SheetMusicPlus
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